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Dorset Days DORSET DAYS Authored by Alan Macfarlane
Digital Proofer Dorset Days DORSET DAYS Authored by Alan Macfarlane 5.5" x 8.5" (13.97 x 21.59 cm) Black & White on White paper 354 pages ISBN-13: 9781492121527 ISBN-10: 1492121525 Please carefully review your Digital Proof download for formatting, grammar, and design issues that may need to be corrected. We recommend that you review your book three times, with each time focusing on a different aspect. Check the format, including headers, footers, page 1 numbers, spacing, table of contents, and index. 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. DORSET DAYS AN UPBRINGING IN THE 1940S AND EARLY 1950S Rhodes James and Macfarlanes, Broadstone, Dorset,1951 Alan’s parents with maternal grandparents and family, Alan, seated on ground BY ALAN MACFARLANE For Fiona and Anne who shared those Dorset Days First published by The Village Digital Press The Orchard Glasshouse, South Willingham, Market Rasen LN8 6NG UK CONTENTS Preface and acknowledgements ix Chronology and sources xv 1. Coming home 1 2. Home 23 3. Daily life 35 4. Money and chickens 68 5. Pain 83 6. Education 98 7. Games 127 8. Outdoors 138 9. Imagination 166 Republished © Alan Macfarlane 2013 10. Assam 197 11. Separations 219 12. The View from Afar 240 Afterwards 255 Visual essay - pho tographs, drawings and letters supp Re PREFACE AND ACKNOWLEDGEMENTS There are four questions behind this account of my childhood. -
Security Policy, Social Networks, and Rio De Janeiro's Favelas Jason Bartholomew Scott Ph.D. Candidate D
Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Jason Bartholomew Scott Ph.D. Candidate Department of Anthropology University of Colorado-Boulder A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosphy Department of Anthropology 2018 i This thesis entitled Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas written by Jason Scott has been approved for the Department of Anthropology at the University of Colorado-Boulder Donna Goldstein Kaifa Roland Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 13-0015 ii Scott, Jason Bartholomew (Ph.D., Anthropology) Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Thesis Directed by Professor Donna M. Goldstein Dissertation Abstract This dissertation addresses the connections between everyday violence and digital technology. I describe three years of ethnographic research concerning a community policing program called “pacificação ” (pacification) in a Brazilian favela (shanty town). Alongside supporting a permanent police force that destabilized a powerful drug faction, pacification policy endorsed a wide range of social projects and dramatically reshaped the relationship between the Brazilian State and its marginalized citizens. Among the social projects associated with pacification were a number of “inclusão digital” (digital inclusion) programs that combined technical literacy with critical political literacy in the hope of disrupting exclusionary conditions. During my observations of these programs, I found what I call a hidden politics of digital reproduction. -
Complete Idiot's Guide to American Literature and Use the Rest of Your Time Impressing the Love of Your Life with Your Knowledge of Whitman and His Poetry
Page aa DEAR READER Page ab THE COMPLETE IDIOT'S REFERENCE CARD Page ac Page i American Literature by Laurie E. Rozakis, Ph.D. A Division of Macmillan General Reference A Pearson Education Macmillan Company 1633 Broadway, New York, NY 10019–6785 Page ii Copyright © 1999 by Laurie E. Rozakis All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. For information, address Alpha Books, 1633 Broadway, 7th Floor, New York, NY 10019–6785. THE COMPLETE IDIOT'S GUIDE TO & Design are registered trademarks of Macmillan, Inc. Macmillan General Reference books may be purchased for business or sales promotional use. For information please write: Special Markets Department, Macmillan Publishing USA, 1633 Broadway, New York, NY 10019. International Standard Book Number: 0028633784 Library of Congress Catalog Card Number: 9964167 01 00 99 8 7 6 5 4 3 2 1 Interpretation of the printing code: The rightmost number of the first series of numbers is the year of the book's printing; the rightmost number of the second series of numbers is the number of the book's printing. For example, a printing code of 991 shows that the first printing occurred in 1999. -
Roberto Rossellini - Luisa Ferrari Representante Legal: Guillermo Aguayo HISTORIA: Domiciliado En: 7 Norge 360-Viiia La Obra Filmica De Joseph Losey - Jose Romcin
NOVIEMBRE m .&A * PAILLARD S.A. Ste-Croix - Suisse AGENTES GENERALES PARA CHILE FORESTIER. WEINREICH y CIA. LTDA. CASILLA 191-V - ESMERALDA 1069 - VALPARAISO . itarnbien en Chile! NOTA DE LA DIRECCION: La Direcci6n de la Revisfa Cine-Foro rue- ga a sus suscripfores y lecfores, en general. excusar el afraso con que arjarece esfe ejem- BITTER plar No 5, haciendo presenfe que ello fuvo como causa problemas de diversa indole, aforfunadamenfe ya superados. Esfo nos permife asegurar la publicacibn de cuafro n6meros a1 aiio. Los actuales suscripfores recibirh de acuerdo a lo ofrecido, 10s 12 primeros nG- meros. Elahorado bajo kencia y supervish Hacemos presenfe. adem&, que a contar prbximo ejemplar la revisfa cambiars de David Campari Milh por del su formato actual par otro. aproximadamente del mismo fama8o.. pero que permifiri ser empasfado y mejor conservado. verso y Cia. I I I Viiia del Mar - Santiago - Linarea SUMARIO: REVISTA OFICIAL CINE CLUB VINA DEL MAR EDITORIAL : Una Sala de Cine Arte para Chile CINE POLEMICA: Direccion: Luisa Ferrari y El Problema de la Rebelion Frente a “El Silentio". Jose Troncoso Kerry Oiiate NOTICIAS Producci6n: Gabriel Traverso TECNICA CINEMATOGBAFTCA Director Responsable : Luisa Ferrari I) Introducct6n a1 Cine - Aldo Francia Domiciliado en: 7 Norfe 360-Vifia PRIMER PLANO: Roberto Rossellini - Luisa Ferrari Representante Legal: Guillermo Aguayo HISTORIA: Domiciliado en: 7 Norge 360-Viiia La Obra Filmica de Joseph Losey - Jose Romcin Representante en Santiago: Kerry Oiiafe CRITICA CINEMATOGRAFTCA: Cinefaca Universifaria “El Sirviente” - Jose Roman “Hamlet” - Aldo Francia S’uscripciones : Cine Club Viiia del Mar’ “America, America” - Orlando Walter Muiioz Casilla 271 - Viiia BIO-FILMOGRAFIAS : Joseph Losey - Jose Romcin Valor del Ejemplar: 1,50 Ea Ingmar Bergman - Kerry Oiiate REGISTRO DE PROPIEDAD INTELECTUAL EN TRAMITE EL CINE CLUB, FERMENT0 DE CULTURA CINEMATOGRAFICA ARO I No 5 NOVIEMBRE 1965 Jean Pierre Bardot SEA UD. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. i Mapping the Geographical and Literary Boundaries of Los Angeles: A Real and Imagined City A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts at The University of Waikato by Scott Granville 2007 ii ABSTRACT In Los Angeles, the influence of Hollywood and the film industry, combined with a non-stop barrage of media images, has blurred the line between the real and imaged. The literature reveals a city exploding with cultural, racial and social differences, making Los Angeles a confusing and alienating place. The literature of Los Angeles reflects the changing face of the city. Los Angeles was always a city with a promising future, economic booms and optimism seemed to suggest that here was a place where the American Dream really could come true. -
Portrayals of Masculinity in the Post-Apartheid Novel
“A Man of His Generation”: Portrayals of Masculinity in the Post-Apartheid Novel Roger Blanton Jr Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy Queen Mary, University of London School of English and Drama March 15, 2018 Appendix A: Required statement of originality for inclusion in research degree theses I, Roger Blanton Jr, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Roger Blanton Date: March 15, 2018 2 Abstract While portrayals of women in post-apartheid literature have attracted a great deal of academic attention, far less consideration has been given to the depiction of men. My project begins from this point of omission by examining a range of novels to consider how constructions of masculinity have been influenced by South Africa’s transition from apartheid rule to democratic governance. -
Agnarsdóttir, Anna
BOOK REVIEWS Glenn Grasso (comp. & ed.); transcribed by Marc songs, like "A Long Time Ago" and "Lowlands Bernier. Songs of the Sailor: Working Chanteys at Low," have been rewritten and greatly shortened Mystic Seaport. Mystic, CT: Mystic Seaport from the source on which they claim to be based. Museum, 1998. 67 pp., illustrations, musical Such editing is severe enough to lose the sense transcriptions, suggested readings, glossary. US and mood of the song. With "Shallow Brown," $9.95, spiral-bound; ISBN 0-913372-84-6. verses of other songs replace most of those of previously published va riants. While adding such Sea shanties were the shipboard work songs of the verses to suit the duration of a task was a period Age of Sail. At the Mystic Seaport Museum, practice, removing the original verses and the shanty singers demonstrate how songs were used story they tell is unprecedented. Deletion of not only in their modern role, as entertainment, verses is also encouraged by the one-song-per- but also in their original role as an important page format, so that some songs have been much element of shipboard work. This book is an shortened. While the notes mention the censorship overview of shantying at the museum as well as and editing, they don't adequately convey its an accompaniment to Songs of the Sailor, a extent, so that readers will be left without a full compact disk by the museum's shanty team. impression of what shanties were really like. The book briefly explains how shanties are This book shows well how shantying can used at the museum. -
The Elephant Man (1980), Whose Life Is It Anyway? (1981), Duet for One (1987) and My Left Foot (1989)
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36342 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. The Cinematic Construction of Physical Disability as Identified Through the Application of the Social Model of Disability to Six Indicative Films Made since 1970: A Day In The Death Of Joe Egg (1970), The Raging Moon (1970), The Elephant Man (1980), Whose Life Is It Anyway? (1981), Duet For One (1987) and My Left Foot (1989). by Paul Anthony Darke BA., MA. Being a thesis of 80,000 words resubmitted for the degree of PhD in Film Studies (supervised by Professor Richard Dyer) at The University of Warwick on April 30th in the year 1999 Contents Contents 1 Acknowledgements 2 Declaration 3 Summary Introduction 5 Chapter One A Literature Review 35 Chapter Two Archetypal or Stereotypical? 69 Chapter Three Family and Disability 105 Chapter Four The Impaired Body of Disability 145 Conclusion 213 Filmography 225 Bibliography 231 1 Acknowledgements I wish to acknowledge an immeasurable debt of gratitude to a few individuals for their support and encouragement during the writing of this thesis. Firstly, for his scholastic guidance, bibliographical wisdom and supervision, Professor Richard Dyer. Secondly, to my partner, Marie Claire Darke, for her belief that I could do it (and for typing out the bibliography); and to my father, Sydney John Darke, and my son, Walker Augustus Sydney P Darke, for putting the exercise into its correct perspective. -
BFI Annual Review 2008/2009
The following TiTles were screened as parT of various seasons and reTrospecTives aT The Bfi souThBank - april 2008 | PoP Goes the Revolution: FRench cinema and may ‘68 | alPhaville (1965) | the BRide WoRe Black / la maRiée était en noiR (1967) | la collectionneuse (1966) | un homme et une Femme (1966) | les idoles (1968) | masculin Féminin (1966) | mR FReedom (1968) | la Piscine (1968) | la Révolution n’est qu’un déBut. - continuons le comBat (1969) | sloGan (1969) | tRans-euRoP exPRess (1968) | Weekend (1967) | Who aRe you, Polly maGGoo? / qui êtes-vous, Polly maGGoo? (1966) RoBeRt donat | the 39 stePs (1935) | the adventuRes oF taRtu (1943) | the citadel (1938) | the count oF monte cRisto (1934) | the cuRe FoR love (1950) | the Ghost Goes West (1935) | GoodBye, mR. chiPs (1939) | the inn oF the sixth haPPiness (1958) | kniGht Without aRmouR (1937) | lease oF liFe (1954) | the maGic Box (1951) | PeRFect stRanGeRs (1945) | the PRivate liFe oF henRy viii (1933) | the WinsloW Boy (1948) | Rakhshan Bani-etemad | the Blue-veiled / RusaRi aBi (1994) | canaRy yelloW / ZaRd-e qaBaRu (1986) | centRalisation / tamaRkoZ (1987) | FoReiGn cuRRency / Pul-e khaReji (1989) | Gilaneh (2005) | the last meetinG With iRan daFtaRi / akhaRin didaR Ba iRan-e daFtaRi (1995) | mainline / khunBaZi (2006) | the may lady / Banu-ye oRdiBehest (1998) | naRGess (1992) | oFF-limits / khaRej as mahdudeh (1986) | ouR times / RuZeGaR-e ma (2002) | to Whom Will you shoW these Films anyWay? / in Filmha Ro Be ki neshun midin? (1993) | undeR the city’s skin / ZiR-e Pust-e -
CHURCH of GOD Evangel JANUARY 2014
CHURCH OF GOD Evangel JANUARY 2014 remember israel • obey radically pray faithfully • speak up quit pretending • choose to worship january 2014 Contents volume 104 n issue 1 AS CHRISTIANS, what does Jesus Christ expect of us in 2014? • He expects us to “love God, and keep his commandments” (1 John 5:2). • He expects us “always to pray, and not to faint” (Luke 18:1). • He expects us to “not be like the hypocrites” (Matt. 6:5 NIV), but instead to serve Him in humble sincerity. • He expects us to “not be ashamed to testify about our Lord” (2 Tim. 1:8 NIV), but instead to boldly speak up for Him. • He expects us to “admonish the unruly, encourage the fainthearted, help the weak, be patient with everyone” (1 Thess. 5:14 NASB). divine expectations 10 Radical Obedience by David White Sacrifice . trust . yield . persist 12 We Must Never Forget Israel by Michael Utterback “One flock, one Shepherd” 14 From Discipline to Delight by LaVoy Newton Leading a life of prayer 16 An Eagle Scout’s Courageous Decision by Victor Morris Standing for morality 17 Speak Up! by Dewayne Hamby We need holy boldness. 18 My Journey to Pro-Life Ministry by Sherry Ivy Reed Reaching the unborn and their parents columns 20 Quit Pretending! by Charlotte Gambill Join God’s great adventure. 5 In Covenant, Mark L. Williams 7 On My Mind, Lance Colkmire 22 Choose to Worship by Scott Rasco 30 Where Are They Now? David Roebuck Going beyond emotion departments 23 Gathering Sticks by Daniel Sylverston Do the small things. -
The Australian Beachspace: Flagging the Spaces of Australian Beach Texts
THE AUSTRALIAN BEACHSPACE: FLAGGING THE SPACES OF AUSTRALIAN BEACH TEXTS Elizabeth Ellison Bachelor of Creative Industries (Hons) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Writing and Literary Studies Discipline School of Media, Entertainment, and Creative Arts Creative Industries Faculty Queensland University of Technology 2013 Supervisory Team Principal Supervisor Dr Lesley Hawkes Creative Writing and Literary Studies Associate Supervisor Dr Sean Maher Film, Television and New Media ii The Australian Beachspace: flagging the spaces of Australian beach texts Keywords Australian beaches, Australian film, Australian literature, Australian studies, gender studies, Indigenous film, Indigenous literature, spatial studies, Thirdspace, beachspace The Australian Beachspace: flagging the spaces of Australian beach texts iii Abstract The Australian beach is a significant component of the Australian culture and a way of life. The Australian Beachspace explores existing research about the Australian beach from a cultural and Australian studies perspective. Initially, the beach in Australian studies has been established within a binary opposition. Fiske, Hodge, and Turner (1987) pioneered the concept of the beach as a mythic space, simultaneously beautiful but abstract. In comparison, Meaghan Morris (1998) suggested that the beach was in fact an ordinary or everyday space. The research intervenes in previous discussions, suggesting that the Australian beach needs to be explored in spatial terms as well as cultural ones. The thesis suggests the beach is more than these previously established binaries and uses Soja’s theory of Thirdspace (1996) to posit the term beachspace as a way of describing this complex site. The beachspace is a lived space that encompasses both the mythic and ordinary and more. -
Si La Vida Fuera Fácil No Valdría La Pena Vivirla, Según Joseph Losey
PERSONALIDADES (I) Si la vida fuera fácil no valdría la pena vivirla, según Joseph Losey 'Es evidente que mis film s censuran cier tos aspectos del mundo en que vivo y que es Autor de varias obras maestras, Joseph Losey ha sido sin embargo el único que conozco realmente. Y creo que controvertido: por ia industria con la que tuvo sus conflictos, por el senador un film , una obra de teatro o una novela, de McCarthy que lo indujo a abandonar USA hace años, por mucho ben ser hasta cierto punto, una reflexión so espectador complaciente a quien probablemente incomodan sus tortuosas bre el mundo en que vive su autor, aún cuan do éste quiera aislarse de ese mundo, luchar visiones de decadencias, deterioros, mujeres infrecuentes, contra él o contra uno de sus aspectos o más ocasionales sordideces o cuestionamientos críticos a menudo audaces simplemente dar una visión personal. De to E i enorme dominio de su medio, Ia densidad de sus films, tas propuestas dos modos no censuraría al mundo en que de desenmascaramiento, forman empero una unidad creativa. Losey como vivo si no tuviera motivos para criticarlo y si artista, se propone pensar y opinar sobre este mundo. Seguramente no lo apreciara realmente, si no lo amara, si no aceptara sus valores". No todos los films no es un pasivo ni un pacífico espectador. de Joseph Losey (71 años, de Wisconsin, USA) son tan críticos como pudiera pensar se y a veces quizás sean menos críticos de lo que él mismo piensa. Es también uno de los "directores más creativos a partir de la década del 60 en Europa.