Films from Latvia 2016/2019
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Dear Friends, Contents
Dear Friends, This is a vibrant moment in Latvian film. from the 1960s to the present day, and who By Dita Rietuma, Riga, Latvia, was chosen as the host location is a past recipient of an EFA award. director of the of the 2014 European Film Academy awards Animation is also an essential part of National Film ceremony. 2014 was also marked as a time Latvian cinema – both puppet and illustrated Centre of Latvia when a new generation of directors came animation have been evolving in Latvia since into Latvian cinema. Many – journalists, the 1970s. 2014 saw two cardinally-different critics – are likening them to the French features: The Golden Horse, based on a New Wave of the 1960s, with their realistic, national classic, and Rocks in M y Pockets – an impulsive aesthetic and take on original, feministic and very personal view the zeitgeist of the time. Mother, I Love from director Signe Baumane, it is also You (2013) by Jānis Nords and Modris (2014) by Latvia’s contender for the Oscars. Juris Kursietis, have received awards and Latvia is open to collaboration, offering a recognition at the Berlinale and San multitude of diverse locations and several Sebastian festivals respectively. tax-rebate schemes, but most A strong documentary film tradition importantly – a positive and vital cinematic continues on in Latvia, and is embodied by environment. living legend, documentary filmmaker Ivars Discover Latvia, its films, filmmakers and Seleckis, whose career has spanned a period creative opportunities! 6 Contents Doing It Right. Overview 2 A Poetic Touch. Director Ivars Seleckis 8 From Behind the Listening Post. -
EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park. -
NASSAU-THESIS-2013.Pdf
Copyright by David Eduardo Nassau 2013 The Thesis Committee for David Eduardo Nassau Certifies that this is the approved version of the following thesis : Sergey Eisenstein: the use of graphic violence in Strike and Potemkin APPROVED BY SUPERVISING COMMITTEE: Supervisor: Joan Neuberger Keith Livers Sergey Eisenstein: the use of graphic violence in Strike and Potemkin by David Eduardo Nassau, B.A International Relations Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2013 Dedication I dedicate this thesis to my father, the late Pedro Nassau (b. 22 July 1952-d. 28 May 2012), who always insisted that if I put my mind into something, I can accomplish anything. Nothing is beyond the realm of possibility. Eternal memory to him. Abstract Sergey Eisenstein: the use of graphic violence in Strike and Potemkin David Eduardo Nassau , M.A The University of Texas at Austin, 2013 Supervisors: Joan Neuberger Being a very prominent film director with several recognisable works, Sergey Eisenstein has been studied extensively from all angles. The aim of this dissertation is to analyse his first two movies, Strike and Battleship Potemkin, both of them stand out when seen in the context of 1920s cinema. Both films are known for introducing strong, graphic violence in cinema and at the same time the films shed light on sensitive social issues such as income disparity, government indifference as well -
Riga's Style in the Banking Busine
AIZKRAUKLES BANKA OFFERS YOU A NEW MEANS OF COMMUNICATION 003717 775555 AB.LV 7-77-55-55 ANNUAL REPORT 2005 25 FACTS AND NUMBERS A TRUE BANKER TO BE THE BEST MY RIGA RIGA GUIDE THE ISSUE OF THE HOME The Central Theme RIGA’S STYLE IN THE BANKING BUSINESS contents MY RIGA 02 Marija Naumova, Agnese Zeltiña, Mårtiña Rîtiñß, and Alvis Hermanis on Riga, its singularity, and their feelings on it. LETTER FROM THE EDITOR 03 The question of choice and new searches in the bank’s activi- ties. NEW IN 2005 04 Behind these events – Aizkraukles Banka and people, a brief review of our accomplishments. RIGA’S STYLE IN THE BANKING BUSINESS 06 AB.LV’s chairman of the board Ernests Bernis’ reflections on the bank’s current and future values. TO BE THE BEST 10 They have achieved the title, The Best. Coincidence of circum- stances, a great honour or a feeling of great responsibility? P.S. 13 AB.LV co-owner O¬egs Fi¬s knows the formula of success for a modern company. GUIDE 14 Our necklace – from the “pearls” of Riga tourism. Try it on for yourself! THE ISSUE OF THE HOME We will help you build a house and make it modern, striking 16 and homely. AB.LV’s portfolio of credit products and the advice of experts and designers are at your disposal. SUPPORT 20 Social responsibility – an integral part of any serious business’s reputation. About significant projects supported by the bank in 2005. FACTS AND FIGURES * 22 And once again about our accomplishments – laconically and graphically! For lovers of statistics, and not only WHAT DOES IT MEAN TO BE A TRUE BANKER? 24 AB.LV’s best employees paint a written portrait of the modern * Stability. -
Specifically Latvian Vol. 2
Specifically Latvian Vol. 2 Mārupīte, director Valters Sīlis A publication of Latvian Theatre Since the first Latvian Theatre Showcase held in 2003, things The nature of theatre as a whole also transforms as it finds Showcase 2013 here have notably changed. Most visibly, a new generation ways of breaking out of its frames of politeness, traditional of artists – directors, set designers, dramaturgs, and aesthetics and conservative taste. Younger directors no choreographers – have entered the scene, which, in terms longer evade harsh and potentially provocative themes, of the artistic energy introduced, matches their counterparts historically complicated situations or political issues, but, of the faraway 1990s (Viesturs Kairišs, Gatis Šmits, as opposed their predecessors who entered the stage in Dž. Dž. Džilindžers, and Regnārs Vaivars). In between, the 1990s, they are less audacious and scandalous. This the development in theatre was decent, but without tendency can be observed not only in Riga, but has also groundbreaking events, drastic changes in course or artistic reached theatres in other cities. In this year’s Showcase endeavors, which would resonate with the farthest reaches programme we present theatres from Valmiera and Liepāja of society (with the exception of Alvis Hermanis and his with their powerful productions and the remarkable work ensemble at the New Riga Theatre). The present generation of young actors. of young artists, each a strong personality of their own, It is wonderful to witness these changes and partake have not formed a particular artistic group, yet through in them, and yet all the indicated tendencies are still very collective spirit and mutual support they come across as fragile and uncertain. -
Centenary Magazine
Proem In collaboration with Satori Internet Magazine Editorial Staff Office Latvia 100 Ilmārs Šlāpins, Elizabete Lukšo-Ražinska, Anna Andersone Translator Kārlis Streips How to read English Editor Suzanne McQuade ourselves Typefaces Freight, Lapture LV100 information Centre If we compare a nation’s history to the length of a human life, then The National Library of Latvia Paper it is hard to know where its careless childhood ends, when maturity Mūkusalas Street 3, 1st floor, Rīga Maestro Print 190 g/m2, Amber graphic 90 g/m2 begins, and when the country starts to age or grow sick. No coun- try's beginning has been so careless, but its maturity and years of +371 67330350, +371 22013889 Design strength can appear at any moment. A country's centenary can be a [email protected] Kārlis Dovnorovičs: SIA You Made My Day long life that appears suddenly, without notice. lv100.lv The value of jubilees is that a round number is more likely to Publisher make you stop and think about what has happened, what you have Ascendum Association achieved and what you want to achieve in the future. Latvia's cente- January 2018 nary seems to be its adulthood, and we’re afforded a chance to look back at our origins, to get a sense of how we came to be what we are. UDK 08(474.3) We can identify our strengths, ambitions and the limitations of our Ce565 capabilities, formulating ideas about ourselves as well. ISBN 978-9934-8560-7-5 Just like a young person receiving his first passport, excited to choose the prettiest signature by repeating his name on a piece of paper over and over again, we await the arrival of the country's adulthood, repeating the word Latvia in various declinations, the shapes of the letters, beautiful phrases and words of congratula- tions. -
Third Report Submitted by Latvia Pursuant to Article 25, Paragraph 2 of the Framework Convention for the Protection of National Minorities
Strasbourg, 6 December 2016 ACFC/SR/III(2016)001 Third Report submitted by Latvia pursuant to Article 25, paragraph 2 of the Framework Convention for the Protection of National Minorities (Received on 6 December 2016) Third Report on the Implementation of the Framework Convention for the Protection of National Minorities by the Republic of Latvia Rīga, 2016 2 List of Abbreviations ANCAL Association of National Cultural Associations of Latvia ACNM Advisory Council on National Minorities CL Criminal Law EEA European Economic Area EMM electronic mass media LJTC Latvian Judicial Training Centre LLA Latvian Language Agency MC Ministry of Culture MES Ministry of Education and Science MoI Ministry of the Interior NEMMC National Electronic Mass Media Council NGO non-governmental organisation OCMA Office for Citizenship and Migration Affairs PHARE financial instrument of the European Union for financial and technical co- operation with Central and Eastern European countries SIF Society Integration Fund SLC State Language Centre USSR Union of Soviet Socialist Republics 3 Introduction Procedure for drafting and adoption of the Report 1. On 26 May 2005, the Parliament of Latvia (the Saeima) ratified the Council of Europe Framework Convention for the Protection of National Minorities (hereinafter – the Convention), and it entered into force on 1 October 2005. The Second State Report on the implementation of the Convention (hereinafter – the Second Report) was submitted on 3 September 2012. The second cycle of monitoring the implementation of the Convention -
Yearbook 2014.Pdf
UDK 061.23:001(474.3)(058) La 801 LATVIAN ACADEMY OF SCIENCES Akadçmijas laukums 1 Tel.: (371) 67225361 Fax: (371) 67821153 Rîga, LV 1050 E-mail: [email protected] Latvia http://www.lza.lv The 2014 Latvian Academy of Sciences (LAS) Yearbook is a follow-up edi- tion — already the fourteenth one under this title. The previous issues reflected the sit- uation in 1991, 1992, 1994, 1995, 1996, 1997, 1998/1999, 2000/2001, 2002/2003, 2004/2005, 2006/2007, 2008/2009, and 2010/2011. The Yearbook 2014 contains basic information on the Academy, including the membership directory, and its workings from the second half-year 2011 through 15 March 2014. This Yearbook also contains overview of scientific research in Latvia, written by the chairpersons of the LAS scientific divisions, information on the major scientific events in Latvia plus brief information on research policy issues in Latvia. The contents of the Yearbook are also available on the Website of the LAS (http://www.lza.lv). See section About Academy/Annual Reports. ISSN 1407-0383 ISBN 978-9984-879-63-5 Ó Latvian Academy of Sciences, 2014 CONTENTS TOPICAL ISSUES FOR YEAR 2014 ......................4 OVERVIEW OF SCIENTIFIC RESEARCH IN LATVIA ..............9 Physical and Technical Sciences in Latvia .................9 Chemical, Biological and Medical Sciences in Latvia ............15 Agriculture and Forestry Sciences in Latvia ................22 Humanities and Social Sciences in Latvia .................32 Top scientific achievements in Latvia, 2011, 2012, 2013 ...........48 Major scientific events -
LATVIA Latvia 171 © Lonelyplanetpublications Expecting Littleandleaveexpecting Overwhelmed, They’Ve Uncovered Certain Long-Buriedtreasure
© Lonely Planet Publications 171 www.lonelyplanet.com LATVIA •• Highlights 172 HIGHLIGHTS HOW MUCH ? Rīga ( p187 ) Wander cobbled medieval streets, slide past Art-Nouveau flourishes Cup of coffee from 0.50Ls and watch the sun rise over a skyline of Latvia Taxi fare per kilometre 45Ls to 65Ls spires and turrets. Gauja Valley ( p227 ) Get your adrena- Public transport ticket 0.2Ls line rushing by bungee jumping, bob- Bicycle hire (daily) 4.50Ls sleighing or skiing amid this exquisite If you’re yearning to hit Europe’s untrodden jackpot, cash in your chips in Latvia (Latvija). landscape. Sauna per hour 10Ls Still undiscovered by the tourism masses, this sizzling Baltic sexpot is poised to become the Jūrmala ( p220 ) Soak up sun and Baltic Sea continent’s next A-list star. A country in transition, hellbent on shedding its stalwart old- vistas in this boisterous resort area. LONELY PLANET INDEX Liepāja (p261 ) Discover the heart and soul Soviet image, the Latvia of today is vibrant, enigmatic and altogether mesmerising. Refresh- Litre of petrol 0.54Ls of Latvia’s rock ’n’ roll scene in this pro- LATVIA ingly unpretentious, Latvia manages to tantalise even the most jaded traveller. Many arrive gressive city poised to become a major Litre of bottled water 0.50Ls expecting little and leave overwhelmed, certain they’ve uncovered long-buried treasure. Baltic hot spot. 50cl bottle of beer 0.40Ls LATVIA Cape Kolka ( p253 ) Feast on fresh fish, Bustling Rīga, with its pumping nightlife, cobbled streets and marvellous Art-Nouveau gulp mouthfuls of crisp air and savour Souvenir T-shirt 5Ls architecture is one of Eastern Europe’s most fun cities. -
The Churches of Old Riga Mežaparks
2,5 h riga in olden tiMes 3 h CLASSICAL OLD RIGA and today The House of the Blackheads, Albert’s Square, John’s Town Hall Square, Dome Square, the Three Yard, city wall, St. Peter’s Church, Town Hall Square, Brothers, St. Jacob’s Cathedral, the Swedish Gate, Kalķu Street, Big Guild and Small Guild, Mikhail Saeima, Powder Tower, Bastion Hill, the Freedom Chekhov Riga Russian Theatre, The “Cat’s” House, Monument, the Latvian National Opera, the Dome Square, Riga Cathedral, Jēkaba Street, the University of Latvia. Freedom Monument, Bastion Hill, Powder Tower. THE CHURCHES 2 h 3 h OF OLD RIGA Mežaparks The Anglican Church, Riga Cathedral, St. John’s Wooden buildings and architecture of Mežaparks, Church, St. Jacob’s Cathedral, St. George’s Church, Ķīšezers lake, Mežaparks – the park of culture and St. Mary Magdalene’s Church, St. Peter’s Church, recreation. Reformed Church, Our Lady of Sorrows Church. art nouveau in riga 3 h kalncieMa quarter 2 h Old Riga, Alberta Street, the so-called Buildings and objects (buildings, market, shops) on embassy or silent district. the corner of Kalnciema Street and Melnsila Street. parks and gardens 3 h spīķeri quarter and 2,5 h OF RIGA central Market Bastion Hill, the Esplanade, Kronvalda Park, Arkādijas Market squares and pavilions of Central Market, Park (+ optional tour to Ziedoņdārzs Park, Vērmanes streets of the Spīķeri quarter, take a look at/visit the Garden, Victory Park, Viesturs Garden Park). concert hall, art shops and shops of farm goods. THE CIRCLE 2 h historical wooden 2 h of Boulevards Buildings of ķīpsala The Esplanade, Bastion Hill, the Latvian National Exploratory walk around the streets of Ķīpsala, Opera, the National Theatre, the Art Academy taking a look at its historical wooden building of Latvia, the Riga Latvian Society House, the infrastructure and enjoying the panoramic views University of Latvia, the Freedom Monument. -
Riga Municipality Annual Report 2010
Riga, 2011 CONTENT Report of Riga City Council Chairman .................................................................................................................... 4 Report of Riga City Council Finance Department Director ................................................................................... 6 Riga Municipality state ............................................................................................................................................. 7 Riga City population.............................................................................................................................................. 7 Riga City economic state....................................................................................................................................... 8 Riga Municipality administration structure, functions, personnel........................................................................... 10 Riga Municipality property stat e.............................................................................................................................. 12 Value of Riga Municipal equity capital and its anticipated changes...................................................................... 12 Riga Municipality estate property state.................................................................................................................. 12 Execution of territory development plan ............................................................................................................... -
But Poets Are the Worst. Their Work Is Hopelessly Unphotogenic. Someone Sits at a Table Or Lies on a Sofa While Staring Motionless at a Wall Or Ceiling
050910 05-09-10 12.41 Sida 1 “But poets are the worst. Their work is hopelessly unphotogenic. Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling. Once in a while this person writes down seven lines only to cross out one of them fifteen minutes later, and then another hour passes, during which nothing happens… Who could stand to watch this kind of thing?” Wislawa Szymborska, The Noble lecture 050910 05-09-10 12.41 Sida 2 050910 05-09-10 12.41 Sida 3 Baltic Centre for Writers and Translators Under the auspices of UNESCO 050910 05-09-10 12.41 Sida 4 © Baltic Centre for Writers and Translators, BCWT. Författare: Peter Curman, Johan Öberg, Hanne Ørstavik, Eva Runefelt, Kjell Westö. Översättare: Rod Bradbury, Linda Schenck, Robert Ferguson. Formgivning: Carina Ivarsson Grafisk Form. Satt med Caslon Book. Tryck: Snabba Tryck Visby 2005. ISBN 91-973119-3-6 Sponsored by: Baltic Centre for Writers and Translators, BCWT (Östersjöns Författar- och Översättarcentrum, ÖFÖC) Uddens gränd 3 S-621 56 Visby, Sweden [email protected] www.bcwt.org 050910 05-09-10 12.41 Sida 5 Contents Baltic Centre for Writers and Translators 9 Foreword ........................................................................................................................................................................................ 11 A haven for meetings, creation and free thought ....................................................... 12 Projects 1994–2003 .......................................................................................................................................................