“Baltic Theatre Festival 2014” Riga, October 10. – 19. SCHEDULE
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Estonian Films 2015-2016 Eesti Filmid 2015-2016
Estonian Films 2015-2016 Eesti filmid 2015-2016 Estonian Films 2015-2016 Eesti filmid 2015-2016 Features Shorts Animation Documentaries Editorial staff: Eda Koppel, Birgit Pajust Design and layout: Profimeedia All photos courtesy of production companies Estonian Film Institute Tallinn 2016 ISSN 1406-8505 Printed in Estonia by Ecoprint 1944 The Fencer The Secret Society of Souptown 2015-2016 Roukli Ghost Mountaineer features Angry Painter Dawn The Poet and the Spy Mother Ready or Not, Happy You Are Class Reunion November The Polar Boy Bodom The Days that Confused Dearest Sister Magic Kimono The End of the Chain Seneca’s Day Pretenders 3 1944 2015 he last year of war on Estonian turf. Men are fighting on the boarder of Original title: 1944 Europe and Russia. Some have been taken to the Red Army, some to Director: Elmo Nüganen feature feature Waffen SS. Today 70 years on, the filmmakers, try to show the Screenwriter: Leo Kunnas T Cinematographers: Rein Kotov E.S.C, hopes, aims and drama of these men as objectively as possible. The film has become the most successful Estonian film in local box office Mart Taniel E.S.C Art Director: Kalju Kivi history. Sound: Jyrki Rahkonen Editor: Tambet Tasuja Main cast: Kristjan Üksküla, Kaspar Velberg, Maiken Schmidt Producers: Kristian Taska, Maria Avdjushko Co-producer: Ilkka Matila Produced by: Taska Film (Estonia), MRP Matila Röhr Productions (Finland) Premiere: February 20, 2015 Festivals: Let’s Cee FF (Austria), Arras FF (France), Cairo IFF (Egypt), Camerimage FF(Poland), Chennai IFF (India), Palm Springs IFF (USA), Cleveland FF (USA), Trondheim IFF (Norway), Festival of Tole rance (Croatia) 100 min / DCP / Dolby Digital Contact Sales Taska Film Eyewell AB Tartu mnt 18-51 Upplandsgatan 69 Director Elmo Nüganen 10150 Tallinn, Estonia SE-113 28 Stockholm, is the creative director of Tallinn City Theater. -
EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park. -
Riga's Style in the Banking Busine
AIZKRAUKLES BANKA OFFERS YOU A NEW MEANS OF COMMUNICATION 003717 775555 AB.LV 7-77-55-55 ANNUAL REPORT 2005 25 FACTS AND NUMBERS A TRUE BANKER TO BE THE BEST MY RIGA RIGA GUIDE THE ISSUE OF THE HOME The Central Theme RIGA’S STYLE IN THE BANKING BUSINESS contents MY RIGA 02 Marija Naumova, Agnese Zeltiña, Mårtiña Rîtiñß, and Alvis Hermanis on Riga, its singularity, and their feelings on it. LETTER FROM THE EDITOR 03 The question of choice and new searches in the bank’s activi- ties. NEW IN 2005 04 Behind these events – Aizkraukles Banka and people, a brief review of our accomplishments. RIGA’S STYLE IN THE BANKING BUSINESS 06 AB.LV’s chairman of the board Ernests Bernis’ reflections on the bank’s current and future values. TO BE THE BEST 10 They have achieved the title, The Best. Coincidence of circum- stances, a great honour or a feeling of great responsibility? P.S. 13 AB.LV co-owner O¬egs Fi¬s knows the formula of success for a modern company. GUIDE 14 Our necklace – from the “pearls” of Riga tourism. Try it on for yourself! THE ISSUE OF THE HOME We will help you build a house and make it modern, striking 16 and homely. AB.LV’s portfolio of credit products and the advice of experts and designers are at your disposal. SUPPORT 20 Social responsibility – an integral part of any serious business’s reputation. About significant projects supported by the bank in 2005. FACTS AND FIGURES * 22 And once again about our accomplishments – laconically and graphically! For lovers of statistics, and not only WHAT DOES IT MEAN TO BE A TRUE BANKER? 24 AB.LV’s best employees paint a written portrait of the modern * Stability. -
Specifically Latvian Vol. 2
Specifically Latvian Vol. 2 Mārupīte, director Valters Sīlis A publication of Latvian Theatre Since the first Latvian Theatre Showcase held in 2003, things The nature of theatre as a whole also transforms as it finds Showcase 2013 here have notably changed. Most visibly, a new generation ways of breaking out of its frames of politeness, traditional of artists – directors, set designers, dramaturgs, and aesthetics and conservative taste. Younger directors no choreographers – have entered the scene, which, in terms longer evade harsh and potentially provocative themes, of the artistic energy introduced, matches their counterparts historically complicated situations or political issues, but, of the faraway 1990s (Viesturs Kairišs, Gatis Šmits, as opposed their predecessors who entered the stage in Dž. Dž. Džilindžers, and Regnārs Vaivars). In between, the 1990s, they are less audacious and scandalous. This the development in theatre was decent, but without tendency can be observed not only in Riga, but has also groundbreaking events, drastic changes in course or artistic reached theatres in other cities. In this year’s Showcase endeavors, which would resonate with the farthest reaches programme we present theatres from Valmiera and Liepāja of society (with the exception of Alvis Hermanis and his with their powerful productions and the remarkable work ensemble at the New Riga Theatre). The present generation of young actors. of young artists, each a strong personality of their own, It is wonderful to witness these changes and partake have not formed a particular artistic group, yet through in them, and yet all the indicated tendencies are still very collective spirit and mutual support they come across as fragile and uncertain. -
Films from Latvia 2016/2019
FILMS FROM LATVIA 2017 / 2019 CONTENT 2 FICTIONS 13 FICTIONS COMING SOON FILMS 35 SHORT FICTIONS 50 DOCUMENTARIES 75 DOCUMENTARIES COMING SOON 112 ANIMATION FROM 123 ANIMATION COMING SOON INDEXES 136 English Titles 138 Original Titles LATVIA 140 Directors 142 Production Companies 144 ADDRESSES OF PRODUCTION 2017 / COMPANIES USEFUL ADDRESSES 149 Main Distributors in Latvia 149 Main Film Institutions 150 International Film Festivals and 2019 Events in Latvia FICTIONS THE CHRONICLES OF MELANIE MELĀNIJAS HRONIKA Director Viestur Kairish 120’, Latvia National Premiere 01.11.2016, Riga, Splendid Palace International Premiere 21.11.2016, Tallin Black Nights FF (Estonia) Scriptwriter Viestur Kairish Cinematographer Gints Bērziņš Production Designer Ieva Jurjāne Costume Designers Ieva Jurjāne, Gita Kalvāne Makeup Designer Mari Vaalasranta Original Music Arturs Maskats, Aleksandrs Vaicahovskis, Kārlis Auzāns Sound Directors Aleksandrs Vaicahovskis, Robert Slezák Editor Jussi Rautaniemi The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into Main Cast Sabine Timoteo, Edvīns Mekšs, the house of Melanie and her husband Aleksandrs and force them to leave everything Ivars Krasts, Guna Zariņa, Maija Doveika, behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Viktor Nemets Siberia. In her fight against cold, famine and cruelty, she only gains new strength through Producers Inese Boka-Grūbe, Gints Grūbe the letters she writes to Aleksandrs, full of hope for a free Latvia and a better tomorrow. -
Yearbook 2014.Pdf
UDK 061.23:001(474.3)(058) La 801 LATVIAN ACADEMY OF SCIENCES Akadçmijas laukums 1 Tel.: (371) 67225361 Fax: (371) 67821153 Rîga, LV 1050 E-mail: [email protected] Latvia http://www.lza.lv The 2014 Latvian Academy of Sciences (LAS) Yearbook is a follow-up edi- tion — already the fourteenth one under this title. The previous issues reflected the sit- uation in 1991, 1992, 1994, 1995, 1996, 1997, 1998/1999, 2000/2001, 2002/2003, 2004/2005, 2006/2007, 2008/2009, and 2010/2011. The Yearbook 2014 contains basic information on the Academy, including the membership directory, and its workings from the second half-year 2011 through 15 March 2014. This Yearbook also contains overview of scientific research in Latvia, written by the chairpersons of the LAS scientific divisions, information on the major scientific events in Latvia plus brief information on research policy issues in Latvia. The contents of the Yearbook are also available on the Website of the LAS (http://www.lza.lv). See section About Academy/Annual Reports. ISSN 1407-0383 ISBN 978-9984-879-63-5 Ó Latvian Academy of Sciences, 2014 CONTENTS TOPICAL ISSUES FOR YEAR 2014 ......................4 OVERVIEW OF SCIENTIFIC RESEARCH IN LATVIA ..............9 Physical and Technical Sciences in Latvia .................9 Chemical, Biological and Medical Sciences in Latvia ............15 Agriculture and Forestry Sciences in Latvia ................22 Humanities and Social Sciences in Latvia .................32 Top scientific achievements in Latvia, 2011, 2012, 2013 ...........48 Major scientific events -
LATVIA Latvia 171 © Lonelyplanetpublications Expecting Littleandleaveexpecting Overwhelmed, They’Ve Uncovered Certain Long-Buriedtreasure
© Lonely Planet Publications 171 www.lonelyplanet.com LATVIA •• Highlights 172 HIGHLIGHTS HOW MUCH ? Rīga ( p187 ) Wander cobbled medieval streets, slide past Art-Nouveau flourishes Cup of coffee from 0.50Ls and watch the sun rise over a skyline of Latvia Taxi fare per kilometre 45Ls to 65Ls spires and turrets. Gauja Valley ( p227 ) Get your adrena- Public transport ticket 0.2Ls line rushing by bungee jumping, bob- Bicycle hire (daily) 4.50Ls sleighing or skiing amid this exquisite If you’re yearning to hit Europe’s untrodden jackpot, cash in your chips in Latvia (Latvija). landscape. Sauna per hour 10Ls Still undiscovered by the tourism masses, this sizzling Baltic sexpot is poised to become the Jūrmala ( p220 ) Soak up sun and Baltic Sea continent’s next A-list star. A country in transition, hellbent on shedding its stalwart old- vistas in this boisterous resort area. LONELY PLANET INDEX Liepāja (p261 ) Discover the heart and soul Soviet image, the Latvia of today is vibrant, enigmatic and altogether mesmerising. Refresh- Litre of petrol 0.54Ls of Latvia’s rock ’n’ roll scene in this pro- LATVIA ingly unpretentious, Latvia manages to tantalise even the most jaded traveller. Many arrive gressive city poised to become a major Litre of bottled water 0.50Ls expecting little and leave overwhelmed, certain they’ve uncovered long-buried treasure. Baltic hot spot. 50cl bottle of beer 0.40Ls LATVIA Cape Kolka ( p253 ) Feast on fresh fish, Bustling Rīga, with its pumping nightlife, cobbled streets and marvellous Art-Nouveau gulp mouthfuls of crisp air and savour Souvenir T-shirt 5Ls architecture is one of Eastern Europe’s most fun cities. -
Lietuvos Muzikologija 21.Indd
Lietuvos muzikologija, t. 21, 2020 Jānis KUDIŅŠ The Rock OperaLāčplēsis (Bearslayer, 1988): Symbolic Meaning in the Historical Change Process and the Cultural Memory of Latvia* Roko opera „Lačplėsis“ („Lāčplēsis“; „Lokiažudys“, 1988): simbolinė reikšmė istorinių įvykių procese ir Latvijos kultūrinėje atmintyje Jāzeps Vītols Latvian Academy of Music, K. Barona Street 1, Riga, Latvia [email protected] Abstract The focus of this article is the rock opera Lāčplēsis (Bearslayer, 1988, text by Māra Zālīte, music by Zigmars Liepiņš), which at the end of the 1980s in Latvia gained both significant artistic as well as political resonance; such significance is still reflected in the cultural memory of society. The article offers the opportunity to gain a deeper familiarity withLāčplēsis as a symbolic hero in Latvian culture prior to the premiere of the rock opera in 1988 and provides an analysis of Lāčplēsis’s creation, the characteristics of the text and music stylistics, its socio-political resonance, and its place in the historical renewal of state independence and democracy. The article also highlights the reception ofLāčplēsis as an historically significant event in Latvian society’s cultural memory of the last 30 years. This study uses multiple research methods: the clarification of past events through primary sources, periodicals and witness testimony, and comparison and overall generalization of facts and interpretations. Keywords: Lāčplēsis (Bearslayer), Latvian history of culture, rock opera, Zigmars Liepiņš, Māra Zālīte, 1988, historical change, cultural memory. Anotacija Straipsnio tema _ roko opera „Lačplėsis“ („Lāčplēsis“ / „Lokiažudys“, 1988, Māros Zālītės tekstas, Zigmaro Liepiņio muzika), kuri devintojo dešimtmečio pabaigoje Latvijoje įgavo reikšmingą ne tik meninį, bet ir politinį rezonansą, vis dar saugomą kultūrinėje visuomenės atmintyje. -
79117262.Pdf
iMitteraria Tartu Ülikooli maailmakirjanduse õppetooli ja Eesti Võrdleva Kirjandusteaduse Assotsiatsiooni rahvusvaheline aastakiri. Annual international refereed edition of the Chair of Comparative Literature of Tartu University and the Estonian Association o f Comparative Literature. Edition annuelle internationale de la Chaire de Litterature Comparee de I'Universite de Tartu et de l'Association Estonienne de Litterature Comparee. Internationales Jahrbuch des Lehrstuhls fü r Weltliteratur an der Universität Tartu und der Assoziation der Vergleichenden Literaturwissenschaft in Estland. Ediciön anual international de la Cätedra de Literatura Comparada de la Universidad de Tartu у de la Asociaciön Estonia de Literatura Comparada. Toimetuskolleegium/Editorial Board: Aadress/Address: INTERLITTERARIA, Tartu Ülikool, maailmakirjanduse õppetool, 50090 Tartu, Estonia tel./fax: +372 73 7 5350, e-mail: [email protected]; website: www.ut.ee/inlit Kirjastaja ja levitaja/Publisher and Distributor: Tartu Ülikooli Kirjastus/Tartu University Press, Tiigi 78, Tartu 50410, Eesti/Estonia tel.: +372 73 7 5945, fax: +372 73 7 5944, e-mail: [email protected], website: www.tyk.ee Kujundaja/Designer: Lemmi Koni Copyright 2009 by Tartu University Press Printed and bound by Tartu University Press. Order No 224 МегИшжй 14 - 2009 - vol II TARTU ÜLIKOOLI KIRJASTUS “INTERLITTERARIA” VALJAANDMIST TOETAB EESTI KULTUURKAPITAL Contents ■ Matieres ■ Inhalt ■ Contenido VOLUME 2 MARINA GRISHAKOVA ■ 261 Time, Narrative Sequence and Causality LIISA STEINBY ■ 273 Kultur als Differenzierung: Die Funktion der Klöpfgeißel-Geschichte in Thomas Manns Doktor Faustus LUULE EPNER • 290 Authenticity and Fictionality in Post-dramatic Theatre ANNELI SARO ■ 303 The Reader in Reading Theatre EVELIN BANHARD - 317 Spatial and Temporal Contrasts In Shakespeare’s As You Like It DANIELE MONTICELLI ■ 327 Crossing Boundaries. -
Transcending 'Cold Intimacies' in Veiko Õunpuu's Works
BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE Article Transcending ‘Cold Intimacies’ in Veiko Õunpuu’s Works EVA NÄRIPEA, National Archives of Estonia, Estonian Academy of Arts; email: [email protected] EWA MAZIERSKA, University of Central Lancashire, United Kingdom; email: [email protected] 60 DOI: 10.1515/bsmr-2017-0004 BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE ABSTRACT This article examines five films by Veiko Õunpuu, Estonia’s most renowned contemporary director – Empty (Tühirand, Estonia, 2006), Autumn Ball (Sügis- ball, Estonia, 2007), Temptations of St Tony (Püha Tõnu kiusamine, Estonia/Finland/Sweden, 2009), Free Range: Ballad on Approving of the World (Free Range: ballaad maailma heakskiitmisest, Estonia, 2013) and Roukli (Estonia, 2015), focusing on his representations of neoliberalism and especially its effect on the emotional and intimate lives of the characters. We argue that the characters of his films typically reject the conventional romance promoted by neoliberal discourses, including Hollywood cinema, yet this does not make them happy, but disoriented and restless. The repudiation of ‘emotional capitalism’ also pertains to the way Õunpuu’s films are conceived and executed. Most importantly, he resists the conventions of Hollywood cinema, including a classical script and happy ending, and also sets and shoots his films in peripheral places. Our main theoretical framework is the concept of ‘emotional capitalism’ as elaborated by Eva Illouz. INTRODUCTION heakskiitmisest, Estonia, 2013) and Roukli Veiko Õunpuu has been directing films (Estonia, 2015). To our knowledge, this is for a decade, rising from an unknown the first attempt to discuss Õunpuu’s filmic ‘amateur’ to become an internationally oeuvre in its entirety. -
What Do Actors Do in Contemporary Theatre? Luule Epner
ISSN 2002-3898 © Luule Epner and Nordic Theatre Studies DOI: https://doi.org/10.7146/nts.v26i1.109731 Published with support from Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS) What do actors do in contemporary theatre? Luule Epner ABSTRACT The article addresses the issue of strategies of acting in contemporary (largely postdramatic) theatre. In the first part of the article, the acting is conceptualized as playing, with reference to relevant theories, particularly that of Thomas Pavel. The article puts forward the argument that the play world created in a theatre performance can be described by the continuous fictional ? real spectrum that accommodates a number of strategies of acting. Within the continuum, there exists an ongoing tension between the fictional and the real; their relationship is largely variable depending on the strategies of acting at work in a particular performance. In the second part of the article, these strategies are divided into three groups: ?being someone else?, ?being oneself ? and performing actions ? and are then analyzed on the basis of examples that are drawn primarily from Estonian contemporary theatre. Keyw ords: playing, poetics, ambivalence, political theatre, Estonian theatre, TheatreNO99 BIOGRAPHY Luule Epner is Associate Professor at the University of Tallinn. She also lectures on theatre research at the University of Tartu. Her main research fields are the relationships between dramatic texts and theatre performances, the history of Estonian theatre and performance analysis. She has published a book on drama theory, Draamateooria probleeme I?II (1992-94), and numerous articles on contemporary Estonian theatre and drama. [email protected] 20 Nordic Theatre Studies 8 vol.26: no.1 What do actors do in contemporary theatre? LUULE EPNER What do actors do in the theatre? “They are acting” activity with neither an outside purpose nor mate- seems to be the obvious answer. -
Teatrielu 2013 Layout 1
kroonika algus _Layout 1 07.08.14 19:23 Page 231 KROONIKA kroonika algus _Layout 1 07.08.14 19:23 Page 232 SISUKORD I osa ÜLDSTATISTIKA 233 Ülevaade statistikast 233 Etenduspaigad Eestis 239 Teatrite esinemised välismaal 240 Festivalid Eestis 243 Külalisteatrid ja -esinejad Eestis 253 II osa TEATRITE ETENDUSTEGEVUS 258 Teatrite tegevusülevaated: statsionaarid, uuslavastused, aasta repertuaar, muu tegevus ning ülevaade tulude-kulude jaotumisest. Teatrite järjekord tabelis 1.1: avalik-õiguslik asutus, linnateatrid, riigi asutatud sihtasutused, erateatrid 2013. aasta uuslavastusi 362 Raadioteater 367 Teatrikoolid 368 Harrastusteater Eestis 370 Teatriorganisatsioonid: 1. Eesti Harrastuteatrite Liit 374 2. Eesti Teatriliit 374 3. Eesti Etendusasutuste Liit 378 4. Eesti Teatri Agentuur 379 5. Eesti Teatri- ja Muusikamuuseum 379 6. Eesti Väike- ja Projektiteatrite Liit 380 III osa VARIA Auhinnad 381 Eesti Teatriliidu aastaauhinnad Nimelised auhinnad 383 Stipendiumid 385 Kolleegipreemiad 385 Publikupreemiad 388 Tunnustused välismaalt 388 Rahvusvaheline koostöö 389 Konverentsid, seminarid, kohtumisõhtud 390 Konkursid, koolitused, õpitoad 392 Näitused 393 Teatrierialade lõpetajad 394 Mängufilmid, lavastuste telesalvestised 395 Ilmunud raamatud, video- ja helisalvestised 398 In memoriam 403 kroonika algus _Layout 1 07.08.14 19:23 Page 233 ÜLDSTATISTIKA Ülevaade statistikast Eesti Teatri Agentuur on koostöös kultuuri- ministeeriumi ja Eesti teatritega kogunud valdkonna statistikat 2004. aastast, käesolev aastaülevaade on avaldatud statistikaväljan-