DOCSLIB.ORG

The Reverend Horton Heat “Custom Culture Rockabilly” Experience

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Reverend Horton Heat “Custom Culture Rockabilly” Experience BUDDY THE ORIGINAL TEXAS MUSIC MAGAZINE MAY 2013 VOLUME XXXX, NUMBER 11 The Reverend Horton Heat “custom culture rockabilly” experience After “Laughin’ and Cryin’’ the new Reverend Horton Heat CD on Victory Records will bring a harder edge. By Dana Jones, Photos by Chuck Flores HOW IS LIFE GOING FOR THE REVEREND They’re all mixed in a pot- HHorton Heat? “It’s amazing. I mean, I get to luck of an audi- Hsing songs about the cars I love, drinking ence, and as the and chasing girls. Beats the hell out of the alterna- Reverend Horton Heat tive.” takes the stage, Most definitely. Brummel, “Signing a veteran art- they suddenly Texas-born Jim Heath may ist of The Reverend Horton Heat’s become one not be a household name, but his caliber and reputation coupled group of de- legendary band The Reverend with the fact that they are one of voted, singing Horton Heat has probably been the hardest touring rock artists, along, dancing, heard in most households in year after year, was a very excit- America. He’s worked hard, and ing way for us to end 2012. A toe-tapping, from that has had both artistic large number of us here have kindred spirits. and commercial success. It’s not been fans for many years. We It’ll be almost just the countless stage shows, very much look forward to work- completely over a million albums sold, nu- ing with the band and its original music, merous appearances on multi- longstanding team.” and the crowd artist compilations, videos and happily expects two concert DVDs. Commer- New CD no less. They cially, The Reverend Horton AMIDST THE INCREDIBLY anxiously await Heat’s music has been featured busy touring schedule, Heath and and buy the al- in movies, TV, and video games. crew have already begun work- bums and mer- Heath has had movie and TV ing on the first, currently un- chandise. They appearances as well. titled, CD of the new deal. “We’re will sometimes The end of 2012 marked the in pre-production, and already travel hours for beginning of a new era for the have a couple songs recorded,” shows, and fol- almost 30-year-old band. They Heath said.”“We’re in that phase low a tour for signed a three record deal with of trying to figure out how it will several dates. Chicago-based Victory Records, be. It should be easy goin’. Vic- His devoted fol- the #1 independent rock record tory is a harder edged label with lowers, and label in the country. “We are a little harder edged stuff. Our there are many, very excited to be a Victory band CD are a truly di- now. Since we are going to get Laughin’ and Cryin’ with the verse congrega- back to doing some edgier stuff, Reverend Horton Heat was almost tion. it makes perfect sense to be on country. This one is gonna be When asked Victory. Plus, they are as pas- different.” Heath is very pleased about his sionate as we are.” to be signed with a label willing The Reverend Horton Heat to let the band do their music the unique fan base, currently features Heath on vo- way they want to get back to he describes his cals and guitar, along with long- doing it. “Stay tuned for some music as “cus- time bandmate Jimbo Wallace crazy ideas about our new al- tom culture on the upright bass, and Scott bum.” CHUCK FLORES rockabilly” Churilla on drums. Joining with In their earlier days, the band He was named a Buddy Texas Tornado Guitarist in 1986: Jim Heath where lots of a label that had an appreciation did a lot of hard partying. “Then, groups of for their style and originality will everywhere we went, there was a rive and party hard before the D9 and just make some music. flower Festival in Richardson on people feel comfortable. He’s likely be a perfect match. Ac- group of three, five, or maybe show even started. It was fun for Writers do that, too. They are May 18, he’ll be headed to Aus- right. And while his music is cording to Victory founder Tony ten people waiting for us to ar- those people, for us, it was work.” just people and writers, not a tralia for a couple of weeks, then often described as psychobilly, it The same pattern day after day ‘real rock star.’ That’s just hyping it’s back to a heavy U.S.tour ranges from a mixture of began to have an effect on them a person, who might not be that schedule.’ rockabilly, country, swing, big and they felt, the quality of their talented.” band, punk, surf, rock and blues, shows. To make real music, there are The experience sometimes with humorous lyr- “Me and the guys have a strong “I remember me and Jimbo two important factors, accord- THE EXPERIENCE THAT IS A ics, sometimes more serious. (Wallace) decided to play for all, ing to Heath. “You gotta work at Reverend Horton Heat show be- Fans will hear their favorites, work ethic from way back. instead of a few. We had been it and have fun. Definitely have gins in the venue’s parking lot. new fans will say they didn’t doing a disservice because of our fun.” Heath says even with the It’s inevitable there will be at realize it was a Horton Heat song, That being said, there are lots party obligation. We made a deal regular gigs, that there’s always least a few really cool classic cars, and everyone will leave having that we wouldn’t drink before a room for practice and hard work. with passersby gazing, pointing had a great time enjoying quality of factors. It’s what we love to show. Not even beer. It was a big “I am ALWAYS working on stuff.” and discussing their merits. The music, which is what Heath truly decision.” A few fans were surely He must be onto something. His experience continues indoors, strives to do for his fans. do. It’s our art form, whether disappointed, but the longevity longevity in the music industry where pin-up girls wearing bright Heath says he and his band of The Reverend Horton Heat and still growing fan base spans red lipstick, beauty marks, mas- are successful for several rea- hanging around a studio or leads one to believe they made not only the U.S. but many other cara, fake lashes, classic hairdos, sons. the right decision. countries as well. Heath says retro clothing and high heels look “Me and the guys have a playing a gig. And, music After all these years, Heath is they are never “off” tour and his as though they’ve crawled off the strong work ethic from way back. still a very down to earth man. entire career is based on touring. tattooed arms of men from a past That being said, there are lots of needs to have a crowd, because He loves what he does, takes From Thanksgiving 2012 era. The fans range in age from factors. It’s what we love to do. pride in doing it right, and wishes through February, the band only those who are not even old It’s our art form, whether hang- it gives the music a heartbeat.” others in music would do the had three weekends off. “A good, enough to drink, to those who ing around a studio or playing a same. “The most annoying people successful band stays challenged. are in their golden years and gig. And,” Heath adds, “music —JIM HEATH are rock stars who ‘live the life.’ Part of that is being booked into have probably been following needs to have a crowd, because it They learn the notes that make oblivion!” After playing the Wild- the band for decades. ■ ○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○ gives the music a heartbeat.” MAY 2013 BUDDY 9.
Load more

Recommended publications
  • J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
    CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
    [Show full text]
  • 1 Is Austin Still Austin?
    1 IS AUSTIN STILL AUSTIN? A CULTURAL ANALYSIS THROUGH SOUND John Stevens (TC 660H or TC 359T) Plan II Honors Program The University of Texas at Austin May 13, 2020 __________________________________________ Thomas Palaima Department of Classics Supervising Professor __________________________________________ Richard Brennes Athletics Second Reader 2 Abstract Author: John Stevens Title: Is Austin Still Austin? A Cultural Analysis Through Sound Supervisors: Thomas Palaima, Ph. D and Richard Brennes For the second half of the 20th century, Austin, Texas was defined by its culture and unique personality. The traits that defined the city ushered in a progressive community that was seldom found in the South. In the 1960s, much of the new and young demographic chose music as the medium to share ideas and find community. The following decades saw Austin become a mecca for live music. Austin’s changing culture became defined by the music heard in the plethora of music venues that graced the city streets. As the city recruited technology companies and developed its downtown, live music suffered. People from all over the world have moved to Austin, in part because of the unique culture and live music. The mass-migration these individuals took part in led to the downfall of the music industry in Austin. This thesis will explore the rise of music in Austin, its direct ties with culture, and the eventual loss of culture. I aim for the reader to finish this thesis and think about what direction we want the city to go in. 3 Acknowledgments Thank you to my advisor Professor Thomas Palaima and second-reader Richard Brennes for the support and valuable contributions to my research.
    [Show full text]
  • Fobafjuttict Avid ^Wann Visitsvvf I
    fid'illew'd Now ethbridgeCollege? frof C open* new comnrtanfty sports stadium I 21 fobafJuttict Aw fmfsww '-i««offfr--jwrf u'^i «»«?»w««uii>iwiiwinwB.':-jtaa£: iww|>i iii i.iiiijiyiiwwwwwwf • ww*.» tjmta-tw***' * ""—''• „X»ftii [I* * r*-"'!**.'!** avid ^wann Visitsvvf i ^nt^ -..-***w*i--s*»4*^»-- .^^J^M^^tM^**?* •nbflC-4 I .j^MJim»i»^'|U.)# iiM****"* iiii'*""^'' "'",t"li»* •* ' i ><#M^*MN»«*^ *" *»'^ *' 8 1 .^^%*<4*i**^ u wg&MiWW^^'**''yto#tft^i^* i tMw i^-^M^^** * ^' " C ' T v f: I 2 • October 1, 2009 meliorist The production management class wants Computers 2 U to help you get your fine art out in U of L CS major owned and operated the public. Whether its musical, computer store and service centre. charcoal, paint or digital we want September Specials: 10% off regular prices for students & Seniors all the timcL • Service $4^93" your art whatever the medium, $39.99 per hour • Sales and service of PCs, • Wireless Router Macs, Desktops, Laptops £tt$9 $34.99 •Virus Cleanups Interested? Then e-mail all • Wireless USB Stick $$Si&$ •Accessories & Parts • Printing, copying, scanning $21.99 While quantities last submissions to & faxing 684 Columbia Blvd. West 3700joumal©gmail. • Internet Rental, WiFi, Web Lethbridge, AB T1K 5J9 E-mail: [email protected] Hosting In Green's Pop Shop & Bottle Depot Plaza at or dropoff at the Tel. 403-394-2375 Columbia & Temple Blvd. B5 computer labs October 13th. Contents 11 Opinion Question of the Week 12 3 ' TLFs Our Truth & Effort: Harper was right to boycott Ahmadinejad News Campus Beat 13 ' Alberta Liberal
    [Show full text]
  • Gretsch Enterprises Ltd
    QUALITYQUALITY PRODUCTSPRODUCTS SINCESINCE 18831883 2008 PRODUCT CATALOG G6120-125 CHET ATKINS ANNIVERSARY MODEL CUSTOM SHOP 125TH ANNIVERSARY EDITION 2008 PRODUCT CATALOG Rik Palieri TABLE OF CONTENTS www.banjo.net Photo: Marianna Holzer Custom Shop 4 Amplifiers 10 Brian Setzer Models 14 Chet Atkins Models 20 Dierks Bentley www.dierks.com Professional Collection 28 Photo: www.ashnewell.com Hollow Body Models Billy Duffy –The Cult Marlene Hammerle, Amy Surdu, Professional Collection 40 www.thecult.us Lianna Gore, & Catherine Carrell –Gore Gore Girls Photo: Matt Alexandre/robbsphotos.com www.goregoregirls.com Bass Models Photo: Takashi Sato/ www.satofoto.com Professional Collection Buzz Campbell –Buzz Campbell & Hot Rod Lincoln/ 44 The Lee Rocker Band Solid Body Models www.hotrodlincoln.net / www.leerocker.com Photo: Neil Zlozower Acoustic Models 56 Electromatic® Collection 61 EDITOR Jason Farrell DESIGNER Jeremy Smith CONTRIBUTORS Joe Carducci, Connie Herron, Brian Leach, Mike Lewis, Jeff Owens, Richard McDonald, Joel Meine, Billy Seigle, Rich Seigle and Joe Swierupski Kele Okereke–Bloc Party www.blocparty.com Photo: Randall Michelson LEGAL The trademarks identified in this magazine are owned by Fred W. Gretsch Enterprises Ltd. The following trademarks are not owned by Gretsch guitars: Baldwin®; Cadillac®; DeArmond®; Fishman®, Matrix™, Prefix™; Eminence®; Grand Ole Opry®, Opry®; ® ® Nils Lofgren KT Tunstall Grover , Imperial™, Rotomatic , Sta-Tite™; www.nilslofgren.com www.kttunstall.com Jensen®; RCA®; Seymour Duncan®; TV Jones® Photo: Myles Thorne , Photo: Brian Rasic Power’Tron™; Schaller® and Sperzel®. All Gretsch guitar products are made with Boz Boorer –Morrissey Patrick Stump –Fall Out Boy pride and care and are backed by product- www.bozboorer.com www.falloutboyrock.com Photo: Soloman Walker specific warranties.
    [Show full text]
  • Psychobilly Psychosis and the Garage Disease in Athens
    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
    [Show full text]
  • Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon
    [Show full text]
  • Jumpin Issue 4.Indd
    The Quakes OWDY FELLOWS. Sorry, this issue took us longer than expected, but look, it was worth the wait. More than forty pages of rock’n’roll, psychobilly, hillbilly, honky tonk, rockabilly and blues (and more...). First we’ve talked with Paul Roman, singer and guitar player for The Quakes. This interview was scheduled for a stick to your guns Hprevious issue and had to be delayed. On December 2nd, The uakesQ issued their newest output so we thought it was the right time for the interview. Earlier this year I discovered a very talented by fred Turgis singer and songwriter on a compilation album : Marcel Riesco founder of Truly Lover Trio. Once I heard the full album I knew I wanted him for Jumpin’. So here’s the interview with this young he Quakes are one of the first (if not and gifted guy. Cari Lee recently proved she was at ease with both hillbilly and rhythm’n’blues. the first) american psychobilly band. Like their compatriot the Stray Cats She tells us everything about this two kinds of music and her bands The Contenders and The Tthey crossed the sea to find fame in Saddle-Ites. Peter Sandmark aka Slim Sandy played many styles with many bands. The release of Europe where by the time the psychobilly scene was growing bigger and bigger. Roy his solo album “This Is Slim Sandy” gave us the occasion to make him talk about Ray Condo, The williams and nervous record quickly signed Crazy Rhythm Daddies and how to play drums, guitar and harmonica in the same time.
    [Show full text]
  • Must-See Shows by Texas Artists for June 11 - 17
    Must -see shows by Texas artists for June 11 - 17 | Mario Tarradell Columns and Reviews ... Page 1 of 1 Must-see shows by Texas artists for June 11 - 17 By Mario Tarradell Music Critic [email protected] Published 09 June 2010 06:31 AM Dallas' Erykah Badu may finally get past the controversy over her "Window Seat" video, the one where she stripped naked in Dealey Plaza and collapsed at the sound of a gunshot, and concentrate on what she does best: making music and performing onstage. Her tour, featuring opening act Janelle Monáe, is in full swing and has already generated positive words from The Washington Post . Post staff writer Chris Richards reviewed her DAR Constitution Hall two-night stand late last month, acknowledging Badu's famously spacey characteristics yet never shortchanging her knack for crafting a compelling show. "When Badu lowered her arms , the lights would dim," wrote Richards. "When she twirled her wrist, her backing musicians would soften their grooves to a whisper. James Brown used to stop and start his band like an angry traffic cop. Badu conducts hers like a New Age sorceress." Trying to figure out what Badu will do in concert is probably futile. She's not the type to memorize the flow of a show and repeat it night after night with rote precision. But surely you can expect songs from her career-launching debut album, 1997's Baduizm. Plus, she'll surely focus a lot of attention on her stellar R&B opus, New Amerykah Part Two: Return of the Ankh, which was released in March.
    [Show full text]
  • Skater Competes in Women's Derby
    JD SAMSON TALKS ABOUT HER LATEST ALBUM WINDY CITY PAGE 16 THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 JAN. 29, 2014 VOL 29, NO.18 TIMESwww.WindyCityMediaGroup.com Skater competes in women’s STATE SEN. KYLE MCCARTER FILES CHALLENGE TO GAY MARRIAGE derby page 7 BY KATE SOSIN For Joseph L. Simonis, it wasn’t a lifelong passion realized, a per- sonal test of strength or a political statement. It was a way for her to guide the rudders of a second puberty, to hang onto a body in the process of the change. Simonis is one of the first transgender skaters to compete with the Windy City Rollers, the Chicago-based women’s derby league (Simo- nis points out that she does not typically use labels like “transgen- der.”) She is in her second year with the league and has steadily moved Joseph L. Simonis. up in the local derby scene, often unintentionally challenging tradi- Photo by Ross Forman Turn to page 8 PLANNED PARENTHOOD MARKS 40TH STAR-STUDDED ANNIVERSARY Windy City Times OF ROE V. WADE talks with two very WITH CEO big-name stars this CAROLE BRITE week: actor Greg Kinnear (page 22) pagE 9 and former boxer Mike Tyson (on page 19). Kinnear talks about his new show, Rake, while Tyson ruminates on his one-man show and smooching Robert Downey Jr. GAY DIRECTOR EDGAR BARENS page 19 HAS AN OSCar- NOMINATED page 22 DOCUMENTARY pagE 17 2 Jan. 29, 2014 WINDY CITY TIMES WINDY CITY TIMES this week in NEWS WINDY CITY TIMES Jan.
    [Show full text]
  • Sturgis Rider Daily 4 of 8 Tonight’S Headliner: Tuesday Aug
    ® FREE STURGIS RIDER DAILY 4 OF 8 TONIGHT’S HEADLINER: TUESDAY AUG. 9, 2016 INSIDE HALL OF FAME Page 4 EASYRIDERS AUCTION Page 11 Fast and erce racing fury … SPORTSTER SHOWDOWN Page 13 THE MOTO STAMPEDE! STURGIS WEATHER Tues 8/9 Wed 8/10 91/73 91/63 Mostly Sunny Partly Cloudy Courtesy of weather.com STURGIS BUFFALO CHIP’S WOLFMAN JACK STAGE TONIGHT Roving Reporter Roady Loner has been around the 10 PM block and that’s no lie. As a seasoned road-dog, he’s seen CHEAP TRICK it all — or just about. So we put him on the case of the 8:30 PM Moto Stampede. It’s just the thing to snap old Roady back to racing’s heyday — when men were men and TEXAS HIPPIE women were okay with it. COALITION Super Hooligan Racing is hard scrabble, bar-to-bar action that’s electrifying to watch and addicting to do. t goes without saying that rock music and motor- Be in the Buffalo Chip amphitheater tomorrow, Wednesday, August 10, and you’ll agree. 7 PM cycles go together like pinstripes and metal ake. THE GRIZZLED MIGHTY Even before the days of all these 300-watt ste- with Mothership at Bikini Beach follow. Ireos on two wheels, the spirit behind a good groove at’s just the set-up, though. Because throw- TOMORROW was playing in your head while you roared down the ing down all day Wednesday in the Bu alo Chip 10:30 PM blacktop, mile after mile. Or was that just a ash- Amphitheater, the Moto Stampede brings the misty back? red fury of smoky, dirty racing right into your lap.
    [Show full text]
  • The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES THE SOUTHERN ROCK MUSIC REVIVAL: IDENTITY WORK AND REBEL MASCULINITY By JASON EASTMAN A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 The members of the Committee approve the Dissertation of Jason Eastman defended on June 13th, 2007. Douglas Schrock Professor Directing Dissertation Andrew Opel Outside Committee Member Patricia Yancey Martin Committee Member Irene Padavic Committee Member Approved: Patricia Yancey Martin, Chair, Sociology David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................................ v LIST OF TABLES............................................................................................................. vi ABSTRACT...................................................................................................................... vii INTRODUCTION .............................................................................................................
    [Show full text]
  • Art Show Deadline for Feb
    THurSDay 1/31—WEDnESDay 2/6 NIGHTLIFE PSyCHOBILLySKaPunK WEBSTER MOORE: Singer/songwriter, LOW FLYING BIRDS: Americana and Headlined by the Reverend Horton Heat (pictured), this plus Drunken Dumpling food bluegrass from this fun, high- bill features a big ol’ heap of rock ’n’ roll going down tonight truck. Thu, 1/31, 7pm. The Commons, energy band. Fri, 2/1, 8pm. $7. 2412 Park Ave. Unwined Kitchen & Bar, 980 (Jan. 31) at the Senator Theatre. The godfather of modern Mangrove Ave. unwinedchico.com rockabilly, the Rev is joined by longtime bassist Jimbo Wal- YUPPIE LIBERATION FRONT: Band leader and Chico alum Thomas Molina MAKER’S MILE: Funk, rock, reggae and lace; the pair have been playing together for nearly 35 years. combines jazz, reggae, neo soul, hip-hop, plus and opening set from You’ll also see a set by western swing king Big Sandy, SoCal Latin and R&B, plus standards One-Up’s Aaron Stroh. Fri, 2/1, ska punks Voodoo Glow Skulls and The Delta Bombers. and fun arrangements of popular 9pm. Tackle Box, 379 E. Park Ave. music. Thu, 1/31, 6pm. Tender Loving tackleboxchico.com Coffee, 365 E. Sixth St. MATT MCBRIDE: McBride opens the show with a solo set and closes FrOnT COunTry with his full band, plus music from Tonight, Jan. 31 FrIDay Manimals and blues-y rock trio Sierra Nevada Big Room 1 Yurkovic. Fri, 2/1, 8:30pm. $5. The BUTTE STRONG SESSION: Benefit Maltese, 1600 Park Ave. PSyCHOBILLySKaPunK SEE THurSDay show featuring Joe Craven, Alex Headlined by the Reverend Horton Heat (pictured), this bill THurSDay De Grassi and Laurie Lewis with MOJO GREEN: Funked-out Reno septet features a big ol’ heap of rock ’n’ roll going down tonight 31 Nina Gerber, performing sepa- brings their mobile dance party to #BROKEAF: Celebrate Aquarius rately and together.
    [Show full text]