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J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. -
1 Is Austin Still Austin?
1 IS AUSTIN STILL AUSTIN? A CULTURAL ANALYSIS THROUGH SOUND John Stevens (TC 660H or TC 359T) Plan II Honors Program The University of Texas at Austin May 13, 2020 __________________________________________ Thomas Palaima Department of Classics Supervising Professor __________________________________________ Richard Brennes Athletics Second Reader 2 Abstract Author: John Stevens Title: Is Austin Still Austin? A Cultural Analysis Through Sound Supervisors: Thomas Palaima, Ph. D and Richard Brennes For the second half of the 20th century, Austin, Texas was defined by its culture and unique personality. The traits that defined the city ushered in a progressive community that was seldom found in the South. In the 1960s, much of the new and young demographic chose music as the medium to share ideas and find community. The following decades saw Austin become a mecca for live music. Austin’s changing culture became defined by the music heard in the plethora of music venues that graced the city streets. As the city recruited technology companies and developed its downtown, live music suffered. People from all over the world have moved to Austin, in part because of the unique culture and live music. The mass-migration these individuals took part in led to the downfall of the music industry in Austin. This thesis will explore the rise of music in Austin, its direct ties with culture, and the eventual loss of culture. I aim for the reader to finish this thesis and think about what direction we want the city to go in. 3 Acknowledgments Thank you to my advisor Professor Thomas Palaima and second-reader Richard Brennes for the support and valuable contributions to my research. -
EU Page 1 COVER2.Indd
JACKSONVILLE imppgjroving jacksonville free monthly guide to entertainment & more | september 2009 | eujacksonville.com contents 44 on the cover 14 16 on the cover features visual arts pages 3-11 improving jax page 16-17 art events Cover design by Rachel Best page 3 tim hall page 17 tattoo convention Henley, creative designer for page 4 wayne weaver EU Jacksonville. page 5 metro jaxksonville theatre + culture page 6 joseph a. strasser page 22 theatre & cultural events page 8 matt uhrig page 23 oklahoma with jso and alhambra page 9 joe schwarz eu staff page 10 joanelle mulrain family page 11 pastor clinton bush page 24 jaguars football preview managing director page 24 family events Shelley Henley life + stuff creative director page 12 combatting PTSD music Rachel Best Henley page 18 inspired by... page 25 sound check copy editors page 20 view from the couch page 25 spotlight: marion crane Kellie Abrahamson page 20-21 new on tv pages 26-30 music events Erin Thursby page 33 netscapades page 31 album review: david bazan music editor food editor page 31 album review: mount eerie Kellie Abrahamson Erin Thursby dish page 31 album review: dd/mm/yy photo editor page 13 dish update + events page 32 interview: lady daisey and batsauce Daniel Goncalves page 13 ingredient secret: mushroom contributing photographer page 14 hidden gems movies Richard Abrahamson page 15 book: the 100-mile diet page 34 september movies contributing writers page 35 special movie showings Brenton Crozier Dick Kerekes Jack Diablo Madeleine Peck Daniel Goncalves Anna Rabhan Rick Grant Tom Weppel improving jacksonville september 09 Published by EU Jacksonville Newspaper. -
Herb Alpert's
FOR IMMEDIATE RELEASE Caroline Graham, C4 Global Communications June 26, 2013 [email protected] HerbHerb Alpert’s “Puttin’ On The Ritz” music video creates aa compellingcompelling dancedance rhythm from the classic 1930 song “Puttin’ On The Ritz” images Produced by Kerith Lemon Los Angeles — June 26, 2013. Herb Alpert, founder of A&M Records and one of the most successful trumpet performers in pop history released his newest single and music video Puttin’ On The Ritz, Tuesday,Tuesday, JuneJune 25th25th. The music video premiered on VEVO. The single is available for a $1.29 download on iTunes, Amazon, Google Play, and Spotify. “Puttin’ on thethe RitzRitz” dance was performed livelive last night as the opening number on Fox Network’s “So You Think You Can Dance.” Alpert delivers a refreshing contemporary interpretation of the classic song released in 1930, inspired by the ‘swanky’ London Ritz Hotel. The track’s groove inducing beat, married with classic vocals by Lani Hall and Herb’s iconic trumpet create a compelling dance rhythm. “I always felt that if a song is fun to play then it would be fun to listen to. This recording seemed to me that it had international appeal, and we wanted to make a music video that conveyed the sense of fun that you hear” says Herb Alpert, “We had a wonderful team, led by producer Kerith Lemon, bringing the music video to life. Glenn Kaino added his brilliant creative vision and Tabitha and Napoleon of So You Think You Can Dance are the perfect choice for the choreography.” The “Puttin’ On The Ritz” video follows the lead dancer on a musical journey, motivating everyone to join the promenade. -
Gretsch Enterprises Ltd
QUALITYQUALITY PRODUCTSPRODUCTS SINCESINCE 18831883 2008 PRODUCT CATALOG G6120-125 CHET ATKINS ANNIVERSARY MODEL CUSTOM SHOP 125TH ANNIVERSARY EDITION 2008 PRODUCT CATALOG Rik Palieri TABLE OF CONTENTS www.banjo.net Photo: Marianna Holzer Custom Shop 4 Amplifiers 10 Brian Setzer Models 14 Chet Atkins Models 20 Dierks Bentley www.dierks.com Professional Collection 28 Photo: www.ashnewell.com Hollow Body Models Billy Duffy –The Cult Marlene Hammerle, Amy Surdu, Professional Collection 40 www.thecult.us Lianna Gore, & Catherine Carrell –Gore Gore Girls Photo: Matt Alexandre/robbsphotos.com www.goregoregirls.com Bass Models Photo: Takashi Sato/ www.satofoto.com Professional Collection Buzz Campbell –Buzz Campbell & Hot Rod Lincoln/ 44 The Lee Rocker Band Solid Body Models www.hotrodlincoln.net / www.leerocker.com Photo: Neil Zlozower Acoustic Models 56 Electromatic® Collection 61 EDITOR Jason Farrell DESIGNER Jeremy Smith CONTRIBUTORS Joe Carducci, Connie Herron, Brian Leach, Mike Lewis, Jeff Owens, Richard McDonald, Joel Meine, Billy Seigle, Rich Seigle and Joe Swierupski Kele Okereke–Bloc Party www.blocparty.com Photo: Randall Michelson LEGAL The trademarks identified in this magazine are owned by Fred W. Gretsch Enterprises Ltd. The following trademarks are not owned by Gretsch guitars: Baldwin®; Cadillac®; DeArmond®; Fishman®, Matrix™, Prefix™; Eminence®; Grand Ole Opry®, Opry®; ® ® Nils Lofgren KT Tunstall Grover , Imperial™, Rotomatic , Sta-Tite™; www.nilslofgren.com www.kttunstall.com Jensen®; RCA®; Seymour Duncan®; TV Jones® Photo: Myles Thorne , Photo: Brian Rasic Power’Tron™; Schaller® and Sperzel®. All Gretsch guitar products are made with Boz Boorer –Morrissey Patrick Stump –Fall Out Boy pride and care and are backed by product- www.bozboorer.com www.falloutboyrock.com Photo: Soloman Walker specific warranties. -
Psychobilly Psychosis and the Garage Disease in Athens
IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p. -
Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days. -
The Reverend Horton Heat “Custom Culture Rockabilly” Experience
BUDDY THE ORIGINAL TEXAS MUSIC MAGAZINE MAY 2013 VOLUME XXXX, NUMBER 11 The Reverend Horton Heat “custom culture rockabilly” experience After “Laughin’ and Cryin’’ the new Reverend Horton Heat CD on Victory Records will bring a harder edge. By Dana Jones, Photos by Chuck Flores HOW IS LIFE GOING FOR THE REVEREND They’re all mixed in a pot- HHorton Heat? “It’s amazing. I mean, I get to luck of an audi- Hsing songs about the cars I love, drinking ence, and as the and chasing girls. Beats the hell out of the alterna- Reverend Horton Heat tive.” takes the stage, Most definitely. Brummel, “Signing a veteran art- they suddenly Texas-born Jim Heath may ist of The Reverend Horton Heat’s become one not be a household name, but his caliber and reputation coupled group of de- legendary band The Reverend with the fact that they are one of voted, singing Horton Heat has probably been the hardest touring rock artists, along, dancing, heard in most households in year after year, was a very excit- America. He’s worked hard, and ing way for us to end 2012. A toe-tapping, from that has had both artistic large number of us here have kindred spirits. and commercial success. It’s not been fans for many years. We It’ll be almost just the countless stage shows, very much look forward to work- completely over a million albums sold, nu- ing with the band and its original music, merous appearances on multi- longstanding team.” and the crowd artist compilations, videos and happily expects two concert DVDs. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
Navarre Dance Students Earn Accolades at CAMP PULSE Workshop
A TIME TO DANCE 7020 Navarre Parkway | Navarre, FL 32566 Contact: Brie Schell | 850.450.6919 | [email protected] Dec. 15, 2011 Navarre Dance Students Earn Accolades at CAMP PULSE workshop FOR IMMEDIATE RELEASE – Three dance students from A Time To Dance studio in Navarre recently attended a CAMP PULSE workshop and earned accolades from some of the hottest choreographers in tween dance today. Two won scholarships to further their dance studies in Las Vegas and New York. CAMP PULSE features choreographers from popular TV shows, music videos, and feature films. More than 700 young dance students attended the two-day CAMP PULSE held Oct. 22-23 in Mobile, Ala. Dancers from Navarre recognized at the event included: Karlee Dillard, 13, winner of the only scholarship awarded to attend CAMP PULSE in Las Vegas, Nov. 19-20. Megan Gragg, 13, winner of a scholarship to attend classes at Broadway Dance Center in New York City. Caitlynn Funkhouser, 6, recipient of a “Rock Star” award. She was one the youngest dancers at the event. The young dancers were honored by CAMP PULSE instructors, including Rosero McCoy (of MTV’s America’s Best Dance Crew and Disney’s Camp Rock), Lane Napper (of Nickelodeon’s iCarly and VicTORIous!), Nancy O’Meara (of Fox’s American Idol and Disney’s High School Musical) and Kherington Payne (of Fox’s Glee and So You Think You Can Dance). “We are very proud of these dancers and many accomplishments. They have worked extremely hard and have put in many hours of practice. Their dedication has paid off with these choreographers choosing them for top scholarships and awards,” said Brieane Schell, Artistic Director. -
Jumpin Issue 4.Indd
The Quakes OWDY FELLOWS. Sorry, this issue took us longer than expected, but look, it was worth the wait. More than forty pages of rock’n’roll, psychobilly, hillbilly, honky tonk, rockabilly and blues (and more...). First we’ve talked with Paul Roman, singer and guitar player for The Quakes. This interview was scheduled for a stick to your guns Hprevious issue and had to be delayed. On December 2nd, The uakesQ issued their newest output so we thought it was the right time for the interview. Earlier this year I discovered a very talented by fred Turgis singer and songwriter on a compilation album : Marcel Riesco founder of Truly Lover Trio. Once I heard the full album I knew I wanted him for Jumpin’. So here’s the interview with this young he Quakes are one of the first (if not and gifted guy. Cari Lee recently proved she was at ease with both hillbilly and rhythm’n’blues. the first) american psychobilly band. Like their compatriot the Stray Cats She tells us everything about this two kinds of music and her bands The Contenders and The Tthey crossed the sea to find fame in Saddle-Ites. Peter Sandmark aka Slim Sandy played many styles with many bands. The release of Europe where by the time the psychobilly scene was growing bigger and bigger. Roy his solo album “This Is Slim Sandy” gave us the occasion to make him talk about Ray Condo, The williams and nervous record quickly signed Crazy Rhythm Daddies and how to play drums, guitar and harmonica in the same time. -
Must-See Shows by Texas Artists for June 11 - 17
Must -see shows by Texas artists for June 11 - 17 | Mario Tarradell Columns and Reviews ... Page 1 of 1 Must-see shows by Texas artists for June 11 - 17 By Mario Tarradell Music Critic [email protected] Published 09 June 2010 06:31 AM Dallas' Erykah Badu may finally get past the controversy over her "Window Seat" video, the one where she stripped naked in Dealey Plaza and collapsed at the sound of a gunshot, and concentrate on what she does best: making music and performing onstage. Her tour, featuring opening act Janelle Monáe, is in full swing and has already generated positive words from The Washington Post . Post staff writer Chris Richards reviewed her DAR Constitution Hall two-night stand late last month, acknowledging Badu's famously spacey characteristics yet never shortchanging her knack for crafting a compelling show. "When Badu lowered her arms , the lights would dim," wrote Richards. "When she twirled her wrist, her backing musicians would soften their grooves to a whisper. James Brown used to stop and start his band like an angry traffic cop. Badu conducts hers like a New Age sorceress." Trying to figure out what Badu will do in concert is probably futile. She's not the type to memorize the flow of a show and repeat it night after night with rote precision. But surely you can expect songs from her career-launching debut album, 1997's Baduizm. Plus, she'll surely focus a lot of attention on her stellar R&B opus, New Amerykah Part Two: Return of the Ankh, which was released in March.