The Apotheosis of He#Rakle#S on Olympus and the Mythological Origins of the Olympics
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Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
The Hercules Story Pdf, Epub, Ebook
THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious. -
Vespasian's Apotheosis
VESPASIAN’S APOTHEOSIS Andrew B. Gallia* In the study of the divinization of Roman emperors, a great deal depends upon the sequence of events. According to the model of consecratio proposed by Bickermann, apotheosis was supposed to be accomplished during the deceased emperor’s public funeral, after which the senate acknowledged what had transpired by decreeing appropriate honours for the new divus.1 Contradictory evidence has turned up in the Fasti Ostienses, however, which seem to indicate that both Marciana and Faustina were declared divae before their funerals took place.2 This suggests a shift * Published in The Classical Quarterly 69.1 (2019). 1 E. Bickermann, ‘Die römische Kaiserapotheosie’, in A. Wlosok (ed.), Römischer Kaiserkult (Darmstadt, 1978), 82-121, at 100-106 (= Archiv für ReligionswissenschaftW 27 [1929], 1-31, at 15-19); id., ‘Consecratio’, in W. den Boer (ed.), Le culte des souverains dans l’empire romain. Entretiens Hardt 19 (Geneva, 1973), 1-37, at 13-25. 2 L. Vidman, Fasti Ostienses (Prague, 19822), 48 J 39-43: IIII k. Septembr. | [Marciana Aug]usta excessit divaq(ue) cognominata. | [Eodem die Mati]dia Augusta cognominata. III | [non. Sept. Marc]iana Augusta funere censorio | [elata est.], 49 O 11-14: X[— k. Nov. Fausti]na Aug[usta excessit eodemq(ue) die a] | senatu diva app[ellata et s(enatus) c(onsultum) fact]um fun[ere censorio eam efferendam.] | Ludi et circenses [delati sunt. — i]dus N[ov. Faustina Augusta funere] | censorio elata e[st]. Against this interpretation of the Marciana fragment (as published by A. Degrassi, Inscr. It. 13.1 [1947], 201) see E. -
Major Themes and Motifs in the Dionysiaca
chapter 6 Major Themes and Motifs in the Dionysiaca Fotini Hadjittofi A feature which will immediately strike the first-time reader of Nonnus’ Dionysiaca is the poet’s penchant for creating formulaic scenes or expressions: verses can be repeated verbatim or in a slightly varied form, and passages can be recast several times, with different protagonists and only minor alterations.1 These recurrent scenes and expressions are certainly a manifestation of Nonnus’ aesthetic principle of ποικιλία (variatio),2 and have an obvious role to play in structuring the poem. For example, in looking for unifying threads that would tie together the disparate episodes of the Dionysiaca, scholars have identified a set of close structural parallels between the first and last books of the epic.3 Thus, the narrative proper begins with a rape (of Europa, by Zeus) and ends with a rape (of Aura, by Dionysus). The Typhonomachy, in which Zeus defeats Typhoeus, in Books 1–2 corresponds to the Gigantomachy, in which Dionysus defeats the Giants of Thrace, in Book 48. The tragic narratives of Actaeon (Book 5) and Pentheus (Books 44–46) clearly echo each other. Even though this chapter will often focus on the thematic correspondences between the first and last books (as themes which appear in these narratively privileged positions are likely to be fundamental for the whole poem), it does not aim to explore structural questions, such as how far we can push these particular similarities and to what extent Nonnus was indeed striving for a perfect ring composition.4 My aim is to provide an outline of the most important themes and motifs which recur throughout the entire epic, and which will be studied 1 The formularity of Nonnus’ language will not concern me in this chapter, but see D’Ippolito in this volume. -
Origins of Apotheosis in Ancient Egypt by Julia Dawn Troche B.A
Origins of Apotheosis in Ancient Egypt By Julia Dawn Troche B.A., University of California, Los Angeles, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of of Doctor of Philosophy in the Department of Egyptology and Assyriology at Brown University Providence, Rhode Island May 2015 © Copyright 2015 by Julia Troche The dissertation by Julia Dawn Troche is accepted in its present form by the Department of Egyptology and Assyriology as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date______________________ ____________________________________ James P. Allen, Advisor Recommended to the Graduate Council Date______________________ ____________________________________ Laurel Bestock, Reader Date______________________ ____________________________________ Elizabeth Frood, Reader Approved by the Graduate Council Date______________________ ____________________________________ Peter Weber, Dean of the Graduate School iii Curriculum Vitae Julia Dawn Troche was born November 17, 1986 in Long Beach, California. She earned a B.A. from the University of California, Los Angeles where she majored in History, received College Honors, and graduated Magna Cum Laude. From 2007-2008, Julia was also a Departmental Scholar in the Department of Near Eastern Langauges and Cultures and wrote a thesis entitled “Political Implications of Hatshepsut’s Building Program in the Greater Theban Region.” After graduation Julia taught high school English and World History at High Bluff Academy in San Diego, California before enrolling in her Ph.D. program at Brown University in 2009. During her time at Brown University Julia has taught her own undergraduate course, “Daily Life in Ancient Egypt,” and taught for the Summer at Brown Program for five years, including the classes “Middle Egyptian Hieroglyphs,” “Ancient Egyptian Religion and Magic,” and “Art and Archaeology of Ancient Egypt.” Julia also worked at the Brown University Writing Center where she received training in teaching English for English Language Learners. -
Mythological Variants Inisidore of Seville's Etymologies
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. Search the GML Mythological Variants in Isidore of Seville's Etymologies advanced Isidoro de Sevilla (c. 560‐636), painting by Bartolomé Esteban Murillo (1618‐ 82). (Image in public domain) Selection of less common variants of the Greek myths in Isidore of Seville's Etymologies Books, chapters and lines in the Namesakes are numbered for identifications purposes as is praxis in the Greek Mythology Link. If a name is not linked, see the Etymologies: Dictionary for further details. Excerpts from Isidore's Etymologies are in red. Sources Abbreviations Achaeus: 9.2.72. "The Achaians, also known as Achivians, were named after Achaeus, son of Jupiter." The eponym of the Achaeans, Achaeus 1, is otherwise known as son of Xuthus 1 & Creusa 1 (Apd.1.7.3; Pau.7.1.6; Strab.8.7.1). Achaeus 2, son of Poseidon & Larisa 1 is also regarded as eponym of the Achaeans (DH.1.17.3). Agenor: 14.4.1. "Europa was the daughter of Agenor, king of Libya, whom Jupiter carried to Crete after she had been abducted from Africa ... This Agenor is the son of Libya, after whom Libya, that is Africa, is said to have been named ..." Usually, Europa is believed to have been abducted in Phoenicia where she was born (Apd.3.1.1). Apollodorus says that Agenor 1 was born in Egypt but departed to Phoenicia where he reigned (2.1.4). -
Representations of Mormonism in American Culture Jeremy R
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 8-19-2011 Imagining the Saints: Representations of Mormonism in American Culture Jeremy R. Ricketts Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Ricketts, eJ remy R.. "Imagining the Saints: Representations of Mormonism in American Culture." (2011). https://digitalrepository.unm.edu/amst_etds/37 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jeremy R. Ricketts Candidate American Studies Departmelll This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Commillee: , Chairperson Alex Lubin, PhD &/I ;Se, tJ_ ,1-t C- 02-s,) Lori Beaman, PhD ii IMAGINING THE SAINTS: REPRESENTATIONS OF MORMONISM IN AMERICAN CULTURE BY JEREMY R. RICKETTS B. A., English and History, University of Memphis, 1997 M.A., University of Alabama, 2000 M.Ed., College Student Affairs, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May 2011 iii ©2011, Jeremy R. Ricketts iv DEDICATION To my family, in the broadest sense of the word v ACKNOWLEDGMENTS This dissertation has been many years in the making, and would not have been possible without the assistance of many people. My dissertation committee has provided invaluable guidance during my time at the University of New Mexico (UNM). -
1 Catholic Transtemporality Through the Lens of Andrea Pozzo and The
1 Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Emily C. Thomason August 2020 © 2020 Emily C. Thomason. All Rights Reserved. 2 This thesis titled Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque by EMILY C. THOMASON has been approved for the School of Art + Design and the College of Fine Arts by Samuel Dodd Lecturer, School of Art + Design Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract THOMASON, EMILY C, M.A., August 2020, Art History Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque Director of Thesis: Samuel Dodd Andrea Pozzo was a lay brother for the Order of the Society of Jesus in the late seventeenth and early eighteenth centuries who utilized his work in painting, architecture, and writing to attempt to create an ideal expression of sacred art for the Counter- Reformation Catholic Church. The focus of this study is on Pozzo’s illusionary paintings in Chiesa di Sant’Ignazio di Loyola in Rome as they coincide with his codification of quadratura and di sotto in su, as described through perspectival etchings and commentary in Perspectiva Pictorum et Architectorum. This thesis seeks to understand the work of Pozzo in context with his Jesuit background, examining his work under the lens of Saint Ignatius of Loyola’s Spiritual Exercises, as well as the cultural, political, and religious climates of Rome during the Counter-Reformation era. -
Athens: Its Rise and Fall 1 Athens: Its Rise and Fall
Athens: Its Rise and Fall 1 Athens: Its Rise and Fall The Project Gutenberg EBook Athens: Its Rise and Fall, Complete #14 in our series by Edward Bulwer-Lytton Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **EBooks Readable By Both Humans and By Computers, Since 1971** *****These EBooks Were Prepared By Thousands of Volunteers***** Title: Athens: Its Rise and Fall, Complete Author: Edward Bulwer-Lytton Release Date: July, 2004 [EBook #6156] [Yes, we are more than one year ahead of schedule] [This file was first posted on November 19, 2002] Edition: 10 Language: English Athens: Its Rise and Fall 2 Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK ATHENS: RISE AND FALL, COMPLETE *** This eBook was produced by Tapio Riikonen and David Widger <[email protected]> ATHENS: ITS RISE AND FALL by Edward Bulwer Lytton DEDICATION. TO HENRY FYNES CLINTON, ESQ., etc., etc. -
Salamis in Easy Attic Greek
'yJlMLJ. n. C^\- SxJ^bris PROFESSOR J. S.WILL z.'vS" f*^ Cambridge Mkiiuiuary Classics Salamis in easy Attic Greek 13 en O Sal a mis in easy Attic Greek With Introduction, Notes and Vocabulary by G. M. EDWARDS, ^M.A. Fellow of Sidney Sussex College, Cambridge ' - / Cambridge : at the University Press if J I9'3 S57H CAMBRIDGE UNIVERSITY PRESS ILonUon: FETTER LANE, E.G. C. F. CLAY, Manager GFUinbursb: 100, PRINCES STREET ectlin: A. ASHER AND CO. Efipjig: F. A. BROCKHAUS ip,etoSorfe: G. P. PUTNAM'S SONS »otnbag antj Calcutta: MACMILLAN AND CO., Ltd. All rights reserved WIIHTeO Ih •«i»T ««ITAIII PREFACE rilHIS mlaptation of part of Herodotus, imirli -*- shortened and simplified, is intended for students in their second year of Greek readin<r. The re-written text is mainly Attic ; but a few Ionic touches have been retained for their literary value. The subject-matter is of great and varied interest ; and there is abundance of useful idiom. The excellent editions of Dr Shuckburgh and Messrs How and Wells and Dean Blakesley's admirable Excursus on the battle of Salamis have been found very useful. G. M. E. CAMBRmOK June 1913 CONTENTS PAGE Introduction ...... vii Text ........ 1 Notes 32 Vocabulary ...... 61 Index of Proper Names . .77 ILLUSTRATIONS AND MAP Map of Salamis .... Frontispiece Athens and the Acropolis {Phot. Frith) To face p. 2 A Greek Trireme Themistocles {Phot. Anderson) . Note.— The illustration of the trireme is re- produced by permission of Mr Cecil Torr. A full explanation of its details will be found in his work on Ancient Ships (p. -
Fathers of the Catholic Church
OF THE CATHOLIC CHURCH. A BRIEF EXAMINATION OF THE "FALLING AWAY" OF THE CHURCH IN THE FIRST THREE CENTURIES. BY E. J. WA woivER. " To the law and to the testimony; If they speak not according to this word, it is because there is no light in them " Isa. 8 : no. PACIFIC PRESS PUBLISHING COMPANY, OAKLAND, CAL., SAN FRANCISCO AND NEW YORK. 1888. ../1.-1 if 6 VI\ • Entered according to Act of Congress in the ye. 1883, by "Pacific "Press 'Publishing T,o') In the nice of the Librarain of Congress, Washington, D. C. ALL RIGHTS RESERVED. PAC \ \C PRESS ?URA \SH\IAG Co'MAVIN, 01,‘\_Ati3O, CAI., PR‘cliv_Rs, FAV_OIROVIPERS , 1,1A0 Bmzuks. PREFACE. THIS book is the outgrowth of some extracts which I copied into a pocket scrap-book a few years ago, thinking that it would often be convenient to have at hand the exact words of a few reliable historians, concerning the Fathers and their work, when the histories themselves might not be accessible. It soon occurred to me that something similar would be of value to others, especially since the Fathers are being appealed to more and more, and it is ithpossible for the majority, even of ministers, always to have access to their writings. Accordingly, extracts were made on a more extensive scale, and were woven together, the result being this book, which is in reality a brief account of the rise of that antichristian structure called the papacy, which was built on the foundation of the so-called Fathers, the hea- then philosopher Plato being the chief corner-stone. -
Herakleia Trachinia in the Archidamian War
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1993 Herakleia Trachinia in the Archidamian War Mychal P. Angelos Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Angelos, Mychal P., "Herakleia Trachinia in the Archidamian War" (1993). Dissertations. 3292. https://ecommons.luc.edu/luc_diss/3292 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1993 Mychal P. Angelos HERAKLEIA TRACHINIA IN THE ARCHIDAMIAN WAR By Mychal P. Angelos A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May, 1993 For Dorothy ·' ,/ ;~ '\ Copyright, 1993, Mychal P. Angelos, All rights reserved. VITA The author was born in Chicago, Illinois in 1929. He first entered Loyola University of Chicago in 1946 where he followed a liberal arts program. He was admitted to the University of Chicago Law School in 1948 and was awarded the Juris Doctor degree in 1951. He was admitted to the Illinois Bar in the same year and has been in private practice as an attorney in Chicago for 41 years. In September, 1982 he enrolled in the Department of History at Loyola University of Chicago, and in January, 1985 he received the Master of Arts degree in Ancient History.