Fathers of the Catholic Church
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Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
Steve and Janet Ray's Biography
STEVE AND JANET RAY’S BIOGRAPHY Steve and Janet Ray in Jerusalem—they have been to the Holy Land over 170 times Steve’s first book—his conversion story EARLY YEARS CONVERSION PUBLISHED BOOKS Stephen K. Ray was born in 1954 to parents Prior to 1994, neither Steve or Janet had Crossing the Tiber who had just become Christians through a ever set foot in a Catholic Church. After (conversion story) Billy Graham Crusade. studying many books to convince their best friend and recent convert, Al Kresta, that He was raised in a Fundamentalist Baptist Upon this Rock: the early church was evangelical, Steve family and was dedicated to Jesus in the Peter and the Primacy of Rome and Janet backed their way right into the local Baptist Church. At four years old he Catholic Church. “asked Jesus into his heart” and was “born St. John’s Gospel again” according to Baptist tradition. On Pentecost Sunday, 1994, they entered (a Bible Study) the Church at Christ the King Parish in Ann In 1976, Stephen married Janet who Arbor, Michigan. The Papacy: came from a long line of Protestants. Her What the Pope Does and Why it ancestors were pilgrims who came to Steve began writing a letter to his father Matters America on the Mayflower and Moravian explaining why they became Catholic. This Hussite Protestants who joined the letter soon became the book Crossing the Faith for Beginners: Protestant Reformation in the 1600s. Tiber: Evangelical Protestants Discover the A Study of the Creeds Historic Church, published by Ignatius Press. EXPLORING THEIR FOOTPRINTS OF GOD PROTESTANT ROOTS DVD SERIES CURRENT With two small children in tow, Steve and Janet moved to Europe for one year where Since then, Steve’s passion for the depth Abraham: Father of Faith they traveled extensively researching their of truth found within the Catholic tradition and Words reformation roots in Switzerland, Germany, has led him to walk away from his business Moses: Signs, Sacraments, and England. -
The Biographical Turn and the Case for Historical Biography
DOI: 10.1111/hic3.12436 ARTICLE The biographical turn and the case for historical biography Daniel R. Meister Department of History, Queen's University Abstract Correspondence Daniel R. Meister, Department of History, Biography has long been ostracized from the academy while Queen's University, Canada. remaining a popular genre among the general public. Recent height- Email: [email protected] ened interest in biography among academics has some speaking of a Funding information biographical turn, but in Canada historical biography continues to be International Council for Canadian Studies, undervalued. Having not found a home in any one discipline, Biog- Grant/Award Number: Graduate Student Scholarship (2017); Social Sciences and raphy Studies is emerging as an independent discipline, especially Humanities Research Council of Canada, in the Netherlands. This Dutch School of biography is moving biog- Grant/Award Number: 767‐2016‐1905 raphy studies away from the less scholarly life writing tradition and towards history by encouraging its practitioners to utilize an approach adapted from microhistory. In response to these develop- ments, this article contends that the discipline of history should take concrete steps to strengthen the subfield of Historical Biography. It further argues that works written in this tradition ought to chart a middle path between those studies that place undue focus on either the individual life or on broader historical questions. By employing a critical narrative approach, works of Historical Biography will prove valuable to both academic and non‐academic readers alike. The border separating history and biography has always been uncertain and anything but peaceful. (Loriga, 2014, p. 77) Being in the midst of a PhD dissertation that has its roots in extensive biographical research, I was advised to include in my introduction an overview of theoretical approaches to biography. -
The Apotheosis of He#Rakle#S on Olympus and the Mythological Origins of the Olympics
The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2019.07.12. "The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/the-apotheosis-of- herakles-on-olympus-and-the-mythological-origins-of-the- olympics/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41364811 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
Vespasian's Apotheosis
VESPASIAN’S APOTHEOSIS Andrew B. Gallia* In the study of the divinization of Roman emperors, a great deal depends upon the sequence of events. According to the model of consecratio proposed by Bickermann, apotheosis was supposed to be accomplished during the deceased emperor’s public funeral, after which the senate acknowledged what had transpired by decreeing appropriate honours for the new divus.1 Contradictory evidence has turned up in the Fasti Ostienses, however, which seem to indicate that both Marciana and Faustina were declared divae before their funerals took place.2 This suggests a shift * Published in The Classical Quarterly 69.1 (2019). 1 E. Bickermann, ‘Die römische Kaiserapotheosie’, in A. Wlosok (ed.), Römischer Kaiserkult (Darmstadt, 1978), 82-121, at 100-106 (= Archiv für ReligionswissenschaftW 27 [1929], 1-31, at 15-19); id., ‘Consecratio’, in W. den Boer (ed.), Le culte des souverains dans l’empire romain. Entretiens Hardt 19 (Geneva, 1973), 1-37, at 13-25. 2 L. Vidman, Fasti Ostienses (Prague, 19822), 48 J 39-43: IIII k. Septembr. | [Marciana Aug]usta excessit divaq(ue) cognominata. | [Eodem die Mati]dia Augusta cognominata. III | [non. Sept. Marc]iana Augusta funere censorio | [elata est.], 49 O 11-14: X[— k. Nov. Fausti]na Aug[usta excessit eodemq(ue) die a] | senatu diva app[ellata et s(enatus) c(onsultum) fact]um fun[ere censorio eam efferendam.] | Ludi et circenses [delati sunt. — i]dus N[ov. Faustina Augusta funere] | censorio elata e[st]. Against this interpretation of the Marciana fragment (as published by A. Degrassi, Inscr. It. 13.1 [1947], 201) see E. -
Medieval Biography Between the Individual and the Collective
Janez Mlinar / Medieval Biography Between the individual and the ColleCtive Janez Mlinar Medieval Biography between the Individual and the Collective In a brief overview of medieval historiography penned by Herbert Grundmann his- torical writings seeking to present individuals are divided into two literary genres. Us- ing a broad semantic term, Grundmann named the first group of texts vita, indicating only with an addition in the title that he had two types of texts in mind. Although he did not draw a clear line between the two, Grundmann placed legends intended for li- turgical use side by side with “profane” biographies (Grundmann, 1987, 29). A similar distinction can be observed with Vollmann, who distinguished between hagiographi- cal and non-hagiographical vitae (Vollmann, 19992, 1751–1752). Grundmann’s and Vollman’s loose divisions point to terminological fluidity, which stems from the medi- eval denomination of biographical texts. Vita, passio, legenda, historiae, translationes, miracula are merely a few terms signifying texts that are similar in terms of content. Historiography and literary history have sought to classify this vast body of texts ac- cording to type and systematize it, although this can be achieved merely to a certain extent. They thus draw upon literary-historical categories or designations that did not become fixed in modern languages until the 18th century (Berschin, 1986, 21–22).1 In terms of content, medieval biographical texts are very diverse. When narrat- ing a story, their authors use different elements of style and literary approaches. It is often impossible to draw a clear and distinct line between different literary genres. -
College of the Holy Cross Archives and Special Collections P.O
College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 College of the Holy Cross Archives and Special Collections Collection Inventory Accession Number:SC2000-77 Collection Name (Title): Newman, Cardinal John Henry, Collection Dates of Material: Size of Collection: 2 Boxes Arrangement: Restrictions: Related Material: Preferred Citation: Processed on: Biography/History: Cardinal John Henry Newman was born in London, England on February 21, 1801. He entered Trinity College in Oxford in 1817 and was ordained as an Anglican minister at Christ Church in 1825. Rev. Newman resigned from St. Mary’s and joined the Catholic Church in 1845. He established the English Congregation of the Oratory in 1848, and then he was appointed Rector of the Catholic University of Ireland in 1851. Newman then founded the Oratory School in 1859. On May 12, 1879 Rev. Newman was created Cardinal by Pope Leo XIII. Cardinal Newman died on August 11, 1890. Scope and Content Note: Box 1 contains original and typed copies of correspondence of Rev. Newman. Folder 1 contains letters miscellaneous letters dating from the 1850s through to the 1880s. The majority of these letters are original and handwritten. Folder 2 has a single letter written by Rev. Newman sent to Rev. H.A. Woodgate dated from September 27, 1842. Folder 3 includes 5 letters dated between 1840 and 1879 from Rev. Newman to Cardinal Manning. This folder also has typed copies of the handwritten letters. Folder 4 has a single letter from Rev. Newman, dated August 1, 1884, to “Louisa.” Folder 5 holds 3 letters, dated between 1884 and 1886, written to Rev. -
Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
Major Themes and Motifs in the Dionysiaca
chapter 6 Major Themes and Motifs in the Dionysiaca Fotini Hadjittofi A feature which will immediately strike the first-time reader of Nonnus’ Dionysiaca is the poet’s penchant for creating formulaic scenes or expressions: verses can be repeated verbatim or in a slightly varied form, and passages can be recast several times, with different protagonists and only minor alterations.1 These recurrent scenes and expressions are certainly a manifestation of Nonnus’ aesthetic principle of ποικιλία (variatio),2 and have an obvious role to play in structuring the poem. For example, in looking for unifying threads that would tie together the disparate episodes of the Dionysiaca, scholars have identified a set of close structural parallels between the first and last books of the epic.3 Thus, the narrative proper begins with a rape (of Europa, by Zeus) and ends with a rape (of Aura, by Dionysus). The Typhonomachy, in which Zeus defeats Typhoeus, in Books 1–2 corresponds to the Gigantomachy, in which Dionysus defeats the Giants of Thrace, in Book 48. The tragic narratives of Actaeon (Book 5) and Pentheus (Books 44–46) clearly echo each other. Even though this chapter will often focus on the thematic correspondences between the first and last books (as themes which appear in these narratively privileged positions are likely to be fundamental for the whole poem), it does not aim to explore structural questions, such as how far we can push these particular similarities and to what extent Nonnus was indeed striving for a perfect ring composition.4 My aim is to provide an outline of the most important themes and motifs which recur throughout the entire epic, and which will be studied 1 The formularity of Nonnus’ language will not concern me in this chapter, but see D’Ippolito in this volume. -
Origins of Apotheosis in Ancient Egypt by Julia Dawn Troche B.A
Origins of Apotheosis in Ancient Egypt By Julia Dawn Troche B.A., University of California, Los Angeles, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of of Doctor of Philosophy in the Department of Egyptology and Assyriology at Brown University Providence, Rhode Island May 2015 © Copyright 2015 by Julia Troche The dissertation by Julia Dawn Troche is accepted in its present form by the Department of Egyptology and Assyriology as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date______________________ ____________________________________ James P. Allen, Advisor Recommended to the Graduate Council Date______________________ ____________________________________ Laurel Bestock, Reader Date______________________ ____________________________________ Elizabeth Frood, Reader Approved by the Graduate Council Date______________________ ____________________________________ Peter Weber, Dean of the Graduate School iii Curriculum Vitae Julia Dawn Troche was born November 17, 1986 in Long Beach, California. She earned a B.A. from the University of California, Los Angeles where she majored in History, received College Honors, and graduated Magna Cum Laude. From 2007-2008, Julia was also a Departmental Scholar in the Department of Near Eastern Langauges and Cultures and wrote a thesis entitled “Political Implications of Hatshepsut’s Building Program in the Greater Theban Region.” After graduation Julia taught high school English and World History at High Bluff Academy in San Diego, California before enrolling in her Ph.D. program at Brown University in 2009. During her time at Brown University Julia has taught her own undergraduate course, “Daily Life in Ancient Egypt,” and taught for the Summer at Brown Program for five years, including the classes “Middle Egyptian Hieroglyphs,” “Ancient Egyptian Religion and Magic,” and “Art and Archaeology of Ancient Egypt.” Julia also worked at the Brown University Writing Center where she received training in teaching English for English Language Learners. -
Representations of Mormonism in American Culture Jeremy R
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 8-19-2011 Imagining the Saints: Representations of Mormonism in American Culture Jeremy R. Ricketts Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Ricketts, eJ remy R.. "Imagining the Saints: Representations of Mormonism in American Culture." (2011). https://digitalrepository.unm.edu/amst_etds/37 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jeremy R. Ricketts Candidate American Studies Departmelll This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Commillee: , Chairperson Alex Lubin, PhD &/I ;Se, tJ_ ,1-t C- 02-s,) Lori Beaman, PhD ii IMAGINING THE SAINTS: REPRESENTATIONS OF MORMONISM IN AMERICAN CULTURE BY JEREMY R. RICKETTS B. A., English and History, University of Memphis, 1997 M.A., University of Alabama, 2000 M.Ed., College Student Affairs, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May 2011 iii ©2011, Jeremy R. Ricketts iv DEDICATION To my family, in the broadest sense of the word v ACKNOWLEDGMENTS This dissertation has been many years in the making, and would not have been possible without the assistance of many people. My dissertation committee has provided invaluable guidance during my time at the University of New Mexico (UNM). -
1 Catholic Transtemporality Through the Lens of Andrea Pozzo and The
1 Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Emily C. Thomason August 2020 © 2020 Emily C. Thomason. All Rights Reserved. 2 This thesis titled Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque by EMILY C. THOMASON has been approved for the School of Art + Design and the College of Fine Arts by Samuel Dodd Lecturer, School of Art + Design Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract THOMASON, EMILY C, M.A., August 2020, Art History Catholic Transtemporality through the Lens of Andrea Pozzo and the Jesuit Catholic Baroque Director of Thesis: Samuel Dodd Andrea Pozzo was a lay brother for the Order of the Society of Jesus in the late seventeenth and early eighteenth centuries who utilized his work in painting, architecture, and writing to attempt to create an ideal expression of sacred art for the Counter- Reformation Catholic Church. The focus of this study is on Pozzo’s illusionary paintings in Chiesa di Sant’Ignazio di Loyola in Rome as they coincide with his codification of quadratura and di sotto in su, as described through perspectival etchings and commentary in Perspectiva Pictorum et Architectorum. This thesis seeks to understand the work of Pozzo in context with his Jesuit background, examining his work under the lens of Saint Ignatius of Loyola’s Spiritual Exercises, as well as the cultural, political, and religious climates of Rome during the Counter-Reformation era.