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I Got th e Sh ow Righ t Here: Th e A mazing, True Story of How an Obscure Horn Player Became th e Last Great Broadway Sh owman

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Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.)

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I GOT THE SHOW RIGHT HERE: THE AMAZING, TRUE STORY OF HOW AN OBSCURE BROOKLYN HORN PLAYER BECAME THE LAST GREAT BROADWAY SHOWMAN

Audible Studios on Brilliance, 2016. CD-Audio. Condition: New. Unabridged. Language: English . Brand New. Guys Dolls The Boyfriend How to Succeed in Business Without Really Trying Can-Can These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America s most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway s most exceptional musicals, and . He was the man in charge, the one responsible for putting everything together, and almost more important for holding it together. Now, at age 92, as Cy Feuer looks back on the remarkable career he had on Broadway and in Hollywood, the stories he has to tell of the people he worked with are fabulously rich and entertaining. There s Bob Fosse, a perfectionist with whom Feuer did battle over the filming of the movie Cabaret.There s , the brilliant and explosive composer of Guys Dolls, Where s Charley?, and How to Succeed There s , star of both the movie Cabaret and the Broadway musical , whose ostage activities threatened to disrupt the show.There s the contentious George S. Kaufman, the librettist and director whose ego was almost as great as his talent. Add to the list such glamorous figures as Cole Porter, , , Gwen Verdon, John Steinbeck, Martin Scorsese, and George Balanchine, and you have a sense of the unbeatable cast of characters who populate this fabulous story of a young trumpet player from Brooklyn who became musical director for the film studio, then feverishly tackled Broadway, back when putting on a show did not require the support of major...

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