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Get Kindle ~ I Got the Show Right Here: the Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great
RBGQFFMVTXAK > PDF I Got the Show Right Here: The Amazing, True Story of How... I Got th e Sh ow Righ t Here: Th e A mazing, True Story of How an Obscure Brooklyn Horn Player Became th e Last Great Broadway Sh owman Filesize: 5.29 MB Reviews Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.) DISCLAIMER | DMCA QV3DHDPSTJWM ~ Kindle ^ I Got the Show Right Here: The Amazing, True Story of How... I GOT THE SHOW RIGHT HERE: THE AMAZING, TRUE STORY OF HOW AN OBSCURE BROOKLYN HORN PLAYER BECAME THE LAST GREAT BROADWAY SHOWMAN Audible Studios on Brilliance, 2016. CD-Audio. Condition: New. Unabridged. Language: English . Brand New. Guys Dolls The Boyfriend How to Succeed in Business Without Really Trying Can-Can These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America s most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway s most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and almost more important for holding it together. Now, at age 92, as Cy Feuer looks back on the remarkable career he had on Broadway and in Hollywood, the stories he has to tell of the people he worked with are fabulously rich and entertaining. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
The Drowsy Chaperone, February 9-14! Don’T Let the Title Give You the Impression That It’S a Sleepy Little Show
2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR family time u plugged It’s often said that there are no small parts. At First Tennessee, we believe that there are no small dreams either. That’s why we offer a wide-range of financial services designed to help your family enjoy more of the things that matter most. So whether you’re looking for a convenient checking account or help with a home loan, our friendly staff is always available to play a supporting role. Banking products and services provided by First Tennessee Bank National Association. Member FDIC. ©2009 First Tennessee Bank National Association. -
The Golden Age Exposed: the Reality Behind This Romantic Era
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Toni Basil Concerts/Tours/Events
Toni Basil Concerts/Tours/Events: Tina Turner Live 2008/2009 Associate Dir./Choreographer Tour Tina Turner "What's Love Got Choreographer To Do With It" Tour Bette Midler "Divine Co-Director/Choreographer Intervention" Bette Midler "The Showgirl Choreographer Caesars Palace, Las Vegas Must Go On" Bette Midler / Grand Opening Choreographer Harrah's Casino / Hammond, of Harrah's Casino Indiana Bette Midler "Kiss My Brass" Choreographer Tour Bette Midler "Miss Millennium" Dance Dir./Choreographer Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" '93-'94 Tour Bette Midler "Detour" Co-Director/Choreographer Bette Midler "Tour For New Co-Director/Choreographer Depression" Valora at the Troubadour 2010 Choreographer Lee Ann Womack 2002 Tour Director/Choreographer Erv Woolsey Company Enrique Iglesias "Escape" Director/Choreographer Tour Matchbox 20 1998 World Tour Choreographer Menudo "Reencuentro" Tour Choreographer Mi Bondo Toca David Lee Roth 1995 Road Choreographer Show Tour The Manhattan Transfer 1995 Choreographer Multi-Media Interactive Concept Show Shockin' The House at LA Director/Choreographer Festival Frankie Valli Las Vegas Show Choreographer Bolshoi Circus Japanese Tour Director/Choreographer 1993 David Bowie "Glass Spider" Co-Director/Choreographer Tour David Bowie "Diamond Dogs" Co-Director/Choreographer Tour Toni Basil at The Kitchen "A Director/Choreographer Decade in Street Dance" Toni Basil at The Roxy (Dir./Chor./Prod.) Toni Basil at The Fox Venice (Dir./Chor./Prod.) The Lockers at Radio City Director/Choreographer Music Hall Manhattan Transfer 1991 Tour Director/Choreographer Pee-Wee Herman at J.C. Co-Director/Choreographer J.C. Penny Fashion Show Penny Fashion Show Film: House Bunny Choreographer Dir. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
2017 National Futurity Puppy Bitches 9-12 Months Div D 7 Total-170
GREAT DANE CLUB OF AMEREICA CATALOG 2017 Annual Futurity JUDGES PROGRAM Mr. Jeff Lawrence Mrs. Patrice Lawrence Futurity assignments will be decided by draw, prior to judging of the event. The splitting of classes and littermates into divisions was at the discretion of the Futurity Superintendent. Puppy Dogs 86 P uppy Bitches 84 SUNDAY, OCTOBER 15, 2017 @ 8:00 A.M. PUPPY DOGS 3-5 MONTHS DIV A 7 PUPPY DOGS 3-5 MONTHS DIV B 7 PUPPY DOGS 5-7 MONTHS DIV A 10 PUPPY DOGS 5-7 MONTHS DIV B 8 PUPPY DOGS 5-7 MONTHS DIV C 10 PUPPY DOGS 5-7 MONTHS DIV D 9 PUPPY DOGS 7-9 MONTHS DIV A 7 PUPPY DOGS 7-9 MONTHS DIV B 7 PUPPY DOGS 9-12 MONTHS DIV A 7 PUPPY DOGS 9-12 MONTHS DIV B 7 PUPPY DOGS 9-12 MONTHS DIV C 7 There will be a 1 hour lunch break between Puppy Dogs and Bitches PUPPY BITCHES 3-5- MONTHS DIV A 9 PUPPY BITCHES 5-7 MONTHS DIV A 7 PUPPY BITCHES 5-7 MONTHS DIV B 8 PUPPY BITCHES 5-7 MONTHS DIV C 7 PUPPY BITCHES 5-7 MONTHS DIV D 8 PUPPY BITCHES 7-9 MONTHS DIV A 7 PUPPY BITCHES 7-9 MONTHS DIV B 7 PUPPY BITCHES 9-12 MONTHS DIV A 8 PUPPY BITCHES 9-12 MONTHS DIV B 8 PUPPY BITCHES 9-12 MONTHS DIV C 8 2017 NATIONAL FUTURITY PUPPY BITCHES 9-12 MONTHS DIV D 7 TOTAL-170 1 2 MONDAY, OCTOBER 16, 2017 @ 8:00 A.M. -
Topical Weill: News and Events
Volume 27 Number 1 topical Weill Spring 2009 A supplement to the Kurt Weill Newsletter news & news events Summertime Treats Londoners will have the rare opportunity to see and hear three Weill stage works within a two-week period in June. The festivities start off at the Barbican on 13 June, when Die Dreigroschenoper will be per- formed in concert by Klangforum Wien with HK Gruber conducting. The starry cast includes Ian Bostridge (Macheath), Dorothea Röschmann (Polly), and Angelika Kirchschlager (Jenny). On 14 June, the Lost Musicals Trust begins a six-performance run of Johnny Johnson at Sadler’s Wells; Ian Marshall Fisher directs, Chris Walker conducts, with Max Gold as Johnny. And the Southbank Centre pre- sents Lost in the Stars on 23 and 24 June with the BBC Concert Orchestra. Charles Hazlewood conducts and Jude Kelly directs. It won’t be necessary to travel to London for Klangforum Wien’s Dreigroschenoper: other European performances are scheduled in Hamburg (Laeiszhalle, 11 June), Paris (Théâtre des Champs-Elysées, 14 June), and back in the Klangforum’s hometown, Vienna (Konzerthaus, 16 June). Another performing group traveling to for- eign parts is the Berliner Ensemble, which brings its Robert Wilson production of Die Dreigroschenoper to the Bergen Festival in Norway (30 May and 1 June). And New Yorkers will have their own rare opportunity when the York Theater’s “Musicals in Mufti” presents Knickerbocker Holiday (26–28 June). Notable summer performances of Die sieben Todsünden will take place at Cincinnati May Festival, with James Conlon, conductor, and Patti LuPone, Anna I (22 May); at the Arts Festival of Northern Norway, Harstad, with the Mahler Chamber Orchestra led by HK Gruber and Ute Gfrerer as Anna I (20 June); and in Metz, with the Orchestre National de Lorraine, Jacques Mercier, conductor, and Helen Schneider, Anna I (26 June). -
American Repertory Theater Announces the Cast and Creative
FOR IMMEDIATE RELEASE: January 6, 2014 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater Announces the Cast and Creative Team for the World Premiere Musical WITNESS UGANDA by Matt Gould and Griffin Matthews Directed by Diane Paulus Loeb Drama Center February 4 — March 16, 2014 Cambridge, MA — The American Repertory Theater (A.R.T.) at Harvard University announced today the cast and creative team for the world premiere production of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge on February 4, and will run through March 16. It is available for press viewing from Wednesday, February 12, at 7:30pm. Opening night invitations will be sent out in mid- January. When Griffin, a young man from New York City volunteers for a project in Uganda, he finds himself on a journey that will change his life forever. Inspired by a true story, this rousing new musical exposes the challenges confronted by American aid workers around the world and explores the question: “Is changing the world possible?” Witness Uganda is the recipient of the 2012 Richard Rodgers Award for Musical Theater, ASCAP’s Dean Kay Award, ASCAP’s Harold Adamson Award, and a grant from Conde Nast c/o Summit Series. It was workshopped at Disney/ASCAP (hosted by composer Stephen Schwartz) and at the Vineyard Arts Project/Art Farm. It has been performed in concert around the world and at events including Summit Series in Lake Tahoe, The Lido Investment Symposium in Beverly Hills, The Rattlestick Theatre New Play Festival in New York City, and Patrick’s Orphanage in Ndejje, Uganda. -
Guys and Dolls Short
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONTINUES FIFTH SEASON WITH “GUYS AND DOLLS” March 21-April 28, 2013 Music and Lyrics by Frank Loesser Book by Jo Swerling and Abe Burrows Based on “The Idyll of Miss Sarah Brown” and “Blood Pressure” by Damon Runyon Berkeley, CA (February 11, 2013) – Berkeley Playhouse continues its fifth season with the Tony Award- winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. This oddball romantic comedy, about which Newsweek declared, “This is why Broadway was born!,” finds gambler Nathan Detroit desperate for money to pay for his floating crap game. To seed his opportunity, he bets fellow gambler Sky Masterson a thousand dollars that Sky will not be able to make the next girl he sees, Save a Soul Mission do-gooder Sarah Brown, fall in love with him. While Sky eventually convinces Sarah to be his girl, Nathan fights his own battles with Adelaide, his fiancé of 14 years. Often called “the perfect musical,” GUYS AND DOLLS features such bright and brassy songs as “A Bushel and a Peck” “Luck Be a Lady,” and “Adelaide's Lament.” GUYS AND DOLLS premiered on Broadway in 1950; directed by renowned playwright and director George S.