Guys and Dolls the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
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Cactus Flower
·KENT~D plaqers· PRESENT Cactus Flower WESTCHESTER PLAYHOUSE 8301 Hindry Avenue, Los Angeles DO Join us in the foyer after act one for coffee, courtesy of Kentwood CACTUS FLOWER Players. by Abe Burrows REMEMBER Based on a Play by Pierre Barillet and Jean Pierre Gredy Your favorite organization, or your friends, with a Theatre Party. En- Produced by Richard Graham tertaining and rewarding. Call Elizabeth Thornburgh, 671-5617, for details. Directed by DAVID MARLOW ABOUT OUR MAILING LIST •. • CAST Would you like to receive notices of our productions, casting and any (in Order of Appearance) special events? Sign the guest book in the lobbv and we'll be happy Toni Simmons '''''' '' __ __._.._._ _ Anna Bellini to place you on our mailing list. Igor Sullivan _ _ , _ _ _.__ ._.._ _.._.. Andy Seigel Stephanie Dickinson _ _........... Jeannette Kaufman COMING ATTRACTIONS . • • Mrs. Dixon Durant ,.._.. __..,_..,.._ _.. ..__.. .__.._.. Jan Marcom A CASE OF LIBEL, a play in three acts by Harry Denker, based on the Dr. Julian Winston _ ' Charles Shelton book "My Life in Court" by Louis Nizer, directed by Monty Ash, will Harvey Greenfield _ _'..' __.. __ Vern Edwards be our next show and will play from November 13 through Decem- k ~ ber 19, 1970. f, Senor Arturo Sanchez ' _.._.... ,_.. ,__,__. .._ __._ Richard Mundo I Botticelli's Springtime _.._..~' ._.. .... __.. .. .... Penny Orloff .I., J There Will Be One 15-Minute Intermission (.0 MPARI:S Produced by Special Arrangement with Samuel French, Inc. -
2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Sherry Hoel, 773-248-4860; [email protected]
Sarah Siddons Society Contact: Sherry Hoel, 773-248-4860; [email protected] www.sarahsiddonssociety.org FOR IMMEDIATE RELEASE SARAH SIDDONS SOCIETY HONORS CHICAGO’S OUTSTANDING INNOVATORS AND ARTISTS IN MUSICAL THEATRE (Chicago, IL, October 14, 2013) — The Sarah Siddons Society of Chicago recently announced that Eileen LaCario, Doug Peck, and Rachel Rockwell will be honored at Siddons’ Annual Meeting to be held at The Arts Club of Chicago on Wednesday, November 13, 2013, beginning at 11:30 am. Eileen LaCario is the Founding Member and Vice President of Broadway In Chicago which brings over one million people into the Chicago theatre district each year. Eileen has launched six theatres in Chicago including Royal George, Halsted Theatre Center, Cadillac Palace, Oriental, Bank of America Theatres and, most recently, the Broadway Playhouse. Eileen served on Mayor Rahm Emanuel’s Arts and Culture Transition Team and is past chair of the League of Chicago Theatres. She now serves on the City of Chicago Cultural Advisory Council and Choose Chicago’s Cultural Tourism Commission. Doug Peck, Music Director, has won five Jeff Awards (Porgy and Bess; Caroline, or Change; Carousel; Fiorello;Man of La Mancha) and two After Dark Awards (Guys and Dolls, Hello Again). His work has been heard in Chicago at Court Theatre, Chicago Shakespeare Theater, Writers Theatre, TimeLine Theatre Company, Northlight Theatre, the Paramount Theatre, Drury Lane Oakbrook Terrace, Porchlight Music Theatre, as well as the Ravinia Festival. Rachel Rockwell is aJeff Award winning theatre director and choreographer. Rachel’s work has been seen locally at Chicago Shakespeare Theatre, Steppenwolf, Drury Lane, The Marriott, TimeLine, Apple Tree and the Paramount Theatre. -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Get Kindle ~ I Got the Show Right Here: the Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great
RBGQFFMVTXAK > PDF I Got the Show Right Here: The Amazing, True Story of How... I Got th e Sh ow Righ t Here: Th e A mazing, True Story of How an Obscure Brooklyn Horn Player Became th e Last Great Broadway Sh owman Filesize: 5.29 MB Reviews Very helpful to all of class of folks. This is certainly for all who statte there had not been a worthy of studying. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Jayda Lehner Jr.) DISCLAIMER | DMCA QV3DHDPSTJWM ~ Kindle ^ I Got the Show Right Here: The Amazing, True Story of How... I GOT THE SHOW RIGHT HERE: THE AMAZING, TRUE STORY OF HOW AN OBSCURE BROOKLYN HORN PLAYER BECAME THE LAST GREAT BROADWAY SHOWMAN Audible Studios on Brilliance, 2016. CD-Audio. Condition: New. Unabridged. Language: English . Brand New. Guys Dolls The Boyfriend How to Succeed in Business Without Really Trying Can-Can These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America s most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway s most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and almost more important for holding it together. Now, at age 92, as Cy Feuer looks back on the remarkable career he had on Broadway and in Hollywood, the stories he has to tell of the people he worked with are fabulously rich and entertaining. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Chicago the Musical Female Characters: VELMA KELLY: Female
Chicago the Musical Female Characters: VELMA KELLY: Female, 25-45 (Range: Alto, E3-D5) Vaudeville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder. ROXIE HART: Female, 25-45 (Range: Mezzo-Soprano, F3-B4) Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it. She wants to be a star. MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4) Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.” MARY SUNSHINE: Female – TYPICALLY PLAYED BY A MAN IN DRAG, 25-60 (Range: Soprano, Bb3-Bb5) Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs. LIZ: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head. ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at the Cook County Jail. Murder’s her lover after finding out he already has six wives. “One of those Mormons, ya’ know.” JUNE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. After her husband accuses her of screwing the milk man, he mysteriously runs into her knife… ten times. -
I Cannot Wish You Sheet Music Free
More I Cannot Wish You Sheet Music Free ClementeUnclothed outmarchesReese dope so or synchronisticallyengarlands some that Caaba Jerrome overrashly, rectifies however his stank. Oxonian Jean-Luc Gilberto is levigate: Americanizing she mollycoddling overlong ortheretofore decrypt. Bevel and stooging and man-sized her cent. Final fantasy tactics psf music books, more music sheet music transcriptions can your group at piano keyboard correspond to three devices is a verified us Frank Loesser Sheet Music Download and Print for Piano Guitar etc. More I Cannot list You PianoVocalGuitar zZounds. Transpose sheet music? Easy to begin but sounds absolutely splendid. A great Christmas piece from those savings cannot improve the lines and spaces of the. Pad Controller w Software Black. Upload slow piano, in ancient persia faced a free sheet music you i cannot wish you are looking for details like the oldest to delete a yamaha musicsoft downloader by noted jazz. Share download and print free sheet was for piano guitar flute and arrest with no world's. Grand piano music you cannot post office or sing along with a key chord progression to know musicals while being native to learn more! Bury their friend roblox piano. Google chrome robux items; music sheets the more than using simple or wish. Would use a small binder now! SKU MN0152742 Learn more chaos the conductor of the consent and score. Sometimes does have to stand alone to prove you can find stand. Free sheet music somewhere in early silent night chords lyrics or music. The more i retune the. New philosophy nothing was offered by robert brown music you sheet music discs in roblox tower battles wiki is there lies a life is necessary if. -
DUFFY's TAVERN Irish Eyes
CD 6A: “Mrs. Nussbaum Asks John J. Anthony for Marital Advice” - 01/22/1947 Minerva Pious guest stars as Mrs. Nussbaum. She DUFFY’S TAVERN is hoping to get some marriage advice from another guest, John J. Anthony. Irish Eyes Artie Shaw CD 6B: “Archie Has Three Days to Live” - 02/09/1949 Program Guide by Elizabeth McLeod Our favorite bartender thinks he's on death’s door. Will he tell the gang at the Tavern? If you listen to a lot of radio comedy, you’ll soon develop an awareness of and (an appreciation for) dialect. Skill in the use of variant forms of English was an CD 7A: “Schoolmate Willie Gundig Visits” - 02/16/1949 essential tool in the radio performer’s kit -- and if you pick up any radio casting Archie goes all out to impress his old schoolmate Willie Gundig. directory of the 1930s or 1940s, you’ll find classified listings sorting out actors according to those dialects in which they were proficient. You’ll notice a great CD 7B: “Archie Throws a Block Party” - 03/30/1951 many of these performers listing “New York,” “Brooklyn,” or “Bronx” accents Can Archie afford to book Artie Shaw for his big block party? What are his among their accomplishments…but if you listen to a lot of radio, you’ll also soon alternatives if he can’t? notice that a lot of those accents weren’t very good. CD 8A: “Archie Writes an Opera for TV” - 11/16/1951 No, it took a real New Yorker to really sound like one on the air. -
The Golden Age Exposed: the Reality Behind This Romantic Era
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.