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Challenging Authenticity: Fakes and Forgeries in Rock Music
Challenging authenticity: fakes and forgeries in rock music Chris Atton Chris Atton Professor of Media and Culture School of Arts and Creative Industries Edinburgh Napier University Merchiston Campus Edinburgh EH10 5DT T 0131 455 2223 E [email protected] 8210 words (exc. abstract) Challenging authenticity: fakes and forgeries in rock music Abstract Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by questioning central notions of integrity and sincerity. This paper examines the nature and motives of faking in recorded music, such as inventing imaginary groups or passing off studio recordings as live performances. In addition to a survey of types of fakes and the motives of those responsible for them, the paper presents two case studies, one of the ‘fake’ American group the Residents, the other of the Unknown Deutschland series of releases, purporting to be hitherto unknown recordings of German rock groups from the 1970s. By examining the critical reception of these cases and taking into account ethical and aesthetic considerations, the paper argues that the relationship between the authentic (the ‘real’) and the inauthentic (the ‘fake’) is complex. It concludes that, to judge from fans’ responses at least, the fake can be judged as possessing cultural value and may even be considered as authentic. 1 Challenging authenticity: fakes and forgeries in rock music Little consideration has been given to the aesthetic and cultural significance of the inauthentic through the production of fakes in popular music, except for negatively critical assessments of pop music as ‘plastic’ or ‘manufactured’ (McLeod 2001 provides examples from American rock criticism). -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
THE RESIDENTS MYSTERY Chapter I : the RESIDENTS CODE
KIDAM présente INVESTIGATION BEHIND THE MASKS : THE RESIDENTS MYSTERY Chapter I : THE RESIDENTS CODE Documentaire d’investigation musicale, ésotérique et psychédélique de : JEAN MICHEL ROUX incluant des séquences en animation de : STEPHANE BLANQUET INVESTIGATION BEHIND THE MASKS : THE RESIDENTS MYSTERY Chapter I : THE RESIDENTS CODE SOMMAIRE Présentation Synopsis ............................................................................ page 3 Intentions .......................................................................... page 4 Structure / Forme .............................................................. page 5 Note ................................................................................... page 6 Scénario Première partie : Men Without Faces ............................... page 7 Deuxième partie : The Cryptic Corporation ..................... page 10 Troisième partie : They Live ! .......................................... page 11 Quatrième partie : The Origin Of The Reality................... page 12 Annexe The Residents, biographie ................................................ page 16 Jean Michel Roux, biographie .......................................... page 17 Oliver Van’l, biographie ................................................... page 18 Stéphane Blanquet, biographie ......................................... page 19 Fiche technique ................................................................ page 20 KIDAM ............................................................................ page 21 INVESTIGATION -
The Residents: "Not Available" CD Review (MVD Audio
5/20/2011 The Residents: "Not Available" CD Revi… Share Report Abuse Next Blog» Create Blog Sign In Ads by Google Doll Clothes Doll Hair Bootsy Collins Doll Knitting BrooklynRocks Concert Calendar WEDNESDAY, APRIL 20, 2011 Today Friday, May 20 The Residents: "Not Available" CD Review (MVD Audio) Friday, May 20 After Ralph Records shut its doors last 8:00pm Black Skies summer, The Residents' back catalog releases Thursday, June 30 have been coming out on MVD Audio. The 8:00pm Creation's End / Suspyre label issued Meet the Residents (originally Showing events until 7/31. Look for more released in 197 4) earlier this year and followed this up with an extended version of Not Available (recorded in 197 4 but not released until 197 8). This new release of Not Available extends the disc's original running time from 35 minutes to 42 minutes by including pieces of songs that were edited out of the original Events show n in time zone: Eastern version. Time Not Available is The Residents' first concept CONTACT INFO. album and the disc contains four long songs along with a shorter "Epilogue" which tells the M IKE story of a dark love triangle. The liner notes Contact me at: Mike.BrooklynRocks at describe this release as an exercise in group therapy: " By enacting this pseudo drama within a psycho Gmail . Com drama, the internal conflict, still not completely understood by all of the participants, became much VIEW MY COMPLETE PROFILE more clear, as the player characters instinctively acted out their roles. The love triangle between Edweena, Porcupine and Catbird became obvious ("Can two be more than three?") as well as Remus's role as the distant and objective commentator ("The aching and the breaking are the BLOG ARCHIV E making of a soul."). -
THE RESIDENTS TÊTE À TÊTE E 40 ANNIVERSAIRE
THE RESIDENTS TÊTE À TÊTE e 40 ANNIVERSAIRE Supplément gratuit offert par DÉCEMBRE 2012 edito L’oeil était dans la pièce et regardait ma main griffonant en hâte les bribes de conversation que je parvenais à coucher sur le papier. En quarante ans de carrière, des albums aux concerts en passant par les fictions interactives, ils en ont des choses à racon- ter ! Après avoir longuement débattu de leur avant-gardisme, les membres du collectif se remémorèrent les événements qui avaient marqué leur aventure musicale. Leur voix, calme et posée, était accompagnée d’un fond sonore de poésie technologique. Il m’invi- tèrent dans leur monde pop-romantique et je plongeai sans peine dans leur univers burlesque et psychédélique. Plus j’en apprenais sur les Residents, plus j’étais éblouie par leur incroyable polyva- lence. Cependant, une fausse note rayait le disque : tous leur propos étaient comme noyé dans un brouillard dense. L’anonymat faisant Pablo Mendy © Pablo partie intégrante de l’histoire et des valeurs de ce collectif, il m’était difficile de démêler le vrai du faux, la réalité de la rumeur. Après tout, à quoi m’attendais-je de la part d’hommes masqués ? A l’issu de cette entrevue, l’ultime question me brûlait encore au plus profond de mon brillant à lèvres : « Qui êtes-vous ?» ; mais, me souvenant qu’il est paradoxal de demander à un homme masqué qui il est, je leur serrai la main et m’éclipsai respectueusement. Justine Mermet supplément gratuit décembre 2012 - TSUGi 3 Pablo Mendy © Pablo P16 RÉINTERPRÉTATION PAR LA DÉCONSTRUCTION P4 SOMMAIRE Ça faisait longtemps. -
The Residents Stars & Hank Forever! Mp3, Flac
The Residents Stars & Hank Forever! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Stars & Hank Forever! Country: US Released: 1986 Style: Experimental MP3 version RAR size: 1302 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1129 mb Rating: 4.4 Votes: 854 Other Formats: RA DXD AUD ADX MPC AHX VOC Tracklist Hide Credits Hey Good Lookin' A1 Slide Guitar – Snakefinger A2 Six More Miles (To The Graveyard) Kaw-Liga A3 Written-By – Rose*, Williams* A4 Ramblin' Man A5 Jambalaya Sousaside Ba Nobles Of The Mystic Shrine Bb The Stars & Stripes Forever Bc The Thunderer Bd The Liberty Bell Be Semper Fidelis Bf The Washington Post Companies, etc. Manufactured By – Ralph Records Phonographic Copyright (p) – Cryptic Corporation Copyright (c) – Cryptic Corporation Published By – Acuff-Rose-Opryland Music Published By – Right Song Published By – Milene-Opryland Music, Inc. Published By – Intersong USA Credits Producer [Uncredited] – The Cryptic Corporation Written-By – H. Williams* (tracks: A1, A2, A4, A5), J. P. Sousa* (tracks: B) Notes White cassette version. Overall, same product and design as the clear cassette version: Stars & Hank Forever!. Track Bc is incorrectly titled "El Capitan". Publishing: Side A: all songs Acuff-Rose-Opryland / Right Song (BMI), except "Kaw-Liga" Milene-Opryland / Intersong USA (ASCAP). Side B: all songs Public Domain. © ℗ 1986 The Cryptic Corporation Printed in Canada Barcode and Other Identifiers Rights Society: BMI Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category -
Order Form Full
INDIE ROCK ARTIST TITLE LABEL RETAIL 68 TWO PARTS VIPER COOKING VINYL RM128.00 *ASK DISCIPLINE & PRESSURE GROUND SOUND RM100.00 10, 000 MANIACS IN THE CITY OF ANGELS - 1993 BROADC PARACHUTE RM151.00 10, 000 MANIACS MUSIC FROM THE MOTION PICTURE ORIGINAL RECORD RM133.00 10, 000 MANIACS TWICE TOLD TALES CLEOPATRA RM108.00 12 RODS LOST TIME CHIGLIAK RM100.00 16 HORSEPOWER SACKCLOTH'N'ASHES MUSIC ON VINYL RM147.00 1975, THE THE 1975 VAGRANT RM140.00 1990S KICKS ROUGH TRADE RM100.00 30 SECONDS TO MARS 30 SECONDS TO MARS VIRGIN RM132.00 31 KNOTS TRUMP HARM (180 GR) POLYVINYL RM95.00 400 BLOWS ANGEL'S TRUMPETS & DEVIL'S TROMBONE NARNACK RECORDS RM83.00 45 GRAVE PICK YOUR POISON FRONTIER RM93.00 5, 6, 7, 8'S BOMB THE ROCKS: EARLY DAYS SWEET NOTHING RM142.00 5, 6, 7, 8'S TEENAGE MOJO WORKOUT SWEET NOTHING RM129.00 A CERTAIN RATIO THE GRAVEYARD AND THE BALLROOM MUTE RM133.00 A CERTAIN RATIO TO EACH... (RED VINYL) MUTE RM133.00 A CITY SAFE FROM SEA THROW ME THROUGH WALLS MAGIC BULLET RM74.00 A DAY TO REMEMBER BAD VIBRATIONS ADTR RECORDS RM116.00 A DAY TO REMEMBER FOR THOSE WHO HAVE HEART VICTORY RM101.00 A DAY TO REMEMBER HOMESICK VICTORY RECORDS RM101.00 A DAY TO REMEMBER OLD RECORD VICTORY RM101.00 A DAY TO REMEMBER OLD RECORD (PIC) VICTORY RECORDS RM111.00 A DAY TO REMEMBER WHAT SEPARATES ME FROM YOU VICTORY RECORDS RM101.00 A GREAT BIG PILE OF LEAVES HAVE YOU SEEN MY PREFRONTAL CORTEX? TOPSHELF RM103.00 A LIFE ONCE LOST IRON GAG SUBURBAN HOME RM99.00 A MINOR FOREST FLEMISH ALTRUISM/ININDEPENDENCE (RS THRILL JOCKEY RM135.00 A PLACE TO BURY STRANGERS TRANSFIXIATION DEAD OCEANS RM102.00 A PLACE TO BURY STRANGERS WORSHIP DEAD OCEANS RM102.00 A SUNNY DAY IN GLASGOW SEA WHEN ABSENT LEFSE RM101.00 A WINGED VICTORY FOR THE SULLEN ATOMOS KRANKY RM128.00 A.F.I. -
THE RESIDENTS Exposition Rétrospective Au Transpalette Du 21 Avril Au 2 Juin
BANDITS-MAGES PRÉSENTE THE RESIDENTS Exposition rétrospective au Transpalette du 21 avril au 2 juin AVEC The Bunny Boy Secret Room Programme complet sur www.bandits-mages.com DOSSIER DE PRESSE SOMMAIRE PROGRAMME P.2 L’EXPOSITION THE RESIDENTS P.3 THE RESIDENTS ? P.5 PROGRAMMATION ASSOCIÉE P.6 SÉLECTION PRESSE ET MÉDIAS P.8 INFORMATIONS PRATIQUES P.9 page 1 PROGRAMME BANDITS-MAGES PRÉSENTE THE RESIDENTS Exposition rétrospective au Transpalette du 21 avril au 2 juin 2019 Vernissage et performance surprise le samedi 20 avril à 18h Cette première exposition rétrospective de The Residents, produite par BanditsMages, se déploie sur les 3 niveaux du Transpalette à Bourges. C’est entre ces murs que va réapparaître de manière physique, après sa création en 2008 sur Youtube, la chambre secrète de The Bunny Boy. Véritable plongée dans l’esthétique visuelle et sonore du collectif, l’exposition met en perspective des documents rares et des images d’archives à travers des performances, des projections de films et des rencontres avec des penseurs et artistes contemporains. RENDEZ-VOUS 18/04 | Haïdouc & Streaming | 19h PLATEAU RADIO EN PUBLIC Cosmogol 999 de Jet FM (Nantes) animera en direct et en public depuis le Haïdouc une émission spéciale consacrée au label Ralph Records en compagnie d’Homer Flynn, représentant de la Cryptic Corporation et manager de The Residents. 20/04 | Transpalette | 18h VERNISSAGE Un invité surprise est attendu pour une performance mystérieuse lors de l’ouverture de l’exposition au public. 27/04 | Haïdouc & Transpalette | 21h PERFORMANCE Performance God In Three Persons par The Residents, Joshua Brody et de jeunes artistes, à l’issue d’un workshop d’une semaine avec le post-diplôme son de l’ENSA de Bourges. -
EURASIA MAILORDER Avant List 2021/6/30 Updated How to Order
EURASIA MAILORDER Avant List 2021/9/1 updated How to Order 19 [NINETY SEVEN CIRCLES] (JAP / PRIVATE / 81 / WI/WP) EX+/EX+ USD 151 / EURO127 23 SKIDO [THE ASSASSINS WITH SOUL] (UK / ILLUMINATED PRODUCTION / 86 / 12EP) EX/EX USD 34 / EURO29 23 SKIDOO [COUP] (UK / ILLUMINATED / 83 / 12EP) M-/EX USD 52 / EURO44 23 SKIDOO [THE CULLING IS COMING] (UK / OPERATION TWILIGHT / 83 / WI) EX/EX USD 70 / EURO59 400 BLOWS [THE GOOD CLEAN ENGLISH FIST] (UK / CASTLE COMMUNICATIONS / 85 / ) EX/EX USD 25 / EURO21 8X8 [AZALEA'S ROOM] (UK / SUGARBUSH RECORDS (RED) / 16 / ) M/M USD 43 / EURO36 A FLOCK OF SEAGULLS [MODERN LOVE IS AUTOMATIC] (GER / TELDEC / 81 / 7EP) M-/EX USD 7 / EURO6 A.C.TEMPLE [BLOWTORCH] (UK / FURTHER / 88 / WI) EX/EX USD 18 / EURO15 A.P.C. TRACKS [VOL.2] (FRA / A.P.C. / / ) EX/EX USD 5 / EURO4 AD VISSER [SOBRIETAZ] (HOL / CBS / 82 / FOC) M-/EX USD 34 / EURO29 AFRICAN HEAD CHARGE [SONGS OF PRAISE] (FRA / ON-U SOUND / 90 / ) EX/EX USD 108 / EURO91 AFRIKADELIC [PITA PATA ( EXTRA LONG MIX ) +2] (GER / BCM RECORDS / / 12INCH) EX-/EX- USD 34 / EURO29 AKE PARMERUD [YTTRINGAR] (SWE / TON ART / 84 / FOC) M-/M- USD 117 / EURO98 AKIRA INOUE [RUNNING FENCE] (JAP / EXPRESS / 83 / 12INCH) EX-/EX- USD 7 / EURO6 AKSAK MABOUL [ONZE DANSES POUR COMBATTRE LA MIGRAINE] (BEL / CRAMMED/R.R. / 81 / ) EX/EX USD 70 / EURO59 AKSAK MABOUL [ONZE DANSES POUR COMBATTRE LA MIGRAINE] (BEL / CRAMMED/R.R. / 81 / ) EX-/EX- USD 43 / EURO36 AKSAK MABOUL [UN PEU DE L'AME DES BANDITS] (BEL / ATEM/CRAMMED / 81 / ) EX/EX USD 79 / EURO67 ALBERT MARCCEUR [ALBUM A COLORIER] (FRA -
Jazz Band Become Gateways for Kids to Get Off Their Couches and Into Learning How to Play Video Game? Music
03 5 $4.99 DownBeat.com 09281 01493 0 MARCH 2010MARCH U.K. £3.50 DB1003_001_COVER.qxd 1/11/10 10:53 AM Page 1 DOWNBEAT AHMAD JAMAL // HIROMI // MICHAEL MOORE // JAZZ CAMP GUIDE MARCH 2010 DB1003_002-025_FRONT.qxd 1/11/10 9:39 AM Page 2 DB1003_002-025_FRONT.qxd 1/11/10 9:40 AM Page 3 DB1003_002-025_FRONT.qxd 1/11/10 9:40 AM Page 4 March 2010 VOLUME 77 – NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, -
Discography of Fred Frith
DISCOGRAPHY OF FRED FRITH This is the sixth version of the discography of Fred Frith. It includes many corrections and a few additions. Following items are: • discography, • records (co)produced by Fred Frith, • bootlegs, • records with samples of Frith's music, • Rift catalogue. Again, we would really appreciate any comments, corrections and extra infor- mations which could improve the quality of this discography. Specially, if people could send us information/correction on: • missing records and tapes, • wrong references (on dates, musicians, etc), • extra references (for vinyl, CD, or different pressings); for example, we are still looking for informations on the following records: • SKELETON CREW: Skeleton Crew (1982 - no label (CT)) • LIVE, WURZBURG, 10/82: Skeleton Crew (1984 - Recommended (SW), ??? (CT)) • WONDERFUL LIFE: Chris Stamey (1994 - East Side Digital, ESD 80682 (CD)) • SIEBZEHNMAL: Michaela Dietl (1998 - Gema (???), ??? (CD)) Patrice Roussel ([email protected]), Stephane Vuilleumier ([email protected]), Michel Ramond ([email protected]). --------------------------------- | DISCOGRAPHY OF FRED FRITH | | January 2000 | |-------------------------------| | by Patrice Roussel | | ([email protected]) | | 2034 NE 37th Ave. | | Portland, OR 97212 (USA) | | Stephane Vuilleumier | | ([email protected]) | | Rosengartenstr. 68 | | CH-8037 Zurich (Switzerland) | | and Michel Ramond | | ([email protected]) | --------------------------------- ----------------------------------------------------------------------