Discography of Fred Frith
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Occam's Razor Vol. 3 - Full (2013)
Occam's Razor Volume 3 (2013) Article 1 2013 Occam's Razor Vol. 3 - Full (2013) Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, Biological and Physical Anthropology Commons, Biology Commons, Comparative Politics Commons, Exercise Science Commons, Forest Biology Commons, Macroeconomics Commons, and the Physical Sciences and Mathematics Commons Recommended Citation (2013) "Occam's Razor Vol. 3 - Full (2013)," Occam's Razor: Vol. 3 , Article 1. Available at: https://cedar.wwu.edu/orwwu/vol3/iss1/1 This Complete Volume is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. et al.: Vol. 3, 2013 Published by Western CEDAR, 2017 1 Occam's Razor, Vol. 3 [2017], Art. 1 occam’s razor OCCAM’S RAZOR OCCAM’S RAZOR occam’s razor CONTENTS spring 2013 Vol. 3 03 EDITOR IN CHIEF OUR SINCEREST GRATITUDE TO; FORWARD cameron adams glen tokola Chris Crow and Cameron Adams for having pioneered this journal. MANAGING EDITOR 05 REANIMATING IDENTITIES mckenzie yuasa sarah elder The Faculty Senate for providing Occam’s Razor WWU the the zombie manifestion ASSOCIATE EDITORS opportunity to be formally introduced to the departments of Western. of a darker america megan cook Rebecca Marrall, for her continued support in advising the journal. olivia henry 11 DARK CITY: rebecca ortega sophie logan Victor Celis, ASWWU Vice President for Academic Affairs, for his memories all alone support in our efforts to establish the journal’s presence. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
Copyright by Bonny Kathleen Winston 2003
Copyright by Bonny Kathleen Winston 2003 The Development of a Multimedia Web Database for the Selection of 20th Century Intermediate Piano Repertoire by Bonny Kathleen Winston, B.M., M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May, 2003 Dedication This dissertation would not have been completed without all of the love and support from professors, family, and friends. To all of my dissertation committee for their support and help, especially John Geringer for his endless patience, Betty Mallard for her constant inspiration, and Martha Hilley for her underlying encouragement in all that I have done. A special thanks to my family, who have been the backbone of my music growth from childhood. To my parents, who have provided unwavering support, and to my five brothers, who endured countless hours of before-school practice time when the piano was still in the living room. Finally, a special thanks to my hall-mate friends in the school of music for helping me celebrate each milestone of this research project with laughter and encouragement and for showing me that graduate school really can make one climb the walls in MBE. The Development of a Multimedia Web Database for the Selection of 20th Century Intermediate Piano Repertoire Publication No. ________________ Bonny Kathleen Winston, D.M.A. The University of Texas at Austin, 2003 Supervisor: John M. Geringer The purpose of this dissertation was to create an on-line database for intermediate piano repertoire selection. -
Frameworks for the Downtown Arts Scene
ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post industrial capitalism in its various manifestations. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Symeon Issue 6
ISSUE SIX The magazine for Durham University History alumni 2016 02 SYMEON • Issue six 03 As historians, we are all to some extent concerned with ‘frontiers’. Marx’s Communist Manifesto famously opens by arguing that ‘the history of all hitherto existing society is the history of class struggles’. The economic frontier – the driver of Marx’s universe – is just one of those considered by historians. We find frontiers in the inter-actions between religions, ethnicities, genders, cultures and political creeds, to name just a few. We, as historians, also confront methodological frontiers. How can we reach beyond the boundaries of nation and discipline to conceive the past and discuss our reconstructions in a useful way? It is a mark of the centrality of these attempted to understand, Paris and the these images sum up the magazine’s issues to historical study that, though French. John-Henry Clay, an historian aim: to remind readers of their many Symeon articles are not commissioned with a foot in the dual-worlds of ‘fact’ hours spent (fruitfully, we hope) reading, on any particular theme, ‘the frontier’ and ‘fiction’, considers whether the reflecting on, and discussing historical reoccurs throughout this edition. Andy two are really as irreconcilable as they subjects. We hope the image of well- Burn writes on power-dynamics in may seem at the outset. Finally, Peter worn tomes on a cluttered shelf will early modern England through the use Johnson, an alumnus of the Department, encourage readers to consider how their of libels. Jack Hepworth meanwhile reflects on the often significant frontier years spent in Durham informed their questions the narrative of conflict dividing communities from their past, understanding of the world and the ways between English and Irish communities explaining how the National Army in which they pursue their lives today. -
PDF Download Forest of Memory Pdf Free Download
FOREST OF MEMORY PDF, EPUB, EBOOK Mary Robinette Kowal | 96 pages | 08 Mar 2016 | Tor.com | 9780765387912 | English | New York Forest of Memory PDF Book Edition: First Tor edition. In the world of sex, there was always something essential that was missing from games. We are only aware of one memorial tree gift company that does all of these things, and we are proud to recommend their work for your consideration as a memorial gift or tribute. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Her clients are rich and they demand items and experiences with only the finest verifiable provenance. The moment its fingers brushed against Nier, the tree felt a warm sensation begin to burn. This is located not far from Kakariko Village , at the large wall called Fort Hateno that leads into Necluda. There is the Conviction memory I had lost. Main navigation Events. Save progress is maintained when returning to the main menu. Below you can find out where all the BotW Memories can be found, including those that are unlocked during the main quest. She is a beacon of brightness and light in the boy's world; her very presence is a comfort to him. But time was shorter. We see that data use about 3. With all the benefits and symbolism of planting a tree in memory of someone, you can see why is a very good choice to send as a sympathy gift. Summary: Step into a world of discovery, exploration and adventure in The Legend of Zelda: Breath of the Wild, a boundary-breaking new game in the acclaimed series. -
Poslovno Poroĉilo CD Za Leto 2009 1 I POSLOVANJE
Poslovno poroĉilo CD za leto 2009 I POSLOVANJE CANKARJEVEGA DOMA V LETU 2009 .................................................. 3 1.1 ZAKONSKE IN DRUGE PODLAGE, KI POJASNJUJEJO DELOVNO PODROĈJE 3 1.2 ORGANI ZAVODA ........................................................................................................ 3 1.3 URESNIĈITEV DOLGOROĈNIH IN LETNIH CILJEV POSLOVANJA .................... 5 1.4 POSLOVNO OKOLJE CD ............................................................................................ 10 1.5 ĈLOVEŠKI VIRI ........................................................................................................... 12 1.6 ŠTEVILO PRIREDITEV IN OBISKOVALCEV .......................................................... 18 1.7 ZASEDENOST DVORAN ............................................................................................ 20 1.8 FINANĈNO POSLOVANJE V LETU 2009, PRIMERJAVE Z OSNOVAMI ............ 24 1.9 INVESTICIJE, NAKUPI OPREME, INVESTICIJSKO VZDRŢEVANJE ................. 35 1.10 PREGLED MEDIJSKEGA POJAVLJANJA IN MARKETINŠKIH PRIJEMOV ..... 39 1.11 PRODAJA VSTOPNIC ZA PRIREDITVE JAVNE SLUŢBE V LETU 2009 ........... 42 II KULTURNO – UMETNIŠKI PROGRAM CANKARJEVEGA DOMA ........................... 44 2 RESNA GLASBA IN OPERA ............................................................................................ 44 2.1 SIMFONIĈNA GLASBA .............................................................................................. 44 2.2 GLASBENO-SCENSKA DEJAVNOST ..................................................................... -
Hal Leonard Piano Selections from the NFMC Festivals Bulletin 2014
Hal Leonard Piano Selections from the NFMC Festivals Bulletin 2014–2015–2016 Please see your favorite music retailer to purchase these publications. Please see www.halleonard.com for complete descriptions and table of contents. Please contact the National Federation of Music Clubs for further information on rules for the National Festivals. www.nfmc-music.org Prices, contents, and availability subject to change without notice and may vary outside the U.S.A. Order Qty Item Description Composer Publisher Price Piano Solo Event Pre - Primary Class Piano Solo 416896 Extra Special Day Miller, Carolyn Willis Music $ 2.99 Primary Class I Piano Solos 416850 Barnyard Strut Austin, Glenda Willis Music $ 2.99 296840 Just for Kids Rejino, Mona Hal Leonard $ 7.99 Monday Mornin' Blues The Tooth Fairy 416933 The Perceptive Detective Miller, Carolyn Willis Music $ 2.99 296868 Things Go Bump Klose, Carol Hal Leonard $ 2.99 Primary Class II Piano Solos 296830 Chimichanga Cha-Cha Linn, Jennifer Hal Leonard $ 2.99 296840 Just for Kids Rejino, Mona Hal Leonard $ 7.99 Let's Go On Vacation Pepperoni Pizza Primary Class III Piano Solos 416819 Drifting Sunset Clouds Hartsell, Randall Willis Music $ 2.99 416878 Mini Toccata Baumgartner, Eric Willis Music $ 2.99 102595 PBJ Blues Klose, Carol Hal Leonard $ 2.99 Primary Class IV Piano Solos 296835 Alley Cat Caper Cruse, Hannah Hal Leonard $ 2.99 296849 Blues, Jazz, Rock & Rags, Book 1 Watts, Jennifer & Mike Hal Leonard $ 8.99 Lazy Daisy Raggin' Around Sneakin' Cake 296854 Footprints in the Snow Linn, Jennifer Hal -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Examining the Consequences of Racial Microaggressions in K-12 Schooling from the Perspectives of Adult African American Males
A NAME FOR THE PAIN: EXAMINING THE CONSEQUENCES OF RACIAL MICROAGGRESSIONS IN K-12 SCHOOLING FROM THE PERSPECTIVES OF ADULT AFRICAN AMERICAN MALES A Dissertation by Kevin Sylvester Harrison Executive Master of Business Administration, Friends University, 2008 Bachelor of Arts, Wichita State University, 1994 Submitted to the Department of Counseling, Educational Leadership, Educational and School Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Education May 2020 Copyright 2020 by Kevin S. Harrison All Rights Reserved. A NAME FOR THE PAIN: EXAMINING THE CONSEQUENCES OF RACIAL MICROAGGRESSIONS IN K-12 SCHOOLING FROM THE PERSPECTIVES OF ADULT AFRICAN AMERICAN MALES The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Doctor of Education with a major in Educational Leadership. ________________________________ Jean A. Patterson, Committee Chair _________________________________ Jason Herron, Committee Member _________________________________ Kristin Sherwood, Committee Member __________________________________ Alicia Thompson, Committee Member __________________________________ Robert Weems, Committee Member Accepted for the College of Applied Studies ____________________________________ Shirley Lefever, Dean Accepted for the Graduate School ____________________________________ Coleen Pugh, Dean iii DEDICATION March 19, 2020 A Love Letter to the Blues Dearest Blues, It is to you that I dedicate not just this research, but each of life’s most meaningful accomplishments. Realizing that approbation of fanfare is typically reserved for paying homage to the likes of matriarchs, role models, patriarchs, parents, siblings, and friends - on this 51st celebration of both my birth and my first breath of life, my reflections reveal that it was my earliest lived moment when you and I were first introduced. -
Rückkopplungen Aus Dem Zodiak Free Arts Lab
BILDET NISCHEN! Rückkopplungen aus dem Zodiak Free Arts Lab HAU 21.–26.9.2021 Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab 21.–26.9.2021 / HAU1 Im Winter des Jahres 1967 begann der Musiker und Künstler Conrad Schnitzler, auf Einladung des Wirtes Paul Glaser in zwei Räumen unter der damaligen Schaubühne am Halleschen Ufer, dem heutigen HAU2, das Programm zu gestalten. Mit Mit strei - ter:innen betrieb er das Zodiak Free Arts Lab über ein Jahr lang als hierarchiefreien Raum für musikalische Experimente und interdisziplinären Austausch. Bis 1969 diente das Zodiak als künstlerischer wie sozialer Treffpunkt. Trotz des kurzen Be- stehens kann es als initiierender Ort für zahlreiche musikalische Entwicklungen ver- standen werden – vor allem für die kurze Zeit später entstehende “Berliner Schule”, deren Sound oft unter dem Begriff “Krautrock” zusammengefasst wird und der bis heute in diversen musikalischen Strömungen nachhallt. “Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab” begibt sich auf Spurensuche und beleuchtet die Verbindungen aus politischen, sozialen und kultu- rellen Verhältnissen, die auf die Szene um das Zodiak einwirkten. Welche Gemenge - lagen setzen auch heute noch Energien frei, die sich in (pop-)kulturellen Entwick- lungen manifestieren? Wie findet sich Gegenkultur und welcher Räume bedarf es dafür? Lassen sich Spuren und Bezüge des Zodiak in der kulturellen Praxis späterer subkultureller Entwicklungen im Berliner Underground aufzeigen? Fragestellungen wie diese bleiben bis in die aktuelle Gegenwart für die Entwicklung künstlerischer Positionen relevant. In einem Programm aus Konzerten, Kollaborationen, Installa- tionen, Gesprächen und einer Lecture Performance geht das HAU ihnen nach. Ein Festival des HAU Hebbel am Ufer.