Occam's Razor Vol. 3 - Full (2013)
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A Soldier Is Remembered of Meatballs 2” in Eva Lion Park on Saturday, August 9 at Dusk, Rain Or Shine
Serving Satsuma ● Pomona Park ● Lake Como ● Crescent City ● Seville ● Pierson ● Welaka ● Fruitland ● Georgetown ● East Palatka ● Palatka ● Interlachen ● Melrose ● San Mateo since 1898 Putnam County Only Putnam County’s Favorite Weekly Community Newspaper 50 August 6, 2014 • Volume 70, No. 12 (2 sections) Crescent City, Florida (Includes 7% FL Sales Tax) ¢ Movies in the Park The City of Crescent City will hold “Movies in the Park” featuring “Cloudy With a Chance A Soldier is Remembered of Meatballs 2” in Eva Lion Park on Saturday, August 9 at dusk, rain or shine. In case of rain the event will be moved to City Hall’s Commission Meeting room. Bring your blan- kets and low back chairs. There will be hot- dogs, popcorn and drinks available. Full Moon Paddle Full Moon Paddle and Movie on Melrose Bay. A moon light paddle complete with a movie and pass-around picnic. Boat Launch at end of Trout Street in Melrose. Friday, August 8, from 7 to 10 p.m. The movie will be shown at the end of a dock and can be viewed from kayaks. Meet at the boat launch at the end of Trout Street at 7 p.m. to start. Bring pass around food to share and your beverage of choice. This paddle is for experienced pad- dlers only. Putnam Blueways and Trails sponsor’s daytime trips that are more appro- priate for new paddlers. Boat light, whistle, Photos by Mike Jones and PFD are mandatory. For more informa- tion email putnambluewaysandtrails@gmail. com or visit www.putnambluewaysandtrails. org. Spark a Reaction The Putnam County Library System is hav- ing a Spark A Reaction: Graphic Novel work- shop in all its locations. -
Race, Gender and Class in the Autobiography of Huey P. Newton 1
Race, gender and class in the autobiography of Huey P. 1 Newton Chloé Avril, University of Gothenburg “We’ll just have to get guns and be men”, such was the powerful rallying cry uttered by Black Panther member (and later leader) Elaine Brown in her 1969 song “The End of Silence”. I take Brown’s words as the point of departure for my article, since they seem to encapsulate much of what is at stake in relation to gender and the Black Power movement. Brown’s call to arms in “The End of Silence” immediately poses the question of the significance as well as the function of masculinity in the movement. It also highlights the link between masculinity and armed resistance. However, the use of the verb “to be” signals that “men” are the product of an action—getting guns—rather than a pre-existing subject performing the action, thus putting into question the automatic correlation between masculinity and the male body, a feeling reinforced by the words being uttered by the female voice of Elaine Brown. The contradictions and problematic aspects of the Black Power movement’s invocation of black masculinity, as well as the intersections of race, gender and class, will be at the core of this discussion. In order to explore these issues, I will focus on the autobiography of Black Panther leader Huey Newton, Revolutionary Suicide , where I will examine the tensions in this activist narrative’s construction of a racialized, classed and gendered self. Historical background As far as mainstream U.S. history goes, the Black Power movement has characteristically been understood as a distinct historical phenomenon following on, and breaking from the more widely accepted Civil Rights movement. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Black Rhetoric: the Art of Thinking Being
BLACK RHETORIC: THE ART OF THINKING BEING by APRIL LEIGH KINKEAD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2013 Copyright © by April Leigh Kinkead 2013 All Rights Reserved ii Acknowledgements This project would not have been possible without the guidance, advice, and support of others. I would like to thank my advisor, Cedrick May, for his taking on the task of directing my dissertation. His knowledge, advice, and encouragement helped to keep me on track and made my completing this project possible. I am grateful to Penelope Ingram for her willingness to join this project late in its development. Her insights and advice were as encouraging as they were beneficial to my project’s aims. I am indebted to Kevin Gustafson, whose careful reading and revisions gave my writing skills the boost they needed. I am a better writer today thanks to his teachings. I also wish to extend my gratitude to my school colleagues who encouraged me along the way and made this journey an enjoyable experience. I also wish to thank the late Emory Estes, who inspired me to pursue graduate studies. I am equally grateful to Luanne Frank for introducing me to Martin Heidegger’s theories early in my graduate career. This dissertation would not have come into being without that introduction or her guiding my journey through Heidegger’s theories. I must also thank my family and friends who have stood by my side throughout this long journey. -
Newtown Vol III.Indd
City of Sarasota - Newtown Comprehensive Redevelopment Plan Through 2020 Volume III - Background data Prepared for: The City of Sarasota By A. A. Baker & Associates October 2002 The Plan Documents The Newtown planning process has yielded three separate but interrelated documents. Volume I - The Plan describes the goals, concepts, and strategies for the revitalization of the Newtown Area. Volume II - Implementation presents the detailed recommendations for action for the implementa- tion of the revitalization program. Volume III - Background Data contains important information that was gathered and analyzed as part of the planning process. Volumes I and II will be utilized by the community and City staff to guide the implementation of the Plan. Volume III will be used as a reference document for background data needs. Volume I - The Plan Part I - Introduction/History Part II - Community Goal Setting Part III - Economic Positioning Strategy Part IV - Redevelopment Framework Plan Volume II - Implementation Part I - Implementation Strategies Part II - Phasing Plan Part III - Capital Improvements Plan Volume III - Background Data Part I - Community Inventory Part II - Community Analysis Part III - Appendices i City of Sarasota Newtown Comprehensive Redevelopment Plan Through 2020 Volume III - Background Data Table of Contents PART I COMMUNITY INVENTORY OVERVIEW.............................................................................................................1 1. ADMINISTRATION ...............................................................................................2 -
African Reflections on the American Landscape
National Park Service U.S. Department of the Interior National Center for Cultural Resources African Reflections on the American Landscape IDENTIFYING AND INTERPRETING AFRICANISMS Cover: Moving clockwise starting at the top left, the illustrations in the cover collage include: a photo of Caroline Atwater sweeping her yard in Orange County, NC; an orthographic drawing of the African Baptist Society Church in Nantucket, MA; the creole quarters at Laurel Valley Sugar Plantation in Thibodaux, LA; an outline of Africa from the African Diaspora Map; shotgun houses at Laurel Valley Sugar Plantation; details from the African Diaspora Map; a drawing of the creole quarters at Laurel Valley Sugar Plantation; a photo of a banjo and an African fiddle. Cover art courtesy of Ann Stephens, Cox and Associates, Inc. Credits for the illustrations are listed in the publication. This publication was produced under a cooperative agreement between the National Park Service and the National Conference of State Historic Preservation Officers. African Reflections on the American Landscape IDENTIFYING AND INTERPRETING AFRICANISMS Brian D. Joyner Office of Diversity and Special Projects National Center for Cultural Resources National Park Service U.S. Department of the Interior 2003 Ta b le of Contents Executive Summary....................................................iv Acknowledgments .....................................................vi Chapter 1 Africa in America: An Introduction...........................1 What are Africanisms? ......................................2 -
How Slaves Used Northern Seaports' Maritime Industry to Escape And
Eastern Illinois University The Keep Faculty Research & Creative Activity History May 2008 Ports of Slavery, Ports of Freedom: How Slaves Used Northern Seaports’ Maritime Industry To Escape and Create Trans-Atlantic Identities, 1713-1783 Charles Foy Eastern Illinois University, [email protected] Follow this and additional works at: http://thekeep.eiu.edu/history_fac Part of the United States History Commons Recommended Citation Foy, Charles, "Ports of Slavery, Ports of Freedom: How Slaves Used Northern Seaports’ Maritime Industry To Escape and Create Trans-Atlantic Identities, 1713-1783" (2008). Faculty Research & Creative Activity. 7. http://thekeep.eiu.edu/history_fac/7 This Article is brought to you for free and open access by the History at The Keep. It has been accepted for inclusion in Faculty Research & Creative Activity by an authorized administrator of The Keep. For more information, please contact [email protected]. © Charles R. Foy 2008 All rights reserved PORTS OF SLAVERY, PORTS OF FREEDOM: HOW SLAVES USED NORTHERN SEAPORTS’ MARITIME INDUSTRY TO ESCAPE AND CREATE TRANS-ATLANTIC IDENTITIES, 1713-1783 By Charles R. Foy A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Graduate Program in History written under the direction of Dr. Jan Ellen Lewis and approved by ______________________ ______________________ ______________________ ______________________ ______________________ New Brunswick, New Jersey May, 2008 ABSTRACT OF THE DISSERTATION PORTS OF SLAVERY, PORTS OF FREEDOM: HOW SLAVES USED NORTHERN SEAPORTS’ MARITIME INDUSTRY TO ESCAPE AND CREATE TRANS-ATLANTIC IDENTIES, 1713-1783 By Charles R. Foy This dissertAtion exAmines and reconstructs the lives of fugitive slAves who used the mAritime industries in New York, PhilAdelphiA and Newport to achieve freedom. -
"I Began to Realize That I Had Some Friends:" Hardship, Resistance, Cooperation, and Unity in Hartford's African American Community, 1833-1841
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2016 "I Began To Realize That I Had Some Friends:" Hardship, Resistance, Cooperation, and Unity in Hartford's African American Community, 1833-1841 Evan Turiano Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the African American Studies Commons, American Studies Commons, and the History Commons Recommended Citation Turiano, Evan, ""I Began To Realize That I Had Some Friends:" Hardship, Resistance, Cooperation, and Unity in Hartford's African American Community, 1833-1841". Senior Theses, Trinity College, Hartford, CT 2016. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/594 “I Began To Realize That I Had Some Friends:” Hardship, Resistance, Cooperation, and Unity in Hartford’s African American Community, 1833-1841 Evan A. Turiano 25 April 2016 American Studies Trinity College Hartford, CT Advisor: Scott Gac Second Reader: Cheryl Greenberg Turiano 2 Table of Contents Acknowledgements………………………...……………………………………………………………………3 Maps and Illustrations. ………………………………………………………………………………………...4 Introduction...………………………………………………………………………………………………………9 Chapter One: HARDSHIP….…………………………………………………………………………………16 Chapter Two: RESISTANCE…………………………………………………………………………………32 Chapter Three: COOPERATION…………………………………………………………………………...45 Chapter Four: UNITY………………………………………………………………………………………….60 Epilogue: SACRIFICE…………………………………………………………………………………………..77 -
Vol. 80, Issue 29 April 29,2013
Issue 29 // 4.29.13 www.unews.com UNIVERSITY UMKC’s Independent Student Newspaper NEWS Past is prologue to chancellor Leo Morton contrasts upbringing with racial realities today Chancellor Leo E. Morton contrasts his upbringing in Birmingham, Ala., with ‘The New Jim Crow’, a set of legal and social obstacles faced by African Americans today. PHOTO // Nathan Zoschke Peter Makori Copy Editor period in which it was illegal in that region spoke to the U-News in his office, stressing laws have now been done away with.” for blacks to attend the same schools as that students of today can take advantage of Morton said the Jim Crow culture made Chancellor Leo E. whites, sit together on a bus or drink from a prevailing favorable environment to get the life very hard for African Americans, and Morton looks the part the same water fountain. best out of their education. only the most determined made it through ofUMKC a suave, prosperous chief executive who school. has spent a lifetime rushing between board I really want to hear about this ‘New Jim Crow’ because I He said, “But the laws were in place to meetings, fundraisers and high-profile civic make sure there was separation in housing, events. “ knew about the old Jim Crow up-close and personal. employment…there was separation in every He is, in fact, living testimony to what hard -Chancellor Leo E. Morton walk of life, separate water fountains…It was work and determination can accomplish. ” pervasive.” Morton is the epitome of success achieved Morton lamented that as the old Jim despite a harsh upbringing at a time when it Early this month during a Phi Kappa Phi Morton also shares a different reality. -
George Clinton to Deliver 2019 Charles Seeger Lecture Features
Volume 53, Number 2 Spring 2019 George Clinton to Deliver 2019 Charles Seeger Lecture Michael B. Bakan, Florida State University This year’s Seeger Lecture will be presented by George and Sly Stone) with freaky costumes and themes inspired Clinton on Saturday, November 9th, 2019, during the 64th by ’60s acid culture and science fiction” to deliver “the Annual Meeting of the Society for Ethnomusicology in most dazzling, extravagant live show in the business.” Bloomington, Indiana. Clinton, the longtime front man of And in “an era when Philly soul continued the slick sounds and mastermind behind two legend- of establishment-approved R&B, ary funk bands that transformed Parliament/Funkadelic scared off the landscape of modern music, more white listeners than it courted” Parliament and Funkadelic, ranks (https://georgeclinton.com/bio/). alongside James Brown as the most sampled musical artist of all time. Clinton’s was a revolutionary vision His funk innovations and carni- that twisted soul music into funk valesque theatricality have spawned under the influence of a plethora of a legacy of influence extending from artists ranging from Jimi Hendrix to Prince and De La Soul to Jay-Z and Frank Zappa. And that vision paid Kendrick Lamar. dividends as “the Parliament/Funk- adelic machine ruled black music Clinton was born in Kannapolis, during the 1970s” (ibid.), with more North Carolina, in 1941. He formed than forty R&B hit singles (including his first group, a doo-wop unit called three topping the charts at #1) and The Parliaments, during his early three platinum albums: One Nation teen years in Plainfield, New Jersey. -
October 4 — November 6, 2019 PROGRAM
October 4 — November 6, 2019 PROGRAM Since 1984, Earshot Jazz has been Seattle’s major ambassador of jazz – presenting jazz masters and important new artists, supporting the local scene, and educating young and old about the joys of jazz – all thanks to contributions from folks like you. Make a donation TODAY www.earshot.org/donate 206-547-6763 All photos by Daniel Sheehan taken at the 2018 Earshot Jazz Festival. Top: Brian Blade, Kate Olson, Jovino Santos Neto, Logan Richardson, Jazzmeia Horn, Bill Frisell, Ryan J. Lee, Maria Schneider. Middle: Regina Carter, Jasnam Daya Singh, Tia Fuller, Wayne Horvitz, Burniss Travis, Roosevelt High School Jazz Band, Myra Melford, Joel Ross. Bottom Row: Dawn Clement, Johnaye Kendrick, Jay Thomas, Jen Shyu, Keyon Harrold, Caroline Davis, Donovan Kranzler-Lewis, Mark Turner. 2 • EARSHOT JAZZ • October 2019 2019 EARSHOT JAZZ FESTIVAL Welcome to Earshot Jazz Feast-ival! The table is set, the flavors are var- of some of the most impor- ied and rich, and the music is hot. tant jazz artists of our time. From the tantalizing appetizer of Yes, there are artists from Brian Blade and Life Cycles, to the 15 different countries, and satisfyingly sinful desert of Chick many of the top names on Corea with the entire Seattle Sym- the New York scene, but it phony Orchestra, this is a feast for is the connections to Se- every appetite. And you don’t have attle’s own, acclaimed jazz to be a sophisticated jazz gourmet to history that resonate most enjoy this banquet; you can pull up deeply here. -
The Slave Trade and the British Empire
The Slave Trade and the British Empire An Audit of Commemoration in Wales Task and Finish Group Report and Audit 26 November 2020 The Slave Trade and the British Empire An Audit of Commemoration in Wales Report and Audit The Task and Finish Group: Gaynor Legall (Chair) Dr Roiyah Saltus Professor Robert Moore David Anderson Dr Marian Gwyn Naomi Alleyne Professor Olivette Otele Professor Chris Evans Supporting research and drafting was undertaken on behalf of the task and finish group by Dr Peter Wakelin. Front cover image – British Library, Mechanical Curator Collection © Crown copyright 2020 WG41703 Digital ISBN 978-1-80082-506-2 Mae’r ddogfen yma hefyd ar gael yn Gymraeg / This document is also available in Welsh Contents 1. Background ............................................................................................................ 2 2. Introduction ............................................................................................................ 3 3. Scope ..................................................................................................................... 3 4. Method ................................................................................................................... 4 5. Audit results ........................................................................................................... 5 6. People who took part in the African slave trade (A)................................................ 6 7. People who owned or directly benefitted from plantations or mines worked by the enslaved