Graduate Bulletin 2008– 2010
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Penelope Umbrico's Suns Sunsets from Flickr
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Image Commodification and Image Recycling: Penelope Umbrico's Suns Sunsets from Flickr Minjung “Minny” Lee CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/506 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Image Commodification and Image Recycling: Penelope Umbrico’s Suns from Sunsets from Flickr Submitted to the Faculty of the Division of the Arts in Candidacy for the Degree of Master of Arts Department of Humanities and Liberal Arts by Minjung “Minny” Lee New York, New York May 2014 Copyright © 2014 by Minjung “Minny” Lee All rights reserved CONTENTS Acknowledgements v List of Illustrations vi Introduction 1 Chapter 1. Umbrico’s Transformation of Vernacular Visions Found on Flickr 14 Suns from Sunsets from Flickr and the Flickr Website 14 Working Methods for Suns from Sunsets from Flickr 21 Changing Titles 24 Exhibition Installation 25 Dissemination of Work 28 The Temporality and Mortality of Umbrico’s Work 29 Universality vs. Individuality and The Expanded Role of Photographers 31 The New Way of Image-making: Being an Editor or a Curator of Found Photos 33 Chapter 2. The Ephemerality of Digital Photography 36 The Meaning and the Role of JPEG 37 Digital Photographs as Data 40 The Aura of Digital Photography 44 Photography as a Tool for Experiencing 49 Image Production vs. -
Herbert Ponting; Picturing the Great White South
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Herbert Ponting; Picturing the Great White South Maggie Downing CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/328 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Herbert Ponting: Picturing the Great White South Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York. by Maggie Downing New York, New York May 2014 Dedicated to my Mother Acknowledgments I wish to thank, first and foremost my advisor and mentor, Prof. Ellen Handy. This thesis would never have been possible without her continuing support and guidance throughout my career at City College, and her patience and dedication during the writing process. I would also like to thank the rest of my thesis committee, Prof. Lise Kjaer and Prof. Craig Houser for their ongoing support and advice. This thesis was made possible with the assistance of everyone who was a part of the Connor Study Abroad Fellowship committee, which allowed me to travel abroad to the Scott Polar Research Institute in Cambridge, UK. Special thanks goes to Moe Liu- D'Albero, Director of Budget and Operations for the Division of the Humanities and the Arts, who worked the bureaucratic college award system to get the funds to me in time. -
Read the Introduction
Farzaneh hemmasi TEHRANGELES DREAMING IRANIAN POP MUSIC IN SOUTHERN CALIFORNIA’S INTIMACY AND IMAGINATION TEHRANGELES DREAMING Farzaneh hemmasi TEHRANGELES DREAMING INTIMACY AND IMAGINATION IN SOUTHERN CALIFORNIA’S IRANIAN POP MUSIC Duke University Press · Durham and London · 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Matthew Tauch Typeset in Portrait Text Regular and Helvetica Neue Extended by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Hemmasi, Farzaneh, [date] author. Title: Tehrangeles dreaming : intimacy and imagination in Southern California’s Iranian pop music / Farzaneh Hemmasi. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019041096 (print) lccn 2019041097 (ebook) isbn 9781478007906 (hardcover) isbn 9781478008361 (paperback) isbn 9781478012009 (ebook) Subjects: lcsh: Iranians—California—Los Angeles—Music. | Popular music—California—Los Angeles—History and criticism. | Iranians—California—Los Angeles—Ethnic identity. | Iranian diaspora. | Popular music—Iran— History and criticism. | Music—Political aspects—Iran— History—20th century. Classification:lcc ml3477.8.l67 h46 2020 (print) | lcc ml3477.8.l67 (ebook) | ddc 781.63089/915507949—dc23 lc record available at https://lccn.loc.gov/2019041096 lc ebook record available at https://lccn.loc.gov/2019041097 Cover art: Downtown skyline, Los Angeles, California, c. 1990. gala Images Archive/Alamy Stock Photo. To my mother and father vi chapter One CONTENTS ix Acknowledgments 1 Introduction 38 1. The Capital of 6/8 67 2. Iranian Popular Music and History: Views from Tehrangeles 98 3. Expatriate Erotics, Homeland Moralities 122 4. Iran as a Singing Woman 153 5. A Nation in Recovery 186 Conclusion: Forty Years 201 Notes 223 References 235 Index ACKNOWLEDGMENTS There is no way to fully acknowledge the contributions of research interlocutors, mentors, colleagues, friends, and family members to this book, but I will try. -
Autumn 2009 Catalogue 4 Pdfing:1 23/4/09 11:18 Page 1
Autumn 2009 Catalogue 4 pdfing:1 23/4/09 11:18 Page 1 yale autumn & winter 2009 Autumn 2009 Catalogue 4 pdfing:1 23/4/09 11:18 Page 2 New Paperbacks see pages 23–26 & 73–78 £12.99* £14.99* £12.99* £9.99* The Serbs The Ukrainians Pakistan India Tim Judah Andrew Wilson Owen Bennett Jones Dietmar Rothermund Subject Page This catalogue contains details of all Yale books scheduled for publication between July 2009 and February 2010. ■ Art/Architecture 5, 16, 17, 21, 26, 33–60, 73 Trade orders from UK, Continental Europe, ■ Biography/Literature 3, 10, 14, 16, 18, 21, 27, 60–62 Africa, The Middle East, India, Pakistan, China and S.E. Asia to: ■ Fashion/Photography 20, 45, 51, 53 John Wiley & Sons Ltd., Customer Services Department, 1 Oldlands Way, Bognor Regis, ■ History 1, 2, 9–11, 15, 18, 22, 23, 26–32, 73, 76, 78 West Sussex PO22 9SA, UK ■ (Tel. 01243 843 291/Freephone 0800 243 407) Language/Education/Series 22, 71, 72 or direct to the London office of Yale. ■ Music 8, 33, 60 All prices subject to change without prior notice. ■ Paperback Reprints 23–26, 73–78 * = FULL TRADE DISCOUNT ■ Philosophy 14, 64 ■ Politics/Economics/Law 19, 24, 25, 32, 64, 68, 77–78 Inspection Copy Policy ■ All requests for inspection copies should be Psychology/Medicine 7, 13, 63, 74, 78 addressed to: ■ Lisa Kemmer, Marketing, Yale University Press, Religion/Jewish Studies 21, 65, 66 at the address given below; or e-mailed to: ■ Science/Nature/Environment 4, 6, 7, 12, 19, 67, 76, 77 [email protected] ■ Rights U.S. -
Conference Program Conference 18 – February 15 February 15 New York Citynew York // 2017 College Artcollege Association the Annual Conference the Annual
CONFERENCE PROGRAM CAA 2017 ANNUAL CONFERENCE NEW YORK, NY YORK, CONFERENCE NEW CONFERENCE PROGRAM CAA 2017 ANNUAL college art association the annual conference new york city // 2017 february 15 – 18 conference program Contents 5 Welcome CAA Board, Staff, and Committees 7 BOARD OF DIRECTORS 7 STAFF 8 COMMITTEE MEMBERS 2016–17 General Information 11 MEMBERSHIP 11 RegistratioN AND CHECk-In 13 INformatioN FOR SPEAKERS 14 MUSEUM LISTINGS 15 CONFERENCE SERVICES 16 New YORK HiltoN MidtowN MAPS Sessions 21 New SESSION TYPES 21 Program SCHEDULE 36, 48 Poster Sessions 66 SEPC Lounge 68 ARTspace 70 Media Lounge 73 Participant Index Meetings 81 Affiliated Society BUSINESS MeetiNGS 82 CAA ElectioNS, CONVocatioN, AND ANNUAL BUSINESS MeetiNG 82 CAA Committee, TASK Force, AND JUry MeetiNGS Events 84 SPECIAL EVENts 89 REUNIONS AND RECEPTIONS 91 NOON FORUMS Careers 92 ProfessioNAL DEVeloPMENT WORKSHOPS 95 CAREER SERVICES 96 MENtoriNG APPOINtmeNts Book and Trade Fair 96 FAIR INformatioN 97 EXHibitor SESSIONS 98 EXHibitor INDEX 100 BOOK AND Trade FAIR MAPS 103 CAA Past Presidents 104 myNYC: CAA Staff’s Favorite Places 106 Advertiser Index 107 ADVERTISEMENts Save the date! 106th Annual Conference // Los Angeles, CA // February 21–24, 2018 A SPECIAL THANKS TO OUR CONFERENCE SPONSORS: The Conference Program is published in conjunction with the 105th Annual Conference of the College Art Association. The Program is produced on a very abbreviated schedule in October, and session information is subject to change before the conference. For more information and the most up-to-date chronological schedule of sessions, meetings, and events, see the conference website (conference. collegeart.org) or the CAA 2017 app. -
Oye Como Va!: Hybridity and Identity in Latino Popular Music
Oye Como Va! Deborah Pacini Hernandez Oye Como Va! Hybridity and Identity in Latino Popular Music TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2010 by Deborah Pacini Hernandez All rights reserved Published 2010 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Pacini Hernandez, Deborah. Oye como va! : hybridity and identity in Latino popular music / Deborah Pacini Hernandez. p. cm. Includes bibliographical references and index. ISBN 978-1-4399-0089-5 (cloth : alk. paper) — ISBN 978-1-4399-0090-1 (pbk. : alk. paper) 1. Hispanic Americans—Music—Social aspects. 2. Popular music—Social aspects—United States. I. Title. ML3917.U6P33 2009 781.64089’68073—dc22 2009012832 2 4 6 8 9 7 5 3 1 Contents Preface vii 1 Introduction: Hybridity, Identity, and Latino Popular Music 1 2 Historical Perspectives on Latinos and the Latin Music Industry 15 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock ’n’ Roll 34 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries 54 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music 77 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje 106 7 Marketing Latinidad in a Global Era 142 Notes 163 Selected Bibliography 199 Index 207 Preface ecause hybridity—the mixture of two or more dissimilar elements— produces objects or people that are in between and out of place, it is Boften considered dangerous, inferior, or contaminating. -
A Corpus in First-Person: Weegee and the Performance of the Self
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-9-2017 A Corpus in First-Person: Weegee and the Performance of the Self Emily Annis CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/153 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A Corpus in First-Person: Weegee and the Performance of the Self by Emily Annis Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2017 Thesis Sponsor: May 9, 2017 Dr. Maria Antonella Pelizzari Date Signature May 9, 2017 Dr. Howard Singerman Date Signature of Second Reader TABLE OF CONTENTS List of Illustrations……………………………………………………………………………...…ii Introduction…………………………………………………………………………………..…....1 Chapter 1: From Low to High: The Project of Weegee’s Self-Fashioning………………...…......9 Chapter 2: The “I” and Naked City…………………………………….………………………...31 Chapter 3: The Subjugation of Weegee’s People ……………………………………..………...52 Conclusion……………………………………………………………………………………….60 Bibliography……………………………………………………………………………………..62 Illustrations………………………………………………………………….…………………...66 i List of Illustrations Figure 1: “Speaking of Pictures...A Free Lance Photographs the News,” Life vol. 2, no. 15 (April 12, 1937): 8-9, 11 Figure 2: Installation view of “Weegee: Murder Is My Business” at the Photo League, New York, 1941. International Center of Photography Figure 3: Installation view of “Weegee: Murder Is My Business” at the Photo League, New York, 1941. -
Conference Program Conference 18 – February 15 New York City // 2017 College Art Association the Annual Conference
CONFERENCE PROGRAM CAA 2017 ANNUAL CONFERENCE NEW YORK, NY YORK, CONFERENCE NEW CONFERENCE PROGRAM CAA 2017 ANNUAL college art association the annual conference new york city // 2017 february 15 – 18 conference program Contents 5 Welcome CAA Board, Sta!, and Committees 7 BOARD OF DIRECTORS 7 STAFF 8 COMMITTEE MEMBERS 2016"17 General Information 11 MEMBERSHIP 11 REGISTRATION AND CHECK#IN 13 INFORMATION FOR SPEAKERS 14 MUSEUM LISTINGS 15 CONFERENCE SERVICES 16 NEW YORK HILTON MIDTOWN MAPS Sessions 21 NEW SESSION TYPES 21 PROGRAM SCHEDULE 36, 48 Poster Sessions 66 SEPC Lounge 68 ARTspace 70 Media Lounge 73 Participant Index Meetings 81 AFFILIATED SOCIETY BUSINESS MEETINGS 82 CAA ELECTIONS, CONVOCATION, AND ANNUAL BUSINESS MEETING 82 CAA COMMITTEE, TASK FORCE, AND JURY MEETINGS Events 84 SPECIAL EVENTS 89 REUNIONS AND RECEPTIONS 91 NOON FORUMS Careers 92 PROFESSIONAL DEVELOPMENT WORKSHOPS 95 CAREER SERVICES 96 MENTORING APPOINTMENTS Book and Trade Fair 96 FAIR INFORMATION 97 EXHIBITOR SESSIONS 98 EXHIBITOR INDEX 100 BOOK AND TRADE FAIR MAPS 103 CAA Past Presidents 104 myNYC: CAA Sta!’s Favorite Places 106 Advertiser Index 107 ADVERTISEMENTS Save the date! 106th Annual Conference // Los Angeles, CA // February 21–24, 2018 A SPECIAL THANKS TO OUR CONFERENCE SPONSORS: The Conference Program is published in conjunction with the 105th Annual Conference of the College Art Association. The Program is produced on a very abbreviated schedule in October, and session information is subject to change before the conference. For more information and the most up-to-date chronological schedule of sessions, meetings, and events, see the conference website (conference. collegeart.org) or the CAA 2017 app. -
Diasporic P'ungmul in the United States
Diasporic P’ungmul in the United States: A Journey between Korea and the United States DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Soo-Jin Kim Graduate Program in Music The Ohio State University 2011 Committee: Professor Udo Will, Advisor Associate Professor Chan E. Park Assistant Professor Danielle Fosler-Lussier Copyright by Soo-Jin Kim 2011 Abstract This study contributes to understanding diaspora and its music cultures by examining the Korean genre of p’ungmul as a particular site of continuous and dynamic cultural socio-political exchange between the homeland and the host society. As practiced in Los Angeles and New York City, this genre of percussion music and dance is shaped by Korean cultural politics, intellectual ideologies and institutions as p’ungmul practitioners in the United States seek performance aesthetics that fit into new performance contexts. This project first describes these contexts by tracing the history of Korean emigration to the United States and identifying the characteristics of immigrant communities in Los Angeles and New York City. While the p’ungmul troupes developed by Korean political refugees, who arrived during the 1980s, show the influence of the minjung cultural movement in Korea, cultural politics of the Korean government also played an important role in stimulating Korean American performers to learn traditional Korean performing arts by sending troupes to the United States. The dissertation then analyzes the various methods by which p’ungmul is transmitted in the United States, including the different methods of teaching and learning p’ungmul—writing verbalizations of instrumental sounds on paper, score, CD/DVD, and audio/video files found on the internet—and the cognitive consequences of those methods. -
NOVEMBER 1998 CAA NEWS NOVEMBER 1998 5 an Invaluable Opportunity for Thirty-Six University of Georgia and an M.F.A
s Barnard College and Columbia Univer Steen, The Drawing Lesson, and The J. Paul sity. Two years later Walsh returned to Getty Museum and Its Collections: A John Walsh full-time museum work as curator of Museum for the New Century. paintings at the Museum of Fine Arts, Walsh is a trustee of the Claremont to Speak in Boston, where he remained, serving for a Graduate University, a member of the \ time as visiting professor of fine arts at Governing Board of the Yale University Harvard University, until his move to the Art Gallery, the Smithsonian Council, the Los Angeles Getty in 1983. American Antiquarian Society, the At the Getty Museum, Walsh has ,Century Association, and the American overseen the enlargement and strength Academy of Arts and Sciences. He also ening of the staff, the dramatic growth of served as president of the Association of ohn Walsh, director of the J. Paul the collections, the conception and Art Museum Directors from 1989 to 1990. Getty Museum, Los Angeles, will construction of a new and much larger Buses will depart immediately after give the keynote address for the museum, and the plarming for renova the convocation ceremony for a gala J tions to the former Getty Museum in reception at the new Getty Center. nvocation of CAA's eighty-seventh Malibu. In 1998 he took on the post of Tickets are available with conference annual conference in Los Angeles, vice-president of the J. Paul Getty Trust preregistration. Wednesday, February 10, 1999. The in addition to his role as director of the convocation, which commences at 5:30 Getty Museum. -
MSCHE Monitoring Report – March 2019
MONITORING REPORT TO THE MIDDLE STATES COMMISSION ON HIGHER EDUCATION March 1, 2019 The City College of New York 160 Convent Avenue New York, NY 10031 Dr. Vincent Boudreau Chief Executive Officer and President Most Recent Decennial Evaluation Team Visit: April 9 – 11, 2018 Monitoring Report Committee Members: Tony Liss, Provost Doris Cintrón, Sr. Associate Provost and MSCHE Accreditation Liaison Officer Mary E. Driscoll, Dean, School of Education Kevin Foster, Interim Dean, Colin Powell School David Jeruzalmi, Chair, Faculty Senate Felix Lam, VP and Chief Financial Officer Eva Medina, Director of Budget Renata K. Miller, Deputy Dean, Division of Humanities & the Arts Dee Dee Mozeleski, Executive Director of Combined Foundations Gareth Williams, Special Projects Coordinator Table of Contents 1. Introduction 1 1.1 Overview of City College 1 1.2 Middle States Commission on Higher Education Action 2 Major Institutional Issues that Provide Appropriate Context for the Follow Up 1.3 2 Request 1.3.1 Strategic Plan 3 1.3.2 Budget Process 3 1.3.3 Adequacy of Resources 3 2. Substantive Narrative and Analysis 5 2.1 Addressing Budget Gaps 5 2.1.1 Reducing Costs: Short, Medium and Long-Term Measures 6 2.1.2 Strengthening the Institution’s Revenue Streams 8 2.1.3 The Plan for Philanthropy 8 2.1.4 Adult and Continuing Education 9 2.1.5 Revitalizing Research 10 2.1.6 Graduate Enrollment 11 2.2 New Campus Budget Process Aligning Resources and Strategic Priorities 11 2.3 Strategic Plan 13 2.3.1 Examples of Resource Allocation Aligned with Strategic Priorities 14 2.4 Campus Management System 16 3. -
Downloaded This Song from the Internet in 2001 Were Banging out a Beat of Their Own to Counter It
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Maysoun Freij 12/11/08 The Lighter Side of Evil: Arab American Artists in New York By Maysoun Freij Doctor of Philosophy Anthropology _________________________________________ Bruce Knauft Advisor _________________________________________ Mehdi Bozorgmehr Committee Member _________________________________________ Kathryn Kozaitis Committee Member _________________________________________ David Nugent Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the Graduate School ___________________ Date The Lighter Side of Evil: Arab American Artists in New York By Maysoun Freij B.A., University of Chicago, 1993 M.P.H., Emory University, 1997 M.A., Emory University, 2003 Advisor: Bruce Knauft, Ph.D. An abstract of A dissertation submitted to the Faculty of the Graduate School of Emory University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology 2008 Abstract The Lighter Side of Evil: Arab American Artists in New York By Maysoun Freij This dissertation is an ethnography of Arab American artists and arts organizers working in New York from 2003-2006.