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Barnard College and Columbia Univer­ Steen, The Drawing Lesson, and The J. Paul sity. Two years later Walsh returned to Getty Museum and Its Collections: A John Walsh full-time museum work as curator of Museum for the New Century. at the Museum of Fine Arts, Walsh is a trustee of the Claremont to Speak in , where he remained, serving for a Graduate University, a member of the \ time as visiting professor of fine arts at Governing Board of the Yale University Harvard University, until his move to the Art Gallery, the Smithsonian Council, the Los Angeles Getty in 1983. American Antiquarian Society, the At the Getty Museum, Walsh has ,Century Association, and the American overseen the enlargement and strength­ Academy of Arts and Sciences. He also ening of the staff, the dramatic growth of served as president of the Association of ohn Walsh, director of the J. Paul the collections, the conception and Art Museum Directors from 1989 to 1990. Getty Museum, Los Angeles, will construction of a new and much larger Buses will depart immediately after give the keynote address for the museum, and the plarming for renova­ the convocation ceremony for a gala J tions to the former Getty Museum in reception at the new Getty Center. nvocation of CAA's eighty-seventh Malibu. In 1998 he took on the post of Tickets are available with conference annual conference in Los Angeles, vice-president of the J. Paul Getty Trust preregistration. Wednesday, February 10, 1999. The in addition to his role as director of the convocation, which commences at 5:30 Getty Museum. p.m. in room 408 of the Los Angeles Walsh is the author of many articles Convention Center, is the annual and catalogues in his field of specializa­ s gathering of CAA members for public tion, Dutch paintings of the seventeenth recognition of their peers who have century, and of two recent books, Jan November 1998 made outstanding contributions in the fields of art and art history over the past College Art Association year. NewCAA 275 Seventh Avenue John Walsh has been the director of , New York 10001 the J. Paul Getty Museum since 1983. After graduating from Yale University in Monograph 1961, he completed M.A. and PhD. Board of Directors degrees from Columbia University. He John R. Clarke, President spent a year at the University of Leiden Michl ltami, Vice-President in the Netherlands as a Fulbright AA, in association with the Ellen T. Baird, Secretary graduate fellow, served as a lecturer and University of Washington John W. Hyland, Jr., Treasurer research assistant at the Frick Collection Jeffrey P. Cunard, Counsel C Press, will publish a new book Susan Ball, Executive Director in New York, and then became an in its distinguished Monographs on the associate for higher education at the Fine Arts series. Beholding the Sacred Catherine Asher Patricia Leighten Metropolitan Museum of Art, while Mysteries: Programs of the Byzantine Joe Lewis Holly Block teaching part time at Columbia. Between Sanctuary (College Art Association Marilyn R. Brown Arturo Lindsay 1970 and 1975, Walsh worked as an Monograph on the Fine Arts, Volume Whitney Davis Richard Martin associate curator and later a curator in Joe Deal Yong Soon Min LVI. Design by Russell Hassell. $55.00), the Department of European Paintings at Vishakha Desai John Hallmark Neff by Sharon E. J. Gerstel, will be available Bailey Doogan Beatrice Rehl the Metropolitan and continued to teach in time for the annual conference in Los Shifra M. Goldman Bruce Robertson idergraduate and graduate courses. He Angeles. Nancy Friese Norie Sato men resigned from the Metropolitan to John Walsh Joanna Frueh Jeffrey Chipps Smith become professor of art history at PHOTO: JiM MCHUGH CONTINUED ON PAGE 2 Linda C. Hults Alan Wallach Christine Kondoleon Cahiers archeologiques. long and productive career in the visual Lewis was selected by Essence magazine Contents . Since 1944, CANs Monographs on arts as an art historian, artist, scholar for a "Legends in Our Time" tribute. She the Fine Arts series has provided the and teacher, curator and administrator, has held Fulbright and Ford Foundation Volume 23, Number 6 opportunity for CAA members to collector, publisher, and activist. Lewis fellowships, and, most recently, she was November 1998 publish scholarly books in all areas of joins a distinguished group of recipients appointed distinguished scholar at the the history of art. A listing of available of this award, including Linda Nochlin Getty Center for the History of Arts and books in the series, along with ordering (1997), Loulse Bourgeois (1996), and Humanities. John Walsh to Speak in Los Angeles instructions, appears on the inside back Agnes Gund (1995). In 1952, Lewis became the first New CAA Monograph 1 cover of every issue of the Art Bulletin The Committee on Women in the African American to obtain a Ph.D. in and on the CAA website at www.college Arts Award adds another tribute to the art and art history. She also became a art.org/coa/publications/monographs.html. many Lewis has received, including pioneer in curating exhibitions that 3 Annual Conference Update Submissions of manuscripts on all honorary degrees from Hampton show the interconnections of art made periods of the history of art should be University, University of Cincinnati, by peoples of the Caribbean, South sent to: Debra Pincus, Editor, Mono­ Dillard University, Bennett College, and America, Africa, and of African descent 5 CAANews graph Series, Dept. of , Chapman College. Her accomplish­ in the United States. She has worked National Gallery of Art, Washington, ments have been widely recognized tirelessly to ensure that recognition is DC 20565; d-pincus®nga.gov. Manu­ with many awards, including the given to artists of the Africana Diaspora, 8 Placement Review, 1997-98 scripts should fall between 35,000 and UNICEF Award for the Visual Arts, the and she has been a moving force in 75,000 words, require no more than 100 Charles White Lifetime Achievement opening the field of art history to the Advocacy illustrations, and be crafted according to Award, Brandywine Workshop Lifetime contributions of artists of color, demon­ 9 CAA Honors Fifty-Year Members the Art Bulletin style guide, found at Achievement Award, the National strating the impact they have had on the Sharon E. J. Gerstel, author of the upcoming CAA monograph, Beholding the Sacred www.collegeart.org/caa/publications/AB/ Conference of Artist Achievement development of American art history Mysteries: Programs of the Byzantine Sanctuary ABShjleGuide.html. Award, the Vesta Award from the and our tmderstanding of its intersec­ 10 From the Executive Director Women's Building (Los Angeles), the tion with global art production. Lewis has taught at numerous campuses Gerstel's work evokes a wide range diversity of possible choices. Decorative Women's Caucus for Art Honor Award across the country, engendering a legacy of written and painted sources in order selections reflect the pietistic require­ for Outstanding Achievement in the for each successive generation of CAA in the News to analyze the decoration of the Byzan­ ments of individual communities or the Visual Arts, and the Scripps College 11 American artists and scholars. tine sanctuary from the perspective of artistic and regional traditions followed Faculty Recognition Award. In 1990, the contemporary viewer, from monk to by specific painters. Indeed, variations 13 Solo Exhibitions by Artist Members liturgical celebrant, from bishop to lay among sanctuary programs demonstrate worshipper. In a new presentation of the that Byzantine painters combined scenes Annual sanctuary program, the author reveals and figures to create new combinations People in the News to the modern reader what was and is appropriate to particular congregations. 15 manifest only to the clergy. In addition to meeting the needs of 'Conference In medieval Byzantium the artistic individual celebrants and congregations, program that developed behind the the powerful representation of vener­ Grants, Awards, & Honors 17 sanctuary screen delivered a particular able authors and orators and the careful Update message to priests, whose actions and depiction of key components of Church words were reflected in the painted dogma may have offered a response to 18 Conferences & Symposia decoration. Filled with saints who several conditions within the Byzantine gesture across the altar and read from empire. Considering its intended sacred texts, the church need not be audience, the decoration of the sanctu­ Committee on Women 20 Opportunities inhabited by the living in order to ary provides information for the in the Arts to Honor function. Momentarily joined by the development of the Byzantine rite, but Samella Lewis Information Wanted priest, the painted celebrants paused to the study of the painted program also The CAA Committee on Women in the Institutional News include him in their prayers and actions. responds to developments beyond the 24 Arts will honor Samella Lewis with its Lay people were permitted to view liturgy. The formation of a complex Fourth Annual ReCOgnition Award. The Datebook certain parts of the painted program and program for the church sanctuary award will be presented at a celebratory Discount Subscriptions the eucharistic celebration, but as the reflected internal theological debate and breakfast on Friday, February 12, 7:30- 27 Classified Ads sanctuary was increasingly obscured by was essential in a period when the 9:00 a.m., in the Regal Biltmore Hotel curtains and icons, a new program empire was confronted by religious eAA News is published 6 times a year by the Gold Room during CANs eighty­ developed in order to present an traditions that challenged accepted College Art Association, 275 7th Ave., New York, seventh Annual Conference in Los alternative devotional focus for personal notions of what was Orthodox. NY 10001; www.collegeart.org. Angeles. The CAA Committee on invocations and penitential prayers. Sharon E. J. Gerstel, assistant Women in the Arts, charged with Editor-in-Chief Susan Ball Many modern-day viewers see an professor in the Department of Art "promoting the scholarly study and Editor Jessica Tagliaferro inflexible uniformity in the decorative History and Archaeology at the Univer­ Listings Editor Kari Grimshy recognition of the contributions of program of the Byzantine church sity of Maryland in College Park, women to the visual arts/' is privileged Material for inclusion should be sent via e-mail to sanctuary. The sense of majestic order is received a Ph.D. from the Institute of to honor Lewis's contributions to the Kari Grimsby at [email protected]. surely part of the message presented by Fine Arts, New York University, in 1993. development and support of the visual Photographs may be submitted to the above the painted figures. It should not, She has contributed articles for the Art 'culture of the African Diaspora and her address for consideration. They cannot be returned. however, distract our attention from the Bulletin, Dumbarton Oaks Papers, and Samella Lewis PHOTO: R08ERT HALE © 1998 College Art Association

eAA NEWS NOVEMBER 1998 2 CAA NEWS NOVEMBER 1998 3 Lewis. an entrepreneur who brings cultural practices, while providing a Department of Art at California State reduced price zone fares that do not Cultural History of East Los Preliminary Program art into the communities in which she framework for the study of visual University, Northridge. A co-founder of require a minimum or Saturday night Angeles. Join Tomas Benitez and lives and works, has educated and culture previously unavailable to many Fashion Moda, Lewis has also curated Additions/Errata stay. Additional savings are available Lindsay Haley for a tour of Self-Help encouraged artists of color, while visual artists and scholars. Indeed, the and organized numerous exhibitions , The CAA Education Committee for those making reservations sixty days Graphics, as well as a tour of mural simultaneously introducing their dedication in the ground-breaking book and community-based art partnerships. t sponsored session #The Magic Class­ before travel. CAA is pleased to offer sites, including Estrada Courts and artworks to the larger African-American Art: African Americans could also have room: Getting Started in the Digital 1999 conference delegates a free drink Brooklyn and Soto Streets, followed by community by establishing storefront been written for her: "To those African World," chaired by Ellen Schlferl, Annual M.F.A. ticket on each flight booked on Ameri­ lunch. Bus departs from the Regal galleries, developmg and curating American educators of the past who University of Southern Maine, and Exhibition can Airlines through McCord Travel. Biltmore Hotel at 9:00 a.m. Bus departs documentation projects, and creating helped instill an appreciation of self­ Kathleen Cohen, San Jose State Univer­ A reception for the 1999 CAA Regional For reservations, call American Airlines from Self-Help Graphics at 2:00 p.m. other educational initiatives. Many hood and an abiding respect for sity, scheduled for Thursday, 12:30-2:00 M.F.A. Exhibition will take place on at 800/433-1790 and ask for CAA Star and will return to all conference hotels. projects she inaugurated have had personal dignity" (Lewis, dedication, p.m., was left out of the Preliminary Saturday, February 13, 4:30--6:00 p.m. File #S7229UB. Space is limited to 49. Price: $10.00. lasting impact, including the most Art: African American, New York: Program. Free shuttle transportation will be A Pasadena Overview. Visit the influential international scholarly Harcourt, Brace, Jovanovich, 1978). Martha Wilson, who is participat­ provided from the West Hall entrance of Huntington Gallery and Libraries, journal documenting the work of artists Join the Committee on Women in Fly American and ing in the session "Virtual/Human the Los Angeles Convention Center Armory Center for the Arts, Norton of the African Diaspora-the Interna­ the Arts in presenting Samella Lewis Win Free Tickets! Interfaces for Virtual Exhibitions," beginning at 4:30 p.m. Please present Simon Museum, and the Williamson Art ti01WI Review of African American Art with our Fourth Annual Recognition Two pairs of tickets will be ra££led to chaired by Ben Davis and Gail Rubini, your 1999 CAA membership card or Gallery at Center College of Design. Bus (formerly Black Art), which provides a Award. Please note that preregistration those flying American to the conference Saturday morning, 9:00-11:30 a.m., was your conference registration badge departs from the Regal Biltmore Hotel at vehicle for many researchers to share for the breakfast is only available with in Los Angeles. To be eligible, make incorrectly listed as a discussant in the when boarding the bus. 9:30 a.m. Bus departs the Huntington their scholarship. advance conference registration. Price: your reservations directly through session "Porn Queens, Perverts, Library at 2:30 p.m. and will stop at all Lewis has lived her life based on $17.00. American's meeting service desk (see Jailbirds, and Bad Monunies: Cultural conference hotels. Space is limited to 49. the tenet learned from two of her -Ferris Olin, Rutgers University Slippage: A Slip above contact information) and make Confrontations with the Law and Price: $10.00. mentors, Viktor Lowenfeld, professor of Sliding Video and sure your tickets are issued by McCord Academia," chaired by Carol Jacobsen For more details on registering for art at Hampton University, and her Annual Artists Interviews Performance Event Travel. and Marilyn Zinunerman, Thursday, these events and a complete listing of February 11, 8:00-10:30 p.m. friend, the artist Elizabeth Catlet!. They Rachel Rosenthal and Noah Purifoy will The Santa Monica Musemn of Art at special events, including receptions at The Historians of Nineteenth­ adhered to the belief that one cannot be interviewed at the third annual Bergamot Station will hold an open Receptions the Museum of Contemporary Art and Century Art session "Future Directions walk away from an injustice or a person Artists Interviews, to take place on house and reception on Saturday, The following receptions were late the Los Angeles County Museum of Art, for Nineteenth-Century Art History" in need. Lewis, in turn, has said that Friday, February 12, 2:00-5:30 p.m., at February 13, 7:00-10:00 p.m., for the entries and do not appear in the please consult the preliminary program was incorrectly listed as "Future "you don't just sit by and criticize, you the Los Angeles Convention Center. CAA members' exhibition Slippage: A preliminary program: Boston Univer­ or visit our website at 'W'W'W.collegeart.org. Directions for Nineteenth-Century Art." get out there and try to make a differ­ Rosenthal is a Los Angeles-based Slip Sliding Video and Performance Event. sity Deparbnent of Art History, Friday, ence and try to do what you can do" Buses will depart from all conference February 12, 7:30-9:00 a.m.; Christians interdisciplinary solo performer and Ushers and (conversation with the author, Jlllle founder of the Rachel Rosenthal hotels beginning at 6:00 p.m. The last in the Visual Artsl Friday, February 12, 1993). Each of Lewis's art-related activist Company. She teaches performance at bus leaves the Santa Monica Museum at, j}2:30-2:00 p.m.; Princeton University Projectionists initiatives has been catalyzed by this her private studio and has been a 10:30 p.m. Return buses will stop at all NJepartment of Art and Archaeology, Sought belief. visiting artist at such institutions as conference hotels. Price: $10.00. Friday, February 12, 7:30-9:00 a.m. Applications are being accepted for It bears reiterating that Lewis is a University of California, Los Angeles, All receptions will be held at the ushers and projectionists for the 1999 pioneer both in the recognition of and California Institute of the Arts, the Art Hotels Ornni Hotel unless otherwise noted in annual conference. Ushers and projec­ the continuing dedication to the lnstitute of Chicago, and New York CAA has reserved a substantial block of the preliminary and final programs. tionists will be paid $8.00/hour and CAA principle that art making is essential to University. She will be interviewed by rooms at the Regal Biltmore Hotel, the will receive complimentary registration. the survival of peoples and their Betty Ann Brown, an art historian and Omni Los Angeles Hotel, the Westin Postconference Trips They are required to work a minimum cultures, as well as a means to bring critic who has been a contributing editor Bonaventure, the Hyatt Regency at Preregistration with advance conference of four session time slots (Thursday­ News peace among communities. Lewis has for Arts, Artweek, and the Los Angeles Macy's Plaza, and the Holiday Inn City registration is required for all post­ Saturday), and must attend a training also focused on the critical role of Reader. Brown is active in women's art Center. Shuttle service will be provided conference trips. All postconference session at 7:30 a.m., Thursday, February African-American women in the family organizations and is past president of from all conference hotels to Los trips take place on Sunday, February 14, 11. Projectionists must be able to and community. She has commented the board of the Los Angeles Women's Angeles Convention Center during the 1999. operate a 35-mm slide projector; that "black women are nurturers. We Building and past president of the conference. Detailed information is San DiegolTijuana Trip. Board a familiarity with video projectors is Emerging Artists nurture our families by listening to and helpful. Contact: CAA A-V Coordinator, Southern California Women's Caucus provided ~ the preliminary program bus for a trip to Tijuana and a tour of the Featured seriously considermg what they tell us. for Art. that was mailed to all members in late Centro Cultural. From Tijuana, travel to c/o CAA, 275 7th Ave., New York, NY On October 26, CAA Was pleased to We also have an obligation to see that The founding director of the Watts October. Reservations may be made by San Diego for lunch at Chuey's in Logan 10001; mbshine@ collegeart.org. No host a very successful benefit, "Emerg­ valuing and collecting our art is a Towers Art Center and a founding contacting the hotel of your choice Heights, followed by tours of Chicano phone calls please. ing Artists, Emerging Wines," at the significant aspect of nurturing" (Elsie B. member of the California Arts Council, directly. Space is limited, so be sure to Park and Centro Cuitural de la Raza. Nathan Cummings Foundation m New Washington and Marilyn Milloy, Noah Purifoy lives and works in Joshua make your reservations as early as There will also be free time to explore Room Monitors York. The benefit included a wine "Listening to Our Elders' Souls," Tree, California, where he is creating a possible. Reservations must be made no Balboa Park, which includes the Sought tasting organized by Martin Scott Essence, July 1996). public art environment of over 100 later than January 14, 1999. Museum of Art, Museum of Man, Room monitors are needed to check in Wines, Ltd., and a silent auction of For more than fifty years, Lewis has assemblages, , and installa­ Museum of Natural Science, and the individuals for the Artist's Portfolio works by a select group of exceptionally amassed a collection of art objects that tions using found objects. During his Meingi Museum of Asian Art. Bus Airlines Review and Career Development talented emerging artists. All proceeds are as broad ranging as her contribu­ tenure at the California Arts COllllcil, departs from the Regal Biltmore at 7:30 American Airlines is the official airline Workshops. These monitors will receive benefit CANs Publications Fund. tions and commitments to scholarship. Purifoy developed such programs as a.m. Bus departs from Balboa Park at of the 1999 Annual Conference. McCord complimentary registration and are Most of the artists who donated The Samella Lewis Collection continues artist residencies in prisons and social 5:30 p.m., stopping at San Diego Travel has been chosen as the official required to work their appointed time works to the silent auction are graduates to be shared with education institutions institutions. He will be interviewed by Lindberg Field Airport before returning conference travel agency. American slots. Contact: Angela Herren, 275 7th of the Artists in the Marketplace throughout the United States. artist Joe Lewis, a member of the CAA to all conference hotels. Space is limited Airlines is offering a 5 percent discount i Ave., New York, NY 10001; fax 212/627- Program at the Bronx Museum of the Lewis has closed the gap between board of directors and chair of the .0 the first 49. Price: $35.00. off any published fare, as well as 2381; [email protected]. No phone Arts. Each year this program provides theory and praxis in art scholarship and calls please.

4 eAA NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 5 an invaluable opportunity for thirty-six University of Georgia and an M.F.A. Sonita Singwi, born in Lagrange, colored, smoothly polished panels and papers from the Portland and in the U.s. and Canada asking that artists from the New York metropolitan from Pratt Institute in New York. His Illinois, received her M.A. in art history distinguished by their visual seductive­ Toronto meetings will be published by departments collect dissertation titles area in the early stages of their careers to photographs were recently featured in a from the Institute of Fine Arts, New ness. In projects such as Illustrations of Gordon & Breach Publishers. from their candidates and submit them participate in an intensive twelve-week group exhibition at Tate Gallery in New York University, and her M.F.A. at Power and Recollections of a Twentieth­ electronically, in lieu of mailing the seminar program. During the course of York. Regarding his staged se1l­ , City University of New I Century Odalisque, Titus has investigated CAA Statements index cards used in past years. Students York; she presently lives in New York. the program, which culminates with an portraits, Goicolea has written: "My the subtleties of the exchange of power and Guidelines who have already mailed cards to CAA exhibition at the museum, the artists photographs are snapshots from a series She has participated in numerous group between men and women as they are for the 1999 list will still have their titles meet with established art professionals, of nonsensical narratives that portray exhibitions at such institutions as p.s. Over the course of its history, CAA has shaped by historical forces whose adopted numerous statements, resolu­ included. It is, however, imperative that including curators, critics, dealers, and absurd predicaments dealing with 122 and Art in General, both in New presence is materialized, often violently, departments make every effort to other artists. Through these sessions, gender, age, sickness, medicine, York. Her work will be featured in a tions, and guidelines that individual and in the human body. institutional members may find useful establish and implement this new they learn the skills they need to become technology, science, and sex. Scenes one-person exhibition at Liebman CAA is deeply grateful to the artists practice in order to maintain the successful artists in the marketplace. which would normally be considered Magnan in New York in 1999. Singwi and informative. To request any of who generously donated their work and them, send a self-addressed, stamped accuracy of the dissertation list. For Amy Eckert, born in Myrtle Beach, threatening, dangerous, or gross are creates strikingly beautiful paintings for making the silent auction such a envelope to the CAA office. When information or for submissions, contact South Carolina, received her B.F.A. in revealed to be more complex than first distinguished by an almost poetic great success. requesting more than four statements, Jessica Tagliaferro, Editor; jtagliaferro@ photography at the Massachusetts assumed, and inspire sympathy as well quality. Of her work she has written, collegeart.org (no phone calls please). College of Art in Boston. Her work has as fear." "The surfaces of my paintings are please enclose $2.00. Unless otherwise Copyright and noted, texts of all CAA statements and Please note that M.A. theses are not been featured in one-person exhibitions Eiko Kijima, born in Amami smooth and hard like candy. The forms guidelines are also available at included in the Art Bulletin listing. at Satellite, Gallery on Three, and Home Ohshima, japan, graduated from the of my paintings are like sounds that Fair Use Town 'Www. Meetings Final Report collegeart.org/caa/about caa/ethics.html. Deadline: December 15, 1998. (Submissions and Garden in Boston and in numerous Ohtsuma Women's College and the resonate on the tip of the tongue." made after this date will be held for June A final report on the series of five town group exhibitions. Eckert creates Ohtsuka Textlle School. In 1983 she Born in Ottawa, Canada, Laurie 2000.) visually complex works in which she moved to New York, where she studied Thomas graduated from the Nova meetings on Copyright and Fair Use Status of Women in Ph.D. Granting sponsored by the American Council of Institutions (Report of the applies photographic images and paint at the National Academy School of Fine Scotia College of Art and Design in CAAMembers to commercially available fabric printed Arts. Exp'anding the formal possibilities Halifax and also attended the Cooper Learned Societies (ACLS), CAA, and Committee on the Status of Women, 1980,1998) with decorative images of flora and of the medium, Kijima transforms Union in New York, where she now National Institute for a Networked Honored Reproduction Rights in Scholarly and fauna. As she has written, "I am photographic images of landscapes and lives. Her work has been featured in Cultural Heritage (NINCH) can be CAA congratulates Beth Wright, whose Educational Publishing (1998) fascinated by the worlds depicted on the other subjects into abstracted images exhibitions at the Nova Scotia College of found at www-ninch.cni.orgINews/ book, and History during the Guidelines for Part-Time Employment fabrics we live with. As a child I would that seem to have been painted or Art and Design Art Gallery and at other CurrentAnnouncelTownMeeting­ French Restoration: Abandoned by the Past (1974, revised 1996) get lost in the repeating farm scenes that drawn. Through the technique of spaces in Canada, the U.S., and Austra­ FinalReport.html. The meetings grew (Cambridge University Press), won the followed the puffy contours of the sofa. I Polaroid emulsion transfer, she peels the lia. In her lush oils on canvas, usually out of the Conference on Fair Use A Code of Ethics for Art Historians and Dallas Museum of Art's Vasari Award, Guidelines for the Professional Practice imagined my great aunt sitting in a bush photographic images from their original small in scale, Thomas explores those (CONFU), addressing the growing an armual award presented to an art of Art History (1973, 1974, 1975, in the living room with duck decoys supports, as if they were skins, and then aspects of human interaction that are awareness that there was ignorance on historian working in Texas. The book paddling around her feel. I find odd transfers them to other supports, such as universally experienced but seldom " the Fair Use doctrine and copyright 1995) was partially funded by a CAA Millard scenes like this emerging when I acetate, fabric, or wood. The resulting represented in painting. In her Back of ~;issues in the academic community. The Guidelines for Faculhj Teaching in Meiss subvention. Computer-Based Media in Fine Art combine photographic images and paint images, usually organized into installa­ the Head series, she combines evocative, town meetings took place at the CAA's Kudos also go to Joan A. Holladay, and Design (1995) with this 'domesticated' fabric. Scenes in tions, evoke the fragile ephemerality of highly abstracted images of the backs of annual conferences in New York (1997) associate professor at the University of Standards for Retention and Tenure of which one's sense of location is un­ the physical world. heads with the spaces behind us that we and Toronto (1998), at the American Texas, Austin, whose book, CAA settled, where the distinctions between Daniel Mirer was born in Brooklyn never see. These works engage with the Association of Museums (AAM) Visual Arts Faculty (1993) Monograph on the Fine Arts; Volume Standards for Professional Placement (1977, flora, fauna, and architecture collapse." and received his B.F.A. in photography concept of our presence in both physical conference in Atlanta (1997), and on the LIV, Illuminating the Epic: The Kassel Daniel Feingold was born in Rio de at Pratt Institute and his M.F.A. at and psychic space and how this pres­ campuses of Indiana University-Purdue 1992) Willehalm Codex and the Landgraves of Janeiro, where he received a B.A. in California Institute of the Arts in ence is a function not only of how we University in Indianapolis (1997) and Standards for the M.F.A. Degree in Visual Hesse in the Early Fourteenth Century, Arts (1977, 1991) architecture from the Faculdade Valencia; he also participated in the perceive ourselves but how others Reed College in Portland, Oregon received honorable mention from the Printmakers Contracts (1978) Arquitetura e Urbanismo Silva e Souza; Whitney Independent Studies Program. perceive us. (1997). jurors of the Dallas Museum of Art in he now lives in New York. His work has Mirer's work has been included in Finally, Lisa Titus was born in The series started by focusing on the Vasari Award competition. been featured in one-person exhibitions exhibitions at the Rotunda Gallery in Tacoma, Washington, and received her the proposed Fair Use Guidelines in the The following publications guidelines are available from the publications at the Gabinete de Arte Raquel Arnaud Brooklyn, William Street Gallery/ B.F.A. in sculpture from California context of Fair Use and current copy­ Becoming an department or on the website at in Sao Paulo and in numerous group Photofest in Houston, the Center for College of Arts and Crafts in Oakland right law. As the series progressed, the www. collegeart.org/caa/publications: Art Bulletin Affiliated Society exhibitions, including Crossing Lines at Curatorial Studies Musemn at Bard and her M.F.A. in sculpture from Tyler focus shifted onto the future of Fair Use CAA welcomes as affiliated societies Style Guide and Guidelines for Art Journal Art in General in New York. Feingold College in Annandale-on-Hudson, New School of Art in Phlladelphia; she now in an increasingly digital environment. groups of artists or scholars whose goals creates quietly powerful paintings and York, and numerous other galleries. For lives in New York. One-person exhibi­ While the Conference on Fair Use had Contributors. The Millard Meiss Publication Fund are generally consonant with those of works on paper in which he explores the the series Inherit the Patriarch, Mirer tions of her work have been presented at the strongest presence for the first CAA, with a view to facilitating Guidelines and Application can be found edge between the visible and the photographed men engaged in various Gallery 44, Centre for Contemporary meetings, later on in the series the enhanced intercorrununication and at www.collegeart.org/caa/resources/meiss/ invisible. His recent works include a stereotypically masculine behaviors­ Photography in Toronto; the University meetings tended to focus on the broader mutual enrichment. It is required that a index.html. Other statements and series of drawings created by applying boys at playas cowboys, hunters, and of the Arts in Phlladelphia; and Franklin intellectual property legislative propos­ substantial number of the members of guidelines are currently under revision. pastel-colored correction tape to sheets even gladiators. This series includes Furnace in New York Her group als in Congress. such groups will already be CAA of paper and a series of paintings several self-portraits in which the artist exhibitions include Traces: The Body in This report is one of many on the Submitting Ph.D. members. To be recognized as an created by filtering and fixing graphite mimics such behaviors. Often quite Contemporary Photography, at the Bronx meetings. Several of the meetings affiliated society, a group must be dust onto white canvas to produce humorous, these photographs bring to Museum of the Arts. Since the early developed their own websites for Dissertations to national in scope and must present inchoate forms that seem to be in the the surface underlying constructions of nineties, Titus has created studio publicizing, reporting on, and gathering the Art Bulletin evidence that it is primarily, or in large process of emerging before the viewer's masculinity in an engaging yet sophisti­ tableaux using models and props, which resources. The papers from the India­ Current dissertation topics are listed part, committed to the serious practice eyes. cated manner. Mirer is presently she then photographs. She transfers the • napolis meeting will be published in a annually in the june issue of the Art and advancement of the visual arts or to Born in Atlanta, Anthony Goicolea working on a series of photographs resulting photographic images, many of '­ 'pecial edition of the Journal of the Bulletin. In September, letters were the study of some broad, major area of received his B.A. and B.F.A. at the titled Invisible West. which evoke film stills, to large, lushly American Society for Information Science, mailed to Ph.D. programs in art history the history of art. It must possess a

CAA NEWS NOVEMBER 1998 6 CAA NEWS NOVEMBER 1998 7 formal organizational structure, i.e. Update: Congratulations to Liana professional status. For a twelve-page generation of consumer electronics and Statement from the President elected officers, identifiable member­ De Girolami Cheney, lbe newly elected abstract of the study visit the center's Advocacy computer products. In addition, it ship, and such signs of ongoing activity president of the Association for Textual website: www.tt.columbia.edu/~academic/ provides a mechanism to assure the "I am pleased that the Congress has artcom/rcac/rcacdoor.htm, or contact the continued vitality of the fair use as a newsletter, periodical, exhibition Scholarship in Art History (ATSAH), a (t ( passed lbe Digital Millennium Copy­ record, or other documentation. CAA's CAA affiliated society. For information: center directly: Joan Jeffrl, Director, privilege enjoyed by teachers, students, right Act. This bill will implement the affiliates are listed on the website at Liana De Girolami Cheney, ll2 Charles Research Center for Arts and Culture, library patrons, and all other informa­ two new landmark World Intellectual www.collegeal't.ol'g/caa/aboutcaa/ St., Beacon Hill, Boston, MA 02114; Columbia University, Teachers College, tion users. These provisions represent a Property Organization (WlPO) treaties affsacieties.html. For information and an [email protected]. 525 W. 120lb St., Box 78, New York, NY s a member of the Digital dramatic departure from earlier drafts of that my administration negotiated. application: Amber Lantz, CAA, 275 7lb 10027; [email protected]. Future Coalition, CAA has the legislation. These treaties will provide clear Ave., New York, NY 10001. American Association of Univer­ worked hard to protect fair "While the DMCA encourages the international standards for intellectual sity Professors offers customized salary A use of technological measures to combat use on the Internet. After months of property protection in lbe digital and compensation reports by institution copyright piracy, its ongoing New Affiliated lobbying by such groups as DFC, enVITorunent and protect U.s. copy­ and academic rank. Reports can be rulemaking process to insure appropri­ Congress recognized the necessity of righted works, musical performances, Societies ordered from AAUP's website: ate protection for fair use will be a allowing for the fair use of digital media and sound recordings from international CAA is pleased to welcome two www.igc.apc.org/aaup (from $40.00, plus strong disincentive to overreaching by organizations that have met the stan­ for educational purposes. We would like piracy. postage). The full annual salary report content owners," according to Peter to thank all of you who sent letters of /I American copyright-based dards required to become formal Placement ($60.00, plus postage) may be ordered Jaszi of lbe Digital Future Coalition. affiliates, the National Art Education support to your representatives and industries that produce and promote by calling AAUP' s switchboard: 800/ "This legislation is a substantial victory Association and the National Confer­ senators. This is just one more sign that creative and high-technology products 424-2973. for both the creators and consumers of ence of Artists. Review, your efforts do make a difference. contribute more than $60 billion College and University Personnel intellectual property, because it pro­ annualiy to lbe balance of U.S. trade. National Art Education Associa­ Association conducts compensation vides meaningful protection while tion (NAEA), founded in 1947. Member­ Passage of the Digital This bill will extend intellectual protec­ studies on chief executive, administra­ recognizing the traditional balance tion into the digital era while preserving ship: 40,000. National dues: $50. 1997-98 tive, and faculty positions by rank and Millennium Copyright Act between owners' rights and the privi­ Purpose: to advance art education fair use and limiting infringement discipline. Studies can be ordered from leges of legitimate users." liability for providers of basic communi­ through professional development, CUPA's website: www.cupa.org.Prices Congress acknowledges that the need to The Digital Future Coalition advancement of knowledge, and cation services. I look forward to signing vary depending on CUPA membership protect information should not preclude comprises 42 nonprofit and for-profit leadership. The NAEA is a leader in this legislation into law, and I urge the and survey participation status. Studies public access. entities that are committed to fighting Senate to ratify these treaties so that educational research, policy, and n past years, CAA has gathered available: 1997-98 National Faculty Salary Congress continued its exploration for balanced intellectual property law practice for art education. In addition, statistical information on the America can continue to lead the world Survey Public & Private: Four Year of the Digital New World this Columbus (copyright) in the digital era. in the Information Age./I lbe NAEA publishes Art Education, employment of artists, art histori­ I Colleges and Universities ($40-$90); 1997- Day, when it passed the Digital Millen­ -Skip Lockwood, Coordinator, Digital -President Clinton, October 12, 1998 (The NAEA News, and NAEA advisories and ans, museum professionals, and other 98 Administration Compensation Survey nium Copyright Act of 1998 (DMCA). Future Coalition awards grants for curricular and White House, Office of the Press Secretary, visual arts professionals, drawing on ($80-$300); 1997-98 Mid-Level Adminis­ Intended to update American copyright professional development. Members are New York, N.Y.) information collected from the positions trativelProfessional Salary Survey ($100- law in preparation for the ratification of entitled to discounts on publications and listed in its bi-monthly bulletin, Careers, $180); 1997 Chief Executive Compensation lbe World Intellectual Property Organi­ are invited to attend NAEA's annual and from questionnaires distributed to & Benefits Survey ($225-$485). zation Treaties (WIPO), lbe DMCA will conference. Executive Director: Thomas Careers advertisers. The most recent Several components of the 1999 go to the President's desk for signature. A. Hatfield. For membership informa­ report, published in November 1996, Annual Conference in Los Angeles, Through the efforts of such organiza­ CAAHonors tion: Membership Dept., NAEA, 1916 represented lbe 1995-96 fiscal year. The most notably the Career Development tions as the Digital Future Coalition and Association Dr., Reston, VA 20191-1590; report is available in the CAA News web Workshops and Artist Portfolio Re­ the interventions of the House Com­ 800/299-8321; [email protected]. archives at www.collegeart.orglcaal views, will help job-seekers evaluate the merce Committee and such concerned Fifty-Year Members National Conference of Artists news. market and prepare themselves for the legislators as Senator John Ashcroft of (NCA), founded in 1958. Membership: For the past two years CAA has not interviewing process. Those planning to Missouri and Representatives Rick James S. Ackerman 1945 Thomas M. Folds 1948 500. Anuual dues: $35 general; $10 conducted a placement review owing to use Placement Services at the conference Boucher of Virginia, Scott Klug of Rudolf Arnheim 1948 ilene H. Forsyth 1947 student; $150 institution; $50 chapter; inconclusive data. 'The staff at CAA is this year should read the convenient Wisconsin, and Tom Campbell of Paul B. Arnold 1945 Clarke H. Garnsey 1948 $500 life. Purpose: National Conference actively exploring new systems for data mini-handbook on using placement California, the implementing legislation Phyllis P. Bober 1941 Creighton Gilbert 1940 of Artists works to preserve, promote, collection and ways to evaluate employ­ services to be published in lbe January upheld lbe spirit of lbe WIPO treaties by Dericksen M. Brinkerhoff 1947 Rosalie B. Green 1945 and develop the creative forces and ment patterns for artists and art histori­ 1999 issue of CAA News. CAA hopes protecting the interests of information Blanche R. Brown 1941 Yvorme Hackenbroch 1946 expressions of African-American artists ans. Alternative resources for those these activities and resources will better producers while recognizing that fair David G. Carter 1947 Julius S. Held 1936 and other artists of African heritage. seeking statistical information on facilitate the arduous task of finding a use must exist in the digital information David R. Coffin 1947 Mary L. Heuser 1946 Through its research in the arts, its salaries and tenure follow: position, as well as help members environment. ChrIstiane C. Collins 1948 Ernst Kitzinger 1945 annual convention, its regional meet­ Columbia University"s Research further themselves professionally. In the final version of the DMCA, Ellen P. Conant 1947 Phyllis Williams Lehmann 1945 ings, and its correspondence, the NCA Center for Arts and Culture recently -Kari Grimsby, Placement Services Congress recognized the importance of Mildred Constantine 1938 Mary Meixner 1947 seeks to bring artists together to discuss surveyed more than 2,200 artists ensuring balance in the treaty imple­ Elbel Cutler 1945 Howard S. Merritt 1944 mutual concerns, to exchange ideas, and working in disciplines ranging from menting legislation. The DMCA Charles D. Cuttler 1942 Ruth R. Philbrick 1947 to promote cultural exchange and painting, sculpture, and photography to safeguards such crucial activities as William S. Dale 1948 John H. Plununer 1948 interchange of works of local, national, music, theatre, television, and literature computer security testing, reverse Marian B. Davis 1940 Peter H. Selz 1948 and international origin. Members in New York, Los Angeles, San Fran­ engineering to achieve interoperability, Esther G. Dotson 1947 Craig H. Smyth 1940 receive a quarterly newsletter and are cisco, and Minneapolis-St. Paul. The the protection bf personal privacy, Elsbeth B. Dusenbery 1947 George B. Tatum 1943 invited to attend the annual convention. study, "Information on Artists II," parental supervision of minors on the Patricia Egan 1946 Marianne L. Teuber 1944 For membership information: NapoleOIl focuses on income, education, commu­ Internet, and the preservation of Lane Faison 1931 Mario Valente 1946 Jones-Henderson, President, NCA, Box nity involvement, health coverage, legal materials by libraries and archives. It Beatrice Farwell 1947 Charles T. Wilder 1943 88, East Orange, 87019; 617/427-8325. NJ and financial needs, technology, and also assures the availability of the next Dorothea J. Fischer 1947

CAA NEWS NOVEMBER 1998 8 CAA NEWS NOVEMBER 1998 9 sides assumed defeat, while optimists artists because the NEA ceased giving From the Executive Director on each side claimed victory. The fact those artists individual grants "an that, in an eight-to-one decision, the unfathomable non sequitur"? Can we impressions of the outcome varied so measure the extent to which the chilling Professional Development widely is indicative of the vagueness of effect has already changed the climate in ( Fellowships for Artists the language. 1hls was one of the museums? In art schools? reasons we convened the symposium. There is no longer the same focus of and Art Historians After years of debate, we are left with a energy today that was generated by decision that raises more questions than speculation before the case was heard. it answers; a decision that leaves the arts We decided that the moment called for College Art Association requests applications from Ph.D., M.F.A., and terminal community in a state of uncertainty. In recognition of and rethinking about the M.A. students who have been tmderrepresented because of their race, gender, After Finley: the last issue of CAA News, CAA NEA VS. Finley case and the implications age, national origin, sexual orientation, disability, or history of economic Counsel Jeffrey Cunard explained how it will have on the future of arts funding disadvantage and will earn. their degrees in 2000. For information and applica­ Then What? the decision allowed each "side" to be and arts advocacy, not only in the wake tion: 212/691-1051, ext. 219; [email protected]; www.collegeart.orglcaal able to claim a "victory." Cunard also of this decision, but also more broadly, resourceslfellowship.html. observed that "Justices Scalia and in today's political climate, where the Thomas on one extreme and Souter on main source of publicly funded pornog­ the other, wrote opinions that are raphy has been generated by someone-­ Deadline: January 31,1999 analytically more honest than the Kenneth Starr-who has vehemently court's and, for partisans in the debate, stated in the past that the right of the ver the past few months there more likely to be intellectually and public to know was no excuse for have been many accounts of emotionally satisfying"-Scalia and publishing pornography. to give introductory remarks. CAA has tions on the basis of viewpoints and the recent Supreme Court Thomas arguing that the" decency and We assembled two outstanding been involved in the debates on federal perhaps to refuse projects with contro­ O funding for the arts and humanities CAAin versial views." decision in the long-awaited case of respect" clause was constitutional and panels to try to answer some of these NEA v. Finley et al., in which four Souter arguing that it violated the First questions and have plans to publish the since the current siege began in 1989, -"Nota Bene," Academe, September­ performance artists challenged the Amendment. proceedings in the future (stay hilled). tracking and speaking on behalf of its the News October 1998 Congressional mandate to NEA that the We drew people to the symposium The distinguished panelists included members. As you know, CAA has 14,000 agency consider "general standards of by posing the questions: Did the lawyers, funders, artists, museum individual members, 75 percent of "Going completely against the trend in whom work in higher education and special issues is Art Journal, a quarterly decency" and "respect for the diverse Supreme Court II defang" the decency directors, political representatives, many beliefs and values of the American clause, or have "community standards" wearing more than one hat. The equally roughly half of whom are visual artists. publication of the College Art Associa­ tion (CAA). In the fall of 1997, the CAA public." In 1992, a federal district court received an official stamp of approval? distinguished moderators-one lawyer, It is perhaps less well known that when "Humanism was its own kind of the NEA stopped funding individual editorial board composed a new mission ruled the decency language In addition to these teaser questions, the one former funder-were tireless religion, a system of faith and beliefs. It artists, approximately 80 percent of the statement for Art Journal, one 'designed unconstiutional, but the Clinton panelists were asked to consider some advocates for First Amendment causes. is fascinating to view Bruegel in this recipients of individual artists' grants to move the journal into the twenty-first administration appealed that decision. of the more specific questions that have The audience held equally distinguished context or, for that matter, to reconsider for the previous three years were An appeals court upheld the district been raised, such as: What does the people, many of whom have written on Netherlandish art as a whole in light of century,' as the May 1998 CAA News put members of CAA, as were an almost it. Among other things, the new mission court ruling in November 1997, but the future hold for the individual artist? these issues. Joan Bertin, executive stimulating recent scholarship. An equally large number of peer review discontinues an 18-year policy of administration appealed once again, this What will be the incubators for the next director of NCAC, moderated the first article by Alfred Acres in the current panelists. Both the CAA Board of time to the Supreme Court, which heard generation of artists? Are cutting-edge panel, "Legal and Policy Implications of issue of the Art Bulletin reads Flemish publishing only guest"edited, theme Directors and the membership have issues. The summer 1998 issue is the the case in March 1998. In June 1998, the art and controversial art synonymous? the Supreme Court," whose speakers altarpieces, including the Merode, in been very active in the fights against Court decided eight to one in favor of What does safe art mean? To whom? were William Bailey, painter, former terms of their manipulation of human first to enact the new mission, replacing the government. On October 6, in an Have the peer panels really degenerated professor of art at Yale University and censorship, for freedom of expression, and cosmic time." the theme-issue format is a well­ and for federal funding for the arts and balanced array of conversations, attempt to address some of the ques­ into "the swamps of politicized logroll­ former member of the National Council -Holland Cotter, "Giving Icons Real Life humanties. Our many voices are heard interviews, feature essays and interna­ tions the decision raised, CAA, the ing led mainly by representatives of of Art; James K. Ballinger, Director, and Humans a Paradise," review of From and do make a difference. We applaud tional reports. Contributors include National Campaign for Freedom of academic art departments," as claimed Phoenix Art Museum; Majorie Heins, van Eyck to Bruegel: Early Netherland­ your efforts and urge you to keep up the Doug Ashford, Christine Hill, Faith Expression (NCFE), and the National in an editorial in The Wall Street Journal? co-counsel, NEA v. Finley; and Tony ish Painting in the Metropolitan fight! Wilding and Critical Art Ensemble, Coalition Against Censorship (NCAC) Do artists really want or need to feel Kushner, playwright. The second panel, Museum cif Art, New York Times, -Susan Ball convened a half-day symposium that their country is behind them, as moderated by Gary Schwartz, executive September 25, 1998 Lawrence Rinder and Carol Becker. entitled "The Future of the Arts and Michael Brenson suggested in The New director of NCFE, "Public-Private Interspersed within these texts are copious illustrations, in color and black Arts Advocacy" at Cooper Union in York Times? Has the decency clause been Partnerships to Promote the Arts and "Concerned about the chilling effect the and white, all arranged with formal New York. The symposium was co­ like a gauntlet thrown down in front of Arts Funding," included panelists Helen [Decency Standard] could have on precision by designer Katy Homans. sponsored by the Association for the artists? What risks are funders Brunner, consultant for the Albert A. scholarship and the creative arts, the Overall the issue looks like an exhibition Theatre in Higher Education, The Center willing to take? What happens if the List Foundation; Jennifer Dowley, AAUP, the American Council of for Lesbian and Gay Shldies, City NEA considers and decides to disregard director of the Museum and Visual Arts Learned Societies, the Association of catalog from any institute of contempo­ rary art. But given its publishing University of New York, Cooper Union, "community standards"? Whose Programs at the NEA; Charles Halpern, American University Presses, and the PEN American Center, People for the community? Has the NEA's decision president, The Nathan Cummings College Art Association submitted a context-a quarterly journal of an academic association-the new format American Way, and Volunteer Lawyers not to fund individual artists had a Foundation; and Leida Snow, art and joint amicus brief on behalf of the for the Arts. chilling effect on museums and galler­ culture advisor to Congressman Jerrold statute's opponents. The brief argued and focus of Art Journal is a fairly radical While the case was in the courts, the ies, or, as Peter Plagens asserts in The Nadler. that the standard, if upheld, could be departure." -Michael Starenko, Afterimage, level of interest was high. Immediately Chronicle of Higher Education, is the I was very pleased to be asked by applied to other federal agencies, such September/October 1998 after the decision, everyone struggled to charge that art institutions have ceased Joan Bertin and Gary Schwartz to as the National Institutes of Health, answer, "who won?" Pessimists on both to show the edgy work of unknown organize this symposium with them and forcing them to consider grant applica-

10 CAA NEWS NOVEMBER 1998 eAA NEWS NOVEMBER 1998 11 Hung Liu. Muscarelle Museum of Art, College of William and Mary, Williamsburg, Va., August Solo 26-0ctober 18, 1998. A Ten-Year Survey 1988- 1998. eAA Exhibitions Juncheng Liu. Steinman College Center, Dana Room, Franklin and Marshall College, Lancaster, Pa., August 29-September 27, 1998. Lines of Directories by Artist Sight, paintings and drawings. Virginia Maksymowicz. University Gallery­ Boland Hall, Saint Joseph's University, Make the Members Philadelphia, September 4-October 2, 1998. Cameo Appearances. Corinne Martin. Sycamore House Gallery, Grade! Harrisonburg, Va., September 21-October 31, Only artists who are individual CAA members will 1998. Portraits of Women in Predominantly Mille be included in this listing. Group shows or Professions: Shenandoah Vallel) Region, Virginia, exhibitions cannot be listed. When submitting color photographs. information, include name, membership number, • Directory of M.A. and Ph.D. Programs in Art and Julia Merkel. McGuffey Art Center, venue, city, dates of exhibition, and medium (or Charlottesville, Va., September 29-November 1, Art History (1995) is a guide to schools in the U.S. website address of online exhibits). Photographs will 1998. Equine Paintings. and Canada offering M.A. and Ph.D. degrees in art be used only if space allows and cannot be returned. Judith Barbour Osborne. Artist's House, history, studio art, museum studies, conservation, Please be advised that listings and images may be Gallery 2, Philadelphia, September 30- and related areas. reproduced on tile CAA website. Submit to: Knri Grimsbt), 275 7th Ave., New York, NY 10001; November 1, 1998; Peng Gallery, Philadelphia, [email protected]. October 11-28, 1998; Open Studio, Philadelphia, David Boyajian, GeneSis, steel sculptures • Directory of M.F.A. Programs in the Visual Arts November 14-15, 1998 . (1996) is a comprehensive survey of M.F.A. pro­ Adrienne Stalek. Mednick Gallery, Philadelphia Ashtabula, Ohio, October 2-29, 1998. When I grams in the U.S. and Canada. College of Art and Design, Philadelphia, August Dance on Water Again. 10-September 9, 1998. First Aid, photography. Sharon Linnehan. Lake Region Heritage Center, Special discounted price: $10.50 postpaid ($8.00 Devil's Lake, N.Dak., August 1-31, 1998; Art ABROAD members). All orders must be prepaid. Add $2.00 for MIDWEST Center, Jamestown, N.Dak., September 11- Margo Kren. GaIerie Pere-Leger-Comeau, October 10; Bismark State College, Bismark, foreign orders. Checks must be drawn on a U.S. Janet Pines Bender. ARC Gallery, Chicago, Universite Sainte-Arme, Nova Scotia.. July 31- N.Dak; October 15-November 30, 1998; Taube bank. April 1999. Byrdcliffe Inspired Drawings. Galerie September II, 1998. Prints and Drawings. Museum of Art, January 5-31,1999. ll. Thea Fischer Reinhardt, May-June 1998. Prints Barbara Simcoe. Wood Street Gallery, Chicago, Janet Goldner. Walton Art Center, Fayetteville, Reserve your 1999 directory now! MID-ATLANTIC Ark., August 14-September 24, 1998. Statements October 17-November 14, 1998. New Works, Tara Fracalossi. Mednick Gallery, Philadelphia in Steel. drawings and paintings. College of Art and Design, Philadelphia, Linda Stein. George A. Spiva Center for the Cynthia Harper. Mallin Gallery, Kansas City oThe 1999 Directory of M.A. and Ph.D. Programs in October 16-November 13, 1998. Archives, Artists Coalition, Kansas City, Mo., July 24- Arts, Joplin, Mo., August 21-September 27,1998. Art, Art History, and Related Programs is a guide to photography. musical sculpture. August 22,1998. Bins and Funnels. Sounding Blades, schools in the u.s. and Canada offering M.A. and Mei-ling Hom. Delaware Center for the Lynda J. Lambert. Trumbell Art Gallery, Ann Stoddard. Space Lab Galleries, Spaces Art Ph.D. degrees in art and architectural history, studio Contemporary Arts, Main Gallery, Wilmington, Center, Cleveland, Ohio, February 3-20,1998. Warren, Ohio, January 10-February 13, 1998. art, museum studies, arts administration, conserva­ September 29-November 13, 1998. Cultural When I Dance on Water. Ashtabula Arts Center, Ge/yNEOLOGY and Ex Vitro, multimedia tion, visual studies and criticism, and related areas. Space. installations.

-The 1999 Directory of M.F.A. Programs in the Visual Arts is a guide to M.F.A. programs in the U.S. and Canada.

Both directories are expanded to cover new programs and and include accessible charts and indices.

Price: $17.50 nonmembers ($15.00 members). All orders must be prepaid. Add $2.00 for foreign orders. Checks must be drawn on a u.s. bank. Directories will be delivered in February 1999.

To order: CAA Publications Orders 275 7th Ave., 18th Fl. New York, NY 10001 For information: 212/691-1051, ext. 12 (sorry, no phone orders) Marcia Clark, Tribeca Park Triptych, 18" x 60"

12 CM NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 13 Joseph Vitone. Massillon Museum, Massillon, Supportive of high standards of scholar­ for his sensitivity and integrity. From 1953 to Ohio, September 27-November 8, 1998. ship, Alexander was widely respected by his 1988, he taught at the University of the Arts and, People in colleagues and such eminent teachers and from 1985 to 1990, at the University of Pennsyl­ Landscape PllOtographs. scholars as Henry Russell Hitchcock, Richard vania. He also served as a guest lecturer and Laura Young. Studiolo Gallery, Iowa City, Krautheimer, and Ernst Kitzinger. A dedicated visiting artist at numerous schools, including the October 1998. Landscapes. the News and well loved teacher, open and helpful, he Aspen School of Art, California College of Arts inspired majors and nonmajors in art history. As and Crafts, Maryland Institute College of Art, NORTHEAST a result, he supervised many advanced degrees. Indiana University, the University of Chicago, Alexander was a man with a wonderful sense of Barbara L. Bachner. TAl Gallery, New York, and Queens College. His pedagogy was actively humor and generosity, who had the gift of shaped by his continuing experience as a painter September 1998. making friends readily. and was characterized by an overarching Arlene Baker. Noho Gallery, New York, October -Charles D. Cuttler, University of Iowa interest in issues of content. He brought the tools 20-November 8, 1998. Veiled Paintings. of philosophical inquiry to all of his discussions David Boyajian. Robert Moses Sculpture Larry Day, painter and professor emeritus at the about works of art. By providing legions of his Garden, Fordham University, Lincoln Center In Memoriam University of the Arts, died in Philadelphia on students with ways of thinking critically about Campus, New York, May 16-November 22, April 14, 1998, after a prolonged struggle with meaning in the arts, Day empowered them to 1998. Genesis, 10 steel sculptures. Robert L. Alexander, professor emeritus, cancer. take full intellectual responsibility for their own University of Iowa, died in Iowa City on August choices as artists. Laura Carton. Henry Street Settlement, Abrons 14. His wife, Margaret Ames Alexander, of New Day was born in Philadelphia in 1921. Art Center, Charles E. Culpepper Gallery, New York University's Institute of Fine Arts, preceded After serving in the U.S. Army during World York, September 15-October 14, 1998. Body of him in death in 1996. Alexander was in the first War II and participating in the invasion of Iwo Evidence, photographs. graduating class of Queens College. He served in Jima, he attended Tyler School of Art of Temple Marda Clark. Blue Mountain Gallery, New the army (1942-44), was a teaching assistant University lUlder the G.l Bill. He received his York, October 16-November 4, 1998. Paintings (1944-45) and tutor (1945-51) at Queens College, B.F.A. in 1950, followed by his B.s. in education. in oil on shaped panels and folding screen. an instructor at the University of Pittsburgh After spending a year in Paris and holding Thomas F. Morrissey, Untitled: 1984: (1952-58), and an Assistant Professor at Ed Calker. Neuberger Museum of Art, Purchase numerous jobs, including that of a public school Gold Star Mothers at Vietnam Memorial, 20" x 30" Pennsylvania State University (1958-61). College, Purchase, N.Y., February 7-April25, teacher, Day had an exhibition of work that Alexander moved to the University of Iowa in 1999. Five Decades in Print. brought him to the attention of Emmanual 1961, the year he received his Ph.D., where he Carol Sun. Neuberger Museum of Art, Purchase John O'Connor. Cornell Fine Arts Museum, Benson of the Philadelphia Museum School Elizabeth Condon. Jeffrey Cofloff Fine Art, New rose to professor in 1969 and retired in 1987, College, Purchase, N.Y., June 13-August 22, Reed College, Winter Park, Fla., September­ (now the Philadelphia College of Art and Design York, September 11-October 17, 1998. continuing to publish, but not exclusively, on his 1999. Multimedia. October 1998. Real Illusions. within the University of the Arts). He began Peggy Cyphers. Donahue Sosinski Gallery, New 2 fields of expertise, the Hittite Art of Anatolia teaching at the college in 1953. Over the years he Robin Starbuck. Museum of Arts and Sciences, York, opens September 12, 1998. Paintings. Donna TireHa. Studio 108, New York, October and Baltimore architecture of the early decades was the recipient of such awards and fellow­ 1998. Observations & Distractions. North Gallery, Macon, Ga., October 2, 1998- of the 19th century. ships as the Mayor's Award for contributions to Beth Galston. Chapel Gallery, Second Church in January 10, 1999. Wit/I Open Eyes, multimedia Alexander was the author of 3 monographs, the cultural life of Philadelphia; the Hazlett Newton, West Newton, Mass., September 23- installation. The Arcllitecture of Maximilian Godefroy (Balti­ Memorial Award for Excellence in the Arts in October 18, 1998. Sti11/Life: Acts of Collection, Liz Ward. Contemporary Arts Museum, more: Jolms Hopkins Press, 1974), The Architec­ Pennsylvania; a Temple University Alunmi Preservation, and Transfonnation, multimedia Houston, September IS-November 8, 1998. The ture of Russell Warren (Charleston, S.c.: Historical Association Certificate of Honor; a MacDowell installation. Present of Past Things. Society, 1979), The Sculpture and Sculptors of Colony Fellowship; the Gene Durwood/Oscar Amanda Junquera. 80 Washington Square East Yazilikaya (Associated University Presses, 1986). Williams Award; and awards from the Ingram Galleries, New York University, New York, Both an editor and writel', he also published 35 Merrill Foundation, Penny McCall FOlmdation, September 16-0ctober 9, 1998. Four Video Poems. WEST articles in 17 scholarly journals, among them, the and Richard Florsheim Art Fund. He was a Art Bulletin, Anatolica, the Journal of Anatolian Larry Day Penny Kronengold. First Sh'eet Gallery, New Laurie L. Balmuth. Artemisia Gallery, Chicago, member of the National Academy of Design. and the PHOTO: DAVID USNER York, October 20-November 7, 1998. Paintings & December 1998; Lead Gallery, Seattle, September Studies, Journal of tlte Society of Architec­ During his long career, Day had many solo tural Historians. He also made contributions in Sculptures; Landscapes & Equine Fantasies. 1998; Quartersaw Gallery, Portland, Oreg., JlUle exhibitions at private, public, and university 1998. the forms of joint studies, biographies, festschrift Day, who was 76 and lived in Melrose galleries and museums. His work has also been Sam Lacombe. GSU Gallery, Boston University, articles, and book reviews. Marrilyn Duzy. Fine Arts Gallery, Mt. San Park, Pa., was greatly respected as a painter and included in such group exhibitions as The Realist October 8-November 2,1998. Recent Paintings. Alexander spent several years in Turkey Jacinto College, San Jacinto, Calif., September draftsman. After begirming his career as an Revival, organized by the American Federation completing research fellowships and made Eunsook Lee. ABC Gallery, Lambertville, N.J., 20-October 16, 1998. Twenty Five Years. abstract painter in the 1950s, his work shifted of the Arts. His work is in numerous public August 10-September 19, 1998. Space Redefined. numerous trips to North Africa to assist his wife toward representation in ways that reflected his collections, among them the Corcoran Gallery of Janet Goldner. Joy Pratt Markham Gallery, on her work Corpus des Mosaiques Anciennes de own introspective ruminations on the nature of Art, the Philadelphia Museum of Art; the Younghee Choi Martin. Wheeler Gallery, Walton Arts Center, Fayetteville, Ark., August TUllisie. He generously turned to the task of experience and its relationship to art history and Philadelphia Inquirer collection; the Free Library Providence, R.I., September 25-0ctober 15, 1998. 14-September 24, 1998. Statements in Steel, completing the volume she left behind after her modalities of representation. Still-life paintings of Philadelphia; Rider College, Lawrenceville, Works on Paper. sculpture with text. death, despite the onset of the brain tumor from gave way to larger, complex figure compositions N.J.; and lvfiami-Dade Community College, Thomas F. Morrissey. Providence College, Mimi La Plant. Humboldt Arts Council, Eureka, which he died. that alternated between images of groups of Miami,Fla. Providence, R.I., September 8-October 9, 1998. Calif., September 5-29, 1998. Recent Work, , Alexander was an active member of 10 friends in familiar settings and more self­ Day is survived by his wife, Ruth Fine, and Between tlte Lines: Photographs from the National paintings and drawings. scholarly organizations, served as director of the conSciously didactic inventions based on the his sister, Ethel Krokenberger. Contributions in Vietnam Veterans War Memorial, Washington, Society of Architectural Historians (1960-63), was a work of Poussin, Mantegna, and other old his memory may be made to the Larry Day Younghee Choi Martin, A Current Carolyn Manosevitz.lliff School of Theology, D.C., 1983-1998. founding member of the Midwest Art History masters. These works were gradually subsumed Scholarship Fund, University of the Arts, 320 S. Under Sea, charcoal on vermillion Denver, Colo., July 3-August 1, 1998. Tile Journey Maureen Mullarkey. First Street Gallery, New Socien}, and gave papers at many of their by an extensive body of urban or human-built Broad St., Philadelphia, PA 19102. wash, 22" x 30" of tile Second Generation, paintings. York, November 10-December 4,1998. Recent meetings. His research on the late 18th-, early landscapes that, ironically, were free of images -Rny Allen, Maryland Institute, College of Art Figures, paintings. Mary L. Maughelli. Phebe Conley Gallery, 19th-century French engineer and architect of the figure. Essentially meditations, these sourn California State University, Fresno, August 31- Joseph Franc;ois Mangin, designer of New York wonderfully quiescent, brooding, but sensuous Edith Appleton Standen, curator emeritus in Mimi Oritsky. Amos Eno Gallery, New York, September 30, 1998. Figures and Faces: Dialogues Harbor fortifications and his work on such June Blum. Brevard Museum of Art and images are perhaps the most poignant the Department of European Sculpture and November 14-December 3, 1998. New Paintings. and Reflections: 1965-1998. architectural projects as the Wall Street Science, Melbourne, Fla., July 3, 1998-August 9, distillations of Day's simultaneous embrace of Decorative Arts at the Metropolitan Museum of Presbyterian Church, Old St. Patrick's, and City Susan Schwalb. Andrea Marquit Fine Arts, 1998. Portraits. Greg Murr. Turner Carroll Gallery, Santa Fe, the poetic and intellectual. Art, died at home in Manhattan, on July 17, Boston, December 4, 1998-January 9, 1999. N.Mex., October 2-26,1998. Sense: Recent Hall in New York City was almost completed at Day was regarded as an influential teacher, 1998, at the age of 93. Tom Feelings. Selby Gallery, Ringling School of Moments of Resonance, metalpoint paintings and Paintings from Venice. the time of his death and will be submitted for critic, and writer. He was nationally respected Born in 1905 in Halifax, Nova Scotia, Art and Design, Sarasota, Fla., August 17- drawings. publication in the near future to the Winterthur by fellow artists and academics for his Standen was the daughter of a British army September 26, 1998. The Middle Passage, mixed­ Richard Shaffer. Hearst Art Gallery, Saint Portfolio as he wished. exhaustive knowledge, deliberative intellect, officer, and a descendent of Nathan Appleton media images from The Middle Passage: W/Iite Mary's College, Maraga, Calif., January­ and penetrating wit. He was also deeply loved (1779-1861), a textiles entrepreneur from Boston. Ships/Black Cargo. February 1999.

14 CAA NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 15 Sandra Rosenbaum has been promoted to Heidi Zuckerman Jacobson, assistant curator of She lived in Ireland and England as a child and Duchamp, who was her lover for a time, Wood Academe associate curator of costumes and textiles at the 20th-century art at the Jewish Museum in New received an honors degree in English from made many drawings, and even went so far as to create one Dada work herself, A Little Water In Bruce J. Altshuler, director of the Isamu Los Angeles County Museum of Art. York, was appointed the first Phyllis Wattis Grants, Somerville College, Oxford University, in 1926. MATRIX curator at the University of CaWomia In 1928, Standen immigrated to Boston where Some Soap, an early assemblage now in the Noguchi Garden Museum in Long Island City, collection of the Whitney Museum of American N.Y., has been appointed director of studies for Matthew T. Simms has been appointed assistant Berkeley Art Museum and Pacific Film Archive. she worked for the Society for the Preservation professor of late 18th- and 19th-century of New England Antiquities, fOW1ded by her Art. Christie's Education Graduate Programs in Awards, European art in the Art History Deparhnent at Joseph Ketner, director of the Washington W1cle, William Sumner Appleton. In 1928 Wood moved from New York to Connoisseurship and the Art Market in New Emory University, Atlanta. University Gallery of Art, St. Louis, lvfo., is the In Boston, Standen volunteered at Harvard Los Angeles, where she took a pottery class that York. new director of the Rose Art Museum at University's Fogg Art Museum, where she inspired her to begin her successful career as a & Honors ceramist. She studied with master potters for Yuheng Bao, assistant professor of art at North Leslie Topp has been appointed Randall­ Brandeis University. worked on the museum's photo collection and Maciver Junior Research Fellow at St. Hilda's attended a seminar taught by Paul J. Sachs. In years and eventually developed her signature Carolina A&T State University, was promoted to College, University of Oxford. The position Sharon F. Patton, associate professor at the 1929 she was hired by Joseph Widener as methods in luster glazing. In 1948, she moved to a tenured position as associate professor of art begins in October and lasts for 2 years. University of Michigan-Ann Arbor, has been secretary to his art collections. She held this post Ojai, where she joined an artists' community, history and theory. Only grants, awards, or hOl1ors received by indiv­ named the John G. W. Cowles Director of the until he gave his collection to the National selling her pottery and living under the spiritual idual members are listed. All names will also appear Eric R. Varner has been appointed assistant Allen Memorial Museum (AMAM) at Oberlin Gallery of Art in 1942. In the same year, Standen guidance of Krishnamurti. In 1962 she made a Jonathan Block, dean of faculty at the all the CAA website. Submit name, membersllip professor of ancient Roman art jointly in the art College, where she was also appointed professor became a U.S. citizen. During World War IT, she life-changing trip to India as a cultural Whitecliffe College of Art and Design in New number, institutional affiliation, and title of the ambassador, sponsored by the State Depart­ Zealand, has resigned. He plans to return to the history and classics departments at Emory of art. grant, award, or hOllar, and use or purpose of grant joined the Women's Army Corps and, in 1945, University, Atlanta. was sent to Germany as a member of the ment. After this visit, she would wear saris for Pacific Northwest. to: Knri Grimsby; [email protected]. Ann Sass has been named associate curator at Monuments, Fine Arts, and Archives Section of the remainder of her life, denoW1cing western Kara Walker has been selected as the first Capp the International Center of Photography, New the American Military Government. This group fashion and materialism. She continued to work Aurore Chabot has been promoted to full Street resident at the California College of Arts York. She was fonnerlya research associate at preserved, restored, and returned art work full-time to the age of 104 and continued to work professor in the Art Department at the Univer­ and Crafts. the Whitney Museum of American Art. looted during the war and worked to stabilize at a less frequent pace in the last year of her life. sity of Arizona, Tucson. the conditions effecting the art world in postwar Beatrice Wood's retrospective, Beatrice Sharon Takeda has been promoted to associate Germany. In early 1946, she became the manager Wood: A Centennial Tribute, organized by Francis Anna M. Dempsey has been appointed assistant Karen Baldner won an Individual Artist Naumann for the American Craft Museum in curator of costumes and textiles at the Los of the Weisbaden Collecting Point. She was professor of art history in the School of Art and Museums and Galleries fellowship for works .on paper from the Angeles County Museum of Art. discharged from the anny in 1947 at the rank of 1997 was still on tour at the time of her death. Art History at James Madison University in Arkansas Arts Council. The show included her numerous works in Harrisonburg, Va. Her specialty is 20th-century captain. David Binkley, curator and department head pottery and illustrations from as far back as her Kathleen Walsh-Piper, associate director of In 1949 Standen was asked to work in the art. for the Arts of Africa, Oceania and the Americas Karen Batten, artist, Vermont College of teens. Wood especially loved the retrospective's education and public programs at the Dallas Textile Study Room at the Meh'opolitan Department at the Nelson-Atkins Museum in NOlWich University, was awarded an Artist's impressive catalogue, which contains articles Museum of Art, served as a guest scholar at the Museum of Art as an assistant curator in what is David H. Ehrenpreis has been appointed Kansas City, Mo., has been named chief curator Fellowship 1998 in painting from the New York about her life and work and color illustrations of invitation of the J. Paul Getty Research Institute now known as the Department of European assistant professor of art history in the School of of the Smithsonian's National Museum of Foundation for the Arts. for the History of Art and the Humanities. Sculpture and Decorative Arts. A large part of her pottery. With an obvious sense of satisfac­ Art and Art History at James Madison Univer­ African Art. tion from a full life of creativity and groW1d­ the department's impressive collection of sity in Harrisonburg; Va. His specialty is 19th­ Carol Bier, curator of the Eastern Hemisphere H. Barbara Weinberg, has been named the first tapestries were acquired by former Chairman breaking work, she was quoted as saying to a century art. Amy Cappellazzo has accepted the position of Collections at the Textile Museum of the close friend of hers, "With this book under my Alice Pratt Curator of American Paintings and John Goldsmith Phillips. Standen worked as a director at the Rubell Family Collection and Smithsonian Institute, has been named a visiting Sculpture at the Metropolitan Museum of Art, curator there W1til1970, organizing exhibitions, arm, they'll now let me into Paradise." Tom Fischer, professor of art at the Savannah Foundation in Miami. fellow at the Institute for the Humanities. where she has been curator since 1990. writing, lecturing on textiles and paintings, and, College of Art and Design, has been appointed all the while, inspiring an increased interest in dean of the college's School of Media Arts. 'Susan H. Edwards, curator of the HW1ter Bill Burk received an Individual Artist her field. College Art Galleries in New York, has been fellowship grant from the Connecticut After retirement, Standen devoted herself Ilene Forsyth, Arthur F. Thurnau Professor of named director of the Katonah Museum of Art Organizations Commission on the Arts. to full-time scholarship. Her devotion to her the History of Art at University of Michigan, has in Katonah, N.Y. studies continued up until this year through been appointed Samuel H Kress Professor at the Paula Latos-Valier, former director of the Art Julia Couzens, visiting artist at the San writings and involvement with the Meh'opolitan Center for Advanced Studies in the Visual Arts Kurt W. Forster, chair of the Department of the Gallery of Western Australia, is now the general Francisco Art Institute, has received an artist-in­ at the National Gallery of Art, Washington, Museum of Art. A leading authority on nc. History of Art and Architecture and head of the manager of the Biennale of Sydney, Australia. residence fellowship for the Putah-Cache Creek tapestries, her publications include the 2-volume Institute for History and Theory of Architecture Bioregion Watershed Project, University of catalogue, European Post-Medieval Tapestries and Rona Goffen has been named Board of at the Federal Institute of Technology in Zurich, Mark Towner, director of Project Art at the California, Davis, for the 1998-99 academic year. Related Hangings in tIle Metropolitan Museum of Governors Professor of Art History at Rutgers Was named director of the Canadian Center for University of Iowa, has been appointed assistant Art (1985), a biennial newsletter that she University, New Brunswick. Architecture in Montreal. director of the Northeast Document Conserva­ Page Dubois, professor of classics and distributed to members of the academic tion Center in Andover, Mass. comparative literature at the University of community, and more than 50 articles. Standen Melissa Hyde has been appointed assistant Mark Francis, chief curator of the Andy Warhol California, San Diego, is a Getty Research was a member of CAA for more than 50 years. professor of 18th- and 19th-century European art Museum, aIlilOlUlced his resignati9n. He will be Institute scholar-in-residence for 1997-98. in the School of Art and Art History, University moving to London this fall where his wife, Beatrice Wood, ceramist, died in her home in of Florida. Sheena Wagstaff, will begin working at the Tate Geraldine A. Johnson has been awarded the Ojai, Calif., on March 12, 1998, at the age of 105. Gallery. Kress Fellowship at the Harvard Center for Wood was a pioneer in the development of Catherine Ishino has joined the M,F.A. faculty at Italian Renaissance Studies at Villa i Tatti in luster glazes and is best known for her colorful the University of :Minnesota-Duluth as an Mary Engel Frank, Ph.D. candidate in art Florence. ceramic figures and vessels. Her work can be assistant professor in graphic design with a history at Princeton University; Manuel E. found in prestigious museums, including the specialization in motion graphics. Gonzalez, chairperson, Florida International Nancy Macko, in collaboration with Jan Blair, Smithsonian, the MetropoUtan Museum of Art, University FOW1dation; and Michele Oka has completed Excerpts from and Extensions to ... and the American Craft Museum. lain Machell has been appointed chair of Doner, an artist in New York have been (The Alphabet Window), a permanent installation Born in San Francisco in 1893 and raised in sculpture at Montserrat College of Art in appointed to the advisory board at the funded by the W. M. Keck FOW1dation, in the New York, Beatrice Wood left home in her teens, Beverly, Mass. Wolfsonian, Florida International University. Keck Learning Room of the Honnold Library at fleeing the stuffiness of New York society, to Claremont College, Claremont, Calif. begin her life as an artist and actress in Paris. In Nancy Macko has been appointed chair of the Dale Carolyn Gluckman has been promoted to the advent of World War I, Wood returned to Beatrice Wood Art Department at Scripps College in Claremont, curator of costumes and textiles at the Los Heather McPherson, associate professor at the New York, where she acted in the French PHOTO; WILLIAM DOW Calif. Angeles COlmty Museum of Art. University of Alabama at Birmingham, has Repertory Company. She found herself among received a 2-month fellowship at the Folger Dadaist artists, writers, and collectors, including Diane Radycki has been appointed assistant Ellen Handy has been promoted to curator of Shakespeare Library for her research on visual Marcel Duchamp, Francis Picabia, Charles professor of art history in the Department of Art, collections at the International Center of representations of Sarah Siddons. Demuth, Henri-Pierre Roche, Mina Loy, and Moravian College, Bethlehem, Pa. Photography, New York Walter and Louise Arensberg. Encouraged by

16 CAA NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 17 Marcia A. Neblett received a Dow Creativity York University, Institute of Fine Arts; Aimee Symposium, will be held on February 19, 1999, discussing how they differ from 1 region to p~riodical sponsored by the Department of Art fellowship from the Alden B. Dow Creativity Froom, New York Univer~ity, Institute of Fine at the University of Arizona, Tucson. Papers another. Submissions are encouraged from To Attend Center at Northwood University, Midland, Arts; Susan Greenberg, Yale University, and may address, but are not limited to, the impact grad.uate students who are interested in the History and the School of Visual Arts and Mich., where she completed 3 artists' books Anne Leader, New York University, Institute of of gender on visual culture, history, the , r.elationships of personal, family, and domestic Dance. M.A. or Ph.D. students may SUbmit from woodcuts based on the Brother Grimms Fme Arts; Jane and Morgan Whitney fellows: interpretation of geographical domains, and, J papers from any area of the history of art and "Printing Matters: The Materiality of Print in !'m life and the development of the public sphere. Fairy Tales "Hanzel and Gretel," "Rapunzel," Christa Clarke, University of Maryland, and more broadly, on issues of identity. One-page Pape.rs that complement ongOing research on architecture. Mail abstracts to: Paula Gerson, Early Modern Europe" will be held at the Fogg Department of Art History, 220-D Fine Arts and "Little Red Riding Hood." John Rogers, Harvard University; Bahadir abstracts of 20-minute scholarly papers are pubhc and private life at the Harrison Gray Otis Art Museum, Harvard UniverSity, November Yildirim, New York University, Institute of Fine requested from M.A. candidates or recent MA. House, the Walter Gropius House, and other Bldg., Tallahassee, FL 32306-1151; fax 850/644- 14-15, 1998. Leading scholars will reflect on th Olu Oguibe, Stuart Golding Endowed Chair at Arts (Classical Fellowship); and Paul Franklin, graduates in art history or related fields. Send 3259', arh®WWW .Is u.e d u. D ea dl'me: February 1 materiality of printed objects, be they books ore SPNEA ~roperties are encouraged. Submissions 1999, ' the University of South Florida, received a 1999 Harvard University (Sylvan C. Coleman and abstract, letter of introduction, andc.v. to: 1999 for 25~rrunute papers by graduate students in prints, in early modern Europe. The lectures will residency fellowship at the Rockefeller Pamela Coleman Memorial Fund Fellowship). AHGSA Symposium, Laureen Tramel' and Amencan studies, history, literature, art histor cover such issues as transitions between hand Foundation's Study and Conference Center in Laurie Farrell, University of Arizona, PO Box vernacular ar-1..', .,. hi y, 31st Annual Meeting of the Research Society prod~ction and mechanical production, the LUi eC'UL'e, storic preservation Bellagio, Italy. He will complete work on National Gallery of Art, Center for Advanced 20702,1303 E. University Blvd., Tucson. AZ decorative arts, cultural geography, archaeol~gy, for Victorian Periodicals (RSVP) will be held m ways III which typographic and layout Reading the Contemporart): African Art from Theon) Study m the Visual Arts (CASVA), Washington, 85719-0521. For information: ltrainer@hotmail anthropology, film and mass media, popular New Have~, Conn., September 17-18, 1999. The conven~ions are invested with meaning, and the to the Marketplace, a critical anthology on nc., has announced its 1998-99 fellows. The com; [email protected]. Deadline: December culture, and other related diSciplines on any c~nference IS co-hosted by the Sterling Memorial synthesIS of visual and textual content. This contemporary African art to be published in following CAA members are recipients: Sylvain 1, 1998, time period are welcome. Send 1-page, single­ LIbrary and the English Department of Yale mat:rial emphasis brings together text-based 1999 by the Institute for International Visual Bellenger. Chateau de Blois (Samuel H. Kress spaced absh'act and I-page c.v., mcluding phone University. RSVP seeks proposals for individual ~d .~age-based studies, challenging current Arts [inNAl, London. Senior Fellow); Anthony Cutler, Pennsylvania Conference on Alvar Aalto, Baker House, and numbers and e-mail addresses to: SPNEA~BU papers or full panels on any aspect of Victorian dISClplinary boundaries. The symposium is free State University (Paul Mellon Senior Fellow); the Preservation of Modem Architecture, MIT, Graduate Student Conference Coordinator ~er~odicals, including their history as a pub­ and open to the public. For information: Judy Pfaff, sculptor and innovator m environ­ Whitney Davis, Northwestern University (Ailsa Cambridge, October 1-2, 1999, is held in American Studies Program, Boston lis~g form, cultural significance, theoretical www.artllluseums.harvard.edu/Evel1ts/print Univer~ity, matters.html. mental installation, has been selected to Mellon Bruce Senior Fellow); Hanns Hubach, conjunction with the celebration of the 226 Bay State Rd., Boston, MA 02215; 617/353- bearmgs, and uses in teaching and SCholarShip. represent the U.s. at the XXIV Sao Paulo Bienal Kunsthistorisches lnstitut Heidelberg (Frese completion and careful restoration. as well as 9916; fax 617/353-2556; [email protected]. Because RSVP is highly mterdisciplinary, m Brazil, October 4--December 13, 1998. Senior Research Fellow); Andrew Morrogh, the 50th anniversary of, Alvar Aalto's Baker Panelists will be notified by early January; prop?sals relating periodicals to such fields as "Re.considering Louise Bourgeois/' Courtauld University of Oregon (Samuel H. Kress Senior House at MIT. Themes may include interpreta­ papers are due to the commentators 1 month art history, music, theater, literature science Insti~te of Art, London,November 14, 1998. Co­ Adrian Piper, artist and professor of philosophy Fellow); David Marshall, University of tion of the work of Aalto; the significance of the before the conference. Postmarked deadline: and social science are encouraged. We we1c;me orgaruzed by t~e Seq'entine Gallery, London, at Wellesley College, has been named a 1998--99 Melbourne (Ailsa Mellon Bruce Visiting Senior work of Aalto today; :MJT's Baker House as December 1, 1998. proposals from graduate students as well as and presented m conjunction with the galler's Getty scholar. She will be in residence at the Fellow); Jerzy Miziolek, University of Warsaw architecture and social environment; the social es.tablished scholars. Please send 2-page absh'act exhibition o~ recent work by Bourgeois, the I Getty Research Institute for the History of Art (Paul Mellon Visiting Senior Fellow); Ann and educational impact of student housing; and 1998 American Society of Landscape Architects With. I-page c.v. to: Linda H. Peterson, Dept. of day sympOSIum will examine the artist's and the Humanities exploring the theme Hoenigswald, National Gallery of Art, and the preservation of modern architecture. Annual Meeting and Expo, Boston, September English, PO Box 208302, Yale University, New produ.cti?n.from the 1940s to the present in an "Representing the Passions." Marilyn McCully, London (Samuel H. Kress/ Significant architects, critics, and historians will 13-15, 1999. The ASLA and the Annual Meeting Haven, CT 06520-8302; fax 203/432-7066 mterdiSClplinary context of interpretation. Deadline: February 15, 1999. . Ailsa Mellon Bruce Paired Fellows for research be invited to participate. However, we also seek Programs Committee invite presentations from Reservations are limited. For information: Ellen Fernandez Sacco was awarded a in conservation and art history / archaeology). to identify new voices, bearing innovative lan~scape architects and related art, design, and S~rpentine Gallery; 44171/298-1517; mignon. [email protected]. University of California President's Postdoctoral messages, for a half-day of parallel sessions and envlronmental professionals and educators. For Cleveland Symposium, April 23, 1999, Fellowship in the Department of Architecture at perhaps for some plenary session lectures. inform~tion: Diane L. Sheu, Manager of Cleveland Museum of Art on Friday, April 12, UC Berkeley for 1998-99. The award will Please send a 250-word abstract for a paper (~25 Edumtion; 202/216-2358; fax 202/898-1185' 1999. The graduate students m the Cleveland "Igniting the Edge: Forging New Geographies support the prepara tion of her dissertation, min.) on any of the themes above or on a related, dscheu@aslaorg. Deadline: December 8, 1998. M~e~ of Art/Case Western Reserve Univ­ Categories and Identities," the Women's ' "Spectacular Masculinities: Gender, Race, and provocative theme. Stanford Anderson, Dept. of erSIty Jomt Program in Art History and Museum Caucus for Art 1999 National Conference, will National Identity in Early U.S. Museums" Architecture, MIT 7-337, Cambridge, MA 02139; L "8th Annual New ScholarslNew Ideas Studies announce the 25th annual meeting of the be held at the Hyatt Regency m Los Angeles (working title), into a book manuscript 617/253-4411; fax 617/253-8993; [email protected]. Symposium" will be held on the campus of Cleveland Symposium (formerly the Ohio Area February 7-11, 1999. Papers, panels, exlubiti~ns, Deadline: December 1, 1998. Virginia Commonwealth University in Shtdent Symposium). One-page, single-spaced and workshops will be presented by artists and Eric J. Segal of the University of California, Los Richmond, March 19-20, 1999. Abstracts are abstracts from graduate students enrolled in art scholars. For information: Myra Gantman, Angeles, is the 1998-99 recipient of the Sara Conferences "Empires, States, and Political Imagination," invited from current and recent graduate history programs throught the U.S. and Canada SCWCA, 16452 Dorado Dr., Encino, CA 91436; Roby Fellowship in 20th-Centmy Realism, 1999-2000 Seminar, hosted by the International on any topic or field of art-historical are sought. Applicants should also include a 818/501-3277; www.scwca.orgorwww.national ~htdents wca.com. sponsored by Ule Smithsonian Institution. The Institute of the University of Michigan, invites mterest. ~bmit I-page abstracts with c.v. Early short c.v: and SASE or self-addressed post card. fellowship will be used for dissertation research & Symposia applications and nominations for seminar response IS encouraged. Abstracts should Prospe.chve papers dealing with any chronologi­ at the National Museum of American Art in participants. Applicants must hold a PhD. For conform to eM guidelines for 20-minute :al per~~d and geographical area may be based 17th Annual Visual Resources Association Washington. D.C. information: Michelle Austin, Advanced Study presentations. "New ScholarS/New Ideas m tradItional methodologies or exhibit post­ (VRA) conference will take place February 9-14 Center, International Institute, University of Symposium," Dept. of Art History, School of the modern and other recent theoretical approaches. 1999, concurrent with the eM Annual ' David Summers, professor of art history at the Michigan, 1080 S. University, Ann Arbor, MI Arts, Virginia Commonwealth University PO ~ pres~ntations will be 20 minutes long. For Conference in Los Angeles. The conference will University of Virginia, is a Getty Research 48109-1106; 734/764-2268; fax 734/763-9154; Box 843046, Richmond, VA 23284-3046; 804/828- mformation: Edward J. Olszewski Cleveland b~ held at the Hotel Inter-Continental on Bunker S 1' ' Institute scholar-in-residence for 1997-98. [email protected]:Decemberl, 1998. 2784; fax 804/828-7468; sameade@saturn. ymPOS um, c/o Dept. of Art History and Art, Hill (251 S. Olive St.), which is adjacent to the vcu.edu. Postmarked deadline: January 15, 1999. Case Western Reserve University Cleveland Museum of Contemporary Art and 2 blocks Patricia Trenton has been awarded the Caroline "Gendered Landscapes: An Interdisciplinary OH ~106-7110; 216/368-2347; ej;@po.cwru.~du. ~om the CM headquarters hotel, the Regal Deadlme: Februan) 15, 1999. Bancroft History Prize by the Denver Public Exploration of Past Place and Space," Gal~ery ,;t the American Bible Society is Biltmore. The hotel is within walking distance of library for editing the book Independent Spirits: Calls for Papers sponsored by Penn State University's College of hosting The Resurrection in Art: Christ the Convention Center, the location of CAA Women Painters Of the American West, 1890-1945. Arts and Architecture, the Center for Studies in Corporeal or Surreal?" on April 12, 1999. John Michael Kohler Arts Center and Kohler sessions and exhibits. Past reciprocal arrange­ 15th Annual Boston University Symposium on Landscape History, and the Women's Studies Theoretical inquiries or test-case analyses that ~oundation will be hOSting a national sympo­ ments will continue: CAA conference attendees The follOWing CAA members have been the History of Art will be held March 20,1999 at Program, May 29-June 1, 1999, will be held at ~ddress the nature of the Resurrection in art and SIUm on the s~bject of contemporary American will have access to selected VRA sessions and awarded fellowships from the Metropolitan the Museum of Fine Arts, Boston. This the Nittany Lion Inn, State College, Pa. For Its symbolic, sociocultural, and spiritual self-taUght artists and their work in the spring of roundtables, as well as the New Technologies Museum of Art for art history research. Chester symposium is open to all graduate students to information: www.outreach.psu.edu/C&I/ implications are sought. Send 2-3-page abstract 2000. Interested parties should submit abstracts Roundup, and VRA conference attendees will be Dale fellows: Benjamin David, New York present original work in any field relating to the Gel1deredLal1dscapes/. Deadline: Decembel·1998. to: Ena Heller, Gallery at the American Bible of research implementing new approaches to the admitted to selected CM sessions and the CAA University, Institute of Fine Arts; Mia Fineman, history of art. For consideration, send abstract SOciety, 1865 Broadway, New York, NY 10023; shtdy and presentation of the work of self­ exhibits. VRA Vice-President, Jeanette Mills Yale University; and Deborah Roldan, New (no longer than 1 page). For information: "'There's No Place Like Home'; Public and 212/408-1236; [email protected]. taught ar~sts: Professionals and graduate (University of Washington), and the Local York University, Institute of Fme Arts; William Symposium Coordinator, Dept. of Art History, Private Life in America's Places," 2nd Annual Deadline: January 15, 1999. shtdents m.di~erse disciplines are encouraged to Arrangem:nts ~ommittee, chaired by Maureen Barcham, Fashion Institute of Technology a. Boston University, Boston, MA 02215; 617 /353~ Graduate Student Conference, April 9-10, 1999, apply. Parties mterested in speaking about Burn~ (Uruversity of California/Irvine), are Clawson Mills Scholarship); Andrew W. Mellon 2520; fax 617/353-3243. Deadline: December 1, Boston. Co-sponsored by the SOdety for the Florida State University's 17th Annual Art current efforts and issues in conservation and workmg On an exciting program. There will be fellows: Yvonne Elet, New York University, 1998 Preservation of New England Antiquities History Graduate Student Symposium, March preservation of site works are also invited to workshops, an entire day of tours and Institute of Fine Arts, and Jonathan Unglaub, (SPNEA) and Boston University's American and 26-27,1999. Graduate students from the submit proposals. For information send SASE to' roundtables at the Getty Center, spedal events Columbia University; Theodore Rousseau "Bodies and Boundaries: The Construction and New England Studies Program, this interdisci- S~utheastern states are invited to present 20- Leslie Umberger, John Michael Kohler Arts . and tours, and sessions, including a VRA­ fellows: Elizabeth Barker, New York UniverSity, Articulation of Gender in Visual Culture," the plinary conference will provide a forum for ( l mmute papers that will be submitted for Center, 608 New York Ave., PO Box 489 s?onsored CM special session. The preregistra­ Institute of Fine Arts; Andrea Derstine, New 1999 Art History Graduate Student Association analyzing notions of the public and private and publication in Athanor, a nationally distributed Sheboygan, WI 53082; 920/458.6144. De;dline: tion fees for the 1999 conference will stay the May 15, 1999. same as in 1998: $95 for VRA or ARLIS members; $115 for nonmembers; $55 for

18 CAA NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 19 .. students; and $45 for a I-day registration (there Los Angeles County Museum of Art, 5905 Modem Language Association has announced Bulgaria. The biennial recognizes the highest InOVisible Culture: An Electronic Journal for are no I-day for the day at the Getty Center). A Wilshire Blvd., Los Angeles, CA 90036; 323/857- the following 1999 competitions: Prize for a achievements of contemporary humor and satire Visual Studies is seeking submissions that preliminary conference schedule will be posted 6081; fax: 323/857-6218; [email protected]. Opportunities Distinguished Scholarly Edition, awarded to in the field of cartoons, graphics, and photogra­ critically engage the production and analysis of on the VRA web site, www.oberlin.edu/-art/vra/. an editor of a I-volume or multivolume edition, phy. Open to all artists on acceptance of art. The publication entertains the wide General questions about the conference should 1st Triannual R L Shep Symposium on and the MortonN. Cohen Award fora conditions of entry. For information: House of spectrum of methodological and disciplinary be directed to Jeanette Mills, VRA Vice­ Textiles and Dress will be held at the Los Distinguished Edition of Letters, awarded for a Humour and Satire, PO Box 104, 5300 Grabrovo, approaches (including postcolonial, feminist, President, School of Art, University of Washing­ Angeles County Museum of Art in conjunction I-volume 01' multivolume collection of letters. Bulgaria; 359-66-27229; fax 359-66-26989; Marxist, psychoanalytic, and queer theories) ton, Box 353440, Seattle, WA 98195-3440; 206/ with a symposium at the Fowler Museum of For each award, at least 1 volume of a [email protected]. Deadline: March 1, being applied to the study of visual culture. 543-0649; fax 206/685-1657; jcmills@u. Cultural History at University of California, Los multivolume work must have been published 1999. Although this is a general call for submissions, washington.edu. For questions about local Angeles, in May 1999. The double symposia will between 1997 and 1998. Entries may come from we are especially encouraging of submissions of arrangements: Maureen Burns, Visual Resources be interdisciplinary and cross cultural with any field or language and MLA memberShip is Fiber Focus '99, a 9-state juried exhibition, June book reviews relevant to visual studies. Editor, Collection, 61 HIB, University of California, invited scholars from around the country. For not required. Prize: $1,000 and a certificate IS-July 30,1999, hosted by Art St. Louis and co­ In[]Visible Culture, 424 Morey Hall, RC Box Irvine, CA 92697-2785; 949/824-8027; fax 949/ Affiliated Organization information: Dale Gluckman, [email protected] presented at the association's annual convention presented by Weaver's Guild of St. Louis, St. 270456, Rochester, NY 14627; nvisible@Uhura. 824-2450; [email protected]. or Roy Hamilton, [email protected]. Visual Resources Association (VRA), a CAA­ in December 1999. For infonnation: Richard Louis Needlework Guild, and Art Sf. Louis, is cc.rochester.edu; www.rochester.edu/il1_visiblc Brod, Director of Special Projects, MLA; 212/ open to artists in Ark., Iowa, Ill., Kans., Ky., Mo., culture. "Igniting the Edge: Forging New Geographies, affiliated society, is a professional association "Gendered Landscapes: An Interdisciplinary 614-6406; [email protected]. Deadline: May 1, Nebr., Okla., and Tenn. Contemporary work in Categories and Identities," the Women's devoted to the study of visual materials-their Exploration of Past Place and Space," 1999. any fiber media, any style, any subject matter. Visual Resources: An International Jounwl of Caucus for Art 1999 National Conference, will history, production, conservation, and Pennsylvania State University, May 29-June 1, Juror: Yoshiko Wada, Okinawa Prefecture Fine DocumentatiOlt is seeking article-length be held in Los Angeles, February 7-11, 1999. accessibility. International membership includes 1999. The conference goal is to convene scholars Arts University. Send #10 SASE for entry form to: manuscripts on "The Culture of the Copy." Papers, panels, exhibitions, and workshops will slide and photograph curators; electronic media from the many disciplines who study and are Fiber Focus '99, Art St. Louis, 917 Locust St., #300, Subjects might include various uses of be presented by artists and scholars. For professionals; film and video librarians; photo Calls for Entries inspired by issues of gender and landscape St. Louis, MO 63101-1413. Postmarked deadline: reproductions, the relationships of copy to information: WCA, PO Box 1498, Canal Street history. For information: 800/PSU-TODAY; archivists; slide, microform, and digital image April 1, 1999. original, issues of authenticity, 01' the identifica~ Station, New York, NY 10013. www.outreach.psu.edu/C&I/genderedlandscapes/. producers; rights and reproduction officials; Millennium Exhibition, The Alternative photographers; art histOrians; and others Museum (TAM), January 14-30, 1999, is tion of "the real thing." Visual Resources is a American, Vietnamese American, and quarterly publication devoted to the history of Foundations in Art: Theory and Education concerned with visual materials. VRA is accepting work from NYAEA members for "Performing Arts: Alliances of Studio and Vietnamese artists who are orphans of the visual documentation and the dissemination of (FATE) will hold "Mapping the Creative dedicated to informing members of develop­ consideration. All media accepted with entries Stage in Britain,1776-1812/' September 10-11, Vietnam War are sought to participate in an images. Inquiries and manuscripts can be sent Landscape" in Ft. Collins, Colo., March 17-20, ments in the field. VRA provides current submitted in slide or video form only (video 1999, Huntington library, Art Collections, and exhibition. Contact: Sally Packard, 2216 Forest to: Helene K Roberts, Art History Dept., 6033 1999. Exhibition entry form is on the the FATE information on trends in the field, direct contact only for works that employ video). For Botanical Gardens. This international conference Park Blvd., Fort Worth, TX 76110; s.packard2@ Carpenter Hall, Darbnouth College, Hanover, website, along with the preliminary listing of with colleagues and access to experts, employ­ information: Jane Martin, NYEAE; 212/941- complements exhibitions of Georgian theatrical genie.com. NH 03755; 603/643-8461; fax 603/643-3428; panels. For information: Barbara Nesin; 970/204- ment opportunities and updates, annual 0130. Postmarked deadline: November 18, 1998. portraiture at the Huntington and the Getty [email protected];www.gbhap.coll1/ 8665; [email protected]; www.louisville. conference, workshops and training sessions, focusing on the tragic actress Sarah Siddons. Dieu Donne Papermill invites artists and VisuaLResources/. edu/a-s/fineartslfate/1999.html. Speakers will examine specific instances of the quarterly VRA Bulletin, advance notice of Bruce Gallery of Edinboro University of association activities, and a directory of Permsylvania is accepting exhibition proposals curators to submit work for review. In its gallery, creative borrowing and collaboration, as well as slide registry, and archives, Dieu Donne seeks to "Religious Culhtre in 's Italy" will members. TIle VRA also sponsors an electronic for I-person and small group shows in all media themes of mutual concern to artistic and promote works in the hand paper making take place March 20, 1999, at listserv, VRA-L. To subSCribe, send the message for the 1999-2000 calendar. Bruce Gallery pays Grants and Fellowships theatrical practitioners, such as costume, medium and works on handmade paper. Review under the aegis of the New England Renaissance "subscribe VRA-L, your full name" to: for insurance, shipping, opening reception, and gesture, publicity, and aesthetic theory; issues of is ongoing, without submission deadlines, and is Conference. Speakers include: Peter Burke, [email protected]. For information: publicity. Send resume, cover letter, 8 slides of American Research Instihtte in Turkey gender and class; the construction of identity; free of charge. Send SASE; 10-20 slides, labeled David Stone, Louise Rice, Gauvin Bailey, and Arlene Arzigian, VRA Membership Director; current artwork, SASE, and other support announces 3 fellowships for 1999-2000: ARIT and the promotion of celebrity. For information: with artists name and marked to show proper Robert Kendrick. The symposium is held in [email protected];www.vra. oberlin.edu. material if necessary to: William Mathie, Bruce Fellowship for Research in Turkey is offered Carolyn Powell, Research Dept., The Hunting­ orientation; a list of titles, dates completed, conjunction with the exhibition Saints and Gallery, Doucette Hall, Edinboro University, for scholars and advanced graduate students ton, 1151 Oxford Rd., San Marino, CA 91108, dimensions, and medium; current resume; any Sinners: Caravaggio and the Baroque Image, which Edinboro, PA 16444. Deadline: November 30,1998. engaged in research on ancient, medieval, or 626/405-2194. reviews/catalogues; and a self-addressed, will be on view at the McMullen Museum of Art, modern times in Turkey in the humanities and Awards stamped postcard to verify receipt of work to: Boston College, Chestnut Hill, Mass., February­ 13th Annual International Women in the social sciences. Postdoctoral and doctoral "Between Han and Tang: Art and Archeology Dieu Donne Papermill, 433 Broome St., New May 1999. For information: Helen Swartz; 617/ Visual Arts Competition is a juried exhibition, fellOWShips available for 2 months to 1 year. of a Transformative Period," sponsored by the AIClHeritage Preservation Joint Award for York, NY 10013; 212/226-0573; fax 212/226-6088. 552-8587. March 5-26, 1999, at Erector Square Gallery, Stipend: up to $10,000. East Asian Art Program at the University of Outstanding Commitment to the Preservation No phone calls from applicants awaiting review and New Haven, open to women artists, nationally Kress/ARIT Predoctoral Fellowships in Chicago, is a joint research project on art and and Care of Collections will be presented response to work. "InterdiSciplinary 19th-Cenhtry Shtdies: archaeology of the 3rd-6th centuries-one of the annually to an organization that has been and internationally, who are 18 years and older. the History of Art and Archaeology are Any medium except video or jewelry will be Transatlanticisms," April 9-10, 1999, Ohio State most important formative and transitional exemplary in the importance and priority it has graduate-level fellowships for up to 1 year for University, Columbus. For information: Clare periods in Chinese art and cultural history. The given to conservation concerns and the considered. Work must be original, completed students matriculated at U.S. institutions. within the last 2 years, and must be submitted in Calls for Manuscripts Simmons, English Dept., Ohio State UniverSity, project will reevaluate the scholarship on the commibnent it has shown to the preservation Stipend: up to $13,500. slide form. Juror: Elizabeth Sussman, Whitney 164 West 17th Ave., Columbus, OH 43210-1370; period in light of new arChaeological informa­ and care of its cultural property. Anyone may NEH Fellowships for Research are for 614/292-6065; fax: 614/292-7816; simmons.9@ tion in a spirit of collaborative research between send a letter of nomination. Nontinees must Museum of American Art. Fee: $20 for 3 enhies. Afterimage, the Journal of Media Arts and postdoctoral studies in social sciences, Send SASE for prospectus to: WIVA 1999, Erector osu.edu. the U.S. and China. A team of scholars from 5 meet specific criteria. For information: Jeanette Cultural Criticism, published by Visual Studies prehistory, history, art, archaeology, literature, institutions will organize 3 international Spencer, AlC; 202/452-9545; Clare Hansen, Square Gallery, 315 Peck St., New Haven, CT Workshop, seeks proposals from new writers. linguistics, and cultural history. Duration: 4-12 59th Annual Symposium on the History of Art, conferences over the next 3 years. The first, on Heritage Preservation; 202/634-1422. Postmarked 06513; 203/865-5055; fax 203/865-3311. Deadline: Neither a news magazine nor an academic months. Stipend: up to $30,000. sponsored by the Frick Collection and the religious art betvveen Han and Tang, will be held deadline: November 15,1998. Januan; 8, 1999. journal, Afterimage is a hybrid combining the best For information: ARIT, c/o University of Institute of Fine Arts, New York University, at the University of Chicago, fall 1999. The ofjoUlnalism and scholarship. Writing that Pennsylvania Museum, 33rd and Spruce Streets, 11th National Drawing and Print Competitive April 9-10, 1999. Graduate students from 14 second, to be held at Peking UniverSity, summer Betty Park Award Critical Writing Competi­ investigates tmderrepresented artists and ideas Philadelphia, PA 19104-6324; 215/898-3474; fax participating institutions in the Northeast will 2000, will take as its theme artistic and cultural tion, sponsored by the Surface Design Exhibition, Gormley Gallery, College of Notre that stretch the boundaries of genre, medium, 215/898-0657; [email protected]; present papers based on their research. All interactions. The third conference, projected for Association, encourages outstanding critical Dame of Maryland, March 10-April21, 1999. discipline, and audience are sought, particularly mec.sas.upenn.edu/ARIT. Deadline: November 15, members of the academic art history community summer 2001 at the Central Institute of Fine writing and scholarship in the field of contem­ Juror: Jan Howard, Baltimore Museum of Art. new documentary, the collaborative process, 1998. Minimum of $1200 in purchase prizes available. are invited to attend. For information: Curatorial Arts, will examine secular arts and material porary fiber art Awards are a first prize of $1000 nontraditional photographic practices, new Deparbnent, Frick Collection; 212/288-0700. culture. Publication of conference proceedings, and up to 2 awards of merit ($500 each). Send #10 SASE for prospectus to: 11th National teclmologies, and public art, as well as Native Brown University's Pembroke Center for as well as a bibliographic index of resources are Wirmers will be selected by Janet Koplos, senior Drawing and Print Competitive Exhibition, American and international perspectives. We Teaching and Research on Women is accepting R. L Shep Triennial Symposium on Textiles planned. The primary support for this project is editor of Art in America. Winning essays will be College of Noh·e Dame of Maryland, 4701 N. publish feature articles and interviews with applications from scholars for postdoctoral Charles St., Baltimore, MD 21210. Deadline: and Dress, "Dress as Transformation: Creating provided by a generous grant from the Hemy published in the Suiface Design Joumal during important media artists and Clitics; exhibition, fellowships in residence. The theme for 1999- Experience in Theater and Masquerade," April Luce Foundation. For information: Katherine 2000. For information: Patricia Malarcher, SDA Februanj 1, 1999. film, and book reviews; conference and festival 2000 is "The Culture of the Market." Fellows 17-18. Lectures and demonstrations are being Tsiang Mino, University of Chicago; fax 773/ Editor; 201/568-1084. Send entries to: SDA reports; and news concerning such issues as participate in a weekly research seminar, present 14th International Biennial of Humour and planned on Western and Asian theater traditions 702-5901; [email protected];orli Editorial Office, 93 Ivy Lane, Englewood, NJ funding, legislation, and activism; as well as 2 public papers during the year, and pursue and masquerade in Africa and the Americas. For Chongfeng, Peking University; fax 010 62751667. 07631. Deadline: March 15, 1999. Satire in the Arts-Grabrovo '99, is hosted by essays conceived from a more "subjective" individual research. Open to affiliate or information: Dept. of Costumes and Textiles, the Ministry of Culture, Grabrovo Town approach. For gUidelines: Afterimage, 31 Prince independent scholars who do not hold tenure in Council, Open Society Club, in Grabrovo, St., Rochester, NY 14607; [email protected]. an American college or tmiversity, in the fields

20 CAA NEWS NOVBMBER 1998 CAA NEWS NOVEMBER 1998 21 of humanities, social sciences, or science. Conservation Fellowships at the Metropolitan not restricted to Phi Beta Kappa members. c.v., a 2-4-page description of proposed project, Stipend: $25,000. For Information: Pembroke Museum of Art (8). Honoraria: $20,000 plus Stipend: $20,000. For information: Mary Isabel and single letter of reference. James Green, SUMMER INSTITUTE IN Center for Teaching and Research on Women, $2,500 travel. September 1999. One year with Sibley Fellowship Committee, Phi Beta Kappa Library Company of Philadelphia, 1314 Locust Box 1958, Brown University, Providence, RI possibility of renewal for second year. Also, a 2- Society, 1785 Massachusetts Ave., N.W., 4th fl., St., Philadelphia, PA 19104. 215/546-3181; fax ART HISTORY AND VISUAL STUDIES 02912. Deadline: December 11, 1998. year fellowship award is given out every other Washington, DC 20036; 202/265-3808; fax 202/ 215/546-5167; [email protected]. UNNERSITY OF ROCHESTER. JUNE 27-JuLY 30,1999 year, available 2000-2002. Applicants should be 986-1601; [email protected]:January15, Deadline: FebruanJ 1, 1999. U.S. Holocaust Memorial Museum, Washing­ advanced students of conservation. All 1999. This Institute brings together an international group of art historians, museum curators, ton, D.C., is accepting applications for the fellowship recipients will be expected to spend Andrew W. Mellon Postdoctoral Fellowships. and cultural critics to discuss recent developments in art history, visual studies, historiography, museum studies, gender, queer theory, & postcolonial studies. Directed Matthew Family Program for Israeli Scholars, the fellowship in residence in the deparbnent National Museum of American Art and its UCLA Humanities Consortium invites by Michael Holly and Keith Moxey. Lecturers include: Mieke Bal, Hans Belting, Yve-Alain intended to foster greater cooperation between with which they ate affiliated. A typed Renwick Gallery invite applications for resident applications for 3 Andrew W. Mellon Bois, Norman Bryson, Benjamin Buchloh, Douglas Crimp, David Freedberg, Stephen Yad Vishem and other Israeli institutions and application (in triplicate) should include: full research fellowships in art and visual culture of postdoctoral fellowships in the humanities. The Melville, Kaja Silverman, and Janet Wolff. Applications invited from scholars with PhD the U.S. Holocaust Memorial Museum. The resume of education and professional experi­ the u.s. Fellowships support independent tenure of the fellowships is 2 years, with or equivalent. Participation is limited to 30 individuals, two-thirds of whom will be fellowship is granted to 1 Israeli scholar yearly. ence; statement, not to exceed 1000 words, research, dissertation research, or a combination teaching required in the second year only, and a selected from Central and Eastern Europe, All participants receive stipends, transporta­ Residency at the museum for 4-6 weeks; describing what applicant expects to accomplish of dissertation and curatorial research. yearly stipend of $33,000. Applications will be tion, room and board. Scholars from Central and Eastern Europe also receive research conduct research using the resources in museum in fellowship period and how the museum's Predoctoral and postdoctoral awards are considered from candidates who have earned stipends. Sponsored by the Getty Grant Program. Deadline: January 11, 1999, and in other collections in D.C. Housing, living, facilities can be utilized to achieve the offered, for short term and year-long projects. the Ph.D. within the last 4 years in any field of Inquiries to: travel expenses, and $5,000 are included. applicant's objectives; tentative schedule of For information: Katheline Manthome, MRC the humanities and social sciences. Applicants TINA TAKEMOTO, ADMINISTRATIVE ASSISTANT Candidates must be citizens of Israel and must work to be accomplished during fellowship 210---Fellowship Office, National Museum of should be U.S. citizens or recipients of degrees SUMMER INSTITUTE IN ART HISTORY AND VISUAL STUDIES hold a Ph.D. or equivalent terminal degree or be period and proposed starting and ending dates; American Art, Smithsonian Institution, from U.S. institutions and permanent U.S. DEPT OF ART ANo-ART HISTORY, RC Box 270456 able to prove recognized professional standing. official undergraduate and graduate transcripts; Washington, DC 20560; 202/357-2233 or 2234; residents. Appoinbnents in each of the following UNIV OF ROCHESTER, ROCHESTER, NY 14627-0456 Joyce and Arthur Schechter FeIIowship and 3 letters of recommendation, at least 1 kmanthor®nmaa.sLedu. Deadline: Januan} 15, periods are anticipated: medieval-Renaissance; PHONE: 716.275.9249 • FAX: 716.442.1692 Program 1999-2000 awards a 6-week-3-month academic and 1 professional. Fellowships in 1999. 17th-18th century; 19th-20th cenhlry. The theme e-mail: [email protected],edu • http://www.rochester.edu/getty/ reSidency to conduct research using the vast Conservation, Metropolitan Museum of Art, of the fellowship program for 1999-2000 is resources of the Holocaust Memorial Museum. 1000 5th Ave., New York, NY 10028-0198 (Attn. Winterthur Museum, Garden, and Library "Sacred and Profane." Send a cover letter, paid advertisement Open to the following fields: history, political Marcie Karp). Deadline: Januan} 4, 1999. invites applications for research in the library statement of scholarly project, c.v., and 3 letters science, economics, philosophy, religion, and museum collections. Three categories of of recommendation to: Vincent Pecora, UCLA proposed. Fellowships are open to Canadian UCLA Extension Interior and Environmental sociology, literature, psychology, medicine, and Lilly Fellows Program in Humanities and the fellowships are available. National Endowment Humanities Consortium, Mellon Fellowship citizens and permanent residents. The Lisette Design Program's James R. Northcutt other disciplines. Stipend: $5,000. Candidates Arts, 2-year postdoctoral fellowships beginning for the Humanities Fellowships: available to Prog:mm, 310 Royce Hall, Box 951461, Los Model/Joseph G. Blum Fellowship in the Scholarship Fund will provide scholarships must hold a Ph.D. or equivalent terminal degree fall semester 1999. Applicants must have scholars pursuing advanced research for 4-12 Angeles, CA 90095-1461. Deadline: February 1, History of Photography is open to international each year for a select number of talented or be able to prove recognized professional received a Ph.D. or equivalent terminal degree months' work. Stipends up to $30,OOO/annum. 1999. applications. For information: Murray students entering the program. For information: standing. within 18 months prior to August 1999, and be Winterthur Research Fellowships: Waddington, Library Archives Fellowships, UCLA Extension, Interior and Environmental Pearl Resnick Postdoctoral Fellowship interested in vocations at church-related available to academic, museum, and indepen­ U.S. Capitol Historical Society Fellowship is National Gallery of Canada, 380 Sussex Dr., PO Design Program, 10995 Le Conte Ave., Ste. 414, 1999-2000 offers year-long fellowships for institutions. Teach 7 courses over a 2-year dent scholars, and to support dissertation designed to support research and publication on Box 427, Station A, Ottawa, Ontario Canada Los Angeles, CA 90024; 310/825-9061. scholars interested in utilizing the museum's period; mentOling program; participate in a 2- research for 1-6 months. Stipend: $l,500/month. the history of the art and architecture of the U.S. KiN 9N4; 613/990·0586; fax 613/990·6190; extensive archives. Open to the following fields: year colloquium; some scholarship or creative One fellowship is jointly sponsored by the Capitol and related buildings. Graduate [email protected]. gc.ca; national.gallery.ca. history, political science, economics, philosophy, work. Faculty privileges. Stipend: $31,OOO/year Hagley Museum and Library. students and scholars may apply for periods Deadline: March 1, 1999. Internship religion, sociology, literature, psychology, and plus benefits. For infonnation, contact: Arlin G. Lois McNeil Dissertation Fellowships: ,( . .ranging from 1 month to 1 year. Stipend: $1500/ Sainsbury Research Unit for the Arts of Africa, other disciplines. Stipend: $40,000, plus $3,500 Meyer, Lilly Fellows Program, Valparaiso available to doctoral candidates for 1-2 . month. For infonnation: Barbara Wolanin, National Museum of American Art, Oceania, and the Amelicas, University of East for travel. Candidates must hold a Ph.D. or University, Valparaiso, IN 46383; 219/464-5317; semesters of dissertation research. Stipends are Architect of the Capitol, Washington, DC 20515; Smithsonian Institution, invites graduate Anglia, invites applications for 2 3-month equivalent terminal degree earned within the fax 219/464-5496; www.lillyfellows.org. Deadline: $6,500/semester. 202/228-1222. Postmarked deadline: Februan) 15, students to participate in our advanced-level Visiting Research FellOWShips. Postdoctoral last 10 years. Januan} 7, 1999. For information: Research Fellowship 1999. Internship Program in Washington, D.C. scholars undertaking research for publication For information and applications: Visiting Program, Advanced Studies Office, Winterthur Students benefit from working directly with are eligible; predoctoral scholars may also be Scholars Program, Center for Advanced Mary Isabel Sibley Fellowship, offered by Phi Museum, Garden, and Library, Winterthur, DE Walters Art Gallery announces its Carol Bates Smithsonian museum specialists for 1 or 2 considered. Stipend: £3,750, plus £600 for travel. Holocaust Studies, U.S. Holocaust Memorial Beta Kappa for the study of Greek language, 19735; [email protected];302/888-4649 Museum Fellowship for Graduate Students, semesters (fall and/ or spring). Prospective 1999-2000 Full and Partial Grants for the Museum, 100 Raoul Wallenberg Pl., S.W., literature, history, or archaeology. Candidates (9:00 a.m.-4:30 p.m. weekdays). Deadline: JanuanJ September 1999-June 2000. Applications are applicants and university faculty are encouraged M.A. in Advanced Studies in Arts of Africa, Washington, DC 20024-2126; fax 202/479-9726; must be unmarried women between 25 and 35 15.1999. welcome from graduate students in art history to inquire about our tuition-sharing arrange­ Oceania, and the Americas are also available. www.ushmm.org. Deadline: December 31,1998. years old who hold a Ph.D. or A.B.D. Eligibility who are interested in pursuing a museum ment that allows inclusion of this program as Open to applicants with a B.A. in anthropology, Walter Read Hovey Fellowship in Art History career. Candidates should hold an M.A. and be part of their course curriculum. For 30 years, art history, archaeology, or a related subject. or a Related Field, sponsored by the Pittsburgh enrolled in a Ph.D. program at the time of program alunmi, now serving as museum For infonnation: Admissions Secretary, Foundation, was established to help advance the application. The Bates fellow will work in a professionals across the U.S. and abroad, have Sainsbury Research Unit, Sainsbury Centre for professional career of 1 graduate student per specific department within the curatorial reported substantial career benefits as a result of Visual Arts, University of East Anglia, Norwich, New York Academy of Art year. Open to full-time graduate students division on projects relating to the pennanent their NMAA training. Although the program NR4 7TJ, UK; 01603-592498; fax 01603-259401; specializing in art history, museum work, collection and special exhibitions. Stipend: was originally structured to meet the needs of [email protected]:Aprill, 1999. conservation or restoration who are U.S. citizens. $15,000, plus benefits. For infonnation: Director students seeking graduate degrees in art history, Stipend: $3,000. Duration: 1 year. For informa­ of Curatolial Affairs, Walters Art Gallery, 600 N. American studies, or studio art, students from Graduate School of Figurative Art Pollock-Krasner Foundation Visual Artists tion: Pittsburgh Foundation, One PPG Pl., 30th Charles St., Baltimore, MD 21201. Deadline: other disciplines are encouraged to apply due to Grants enable artists to create new work, Full-Time and Part-Time MFA Programs fl., Pittsburgh, PA 15222-5401; 412/391-5122. FebruanJ 15, 1999. museum field expansion into such areas as. purchase needed materials, pay for studio rent, Deadline: January 29, 1999. information technology, business, and financial & and cover personal/medical expenses. Grants of National Gallery of Canada offers 4 annual development. M.A. degree candidates are $5,000-$30,000 are awarded internationally Continuing Education Program Library Company of Philadelphia Research research fellowships for advanced research in prefelTed. One monetary award is available for based on artistic merit and financial need. Fellowships in American History and Culture, historical Canadian art, contemporary Canadian an exceptional student with financial need. For Non-Credit Figurative & Traditional Art Courses Painters, sculptors, prinbnakers, and artists who supported by the Andrew W. Mellon FOlmda­ art, the history of photography (the Lisette information: Judith Houston, Program Officer; work on paper are eligible to apply. For tion, Barra Foundation, and the McLean Model/Joseph G. Blum Fellowship), and the 202/357-2714; [email protected]. Deadline: information: Caroline Black, Pollock-Krasner Summer Programs in Italy and Mexico Contributionship, are for short-term research interaction of art and science (the Claudia De March 1 for Fall 1999-Spril1g 2000. and residence. Fellowships support postdoctoral Hueck Fellowship). The fellowships are tenable Foundation, 863 Park Ave., New York, NY and dissertation research in any field related to at the gallery, emphasizing the use and 10021; 212/517-5400; fax 212/288-2836; grants@ 111 Franklin Street, New York, NY 10013, 212/966-0300 the history of 18th-19th-century North America. investigation of its collections, including those of pkf.org; www.pkforg. Collections include over half a million books, the library and archives. Open to researchers Fax: 212/966-3217, Web: www.nyaa.edu, E-mail: [email protected] pamphlets, newspapers, periodicals, prints, with M.A. or equivalent; residency for periods of The New York Academy ofArt admits sh!dents ofany race, color and lIational or ethnic origin. maps, photographs, and manuscripts. Stipend: 3-5 months. Value of each fellowship is up to $I,500/month. Send 4 copies of the following: Can$15,OOO, depending on the program paid advertisement

22 CAA NEWS NOVEMBER 1998 CAA NEWS NOVEMBER 1998 23 Miscellaneous Workshops and Schools Institutional News

Visual Artist Information Hotline: 800/232- Coupeville Arts Center Paints and Photographs 2789, a toll-free information service for visual Bulgaria, May 30-June 14, 1999. Watercolorist artists in any media, is sponsored by the New Karlyn Hobnan and Photographer Martha Frist Center for the Visual Arts, a publici York Foundation for the Arts (NYFA), for artists Casanave will provide instruction in painting private partnership of Nashville's city govern­ in any of the 50 states, nc., Puerto Rico, and the and photography in picturesque settings of ment and the Frist Foundation, is expected to Virgin Islands. Time-saving information on the Bulgaria several hours a day, leaving free time open in the spring of 2001. Nashville's Post wide variety of foundations, art councils, for individual artistic exploration. All arrange­ Office building was acquired by the Meh'opoli­ programs, and services available to artists is ments, including transportation, will be made by tan Development and Housing Agency for the provided. Call 2:00-5:00 p.m. (EST), Monday­ Group Travel Directors. For information: CAA center, which will provide space for local, Friday, to speak directly with staff, or call on off Coupeville Arts Center, PO Box 171, Coupeville, regional, national, and international exhibitions, hours and leave a message specifying name, WA 98239; 360/678-3396; fax 360/678-7420; as well as programs for children and families. mailing address, discipline, and the topic on [email protected]. Frist Foundation, 3319 West End Ave., Ste. 900, which information is needed to receive a same­ Nashville, 1N 37203-1076. day reply in writing. University of Cambridge Summer Schools 1999, offers programs in art history, history, Hallie Ford Museum of Art at Willamette Professors travel abroad free with A.R.T.I.S. medieval studies, Shakespeare, English University, the second largest museum of art in Our nonprofit organization is in it's 7th year of literature, international shtdies, science, and Oregon and the second largest university providing complete support to faculty bringing English legal methods to undergraduates, museum of art in the Pacific Northwest, had its students to srudy in Italy, Spain, Bali, and graduate students, and others of all professions grand opening October 3,1998. Collections England. For information: 800/232-6893; 520/ and ages (over 18). Courses are taught in small include a variety of pieces, from contemporary 620-6613; [email protected];www.artis-tours.org. seminars, at university level, with access to the local art, to regional anthropological artifacts. university'S libraries. Brochures with applica­ Hallie Ford Museum of Art, 700 State St., Salem, tions will be available December 1998. For OR 97301; 503/370-6856, Online information: University of Cambridge, International Programmes, Madingly Hall, Harry Ransom Humanities Research Center at PART, www.brickhaus.comlamoorelmagazine. Madingly, Cambridge, CB3 8AQ, England; 44- the University of Texas-Austin announces the The College Art Association introduces CAA.reviews. 1954-280280; fax 44-1954-210677. is an online journal produced by students in the acquisition of the award-wirming Time-Life art history program of the City University of photographer David Douglas Duncan's archive. Victorian Society Summer Schools, Newport, New York Graduate Center. Duncan also contributed funds to establish an R.I., and London, provide in-depth shtdy of the endowment in his name. 'The endowment will Made possible by a generous grapt from The Andrew W. Mellon Foundation, A Bibliography of Lesbians and the Arts is physical and visual cultures of the Victorian era. be devoted to enhancing the study of photojour­ 'The 19th Newport School is plarmed for June 4- reviews is the only online publication devoted to the peer review of located at www.rzuser.unihiedelberg.del nalism, and will support exhibitions, public eAA. -sschecklindex.lttml. 13,1999; the 25th London School will be held events, research, and new acquisitions. Harry July 10-25, 1999. For information: VSSS Ransom Humanities Research Center, new books relevant to the field~ pf art history, theory, and criticism; arts Women Artists oftlte American West, www. Administrator, 217 E. 85th St., Ste. 139, New University of Texas, PO Box 7219, Austin, IX York, NY 10028; 212-971-2457; VSSSchool@ educiltion and policy; and curatorial studies. sla.purdue.edulwaaw, features virtual galleries 78713; [email protected]. of art, biographies, artist statements, and essays. aol.com University of st. Thomas in St. Paul, Mirm., has a new terminal M.A. program with 4 areas of Point your browser to www.caareviews.Qrgfor timely reviews covering Programs study: theory and methodology, premodern art, modem or American art, and non-Western art. new books in your field, as well as national and international museum and For infonnation: 651/962-5640; bakocik@st 1999 Workspace Program, funded in part by the thomas.edu; www.stthomas.edu/www/ARTHIST gallery exhibitions, academic conferences, and electronic media. New York State Council on the Arts and Information Wanted _http/index.fItm/. organized by Dieu Donne Papennill, gives artists the opportunity to produce new projects in handmade paper. Three New York State The journal is free and open to.the public for a period of two years. artists will receive a $700 honorarium, advance preparation of materials, professional assistance Elena de Izcue (ca. 1889-1970). The Museo de RICHMOND is during a 7-day collaboration for a proposed Arte de lima preparing an exhibition and The American International Univarsity In London catalogue of this painter and designer. Any work. Artists from all disciplinary and cultural Intercultural M.A. in Art History backgrounds are encouraged to apply. For infonnation, including correspondence, the information: Dieu Donne Papennill, 433 Broome location of her works, or any other documenta­ Renaissance, Modernism, St., New York, NY 10013; 212/226-0573; fax 212/ tion relating to her activity in Paris and New & Post-Colonial Theory 226-6088. Deadline: January 8,1999. York will be appreciated. Contact: Natalia Majluf, Museo de Arte de Lima, Paseo Colon Central London location Space Program. The Marie Walsh Sharpe Art 125, Lima, Peru; telefax 511/423-6332; 1-year degree program Foundation offers 14 free studio spaces in New [email protected]. Optional semester in Florence York City to visual artists 21 and over. U.S. accredited Applicants must not be students; must be U.S. Albert Besnard (1849-1934). Scholar seeking BA/B.S. offered in 17 areas, citizens or permanent residents. Studios are whereabouts of paintings and drawings by this including art history artist relating to his trips to Algeria (1895) and nonresidential; no stipend or equipment Office of Graduate Admissions provided. Available beginning September 1, India (1911-12). Please contact Roger Benjamin,. 16 Young St., Box CA 1999, for periods of up to 1 year. Artists who Centre for Cross-Cultural Research, Australian London W8 5EH UK presently have a studio larger than 400 sq. ft. in National University, ACT 0200, Australia; fax Tel: +441713688475 New York City are not eligible. Marie Walsh 61-3-9388-0639; [email protected]. Fax: +44171 3760836 Sharpe Art Foundation, 711 N. Tejon St., Ste. B, Colorado Springs, CO 80903; 719/635-3220. e-mail: [email protected] Postmarked deadline: Jal1Uanj 30, 1999. www.richmond.ac.uklmaarlhis paid advertisement

CAA NEWS NOVEMBER 1998 24 CAA NEWS NOVEMBER 1998 25 • Discount Datebook Classified Ads ------~------Subscriptions CAA News accepts classified ads of a profes­ November 13, 1998 sional or semiprofessional nature. $I.25/word, Deadline for receipt of applications for 1999 members; $2.00/word, nonmembers; $15 Getty travel grants for armual conference minimum. Contact: Listings Editor; 212/691- The following periodicals offering discounts to attendees from Central and Eastern Europe, 1051, x217; [email protected]. CAA members were not included in the 1999 Latin America, and developing countries (see Reduced Rate Subscription Coupon. These September CAA News) member-only rates are based on current Art Workshop International, Assisi, Italy. June subscription rates and include postage costs November 15, 1998 14-July 25, 1999. Live/work in a 12th-century unless otherwise indicated. Deadline for applicants for the Art Bulletin hilltown surrounded by the Umbrian landscape. See your 1999 membership renewal packet Editor-in-Chief position (see September CAA Instructional courses: painting, drawing, art for a full listing and ordering instructions. News) making, all media, art history; contemporary art seminar and Venice Biennale with Kim Levin; Art/Text December I, 1998 creative writing. 2-6 week sessions. Hotel, most c/o Art Center College of Design Deadline for submissions to the January issue of meals, studio space, critiques, lectures, visiting artists. Art Workshop International, 463 West St., 1700 Licla St CAANews 1028H, New York, NY 10014; ph./fax 800/835- Pasadena, CA 91103 Quarterly: December 15, 1998 7454; www.vacation-inc.artworkshop.html. Regular $30.00 Last day for PhD. departments to submit new Beguiling: Red Grooms' "Little Italy," 3D print Member $22.00 and completed dissertation titles for the June in plexibox. Attractive price. 215/732-8769; Rates for U.SJCanada. New member issue of the Art Bulletin (see page 7) jestein@w"orldnet.att.net. subscribers receive free back issue. December 18, 1998 American Craft To guarantee timely receipt of your January Gay and Lesbian Caucus. For a free copy of American Craft Council CAA News and February Careers, renew your newsletter and membership application: Jonathan Weinberg, PO Box 208272, New 72 Spring St., 6th FI. CAA membership by this date Haven, CT 06520-8272; jonathan.weinberg@ New York, NY 10012 Bi-monthly: December 31, 1998 yale.edu. Regular $40.00 Deadline for reciept of preregistration forms for Member $35.00 the Annual Conference in Los Angeles Italiaidea Language School, located in the heart AMERICAN AIRLINES Is PROUD Rate for U.S. individuals only. Add $15.00 of Rome, offers Italian language study at all levels and assists visiting U.S. colleges in foreign postage. January 8, 1999 Deadline for submissions to the February issue coordinating their programs of all disciplines. 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Share large luxury apt. ANGELES, CA, Regular $34.95 with art historian who lives out-of-town 70% of Los the year. Fully furnished/all amenities. No Member $29.95 Deadline to rent interview tables at CAA Annual Conference in Los Angeles (tables may also be children, no pets. $1650 (8-month minimum Art & Auction rented onsite at the conference, February 9-13, from Jan. 1). 212/787-2282; [email protected]. FEBRUARY Circulation Dept. on a space-available basis) 10-13, 1999. Paris: Fully-furnished,lovely, I-bedroom Art & Auction 440 Park Ave. 5., 14th Fl. January 31, 1999 apartment (sleeps couple); living-dining room; New York, NY 10016 Deadline for applications for the Professional fully equipped small kitchen. 17e, Metro: 22 issues/year: Development Fellowships for Artists and Art Courcelles. 2 weeks-l0 months; references Regular $77.00 Historians (see page 28) required. 212/799-7223; fax 212/799-3818. Member $47.00 Member subscription code: ANYI. February 1, 1999 Paris 4eme, historic apartment L 'he Saint-Louis. Deadline for submissions to the March issue of Quiet, sunny, minutes to archives, etc. $1800 Sculpture Review CAANews includes cleaning. January 5-June 30, 1999. Fax AmericanAirlines@ Canada 416/961-0162. 1177 A venue of the Americas Something special in the air.® New York, NY 10036 February 10-13, 1999 Quarterly: 87th Annual Conference in Los Angeles Rome rental. Living, dining, 2 bedrooms, 1.2 Regular $19.00 baths, fully furnished central location. Security Members $17.50 February 23-26, 2000 deposit references required. 508/877-2139. Foreign Members $25.00 88th Annual Conference in New York See the real New York! Friendly B&B Green­ wich Village artist's loft. Self catering available. 212/614-3034; fax 212/674-3393; dp_ml@ earthlink.net. For special conference air fares, call American Airlines at 1-800-433-1790 and ask for STARfile S7229UB. CAA NEWS NOVEMBER 1998 27 •