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Redalyc.High Performance Sport in Brazil. Structure and Policies
Gestión y Política Pública ISSN: 1405-1079 [email protected] Centro de Investigación y Docencia Económicas, A.C. México Mazzei, Leandro Carlos; de Barros Meira, Tatiana; da Cunha Bastos, Flávia; Silveira Böhme, Maria Tereza; De Bosscher, Veerle High performance sport in Brazil. Structure and policies comparison with the international context Gestión y Política Pública, , 2015, pp. 83-111 Centro de Investigación y Docencia Económicas, A.C. Distrito Federal, México Available in: http://www.redalyc.org/articulo.oa?id=13343542004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative High performance sport in Brazil Structure and policies comparison with the international context Leandro Carlos Mazzei, Tatiana de Barros Meira, Flávia da Cunha Bastos, Maria Tereza Silveira Böhme and Veerle De Bosscher* Brazil is one of the countries that has invested more in high performance sport; the ulti- mate goal of this nation is to win about 30 medals in the Rio de Janeiro Summer Olympic Games in 2016. The aims of this study were to present the structure of the Brazilian sport policies and the quality of actions in high performance sport policies. The actions were compared with other countries in an international research called “Sports Policy Factors Leading to International Sporting Success”. The results indicated the existence of finan- cial resources, but the strategic planning and integration in the Brazilian high perfor- mance sport policies are deficient. -
International Council for Traditional Music
PROMOTION. INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC Escola de Muska " SPONSORSHIP CAP ES 36,hWORLD·CONFERENCE, RIO DE JANEIRO, BRAZIL, JULY 4-11 2001 The International Council for Traditional Music is a Non-Governmental Organization (NGO) in Formal Consultative Relations with UNESCO Fundacao Universitaria 1r Jose Bonifacio IDATErrIME IJuly 4 July 5 July II ROOM Salao 16:00 - 8:00 9:0010:30 Dourado PM Opening Welcome Ceremony Reception 11:00 - 12:30 Plenary Session: Samba Salao 2:30 - 4:00 9:0010:30 2:30- 6:00 ,yO 9:00-10:30 9:00-10:30 Pedro Panel: The Panel: Confronting the Open Meeting 'hey Have a Word for Music in New Contexts Panel-The Caiman politics of Past, Shaping the to ".txu What is "Music'? 11:00 - 12:30 Relationships between Experience Future.. Discuss Forms 12:30 Panel: The Censorship of Music: Researchers and the and ]]:00 - 12:30 of oClHuenting Garifuna Forms and Effects Communities They Study Interpretation.. Plenary Session Organization : Collaborative Efforts 2:30 - 4:00 Panel 11:00-12:30 2:30 - 4:00 and n ~esearchers and the Recent Ethno musicological Research in Music of the 4:30- 6:00 Panel: Interchange niry Research in Indigerious Societies Middle East and Beyond Panel: Shifting Ethnomusicologists among :OO!'9neJ from South American Lowlands 12:30 - 1:00 Contexts, and Independent Brazilians P(}p~Iaf Mu.sic in Indonesia.. _ part I Closing Session Changing Record Production in Studying 4:3Q26:OO fanel 4:30 - 6:00 Panel Roles: The Brazil and Beyond Traditional [email protected] ta the Source: Hispanic Recent Ethno musicological Relationships 4:30- 6:00 Music Mu~CfrGrn tbe Americas in the Research in Indigenous .. -
Geografias Da Comunicação: Espaço De Observação De Mídias E De
3 Geografias da Comunicação: espaço de observação de mídia e de culturas Organização Sonia Virgínia Moreira Coleção GPs da INTERCOM Direção de Osvando J. de Morais Vol. 1 – Comunicação e Esporte: Reflexões – Anderson Gurgel, Ary José Rocco Jr., José Carlos Marques e Márcio de Oliveira Guerra, orgs. (2012) Vol. 2 – Políticas de Comunicação e Sociedade – Valério Cruz Brittos e Ruy Sardinha Lopes, orgs. (2012) Vol. 3 – Geografias da comunicação: espaço de observação de mídia e de culturas – Sonia Virgínia Moreira, org. (2012) DIRETORIA GERAL DA INTERCOM 2011 – 2014 Presidente - Antonio Carlos Hohlfeldt Vice-Presidente - Marialva Carlos Barbosa Diretor Editorial - Osvando J. de Morais Diretor Financeiro - Fernando Ferreira de Almeida Diretor Administrativo - José Carlos Marques Diretora de Relações Internacionais -Sonia Virginia Moreira Diretora Cultural - Rosa Maria Cardoso Dalla Costa Diretora de Documentação - Nélia Rodrigues Del Bianco Diretor de Projetos - Adolpho Carlos Françoso Queiroz Diretora Científica - Raquel Paiva de Araújo Soares Secretaria Maria do Carmo Silva Barbosa Genio Nascimento Mariana Beltramini Jovina Fonseca Direção Editorial: Osvando J. de Morais (UNISO) Presidência: Muniz Sodré ( UFRJ) Conselho Editorial - Intercom Alex Primo (UFRGS) Marcio Guerra (UFJF) Alexandre Barbalho (UFCE) Margarida M. Krohling Kunsch (USP) Ana Sílvia Davi Lopes Médola (UNESP) Maria Teresa Quiroz (Universidade de Christa Berger (UNISINOS) Lima/Felafacs) Cicília M. Krohling Peruzzo (UMESP) Marialva Barbosa (UFF) Erick Felinto (UERJ) Mohammed Elhajii (UFRJ) Etienne Samain (UNICAMP) Muniz Sodré (UFRJ) Giovandro Ferreira (UFBA) Nélia R. Del Bianco (UnB) José Manuel Rebelo (ISCTE, Portugal) Norval Baitelo (PUC-SP) Jeronimo C. S. Braga (PUC-RS) Olgária Chain Féres Matos (UNIFESP) José Marques de Melo (UMESP) Osvando J. -
Politics and Sports Finance in Brazil: an Analysis About the National System for Sport and Leisure
International Journal of Research in Humanities and Social Studies Volume 2, Issue 7, July 2015, PP 68-74 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) Politics and Sports Finance in Brazil: An Analysis about the National System for Sport and leisure Temistocles Damasceno Silva, Tiago Santana Almeida, Ricardo Correia da Silva 1Department of health, Bahia Southwest State University, Jequié, Brazil 2Department of health, Bahia Southwest State University, Jequié, Brazil 3Department of health, Bahia Southwest State University, Jequié, Brazil ABSTRACT This research seeks to analyze the financial structure of sport and leisure in Brazil, taking as reference analysis, the prerogatives of the national sport system, elucidated in the final document of the Second Sport Conference. While methodological procedure this is an exploratory study with a qualitative approach. With regard to data collection instruments was used to document analysis. Regarding the theoretical framework, we have listed up the Frey studies (2000) and Boschetti (2009) about the public policy analysis process. Thus, it became clear that the current financial structure in the system in question, favors high performance sport in detritus other sports dimensions. Keywords: Sport, Leisure, Management, Finance. INTRODUCTION Think the sport in Brazil provides a series of reflections in different contexts, among which are the sports funding. Thus, it is believed that such a factor, it is essential to give life to the actions designed under national sports policy. However, it noted the complexity involved in this issue, given that there is a field of dispute between the sporting and political sector, which presents a conflict of interest with regard to social agents involved in that case [1]. -
PORT 365 Course Syllabus
University of Washington Department of Spanish and Portuguese Studies Portuguese 365/ JSIS A 365 From Samba to Funk: A Portray of Brazilian Society through Music (Mapping Luso-Brazilian Cultures) Areas of Knowledge: Individual and Societies, Diversity, Visual Literary and Performing Arts Winter 2020 Instructors: Eduardo Viana da Silva [email protected] Class meets on T/Th – 1:30-3:20 pm Phone number: (206) 543-794 Denny Hall, room 259 Office: Padelford, room C-222 Office hours: Tue (3:30-4:30) Th (11:30-12:30) JSIS A 365/ PORT 365 - Catalogue Description Explores cultures of Brazil, Portuguese-speaking Africa, Asia, and Europe within the framework of cultural studies theory. Follows an interdisciplinary approach, drawing from readings, audio files (radio), films and documentaries in history, literature, arts and performances, anthropology, among others. Focuses on selected cultural aspects and countries. Taught in English. Course Description for Winter 2020 This course will look at several cultural representations of Brazil and other Portuguese-speaking countries through music, including genres as samba, choro, tropicália, maracatu, and funk, among others. Most of the course work will focus on Brazilian society and history through music. We will also study some of the musical genres from Portugal, Angola, Cape Verde, and Mozambique and its historical and cultural aspects as well. By the end of this course students will be able to: • Evaluate aspects of culture formation through several music genres in Brazil, Mozambique, Angola, Cape Verde, and Portugal; • Cultivate a critical appreciation and understanding of music genres and artists from the Luso-Brazilian world; • Develop an understanding of pertinent culture differences and global citizenship; • Consider the lasting ideas and values of similarities and differences between the self and the other, in light of each culture; • Learn to read and interpret critically; • Evaluate ideas from multiple perspectives. -
Domination and Resistance in Afro-Brazilian Music
Domination and Resistance In Afro-Brazilian Music Honors Thesis—2002-2003 Independent Major Oberlin College written by Paul A. Swanson advisor: Dr. Roderic Knight ii Table of Contents Abstract Introduction 1 Chapter 1 – Cultural Collisions Between the Old and New World 9 Mutual Influences 9 Portuguese Independence, Exploration, and Conquest 11 Portuguese in Brazil 16 Enslavement: Amerindians and Africans 20 Chapter 2 – Domination: The Impact of Enslavement 25 Chapter 3 – The ‘Arts of Resistance’ 30 Chapter 4 – Afro-Brazilian Resistance During Slavery 35 The Trickster: Anansi, Exú, malandro, and malandra 37 African and Afro-Brazilian Religion and Resistance 41 Attacks on Candomblé 43 Candomblé as Resistance 45 Afro-Brazilian Musical Spaces: the Batuque 47 Batuque Under Attack 50 Batuque as a Place of Resistance 53 Samba de Roda 55 Congadas: Reimagining Power Structures 56 Chapter 5 – Black and White in Brazil? 62 Carnival 63 Partner-dances 68 Chapter 6 – 1808-1917: Empire, Abolition and Republic 74 1808-1889: Kings in Brazil 74 1889-1917: A New Republic 76 Birth of the Morros 78 Chapter 7 – Samba 80 Oppression and Resistance of the Early Sambistas 85 Chapter 8 – the Appropriation and Nationalization of Samba 89 Where to find this national identity? 91 Circumventing the Censors 95 Contested Terrain 99 Chapter 9 – Appropriation, Authenticity, and Creativity 101 Bossa Nova: A New Sound (1958-1962) 104 Leftist Nationalism: the Oppression of Authenticity (1960-1968) 107 Coup of 1964 110 Protest Songs 112 Tropicália: the Destruction of Authenticity (1964-1968) 115 Chapter 10 – Transitions: the Birth of Black-Consciousness 126 Black Soul 129 Chapter 11 – Back to Bahia: the Rise of the Blocos Afro 132 Conclusions 140 Map 1: early Portugal 144 Map 2: the Portuguese Seaborne Empire 145 iii Map 3: Brazil 146 Map 4: Portuguese colonies in Africa 147 Appendix A: Song texts 148 Bibliography 155 End Notes 161 iv Abstract Domination and resistance form a dialectic relationship that is essential to understanding Afro-Brazilian music. -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Strategic Management at Mormaii - the Brazilian Surf Industry Leader
BBR Special Issues Vitória-ES, 2017 p. 110-129 ISSN 1808-2386 DOI: http://dx.doi.org/10.15728/edicaoesp.2017.6 Strategic Management at Mormaii - the Brazilian Surf Industry Leader Marcos Abilio Bosquetti† Federal University of Santa Catarina - UFSC Gabriela Gonçalves Silveira FiatesΩ Federal University of Santa Catarina - UFSC Jess Ponting¥ San Diego State University ABSTRACT The sport of surfing has been growing rapidly in popularity worldwide and Brazil is among the countries with the largest surfing population, behind the United States and Australia, however, multinational surf companies are rushing in emerging markets like Brazil to find new opportunities for growth. This paper intends to provide insights on how local companies in these markets can overcome and even take advantage of differences with global competitors by re-thinking their core competencies and business models. Therefore, empirical research applying qualitative case study methodology was developed to investigate the role of strategy in the surf industry - a fairly unexplored research topic. Semi-structured in-depth interviews with the founder and CEO and the executive directors at the Brazilian surf industry leader - Mormaii, were conducted to understand how the 4-decade local company found its way to success. Although the theories: RBV, Core Competencies, and Dynamic Capabilities complement each other and help to explain firms’ performance and strategic choices, in empirical studies strategy has been analyzed only by one or another theory. Therefore, the simultaneous use of these three theories intended to fill this gap in the literature and bring more consistency to the discussion of this case study. As a result, this empirical study illustrates the RBV perspective, which stems from the principle that the source of firms’ competitive advantage lies in their internal resources and capabilities, rather than simply evaluating environmental opportunities and threats in conducting business. -
Women and the Country of Football: Intersections of Gender, Class, and Race in Brazil
FOCUS WOMEN AND THE COUNTRY OF FOOTBALL: INTERSECTIONS OF GENDER, CLASS, AND RACE IN BRAZIL AS MULHERES E O PAÍS DO FUTEBOL: INTERSECÇÕES DE GÊNERO, CLASSE E RAÇA NO BRASIL. + LAS MUJERES Y EL PAÍS DEL FÚTBOL: INTERSECCIONANES DE GÉNERO, CLASE Y RAZA EN BRASIL. + https://doi.org/10.22456/1982-8918.109328 Mariana Zuaneti Martins* <[email protected]> Kerzia Railane Santos Silva* <[email protected]> Vitor Vasquez** <[email protected]> __________ *Universidade Federal do Espírito Santo. Vitória, ES, Brasil. **Universidade Estadual de Campinas. Campinas, SP, Brasil. Abstract: The field of research on women’s football has grown in Brazil in the past two decades. However, there is still a gap related to how class and race intersect gender in the constitution of that practice. To fill this gap, we analyzed the 2015 National Household Sample Survey’s Special Sports Supplement, based on Received: 20 Nov. 2020 Accepted: 23 Dec. 2020 descriptive and inferential statistics. We describe the profiles of women who play Published: 27 Jan. 2021 football in contemporary Brazil and compare them to those of men and other women who play sports other than football. Our results indicate that, in comparison to what occurs with women who practice sports in general, class and race have the opposite impact on adherence to football. The majority of women who practice football come This is an article published from the lower classes and are black. By indicating this relationship, we demonstrate in open access under the need to promote racial equality, diversity, and inclusion of black women’s football the Creative Commons narratives in Brazil. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Brazilian Piano Through the Ages
James Madison University JMU Scholarly Commons Senior Honors Projects, 2010-current Honors College Spring 2012 Brazilian piano through the ages: A look at the development in style through the context of social issues and historical influences Rebecca Lin Chen James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/honors201019 Recommended Citation Chen, Rebecca Lin, "Brazilian piano through the ages: A look at the development in style through the context of social issues and historical influences" (2012). Senior Honors Projects, 2010-current. 400. https://commons.lib.jmu.edu/honors201019/400 This Thesis is brought to you for free and open access by the Honors College at JMU Scholarly Commons. It has been accepted for inclusion in Senior Honors Projects, 2010-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Brazilian Piano Through The Ages: A Look at the Development in Style Through the Context of Social Issues and Historical Influences _______________________ A Project Presented to the Faculty of the Undergraduate College of Visual and Performing Arts James Madison University _______________________ in Partial Fulfillment of the Requirements for the Degree of Bachelor of Music _______________________ by Rebecca Lin Chen May 2012 Accepted by the faculty of the Department of Music, James Madison University, in partial fulfillment of the requirements for the Degree of Bachelor of Music. FACULTY COMMITTEE: HONORS PROGRAM APPROVAL: Project Advisor: Paulo Steinberg, D.M.A. Barry Falk, Ph.D., Assistant Professor, Music Director, Honors Program Reader: Andrew Connell, Ph. D., Associate Professor, Music Reader: Bob Hallahan, B.M. -
Afro-Brazilian Songs and Rhythms for General Music K-8
Dr. Christopher H. Fashun Assistant Professor of Music, Hope College ([email protected]) Afro-Brazilian Songs and Rhythms for General Music K-8 Candomblé: The Afro-Brazilian Religion of Bahia Candomblé is the Afro-Brazilian religion of Brazil that originated in the state of Bahia in northeast Brazil. It is part of the religion and culture of the Africa diaspora, which include the religions of Cuban Santeria and Vodun of Haiti. Although the spellings and pronunciations of the deities (called orixás in Candomblé) are different between the countries due to syncretism and miscegenation, they have a shared tradition of rituals, songs, rhythms, mythology, worship, and social and cultural context. Of the approximate 10 million Africans that were enslaved and brought to the Americas, 4 million of those landed in Brazil. During the years of the Trans-Atlantic slave trade (1500-1850), Africans were taken from 3 different regions. Candomblé originated in the state of Bahia and its capital city of Salvador as a result of the concentration of enslaved Africans. The religious traditions of the enslaved Africans were founded on practices from Central and West Africa, who believed in a single god that was accompanied by a pantheon of deities called Orixás. Due to the mixing of the different tribal and cultural groups, the slaves were allowed to form irmandades, which were social organizations of Catholic lay brotherhoods that allowed the slaves to gather together from their points of origin in Africa. As a result of oppression, the enslaved Africans disguised their worship by syncretizing the orixás and religious rituals with the saints of Catholicism.