PROMOTION. INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC
Escola de Muska
" SPONSORSHIP
CAP ES
36,hWORLD·CONFERENCE, RIO DE JANEIRO, BRAZIL, JULY 4-11 2001 The International Council for Traditional Music is a Non-Governmental Organization (NGO) in Formal Consultative Relations with UNESCO
Fundacao Universitaria 1r Jose Bonifacio IDATErrIME IJuly 4 July 5 July II ROOM Salao 16:00 - 8:00 9:0010:30 Dourado PM Opening Welcome Ceremony Reception 11:00 - 12:30 Plenary Session: Samba Salao 2:30 - 4:00 9:0010:30 2:30- 6:00 ,yO 9:00-10:30 9:00-10:30 Pedro Panel: The Panel: Confronting the Open Meeting 'hey Have a Word for Music in New Contexts Panel-The Caiman politics of Past, Shaping the to ".txu What is "Music'? 11:00 - 12:30 Relationships between Experience Future.. Discuss Forms 12:30 Panel: The Censorship of Music: Researchers and the and ]]:00 - 12:30 of oClHuenting Garifuna Forms and Effects Communities They Study Interpretation.. Plenary Session Organization : Collaborative Efforts 2:30 - 4:00 Panel 11:00-12:30 2:30 - 4:00 and n ~esearchers and the Recent Ethno musicological Research in Music of the 4:30- 6:00 Panel: Interchange niry Research in Indigerious Societies Middle East and Beyond Panel: Shifting Ethnomusicologists among :OO!'9neJ from South American Lowlands 12:30 - 1:00 Contexts, and Independent Brazilians P(}p~Iaf Mu.sic in Indonesia.. _ part I Closing Session Changing Record Production in Studying 4:3Q26:OO fanel 4:30 - 6:00 Panel Roles: The Brazil and Beyond Traditional [email protected] ta the Source: Hispanic Recent Ethno musicological Relationships 4:30- 6:00 Music Mu~CfrGrn tbe Americas in the Research in Indigenous ... - part II between General Assembly of Recl~truction of Cultural Researches ICTM Idertil)' and Gypsy Communities Salao 2:30 - 4:00 9:0010:30 9:00"10: 30 9:00-10:30 9:00 -10:30 Moniz de Music and Issues in the Study of Issu,WiJl the Study of South Asian Successes and Challenges in Music, Curing, Education and Nationalism in Aragao the Music of the Rom Mu
bterflotiofla\ Council for Traditional Music- 36th WorldCotlf~renc~
st Touristic 1 Floor Support (Blumer) .p.
IllterttQtionQI COUt1CiI for Traditional Music - 36t h World COllferel1ce
smoll lake
2 ndPIoor Program Committee urges all participants to take CONFERENCE PROGRAM advantage of this time to get to know one The International Councilfor Traditional Music another-the bonds forged at ICTM World is a Non-Governmental Organization (NGO) in Conferences often endure for decades and result Formal Consultative Relations with UNESCO in fruitful international collaboration.
Program In addition to its World Conferences, the ICTM International Council for Traditional Music sponsors a number of Study Groups, whose 36th World Conference concentration on a single topic allows Rio de Janeiro, Brazil participants to meet in smaller groups and focus July 4-11, 2001 on specific subjects. Participants interested in the activities of any of the Study Groups that is General Introduction holding a business meeting at this Conference The first ICTM World Conference held in South should feel free to attend them. The ICTM also America since 1954 has attracted scholars from sponsors Colloquia-single meetings on a 43 countries, addressing a great variety ofissues special topic. If participants wish to pursue ideas in over 180 separate presentations. The subject growing out of the meeting in a Colloquium matter of the presentations reflects the diversity format, please contact the Secretary General. ofinterests, training, and approach that are found around the world in the study of music. This conference brings many people together who Information on the Program have never met, who share only a limited The sessions will all be held in the Forum de knowledge of any language in common, butwho . Ciencia e Cultura of the Universidade Federal will be changing the directions of scholarship in de Rio de Janeiro, at Avenida Pasteur 250, Praia the future. Vermelha, Rio de Janeiro, unless otherwise indicated. The evening film session and the The organization ofthis conference, with its long Saturday afternoon cultural events will be held ., coffee breaks, long lunches, free evenings, -and elsewhere. Most of the sessions will be held in days without scheduled papers, is meant to the same five or six rooms in the building, and provide the participants with many opportunities signs and local assistants will guide you to them. to meet informally under circumstances where The Program Committee tried to limit the they can overcome the inevitable language number of sessions to no more than five at any difficulties and culturally forged perspectives in one time. It inevitably happens that two papers relative privacy and camaraderie. The city of participants wish to hear are being presented Rio de Janeiro is filled with comfortable places simultaneously. To increase participants' ability to eat, drink and talk late into the night to move from session to session, the Session something its residents enjoy doing as well. The Chairs have been asked to start their sessions on 6 time,andtofollow theprogrambylimitingeachpaper 36thWorld ConferenceProgram Committee: to twenty minutes ofpresentation and ten minutes Prof. Anthony Seeger, U.S.A. (Chair); Prof. of discussion. Thismeans thatpapersin each session Samuel Mello Araujo Jr., Brazil; Prof. R.J. de should be starting every half hour: at 9:00,9:30, Menezes Bastos, Brazil; Prof. Gerard Behague, 10:00; 11:00, 11:30, 12:00; 2:30, 3:00, 3:30; 4:30, U.S.A.; Prof. Dieter Christensen, U.S.A.; Dr. 5:00; 5:30. If the person scheduled to deliver a Dumisani Maraire, Zimbabwe (Deceased); Prof. paper does not appear, Session Chairs have been Victoria Eli Rodriguez, Cuba; Dr. Adrienne L. asked not to start the next paper until the next half Kaeppler, U.S.A.; Mr. Don Niles, Papua New hour. Guinea; Dr. Jonathan P.J. Stock, U.K.; Prof. Yamaguti Osamu, Japan.
Acknowledgements The 36th World Conference Organizing The Chair of the Program Committee would like Committee has worked long and hard to make to acknowledge the hard work and very the conference a success in Rio de Janeiro. thoughtful contributions of his fellow Program Without them there would be no conference: Committee members, listed below. We mourn the loss of Dr. Dumisani Maraire who did not Prof. Samuel de Araujo, Brazil (Chair); Profa. live to see the results ofour collective work. The Elizabeth Travassos, Brazil; Profa. Martha Program Chair also thanks the three University Ulhoa, Brazil; Profa. Cassia Frade, Brazil; Prof. of California at Los Angeles graduate students Mario Costa, Brazil; Profa. Rosa Zamith, Brazil. who assisted him with the preparation of the program and the abstracts: Jack Bishop, Andrew . The following Institutions and Agencies have Connell, and Juniper Hill. Finally, the program provided funding for the conference: UNESCO, and abstract books could not have been CNPq, FAPERJ, Fundacao Jose Bonifacio, and completed without the assistance of Nerthus various departments and sectors of the Federal Christensen, editor of the ICTM Directory and University of Rio de Janeiro (UFRJ). master of detail, and Dieter Christensen, who were of great assistance. throughout the preparation of this program.
9 WEDNESDAY JULY 4 (llheus, Bahia);" Franclsca Marques, WELCOME RECEPTION Brazil: "Ethnomusicological Research and 6:00 - 8:30 Communitarian Demands; An experience Musical Presentation: Grupo Anima in Cachoeira, Bahia." Salao Dourado Forum de Ciencia e Cultura da UFRJ, Session 132 - Salao Moniz de Araqao: Av. Pasteur 250, Praia Vermelha, Urca Music and Nationalism in the Pacific Chair: Adrienne Kaeppler, USA THURSDAY, JULY 5 David Harnish, USA: 9:30 - 11 :00 "Contemporary Negotiations in Music Opening Ceremony - Salao Dourado Composition in Modern Bali" Manolete Mora, Hong Kong/China: 11 :00 - 12:30 "Intercultural Interactions and the Plenary Session - Salao Dourado Redeployment of Music Culture from the Keynote Speaker: Elton Medeiros, Philippines Highlands" "Samba" Don Niles, Papua New Guinea: "National Anthem vs. National Song: Politics, Cultural Diversity, and Identity in Papua New Guinea"
Session 133 - Sala 206: I'm Archived: Reports of Archival Collaboration Around the World Session 131 - Salao Pedro Calmon: Chair: Dieter Christensen, USA Panel Artur Simon, Germany: '. The Politics of Experience and "Preserving the Cultural Heritage: A Interpretation: Reflections on the Dialogue between the Berlin Engagements Between Phonogramm-Archiv and Local Ethnomusicologists and the Music Communities" Makers They Study Gisa -Jaehnlchen, Germany: Organizer: Samuel Araujo, Brazil "I'm Archived!' - Preservation of Traditional Participants: Music Practices in Laos" Carlos Sandroni, Brazil: "Feeding Back Markus coester, Jamaica: to the Community: Two Recent "New Sounds from Old Sources: Re Ethnomusicological Experiences in the discovering Jamaica's Cultural Heritage State of Pernambuco;" Vlncenzo and History" Cambria, Brazil: "The Power of Rp.nn:~!=:Ant~ti("\n· The case of Dilazehnze
11 Session 134 - Sala 232: Maria Papapavlou, Greece: New Music, Popular Music in Brazil "The Performance of Fieldwork: Gitanos and Beyond and non-Gitanos in the Flamenco Context Chair: Andrew Kaye, USA of Andalusia;" Charles Perrone, USA: Svanibor Pettan , Slovenia: "Bebop, Triphop, Kaos, Chaos: "Ethnic Concerns in Hard Times: The Internationalization in the Origins, Case of Kosovo Roma" Practices and Desdobramentos of Session 142 - Salao Moniz de Araqao: Tropicalismo" Samba Andrew Connell, USA: "(Re) Imagining brasilidade in Rio de Chair: Marta Ulhoa, Brazil Janeiro: Aquarela Carioca and musica Mariana Carneiro da Cunha, Brazil: instrumental brasileira" "The Transmission of Musical Knowledge, Jonathon Grasse, USA: A Case Study in 'Mocidade Independente "Ethnomusicological Juncture in New de Padre Miguel' Samba School" Musics of the 20th Century: Adaptive Luciana Prass, Brazil: Appropriation and Cross-Cultural "The Ethnopedagogy of Teaching and Composition" Learning Music in the Percussion Section (bateria)of a Samba School: Research among the 'Bam bas de Orqia'" Asa Veghed, Sweden: "The Case of the Samba School in Sweden" Session 143 -Sala 206: Session 141 - Salao Pedro Calmon: New Problems for Ethnomusicological Panel Sound Archives Shifting Contexts, Changing Roles: The Chair: Daniel Neuman, USA Relationships between Researchers Janet Topp-Farqion, U.K.: and Gypsy Communities "Living Archives, Commercialism, and the Organizer: Maria Papapavlou, Greece Internet: New Problems for Participants: Ethnomusicological Sound Archives" Anca Giurchescu , Denmark: Valmont Layne, South Africa: "Negotiating the Field: Dialogue, "Elements of a National Collection for Intersubjectivity, and the Truthkeeper;" Indigenous Music in South Africa" Ursula Hemetek, Austria: Session 144 - Sala 231 : "Identity Problems of Ethnomusicologists The Ethnomusicologist as Actor and with Minority Musics;" Activist
13 Chair: Krlster Maim, Sweden: Janet Sturman, USA: Patricia Achieng Opondo, South Africa "Electronic delivery and music use: Will new "Challenges Faced by the Public Sector technologies resurrect old values?" Robert Ethnomusicologist When Presenting Bowman, Canada: South African Indigenous Music and "The Ethnomusicologist and the Music Dance Groups at Local and International Industry: The Question of Reissues." Festivals" Caroline Bithell, U.K.: Session 212 - Salao Moniz de Araqao: "The Art of Thinking Globally and Acting Issues in the Study of the Music of Locally: The Professionalization of Musical the Rom Activity in Corsica" Chair: Anca Glurchescu, DenmarK luis Fernando Hering Coelho, Brazil: Barbara Rose lange, USA: "Music as Merchandise and the "Microlocal Music: Romani (Gypsy) Researcher as Mediator" Churches Go Independent" Svanibor Pettan, Slovenia: FILM "Kosovo: Through the Eyes of Local Rom Musicians" (23 min.)
Session 213 -Sala 206: Issues in Research Chair: Margaret Sarkissian, USA FRIDAY, JULY 6 Lillis 0 laoire, Ireland: "Field Work in Common Places: An Ethnographer's Experiences on Tory Island, Ireland" Session 211 - Salao Pedro Calmon: James Revell Carr, USA: Panel "Subjective Fieldwork: Dilemmas and Confronting the Past, Shaping the .., Possibilities in Feminist Ethnomusicology" Future: Ethnomusicology, Technology Velika Stojkova, Macedonia: and Traditional Music "The Laments from Mariovo, Republic of Organizer: Janet Sturman, USA Macedonia" Discussant: Anthony Seeger, USA Participants: Session 214 -Sala 231: leslie C. Gay, USA: "Lomax's saddle Dance, Music Ritual, and Identity recorder and other technological Chair: Acaclo Tadeu de Camargo mediations: Disclosing technologies in Piedade, Brazil ethnographic representation;" Raymond Ammann, Vanuatu: 14 "Dance and Music of the Nekowiar 15 Celebration on Tanna Island, Vanuatu" NAKAMURA Minako and INAGAKI Norio, Japan: Session 231 - Salao Pedro Calmon: "The Study on Village Dance Culture in Panel Ammi Island: Ritual Context and Ethnomusicologists and Independent Transmission" Record Production in Brazil and Romerio H. Zeferino Nacimento, Brazil: Beyond "Musical Aspects of the Tole-Fulni-o: Organizer: Tiago de Oliveira Pinto, Evidence of Ethnic Identity" Germany/Brazil Participants: Session 215 -Sala 232: Carlos Andrade, Brazil, Eduardo Study Group on Music Archaeology Muszkat, Brazil, Anthony Seeger, USA, Business Meeting Rodolfo Stroeter, Brazil, Benjamin Taubkln, Brazil Session 232 - Salao Moniz de Araqao: Panel Tradition, Modernity, and Identity in the , Music of Recife Organizer: John Murphy, USA Session 221 - Salao Pedro Calmon: Participants: Plenary Session larry Crook, USA: Chair: Salwa EI-Shawan Castelo "Frevo in Mangue Town;" Branco, Portugal .John Murphy, USA: Glaura lucas, Brazil: "Competing Discourses: The Interplay of "The Music/Ritual Relations Between the Musical Style and Patronage in Recife's Afro-Brazilian Religious Groups Congo, New Popular Music Scene"; Mocarnbique, and Candombe Within the Carlos Sandroni, Brazil: Brotherhoodsof the Hosarv", "The Destiny of Joventina: Transformations Margarete Arroyo, Brazil: in the Music of Recife" "Seamen on th~ Sea W8vQt::." LUifF=ernandoLima, Brazil: Session 233 - Sala 206: "Central and Peripheral Meanings in Musical Performances in New Contexts Brazilian Pagode" Chair: lorraine Sakata, USA Stephen Wild, Australia: "Reconciliation, Indigenous Music, and the Sydney Olympics: Musical Politics in a
16 17 Globally Mediated Extravaganza" Hugo Zemp, France lnna Naroditskaya, USA: "The Feast -Day of Tamar and Lasharl " "Whirling Dervishes in Virtual Azerbaijan: (World Premier of English Version - 70 The Representation of a Displaced Culture" minutes) Bussakorn Sumrongthong, Thailand: "Masters of the Balaton: Funeral "The King and I: A Lesson for the Future" Festivities" (World Premier of English Version - 80 Session 234 - Sala 231: minutes) Historical Studies (Films Open to the Public) Chair: Margaret Kartornl Hlcarlan larry Francis, Singapore: '* "A Historical Introduction to the Malay Gambus" SATURDAY JULY 7 Henry Johnson, New Zealand: Cultural programming information to be "Japanese Music Notation During the Meiji distributed at the Conference Era (1868-1912): Change and the Influence of Nationalism" 2:30-6:00 pm Salao Pedro Calmon Session 235 - Sala 232: Open Meeting to Discuss Forms of Study Group on Historical Sources of Organization and Interchange among Traditional Music - Business Meeting. Brazilians Studying Traditional Music Chair: Suzanne Ziegler, Germany . .
Session 216 - Sala 233: SUNDAY, JULY 8 Study Group on Ethnochoreology: Free day, tours, jams, on your own Round Table and Business Meeting. Chair: Anca Giurchescu, Denmark MONDAY, JULY 9 "'"
Session 311 - Salao Pedro Calmon: Panel 35TH GENERAL ASSEMBLY OF They Have a Word for "Music," but THE ICTM what is "Music"? Revisiting Salao Pedro Calmon Ethnomusicological Comparison Organizer: Rafael Jose de Menezes Escola de Musica - UFRJ Bastos, Brazil;
19 Discussant: Anthony Seeger, USA Judy Van Zile, USA: Participants: "The Public Face of Korean Dance: A Jean-Michel Beaudet, France: "Futures Story of Three Women" of our Music"; Don Niles, Papua New Guinea: "Looking Within and Beyond Session 314 - Salao Moniz de Araqao: Papua New Guinea: The Past, Present, Issues in the Study of South Asian and Possible Future of Musical Music Comparison"; Marina Roseman, USA: Chair: N.N. "Engaging the Spirits of Modernity: The Matthew Allen, USA: Temiars of Peninsular Malaysia" "Opening My Mouth About My Teacher and his Family: Discussing the Tamil Session 312 - Sala 206: Music Movement of the 1940s in South Panel J India" Performance and Concepts of Cultural Jose Luiz Martinez, Brazil: Space "Intertextual Representation in Music and Organizer: lEE Tong Soon, UK Dance in the Odissi Tradition of India" Participants: Laxml G.Tewari, USA: TAN Sooi Beng, Malaysia: "Beautified "Indian Music in the 20th Century" Cityscapes and Packaged 'Traditions': . Cultural Changes in Georgetown in the Session 315 - Sala 232: 1990s;" Margaret Sarkissian, USA: Music and Technology: Radio and "Who Plays What, Where? Manipulating Other Mass Media Cultural Space in Malacca's Portuguese Chair: Tiago de Oliveira Pinto, Brazil Settlements;" Martta Fornaro-Dlaz, Uruguay: lEE Tong Soon, U.K.: "Murgas and Technology: Evolution of the "Chinese Street Opera Performance and Relationships of Presence/Absence during Cultural Space in Modern Singapore" the 20th Century" Nancy Hao-Ming Chao (Chin), Taiwan: Session 313 - Sala 231: "Rethinking 'Education,' 'Transmission,' Music, Identity, and Internationalization and 'Preservation' of Traditional Music in Asia and the Pacific and Mass Media in Taiwan" Chair: lawrence Witzleben, China -Janete EI Haoull, Brazil: Sun Hee Koo, USA: "A Escuta das Tradicoes no Radio "Musical Identity of Koreans in Hawaii" (Listening to Traditions on the Radio)" TERAUCHI-KUMADA Naoko, Japan: "Okinawan Bon Dance in Hawaii: Internalization of Exoticism"
21 (Traditional Japanese Music) after the Second World War: The Case of Ko-o (Call and Response) by KineyaSeiho Session 321 - Salao Pedro Calmon: (1914-1996)" Panel Documenting Garifuna Identity: Session 324 - Sala 206: Collaborative Efforts Between Immigrant Traditions in Brazil Researchers and the Community Chair: Elizabeth Travassos, Brazil Organized by Oliver Greene Elza Hatsurnl Tsuzukl, Brazil: Participants: "The Course of the Noh Theatre in Brazil" Oliver Greene, USA: "Documenting .. Alice lumi Satomi, Brazil: Garifuna Identity: Collaborative Efforts "Okinawan's Music and Cohesion in Between Researchers and the Sao Paulo" ~ Community;" Andrea leland, USA: "The Daniel Spitalnlk, Brazil: Garifuna Journey;" Malcolm Boyd "Jewish Music: Narrated Experiences Servio-Mariano, Belize in Brazil"
Session 322 - Salao Moniz de Araqao: Session 325 - Sala 232: The World of Popular Music Practice in Issues in latin Dance the North East of Brazil Chair: Carlo Bonflqlloll, Mexico Chair: John Murphy Katrln lengwinat, Venezuela: Angela Luehnlnq, Brazil: "The Joropo of Central Venezela and "The World of Popular Music Practice in Change in the 20th Century" Salvador, Brazil from 1900 to 1950" Adriana Cruz Manjarrez, USA: Gustavo Pacheco, Brazil: "It Goes Beyond the Borders: The Bailes "Musical Idioms from the Tambor de Mina Serranos in Los Angeles, an Immigrant of Maranhao, Northern Brazil" Tradition from Oaxacan Highland to California" Session 323: Sala 231: Arturo Gutierrez del Angel, Mexico: Issues in the Study of the Music of "The 'Mitote' Dances: A System of East Asia Representations Between the Coras and Chair: John lawrence Witzleben, China the Huichols of 'EI Gran Nayar,' Mexico" YANG Min-kang, China: . "Christmas Ritual Music of the Lisu Ethnic Session 326-Sala 233: Nationality in Yunan: Past and Present" StUdy Group on Music andMinorities YOSHiZAKI Kiyotorni, Japan: Business Meeting "Trends of new composition in Hoqaku
23 Gage Averill, USA: "Reinterpreting the Alan and Elizabeth Lomax Haitian Expedition, 1936-7" Angela Impey, South Africa: "Culture, Conservation, and Community Reconstructions: Explorations in Session 331 - Salao Pedro Calmon: Participatory Action Research and Panel Ethnomusicology in Dukuduku" Popular Music in Indonesia: Media, Power Structures, and Shifting Session 334 - Sala 231: Identities Issues in the Study of Indigenous Organizer: Wim van Zanten, The Music of Brazil and Argentina Netherlands .. Chair: Jean-Michel Beaudet, France Participants: Irma Ruiz, Argentina: Bart Barendregt, The Netherlands: "The "Mbya Cosmology and its Representation Sound of Longing Home: Redefining in the Daily Rituals Seen Through Its Minang-ness through Popular Musics;" Musical Performance" Paula Bos, The Netherlands: Miguel Angel Garcia, Argentina: "Popular Music and Nagi Identity in "Making Culture Coherent: Nomadism, Flores, Eastern Indonesia"; Contingency and Music in Wichi Society" Wim van Zanten, The Netherlands: Rosanqela Pereira de Tugny, Brazil: "Sundanese Popular Music" "Memory and the Tape-Recorder: Kanarma in Belo Horizonte" Session 332 -Sala 206: Music, Merchandise, and Identity Session 335 - Sala 232: Chair: Ole Reitov, Denmark Studies in Urban Music in Brazil Heather Sparling and Chris McDonald, Chair: Samuel Araujo, Brazil Canada: "Interpretations of Tradition: Agostinho Jorge de lima, Brazil: Transforming Gaelic Song into Celtic Pop" "Traditional Music and the Rabeca Daniell Bendrups, Australia: Tradition in Northestern Brazil" "The Role of 'Latin' Popular Music (and Marcia Mattos Aragao Madeira, Brazil: Dance) in the Continuing Formation of "The 'Farro' in Ceara: An Urban Musical Genre" Migrant Cultural Identities in Australia" Rosa Maria Barbosa Zamith, Brazil: "The Double Course of Immigrants' Song Session 333 - Salao Moniz de Araqao: and Dance: The Case of the Quadrilha in Participatory Action Research Rio de Janeiro" Chair: Stephen Wild
25 Session 336-Sala 233: . Session 343 - Sala 231: Film Session on the Garifuna, Belize Theoretical Studies Chair: Oliver N. Greene Chair: Suzel Reily, UK "The Garifuna Journey" by Andrea Leland ,Joseph Jordanta, Australia: "Wanaragua: The John Canoe Ritual of "Comparative, Non-Comparative, Belize" (Work in Progress by Oliver N. Interdisciplinary and Multidisciplinary Greene) Approaches: Case Study of Choral Singing Research" Eduardo Pires Rosse, Brazil: "Reflections about Vision" Talila Eliram, Israel: "New Trends in Musical Analysis of a Folk Music Corpus"
~ Session 341 - Salao Pedro Calmon: Session 344 - Salao Moniz de Araqao: Panel Global Music and local Realities Returning to the Source: Hispanic Chair: Rafael Jose de Menezes Bastos, Music from the Americas in the grazil Reconstruction of Cultural Identity Kal Hkentscher, USA: Organizer: Janet Sturman, USA "From Local Hero to Global Ambassador Participants: and Back: The Loop(s) of North American Oscar Macchioni, USA: "The Reception DJ Culture" of the Tango in Argentina and beyond"; Eric Galm, USA: lizary Rodrigues Rios, USA: "A Volta do Nosso Mundo: Capoeira in the "The Plena and its Role in Defining Northeastern United States" Contemporary Puerto Rican Identity"; Juniper Hill, USA: Estabilez Gastesl, USA: "Global Travel and the Return Home: "Basque American Music and its role in Money, Creative Exploration and defining identity in the Basque Country" Protecting the Indigenous Other in Andean Music" Session 342 - Sala 206: Issues in Writing about Music Session 345 - Sala 232: Chair: Tim Rice, USA Music and Film Marc-Antoine Camp, Switzerland: "Ethnomusicology and Practical Music Chair: Hugo Zemp, France Criticism" Andrew Kaye, USA: Pandora Hopkins, USA: "Film and Its Role in Ethnocultural "Migration of Musical Thought" Analysis: An Overview" 26 27 laurent M. Venot, France: Session 413 - Sala 231 : "The Relationships Between Filmmaker Issues in Chinese Music and Communities" Chair: Marianna Broecker, Germany Hugo Zemp, France, commentator WANG Yaohua, China: "Taxonomic Hierarchies of Musicological Session 346 - Sala 233: Subjects" MEETING OF lIASON OFFICERS AND ZANG Vi-bing, China: NATIONAL, COMMITTEE CHAIRS "The Impact of Western Notation to Chinese Music in the 20th Century" TUESDAY JULY 10 Session 414 -Salao Pedro Calmon: Music in New Contexts Chair: Elizabeth lucas, Brazil Session 411 - Sala 232: Coriun Aharonlan, Uruguay: Mediating Sounds: "Technology for the Resistance" Chair: leslie Gay, USA Maria Manuel Silva, Portugal: Beverley Diamond, Canada: "Music in East Timorese Communities in "Producing 'Indigenous Sound': Native the Lisbon Metropolitan Area" Americans and Sami in the Recording Studio" TSUKADA Kenichi, Japan: lorraine Sakata, USA: "Highlife in the Royal Drum Ensemble: A "Mediating Sounds in the Songs of Nusrat Tradition 'Popularized' in Postcolonial Fateh Ali Khan: From Local Shrines to Ghana" International Markets" Session 415 - Salao Moniz de Araqao: Session 412 - Sala 206: Successes and Challenges in Archival Old Songs in New Places Preservation Chair: Gage Averill, USA Chair: Glsa daehnlchen, Germany Trlyono Bramantyo, Indonesia: Suzanne Ziegler, Germany: "Portuguese Elements in Indonesia's "Back to the Sources-Early Wax Cylinder Folk Tunes" Recordings of South American Origin in Omar D. Corrado, Argentina: the Berlin Phonogramm-Archiv" "From the Alps to the Pampas: Nadja Wallaszkovits, Austria: Piedmontese Songs in Santa Fe, "Audiovisual Sources in Danger Argentina" Safeguarding the Ethnomusicological Matthias Stoeckli, Guatemala: Heritage" "Latin Chants in the Guatemalan Highlands" 28 29 Session 424 - Sala 231: Music, Minorities and Ethnomusicologists Session 421 - Salao Pedro Calmon: Chair: Ursula Hemetek, Austria Panel lise Waxer, Canada/USA: The Censorship of Music: Forms and "Golpe de Currulao: Black Music and Effects Resistance on Colombia's Pacific Coast" Organizer: Krister Maim, Sweden: Marcia Ostashewskl, Canada: Participants: "Ethnomusicology and Identity Studies: Roberto Moura, Brazil; Svanibor Pettan, Who Are/Am You/I Looking At?" Slovenia; Ole Reitov, Denmark, Sherry A. Johnson, Canada: and Edwin Seroussi, Israel "'You Know What I Mean'-But Do I?: Negotiating Insider/Outsider-ness" Session 422 - Salao Moniz de Araqao: Global Dances from local Traditions Chair: Andree Grau, U.K. Session 425 - Sala 232: Sergio Navarrete Pelllcer, Mexico: Overtones and Classical Music Theory "The Zarabanda: A History of Popular Chair: Wim van Zanten, The Netherlands Dance Music" Tran Quang Hai, France: Jorgen Torp, Germany: "Overtones vs. Undertones: A Case of "Tangos: Between Africa, Iberia, and Latin Throat Singing in Tuva Kargyraa style and America" Xhosa Umngqokolo Ngomqangi Style" Carlo Bonfiglioli, Mexico Gretel Schworer-Kohl, Germany: "From the General to the Specific and "Receptions of Classical Music Theory in Back in the Anthropology of Dance the Middle Ages: The Greek, Arabian, (De 10 general a 10 especifico y vice-versa Latin versus the Indian, Ceylonese, en la antropologia de la danza)" Burmese Ch13:in=A Cross Cultural Cornparison" Session 423 - Sala 206: Music and Religion in Brazil Chair: Jean-Michel Beaudet Marcelo Fiorini, USA: "Music, Sentiment, and Memory: A Nimbiquara Religion" Xavier Vatin, France: "Music, Trance, and Religion in Bahia" Session 431 - Salao Pedro Calmon:
30 31 Recent Ethnomusicological Research Egil Bakka, Norway: in Indigenous Societies from the South "Traditional Dance on the Marketplace American lowlands - Part I of Revival" Organizer: Acaclo Tadeu de Camargo Andree Grau, U.K.: Piedade, Brazil "Negotiating Cultural Identity Through Participants: Dance" Maria Ignez Cruz Mello, Brazil: Irene Loutzakl, Greece: "Music, Myth, and Gender among the "Music Patrons and Dance Clients" Wauja Indians from the Upper Xingu"; Maximiliano Carneiro da Cunha, USA: Session 434 - Sala 231: "Toante: Sacred Music of the Methodological Issues Pankararu Indians;" Chair: Beverly Diamond, Canada Deise lucy Oliveira Montardo, Brazil: Steven Brown, Sweden: "Guarani Music: An Ethnography of "Musical Universals: Overcoming Jeroky;" Musicology's Wall of Skepticism" Nathalie Fernando-Marandola, France: Session 432 - Salao Moniz de Araqao: "New Perspectives for Interactive Field Panel Experiments" Ancient Music of Israel/Palestine: What Jukka Louhlvuorl, Finland: are the Sources and How Should We "Cognitive Foundations of Categorizing Treat Them? Folk Music-Methodological Organizer Theodore Burgh, USA Considerations" Respondent: Hugh R. Page, USA Participants: Session 435 -Sala 232: Joachim Braun, Israel: Issues in the Music of Asia "The Reconstruction of the Musical Chair: John lawrence Witzleben, China Culture of Ancient Israel/Palestine (AlP)"; Chalermsak Plkulsrl, Thailand: William G. Dever, USA: "Cross Cultural "Musical Instruments in the Tipitaka Studies in Near Eastern Archaeology: (Early Buddhist Texts)" Problems and Possibilities"; SO ln-hwa, Korea: Regina Randhofer, Germany: "The Present Broadcasting of Korean "From Present to Past. A New Approach 'opular Traditional Music and Its Future" to Music in Jewish and Christian Ritual" elzutta Karornatll, Uzbekistan: ~("\mmon Sources of Musical Traditions in Session 433 - Sala 206: Middle East and Central Asia" Dance, Revival, and Identity Chair: Jonathan Stock, UK
32 33 Session 436 -Sala 233: Through Mediated Music and Dance Multimedia Demonstration Performances" Marcia Ostashewskl, Canada: Samuel Mello Araujo, Jr., Brazil: "Western Canadian Ukrainian Social Dance" "Echo and Innovation: Guerra-Peixe's critical stance vis-a-vis the Impact of Comparative Musicology in Brazil"
Session 443 - Sala 206: New Trends in Critical Analysis Chair: N.N. Tuomas Eerola, Finland: Session 441 - Salao Pedro Calmon: "A Method for Comparative Analysis of Panel Folk Music Based on Musical Feature Recent Ethnomusicological Research Extraction and Neural Networks" in Indigenous Societies from the South Tsan-Huanq Tsal, U.K.: American Lowlands - Part II "Old Methods, New Approaches: Re Organizer: Acaclo Tadeu de Camargo examining The Material Culture of Musical Pledade, Brazil instruments-The Case of the Guqin Participants: Chinese Seven-Stringed Zither" Acaclo Tadeu de Camargo Pledade, Brazil: "Tukano Music;" Session 444 - Sala 231: Domingos Bueno da Silva, Brazil: Effect of Technology on Music "Reflexoes sabre 0 Jijiti: um Cordofone de '""' .... _:._. Krlster Maim, Sweden Ressoador Craniano Aruak"; ,,,,aOl.mIQ;:) Bostrom, Sweden: Guilherme Werlang, U.K.: the 'folk' Recorded Themselves "The Ontological Grounds of the Years Ago, What Did They Record: Interrelations between Native Music, Aspects of Swedish Private Cylinder Myth,History and Cosmos". Recordings from the Turn of Nineteenth Century." Session 442 - Salao Moniz de Araqao: ~I-U:::i=M Dae-cheol, Korea: National Symbols and Music of Discology: A New Branch Chair: Don Niles, Papua New Guinea Musicology" Suzel Ana Reily, U.K.: Italy: "The Tupi's Lute: The making of a . IV'U,:)'v on 78 rpm Records made Brazilian National Symbol" Tradition to Contamination" Timothy Rice, USA: "The Attenuation of Bulgarian Nationalism
34 35 Session 445 - Sala 232: SesSion 512 - Sala 206: Issues in the Study of the Music of Studies in the Music of East Asia Europe ,...,.I...... ;~. Manolete Mora, China Chair: Svanibor Pettan, Slovenia Mu, Australia: Alma Zubovic, Croatia: "I-I\lhridity as a Source of Innovation in "Music of the Muslim People in Bosnia Chinese Religion: The Case of and Herzegovina at the Time of the Festival in Fujian Province" Ottoman Administration - Musical OKAZAKI Yoshlko, Japan: Instruments" "Hymn Composition in Indigenous Style: Ardian Ahmedaja, Austria: How Can I Comment on This?" "Cross-Cultural Comparisons: A Study on VI Sora, Korea: the Relationship between Albanian Folk "My Relationship with the Farming Song Songs and Byzantine Chant" Communities of Yechon, Korea" Marcos Branda t.acerda, Brazil: "Yoruba Sacred Music and the Barform" Session 513 - Salao Moniz de Araqao: Music, Curing, Education, and Tourism Chair: Patricia Achieng Opondo, South Africa WEDNESDAY, JULY 11 Diane J. Thram, South Africa: "Therapeutic Efficacy of Music Making: Neglected Aspect of Human Experience Integral to Performance Process" Session 511 - Salao Pedro Calmon: Kajsa Paulsson, Sweden: Panel "Let A Thousand Panpipes Sound: The Relationships between Swedish Schoolchildren's Meeting with Researchers and the Communities Folkmusic and some Reflections on They Study Personal Involvement in Production" Organizer: James Makubuya, USA lawrence Witzleben, China: Participants: "Multi-Ethnic Tourist Performances in Folk James Isabirye, Uganda: Cultural "Villages" in Shenzhen, China, "The 'Omuvangano' Multi-cultural Festival: and Sarawak, Malaysia" A Challenge but Profitable Experience"; Geoffrey Twine Matsiko, Uganda: Session 514 - Sala 232: "Field Research & Community Workshop on Archival Preservation Responsibilities: Can We Handle Both?"; Techniques - Part I James Makubuya, USA: Nadja Wallaszkovitz, Austria, Vienna "Endongo (bow! lyre) of the Baganda: Phonogramm-Archiv Better Extinct than Different?"
36 37 Maria Laura Viveiros de Castro Cavalcanti, Brazil: "The Songs of the Boi-Bumba of Parintins" Katherine MacDonald, Canada "Boi-Bumba: Popular Music of an Isolated Community" Session 521 - Salao Pedro Calmon: Research in Music of the Middle East Session 524 - Sala 232: and Beyond Workshop on Archival Preservation Chair: YAMAGUTI Osamu, Japan Techniques - Part II Margaret Kartomi, Australia: Nadja Wallaszkovitz, Austria, Vienna "Babylonian/Baghdadi Liturgical Music in Phonogramm-Archiv Locations Along the Southern Asian Jewish Diaspora Route from around 1790 12:30 - 1:00 p.m. to the Present" CLOSING SESSION Edwin Seroussi, Israel: Salao Pedro Calmon "Saved by The Media: Reflections on the survival of the Judeo-Spanish Song" Saida Daukeyeva, Kazakhstan: "The Genesis Of Music Theory in the Arab-Muslim East (IX-XI Centuries)"
Session 522 - Salao Moniz de Araqao: Folk Music Rediscovered Chair: Egil Bakka, Norway Elizabeth Travassos, Brazil: "Folk Music Rediscovered" Roberta Lana de Alencastro Ceva, Brazil "The 'University Forro Movement' in Hio de Janeiro: An Anthropological Reading" Jack Bishop, USA "Just as Sweet the Second Time Around: The Re-popularization of Batao"
Session 523 - Sala 206: Studies of Boi-Bumba in Brazil Chair: John Murphy, USA
38 39 Restaurants and Fast-Food Service
RIO-SUL SHOPPING
Rio Off-Price Shopping
tZl ~ al Restaurant "i:i:" "Barda Marta" ~ g; 5;< co u £
"Jequitiba'
UNIRIO Forum de Ciencia e • Self-Service Cultura - UFRJ 36 th ICTM ]) ~ :::".., ~ n Avenida Pasteur oI ~ uJ Flamengo & OJ Downtown