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Champions of the Gods
Champions of the Gods Champions of the Gods by Warren Merrifield 1 Champions of the Gods Copyright ©2006 Warren Merrifield. This is an entry into the Iron Game Chef ‘06 competition. It uses the ingredients Ancient, Committee and Emotion, and is designed to be played in four two–hour sessions. Typeset in Garamond and Copperplate. Created with Apple Pages software on a G5 iMac. Contact me at [email protected] 2 Champions of the Gods Map of the Ancient Greek World 3 Champions of the Gods Introduction This is my Iron Game Chef ‘06 Entry. It uses the ingredients Ancient, Committee and Emotion, and is designed to be run in four two–hour sessions with between three and five participants. There is no Gamesmaster. I am no authority on Ancient Greece and its myths, so please indulge me any inaccuracies that I may have presented here. Background The Ancient Greek World, during the Age of Gods and Men: Zeus, father of all the Gods has decided that he wants a new religious festival for the Mortals to honour him. He has declared that it will be known as the “Olympics” and shall be held in the most worthy city–state in all of the Greek World — anywhere from Iberia to the Black Sea. But there are more city–states than Zeus can be bothered to remember, so to discover which is most worthy, he has chosen a number of his Godly offspring to do it for him. They will be known as the “Mount Olympus Committee”, and will report back in four mortal years, or Zeus shall rip all of Creation asunder. -
Harmony of Babel Harmony of Babel Profiles of Famous Polyglots of Europe
In the late 1980s the distinguished interpreter Kató Lomb researched historical and contemporary lomb polyglots in an effort to understand their linguistic feats. Among her fellow polyglots she asked: “When can we say we know a language?” “Which is the most important language skill: grammar, vocabulary, or good pronunciation?” harmony “What method did you use to learn languages?” “Has it ever happened to you that you started learning a language, but could not cope with it?” of “What connection do you see between age and babel language learning?” “Are there ‘easy’ and ‘difficult,’ ‘rich’ and ‘poor,’ ‘beautiful’ and ‘less beautiful’ languages?” :Europe Polyglots of Famous of Profiles “What is multilingualism good for?” The answers Lomb collected from her interlocutors are singular and often profound. Grounded in real-world experience, they will be of interest to linguaphiles who are seeking to supplement their theoretical knowledge of language learning. kató lomb (1909–2003) was called “possibly HARMONY the most accomplished polyglot in the world” by linguist Stephen Krashen. One of the pioneers of simultaneous interpreting, Lomb worked in 16 languages in her native Hungary and abroad. She wrote several books on language and language of BABEL learning in the 1970s and 1980s. Profiles of Famous Polyglots of Europe http://tesl-ej.org KATÓ LOMB berkeley · kyoto HARMONY of BABEL HARMONY of BABEL profiles of famous polyglots of europe KATÓ LOMB Translated from the Hungarian by Ádám Szegi Edited by Scott Alkire tesl-ej Publications Berkeley, California & Kyoto, Japan Originally published in Hungary as Bábeli harmónia (Interjúk Európa híres soknyelvű embereivel) by Gondolat, Budapest, in 1988. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Media Pustikelin London, 2001
Media Pustikelin London, 2001. European Centre for War Peace and the News Media dzutimasa khatar i Evropaki Kulturani Fondacia thaj o OSI editoro Milica Pesic lakhavnenda Lesley Abdela and Tim Symonds Eyecatcher Training INKERIMATA 1 TRANSLATORESKI VORBA 3 jekhto kotor SAR TE VAZDES EFEKTIVNE MEDIAKE RELACII 4 dujto kotor INTERJU ANDI TELEVIZIA THAJ ANDO RADIO 10 trito kotor SAR TE KERES ZURALI KAMPANJA E MEDIASA ANDO VAST 15 shtarto kotor E VAZHNE DZENENGO XUTERIPEN 22 pandzto kotor LILA E EDITORESKE,LILA E PRESSAKE tmd. 23 appendikso MEDIA RELACIENGI BUTJI ASTARDINDOS, tmd. 32 LAV E LAKHAVNENDAR 39 ECWPNM 39 Media Pustikelin drago drabarno, E idea vash o Media Pustikelin avili ande jekh khatar mashkarthemutni konfer- encia vash e Romane zhurnalisti thaj Romane Khetanimatange Sherutne, kerdo khatar o Open Society Institute (Budapest) ando Ohrid, Macedonia, februari, 1999. Diskussie mashkar e maj but sar 80 konferenciake dzene khatar 20 Evropake thema dine i vorba, ke o post-kommunisto vaxt na lokharel e Romengi situacia, ba shol le ando maj pharo trajo. Maj agressivo rassizmo resel len, anglikrisipen thaj diskriminacia. E butipnaski, gadzikani media bari rola sikavdas (thaj vi sikavel) ando kado processo te del stereotipikano sikavipe pe e Roma, butivar bi direktno kontakto e romane populaciasa. E diskussia ando Ohrid vi kodo svato phuterdas ke ando divesutno trajo naj but direktno kontakto mashkar e Roma thaj i gadzikani populacia. Misalake, jekh rodipe, so kerdas o Roma Press Centro ando Budapest, kasko sherutno sas andi konferencia, sikavdas ke e maj but rakle nivar na maladjon e romane sikljar- nenca andi shkola. Kado si mamuj o fakto, ke buteder sar 10% mashkar e cha- vorra ande 900 elementarne shkoli si romane sikle ando Ungriko Them. -
Virginia Woolf, Jane Ellen Harrison, a N D T H E Spirit of Modernist Classicism
CLASSICAL MEMORIES/MODERN IDENTITIES Paul Allen Miller and Richard H. Armstrong, Series Editors Virginia Woolf, Jane Ellen Harrison, AND THE Spirit of Modernist Classicism R Jean Mills THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2014 by The Ohio State University. All rights reserved. Library of Congress Control Number 2014931257 Cover design by Mary Ann Smith Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 For Martha Lou Haag, Potnia Theron and Tenth Muse CONTENTS List of Illustrations ix Key to Titles x Acknowledgments xii INTRODUCTION Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism: A Transpersonal Modernism 1 CHAPTER 1 Of the Nymph and the Noun: Jane Harrison, Janet Case, and Virginia Woolf’s Greek Education—From Mentorship to Transpersonal Desire 38 CHAPTER 2 The Making and Re-Making of a God(dess): Re-writing Modernism’s War Story—Feminist Ritual Structures as Transpersonal Plots 62 CHAPTER 3 Reading Transpersonally I—“Next Comes the Wife’s Room . ”: A Room of One’s Own and “Scientiae Sacra Fames” 115 CHAPTER 4 Reading Transpersonally II—Women Building Peace: Three Guineas and “Epilogue on the War: Peace with Patriotism” 134 viii CONTENTS CHAPTER 5 To Russia with Love: Literature, Language, and a Shared Ideology of the Political Left 153 AFTERWORD Modernism’s Transpersonal and: Re-connecting Women’s Lives/Women’s Work and the Politics of Recovering a Reputation 168 Bibliography 177 Index 186 LIST OF ILLUSTRATIONS FIGURE 1 Jane Harrison as a young Classics student, ca. -
Fate and Death Through a Daimonic Lens
FATE AND DEATH THROUGH A DAIMONIC LENS FATE AND DEATH THROUGH A DAIMONIC LENS By JASON SOLOMON BINDER, B.A.Sc., B.A. Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jason Solomon Binder, September 2014 MA Thesis – J. Binder; McMaster University – Classics. McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (Classics) TITLE: Fate and Death through a Daimonic Lens AUTHOR: Jason Solomon Binder, B.A.Sc., B.A. (McMaster University) SUPERVISOR: Dr. Sean Corner NUMBER OF PAGES: vi, 101 ii MA Thesis – J. Binder; McMaster University – Classics. Abstract This thesis is concerned with the ancient Greek conceptualization of fate and death, as explored through the figure of the daimon in literature from Homer and Hesiod to Plato and Euripides. Filling a gap in scholarship, I elucidate the spectrum of meaning inherent in the word daimon, and how it shifts over time. From the Archaic to the Classical period the word daimon is found as a synonym for theos, “god”, as a vocative address, or in reference to “fate” and the generalized “will of heaven.” At the same time, a particular group of divine personifications, including Thanatos, Moira, Ker, and Erinys are counted as daimones. We also find the term used to designate unnamed but individuated lesser divinities, guardian spirits, and demonic possessors, and even as the divine aspect of the self. In the early Archaic poets these latter categories are only nascent. The individuated daimon becomes the focus of the lyric poets and pre-Socratic philosophers; in the later pre-Socratics the daimon begins to be internalized, moving from possessive spirit to psychic force. -
When God Alters Our Fate: Relational Freedom in Romans 5:1–11 and 8:18–39
start page: 223 Stellenbosch eological Journal 2018, Vol 4, No 2, 223–241 DOI: http://dx.doi.org/10.17570/stj.2018.v4n2.a11 Online ISSN 2413-9467 | Print ISSN 2413-9459 2018 © Pieter de Waal Neethling Trust When God alters our fate: Relational freedom in Romans 5:1–11 and 8:18–39 Stephan Joubert University of the Free State, Bloemfontein, South Africa [email protected] Abstract Fate played an enormous role in the Ancient Mediterranean world. Fate was personified in numerous ancient deities such as the Keres, the Moirae, and Fortuna. At the same time Stoic views on fate, as a chain of causes, impacted hugely on the ancients’ general view on fate as an inexorable force which cannot be opposed, or whose direction and eventual outcomes cannot be changed. Against the backdrop, Paul’s understanding of the nature of God’s presence, actions and influence in the lives of believers in Romans 5:1–10 and 8:18–39 is discussed. Fate, in the sense of that which has been predetermined and written into the lives of individuals before birth, and which comes into existence in many different, fixed forms, or fate as a chain of causes, is never on Paul’s mind. God’s foreordained plan is not a predetermined, unalterable fate for each and every person over which they have no control or say whatsoever. Rather, God’s πρόθεσις (prothesis) relates to the salvation of all believers. God refuses to surrender his people to their fate, namely death and eternal destruction. He changes fate into destiny for all who believe in Christ. -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
War and the Warrior: Functions of Ares in Literature and Cult1
War and the Warrior: Functions of Ares in Literature and Cult Alexander T. Millington UCL Dissertation submitted for the degree of PhD in History 2013 1 I, Alexander Millington, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This dissertation presents a new interpretative synthesis of the sources relating to the cults, identities, and functions of the god Ares, focusing on the Archaic and Classic periods. An apparent dichotomy is identified: in many respects, the evidence suggests that Ares must have been a very important god throughout much of the Greek world throughout the Archaic and Classic periods (and beyond), but in other respects the evidence suggests that he was not. I argue that this dichotomy does not derive from changes in the popularity, relevance, or nature of the god, as has been proposed. Instead, I argue that the elements of Ares’ cults and representations which suggest that Ares was unpopular or unimportant derive from those which made him important and continually relevant. I argue that because Ares was identified with war, attitudes towards the god directly reflect Greek attitudes towards war. War’s importance as an element of Greek life, and the god’s power as a causal force with it, led to deep respect for Ares, reflected by widespread cult, and a place among the great Olympians. But the wild, destructive, and unpredictable nature of war, which Ares represented, meant that he was not a regular recipient of large-scale celebratory cult. -
Harmonia Caelestis</Emphasis>: Tradui
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library HStud 25 (2011)1, 81–92 DOI: 10.1556/HStud.25.2011.1.7 L’INTERTEXTUALITÉ DANS HARMONIA CAELESTIS : TRADUIRE OU COPIER ? ANDRÁS KÁNYÁDI Inalco Paris, France Avec son roman Harmonia Caelestis, Péter Esterházy est à l’origine d’une réflexion sur la place de l’intertextualité dans la création Romanesque postmoderne. D’autre part, sa méthode d’écriture pose des problems spécifiques au traducteur. Plusieurs cas de figures se présentent, selon qu’il s’agit de citations dþment identifiées ou de passages entiers dissimulés dans le texte, dont l’origine est seulement – et éventuellement – indiquée par quelques indices. Certaines traductions étrangères se sont vues imposées d’indiquer, en fin de volume, une liste des œuvres « mises à con- tribution ». D’autres difficultés propres à l’écriture d’Esterházy sont liées à son us- age courant de l’argot et à la citation de textes hongrois très richement connotés ; notons que le recours non moins fréquent à des textes repris dans l’original en langue étrangère pose lui-même au traducteur des problèmes spécifiques. Mots-clefs : Péter Esterházy, traduction, intertextualité, plagiat Péter Esterházy, l’un des auteurs hongrois vivants les plus connus, s’est rendu célèbre non seulement grâce à ses livres mais aussi à cause d’un scandale média- tique qui a éclaté à la suite de la parution de son chef d’œuvre, Harmonia caeles- tis.1 Dans ce roman de famille structuré en deux parties, l’auteur a procédé à une vaste compilation des diverses œuvres de la Weltliteratur, sans vraiment indiquer les auteurs auxquels il a emprunté. -
APHRODITE Was the Great Olympian Goddess of Beauty, Love, Pleasure and and Procreation. She Was Depicted As a Beautiful Woman Us
APHRODITE was the great Olympian goddess of beauty, love, pleasure and and procreation. She was depicted as a beautiful woman usually accompanied by the winged godling Eros (Love). Her attributes included a dove, apple, scallop shell and mirror. In classical sculpture and fresco she was often depicted nude. Some of the more famous myths featuring the goddess include:-- Her birth from the sea foam; Her adulterous affair with the god Ares; Her love for Adonis, a handsome Cypriot youth who was tragically killed by a boar; Her love for Ankhises, a shepherd-prince; The judgement of Paris in which the goddess was awarded the prize of the golden apple in return for promising Paris Helene in marriage; The Trojan War in which she supported her favourites Paris and Aeneas and was wounded in the fighting; The race of Hippomenes for Atalanta, which was won with the help of the goddess and her golden apples; The death of Hippolytos, who was destroyed by the goddess for scorning her worship; The statue of Pygmalion which was brought to life by Aphrodite in answer to his prayers; The persecution of Psykhe, the maiden loved by the goddess' son Eros. APOLLON (or Apollo) was the great Olympian god of prophecy and oracles, healing, plague and disease, music, song and poetry, archery, and the protection of the young. He was depicted as a handsome, beardless youth with long hair and various attributes including:--a wreath and branch of laurel; bow and quiver; raven; and lyre. The most famous myths of Apollon include:-- His birth on the island of Delos; The