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THE MUSIC of HENRY MANCINI the Boston Pops Orchestra During Arthur Fiedler’S Tenure, Providing Special Arrangements for Dozens of Their Hit Albums and Famous Singles
557825 bk ManciniUS 2/11/05 09:48 Page 4 Richard Hayman LIGHT CLASSICS DDD One of America’s favourite “Pops” conductors, Richard Hayman was Principal “Pops” conductor of the Saint 8.557825 Louis, Hartford and Grand Rapids symphony orchestras, of Orchestra London Canada and the Calgary Philharmonic Orchestra, and also held the post with the Detroit Symphony Orchestra for many years. His original compositions are standards in the repertoire of these ensembles as well as frequently performed selections by many orchestras and bands throughout the world. For over thirty years, Richard Hayman served as the chief arranger for THE MUSIC OF HENRY MANCINI the Boston Pops Orchestra during Arthur Fiedler’s tenure, providing special arrangements for dozens of their hit albums and famous singles. Under John Williams’ direction, the orchestra continues to programme his award- winning arrangements and orchestrations. Though more involved with the symphony orchestra circuit, Richard Moon River • The Pink Panther • Charade Hayman served as musical director and/or master of ceremonies for the tour shows of many popular entertainers: Kenny Rogers, Johnny Cash, Olivia Newton-John, Tom Jones, Englebert Humperdinck, The Carpenters, The The Days of Wine and Roses • Beaver Valley ’37 Osmonds, Al Hirt, Andy Williams and many others. Richard Hayman and His Orchestra recorded 23 albums and 27 hit singles for Mercury Records, for which he and many others served as musical director for twelve years. Dozens of his original compositions have been recorded by various artists all over the world. He has also arranged and conducted recordings for more than 50 stars of the motion Richard Hayman and His Orchestra picture, stage, radio and television worlds, and has also scored Broadway shows and numerous motion pictures. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Women Get Jobs As Part-Time Guards at School Crossings
Complete Local News Top Advertising Results Astride All The Activities Our F«mlly Of Over 9,000 Readers of The Town With Your Home Town Paper Is A Valuable Market For All Our Advertisers f XXXV-NO. 52 tkrtmCARTERET, N. J., FRIDAYt, APRIL 5, 1957 PRICI BQHT enrra first Aid laiining Women Get Jobs fund Drive As Part-Time Guards I |)i.wliii{! (continues v C.li;iiniian for This ,s Campaign At School Crossings .-I-).-I- . During the first •A! v,,!il the Carterct First ,',|h ull Initiate lte drive Mm Koed Resigns; Served Will Begin fork M, j. j. Dowling, who g cluiirman of the an- ., for the last twenty Long on Assistance Board Hulnick ,:ii,.(i to have the coin . ;mitecl early for the CARTERET — Miss DnR- resents such leadlns firms as the ,, of the people. The mar Kncd, 123 Emerson Street. Travelers, Continental, New Report to Conndl , i people and Indus- liius .submitted to tflf "Mayor and Hampshire Fire and I). S. Fi- • ,, i own will be notl- Ontmdl last night ncr resigna- delity and Guaranty. She ls CARTF.RET—Part time women ,;,.; of the fund drive. tion us member of the Local past president of Insurance .school guards wlll direct school n( the cards will be- Assistance Board on which (he Women of New Jersey, a mem- traffic at hazardous school cross- ; i ;ml should be com- has been serving tor the past ber of the Middlesex County ings effective Monday. mie 1st. There will be i;t yeur.s. She server as secre- Agents Association, a member I This was announced last night ,!:iie set as the mem- tary of the board during that the Middlesex County Agents \ by Police Commissioner John Hut- :i,ii be able to collect period. -
Pdf El Trascendentalismo En El Cine De Douglas Sirk / Emeterio Díez
EL TRASCENDENTALISMO EN EL CINE DE DOUGLAS SIRK Emeterio DÍEZ PUERTAS Universidad Camilo José Cela [email protected] Resumen: El artículo estudia la presencia del trascendentalismo en las pelí- culas que Douglas Sirk rueda para los estudios Universal Internacional Pic- tures entre 1950 y 1959. Dicha presencia se detecta en una serie de motivos temáticos y en una carga simbólica acorde con una corriente literaria y filo- sófica basada en la intuición, el sentimiento y el espíritu. Abstract: The article studies the presence of the transcendentalist in the movies that Douglas Sirk films between 1950 and 1959 for Universal Inter- national Pictures. This presence is detected in topics and symbols. Sirk uni- tes this way to a literary and philosophical movement based on the intuition, the feeling and the spirit. Palabras clave: Douglas Sirk. Trascendentalismo. Leitmotiv. Cine. Key words: Douglas Sirk. Trascendentalist. Leitmotiv. Cinema. © UNED. Revista Signa 16 (2007), págs. 345-363 345 EMETERIO DÍEZ PUERTAS Hacia 1830 surge en la costa Este de Estados Unidos un movimiento li- terario y filosófico conocido como trascendentalismo. Se trata de una co- rriente intelectual que rechaza tanto el racionalismo de la Ilustración como el puritanismo conservador y el unitarismo cristiano. Sus ideas nacen bajo el in- flujo del romanticismo inglés y alemán, en especial, de las lecturas de Johann Wolfgang von Goethe, William Wordsworth, Samuel Taylor Coleridge y Thomas Carlyle. Los principales teóricos del movimiento se agrupan en torno a la ciudad de Concord, en Massachusetts, uno de los seis estados que forman Nueva Inglaterra. Con apenas cinco mil habitantes, esta pequeña localidad se convierte en el centro de toda una escuela de pensamiento. -
BTC Catalog 149.Pdf
BETWEEN THE COVERS RARE BOOKS, INC. 112 Nicholson Rd (856) 456-8008 Gloucester City, NJ 08030 [email protected] www.betweenthecovers.com C ATALOG 149: More from the Mines Here is another random sampling of nice but relatively inexpensive books drawn from the last three big collections that have come through the door, including several from the Ned Erbe and Bruce Kahn Collections. All three of these collections are vast, and mostly of very good quality, and you will be seeing many more books from these collections in the coming months. I can’t see why you wouldn’t take advantage of this opportunity to add some nice books to your collection. Also, Dan would like me to mention that Between the Covers, taking advantage of our highly trained staff of high school-aged children, now has a page on Facebook. Aside from the fact that I have no idea what this means, you are encouraged to visit our page, bond with it, take it out for a romantic walk on the beach, or whatever else you are supposed to do with a page on Facebook. He claims it looks something like the illustration on the back of this catalog. After you’ve visited it, maybe you can tell me how to find it. Editor’s( Note: If you have any trouble, just send me an email at [email protected] and I’ll send you a direct link.) Tom C. Terms of Sale All books are First Editions unless otherwise noted. All books are returnable within ten days if returned in the same condition as sent. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
25C Seniors Take a "Magical Mystery Tour
25C Graduation Section In This Issue: Volume 11, Issue 28 Serving Lowell Area Readers Since 1893 Wednesday. May 27.1987 Seniors take a "Magical Mystery Tourf t This year's Senior nighl party boarded buses for bowling at the again boarded the buses for the was titled. The Magical Mys- Kentwood Bowling Cenier. At trip to Deer Run Golf Club, and tery Tour", and it proved to be about 11:30 the seniors found breakfast. The party finally came just that. Nearly 150 Lowell themselves disembarking the to an end at 6:30 a.m. High School seniors boarded buses at the Michigan Athletic This year's party was chaired buses at 5:30 Friday afternoon Center on Burton St. Here the by Dwight and Joanne Frcy, for parts unknown. The annual group swam, participated in Roger and Kathy Southland. Ron party is staged by the parents of numerous sports and tried their Pawloski and Vem and Gay L.H.S. seniors in an effort to luck at a Las Vegas style casino. Nauta. Dr. Robert Reagan congratulate them, as well as Winners at the gaming tables chaired the acquisition of prizes, show them a good time in an received chips that could be used and told us that 180 merchants, environment free from drugs and at an auction featuring Au- manufacturers and individuals alcohol. ctioneer Tom Nagy. About sixty donated to this worthwhile The first stop for the group prizes were auctioned off. in- cause. He asked that we please was Geribee's Party Place in cluding TV's and other nice pass along the thanks of the com- Grandville. -
Farragut's Press
Farragut’s Press NEWSLETTER OF THE MARE ISLAND MUSEUM, 1100 Railroad Ave, Vallejo CA 94592 Mare Island Historic Park, a 501(c) (3) Charitable Organization June 2014 Mare Island and the Movies on its seventh patrol in in the fall of 1943 somewhere In the last issue of Farragut’s Press there was an article off the coast of Japan. Remains were located in 2005 on the actors of movies and television who served in and finally in 2006 the U.S. Navy verified that it was, the armed services, but few people are aware of how indeed, the Wahoo. Morton Field on Mare Island is directly involved Mare Island was with the movie named after Commander Morton. community. The second film made at Mare Island and filmed First and foremost was the procession of celebrities primarily on the shipyard was entitled Submarine who came to Mare Island as participants in the war Command, starred William Holden and William Bendix bond programs during WWII. It included such and told the story of a submarine’s executive officer performers as Jack Benny, Bob Hope, Joe E. Brown, who on the last day of the war took his submarine June Allyson, Eddie Cantor, Gabby Hayes, Cary Grant down leaving the captain and several severely injured and many others. Most of these performers also crewman on the bridge. It goes on to explore his guilt visited the wounded at Mare Island Hospital. as he discovers upon surfacing that Japan has The first actual movie with which Mare Island was surrendered and he did not have to sacrifice those involved was Destination Tokyo which starred Cary men. -
The Return of the 1950S Nuclear Family in Films of the 1980S
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Conncensus Vol. 46 No. 4
Connecticut College Digital Commons @ Connecticut College 1960-1961 Student Newspapers 10-20-1960 ConnCensus Vol. 46 No. 4 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1960_1961 Recommended Citation Connecticut College, "ConnCensus Vol. 46 No. 4" (1960). 1960-1961. 8. https://digitalcommons.conncoll.edu/ccnews_1960_1961/8 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1960-1961 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. lOeper eop1 Vol. 46-No. 4 New London, Connecticut, Thursday, October 20, 1960 Science Fellowships Offered; Giulini Will Announce ETS Teacher Exams Conduct Israel The National Academy of Set- stipend for postdoctoral Fellows ences-National Research Council is $4500. Limited allowances will Philharmonic has again been called upon to also be provided to apply toward Carlo Marla Giullnl will con- advise the National Science tuition, laboratory fees, and trav- duct the Israel PhUhannonic Or- Foundation in the selection of el. Dr. Weiss to Speak on "The chestra for the opening program candidates for the Foundation's Further information and appli- of the twenty-second annual Con- program of graduate and post- cation materials may be obtained Creative Life" tonight at 8 doctoral fellowships. The Fcunda- from the Fellowship Office, Na- necticut Orchestra Concert Series tion plans to award approximate- tional Academy of Scienees-Na- o'clock in Palmer Auditorl· on October 26, In Palmer Audi· ly 1,200 graduate and 150 post- tional Research Council, 2101 urn. -
October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym.