DEATHS REACH 57 I MINE EXPLOSION

Total Page:16

File Type:pdf, Size:1020Kb

DEATHS REACH 57 I MINE EXPLOSION THE WEATHER NET PRESS BUN Forecaiit by V. 8. Weather Borean, Hartford. AVERAGE 11/^LT CIRCULATION for tiie Montb of November, 19^9 Bain or mow and sUg^htly colder tftirifht; Thmrsday rain or mow, 5,488 IcoiVi. StateTibV«y-C<>>»P- coldw. ' neMkera of the Aodlt Bnrean of Clrenlatlona • H*1 EIGHTEEN PAGES PRICE THREE CENTS ?OUTH MANCHESTER, CONN., VOL. XLIV., NO. 67. (Classified Advertising on Page 10) AUTO IMITATES FIRST PICTURES OF RIOTING IN HAITI WriNESSSAYS CRUNALtSAYS BUCKING BRONCO DEATHS REACH 57 HEISPERSON GORDON OF BUS Jumps Up Into Air on Street i MINE EXPLOSION and Driver Thinking . It OVERCROWDING Hexed Runs for Life. C L A n S L A IN Los Angeles, Dec. 18— (AP) More Bodies Recovered; • __E. R. Rueter drove serenely SEE RING SERE down a busy street here yes­ Odd Murder trial Begins in Cono. Co. Sets Limit at 40 terday and stopped promptly Five More Remam in when the traffic light turned Arkansas Mountain Vil­ red. 1 BOOTLEGGING IN M in e -^ s and Fallen Riders But Police Chief There was a terrific explo­ sion. Rueter’s car jumped lage-Four Men Are Be­ straight up about two feet and ^ Rocks Delay Rescue Says It’s Unsafe In Spite came down on all fours like a B A N K ^ T E R S bronco registering a protist at ing Tried for Mnrder. being ridden. As it bounded to Work— Bodies So Badly of P. U. C. Rule. ‘ a standstlU Rueter jumped out and ran. -i. , Mountain View, Ark.,,, Dec. 18— ShippeeAsks U. S. Comp­ A policeman took a hasty Burned Identification is Beginning this morning, the Con­ look at the car and started out (AP)—A man who claims he is j troller to Probe Scheme necticut company has adopted a after the fleeing driver, over­ Connie Franklin went on the wit­ taking Rueter two blocks away. ness stand this morning and testi­ Almost Impossible. new policy in the operation of its “Hey, wait!” implored the fied that he is the same person four local bus lines in Manchester. In­ Uncovered in Inquiry In­ law. “It’s all a mistake. Gas men, now on trial, are charged with stead of packing in every passenger in a sewer. Explosion. Man­ McAlester, Okla., Dec. 18.— (AP)J torturing and burning to death. ■Five more bodies, bringing to 57 that could possibly be wedged be­ hole lid blew up under your to Gander Activities. He said his real name was Mar- the total known in the explosion at tween the seats, as has been the car. Come back, you’re hold­ rion Franklin Rogers, but in recent ing up traffic.” the Old Town Coal Company mine case in rush hours heretofore, the ■ Rueter returned, but his car years he had gone imder the name gt North McAlester, were brought of Connie Franklin. Hartford, Dec. 18— (AP)— The bus drivers are working under in­ was hors de combat. Fire, in­ Hartford Times says today in a to the surface at 10 o’clock this spectors said someone probably He said he was an inmate of the morning. structions to stop for no more riders State Hospital for Nervous Diseases special despatch from Washington have been killed if the car had The five bodies were recovered after a limit of forty has been for a few months and* escaped in not stopped directly over the that reports from Connecticut of a from the sixth west entry after reached. The result was that this 1927. proposal to obtain national bank morning some of the citizens who manhole. He described his arrival in the three hours had been spent in re­ sought to pay their tokens for the St. James community last Janu­ charters at $80,000 each by a ring storing ventilation so toe rescue crews could proceed with thalr privilege of having their breath 12833739 ary, staying the first night at the claiming to have influence in the 'de­ squeezed out were left standing at home of S. H. Greenway, father of partment of the Comptroller of the work. Caveins had to be dug the station posts. Herman Greenway, one of the de­ Currency, has started an investiga­ through to reach the bodies. The company had an inspector fendants. tion by the governmental bureau. Bodies Burned. checking loads at the Center and Here Is the first picture from Haiti showing the His first job as a farm hand, he J. W. Pole, United States Comptrol­ The bodies were bruised and so far as known he found no bus to BY STOCK CRASH marines to enforce marital law and use machine guns and rifles on dissenters. This photo, rushed here by said, was with Joe White, another ler of Currency, said the investiga­ burned and Identification was not contain more than the prescribed S e PalA m Sican Srways. shows a demonstration by Damien students in front of La Presse newspaper defendant. Next he worked fpr tion had been ordered. effected immediately. forty aboard on arrival at that building, Port au Prince, just before martial law was enforced. Herman Greenway, he claimed. The investigation has developed Five members were yet unaccount­ point. Describes ^urtshlp out of infotmation obtained by ed for but it was believed their Scott Sees Gordon. The beginning of a courtship Bank Commissioner Lester E. Ship- bodies would be found during the Police Chief Gordon’s announce­ C. of C. Survey Shows That| ^ ^ with Tlllar Rumlner, the star wit­ pee, of Connecticut in his Investlga day. Search for the bodies was re­ ment that he would arrest the ness for the state, was described. tlon into the operations of Howard tarded by toe presence of gas and driver of any bus found to be seri­ CURTAIN OF FOG “We just sparked a little,” the H. Gunder, head of thirteen defunct wreckage caused by the explosion. ously overcrowded brought Na­ Business Was Better Than SU YER CALLS AT HOMES witness said when asked if they had Investment companies under Fed' The 52 bodies so far recovered thaniel J. Scott, manager of the a love affair. eral Grand Jury investigation in were in McAlestei^ morgues await­ Hartford division of the Connecti­ DELAYS STEAMERS Then he began relating the story New York following the collapse of ing funeral arrangements. It wss the Bankers Capital Corporation of cut company, to Manchester this of his movements on the day Frank­ said a crew of convicts from the TO MURDER THREE MEN lin was reputSd to have been slain. New York, This Information has morning for a conference'with the state prison here will be pressed Into ■ He and Herman Greenway, Hu­ been forwarded to Mr, Pole by Mr. police chief. , _ ' <♦> service to dig graves for toe whole­ Mr. Scott assured Chief Gordon Hartford, Dec. 18.— (AP)—The ! bert Hoster and Alex Fulks, all de­ Shlppee and on the strength of it CO-EDS MUST COVER ] New York Harbor Filled fendants, started to Mountain View the comptroller of currency has sale burial. that the company intended to use monthly business survey issued by | KNEES, DEAN RULES. every effort to give adequate serv­ the Connecticut' Chamber of Com-1 Carrying Death List He Kills to get a marriage license for him, asked the Department of Justice to he said. They all got drunk, he probe the matter. Information re­ THE RESCUE WORK. ice and promised that there would fnerce in conjunction with the lead­ be no more violations, of the law. Moscow, Ida., Dec. 17.— (AP) j With Liners; Many Tele­ added, and he fell off a mule. He garding this situation was given out McAlester, Okla., Dec. 18.— (AP) He pointed out, however, that the ing Chambers of Commerce of the Jailer, Justice of the —Willy-nilly, University of Idaho said he regained consciousness two today with the full approval of Mr. —Braving toe dread menace of fire, Public Utilities Commission has state discloses that Connecticut as a co-eds are going to be in style. phone Wijres Break Down or three hours later and went first Pole. rescue workers who had toiled certified the buses in operation here whole was not affected in Novem­ Th^y are under orders to cover to the Ruminer home and th^n to Mr. Pole’s Statement through the night today continued as being of a capacity of 29 seated ber by the recent stock market Peace and Another Citi­ up their knees before returning Herman Greenway’s home. The “In reply to your inquiries,” Mr. their grim task of removing bodies passengers and that the state law slump. to school after the Christmas re­ night he and Tillar started to the Pole Told the Hartford Times, “ I from the lower levels of thfe . Old permits the carrying of standing Building operations showed a sub­ zen With Shotgun. * cess. New York, Dec. 18.— (AP)—A home of Finish Ford, a justice of have received some information Town Coal Company’s mine in North passengers to the extent of 40 per stantial increase over the figures Miss Permeal French, dean o£ curtain of fog which' has paralyzed the peace, to be married, they stop­ only recently that charges had been McAlester, where yesterday 62 cent of the seating capacity. Fixing for November 1928. The dollar value women, announced the edict at ped^___ at _S. H. Greenway’s,. he said. made that----- Influence------------ could, be miners were trapped by an explo­ of permits issued in Willimantic in­ trjiffiC'in New York harbor for 24 eleven sis the limit of standees Romney, W. Va., Dec.
Recommended publications
  • Online Versions of the Handouts Have Color Images & Hot Urls September
    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Ath001 Chronology of Limerick Athenaeum 2.Pdf
    Introduction The Limerick Athenaeum is comprised of two separate buildings at Upper Cecil Street Limerick. The original building, which now houses the Limerick Vocational Educational Committee [LVEC], was built as the offices of the Commissioners of St. Michael’s Parish in 1833. It was, in effect, the Town Hall of Georgian Limerick. The second building, the Athenaeum Hall was built by the Limerick Athenaeum as a Lecture Theatre in 1855. 1833 MINUTES OF St MICHAEL'S PARISH COMMISSIONERS [Source: From original manuscripts at the Limerick Archives] April 19th 1833: At a meeting of the above, with William White in the Chair, it was resolved that the proposal of John Stokes end Michael Guerin to build the new Parish Offices be accepted, for the sum of'£ 1,070 sterling. The contractors have to expend £300 before they get any money from the Board. Nicholas Hannon is appointed superintendent. Report in the Limerick Chronicle of the 20th April 1833: "The Commissioners of St Michael's Parish, yesterday, agreed with Mr Stokes, architect, for the sum of £1,070 to erect premises for a Watch-House, Board-Room etc in Cecil Street, to be accomplished on the 1st January next". Extracts from the Minute Books of the Commissioners of St. Michael's Parish: Page 2: Creagh & Charles McMahon act as guarantors for contractors. Page l7: Letter from John Stokes re £200 payment for building costs. Page 20: Donel Barrington is agent for Earl of Limerick. John Fogerty is awarded £ 3-10-0 for plans of the new building. Page 24: £100 awarded to the builder.
    [Show full text]
  • Cinecon Film List: Alphabetical
    CINECON FILM LIST: ALPHABETICAL Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES $20 A Week 1924 Distinctive-Selznick 50 2014 $64,000 Challenge - Sonny Fox Kinecon At Cinecon 55 2019 A Salute To Game Shows 100 To 1 Shot, The 1906 Vitagraph 31 1995 15 Maiden Lane 1936 20th Century-Fox 48 2012 21st Academy Awards 1949 30 1994 3-D Hollywood 38 2002 NOTE: slide show 36 Hours To Kill 1936 20th Century Fox 43 2007 365 Nights In Hollywood 1934 Fox 28 1992 49th Parallel, The 1941 Ortus General 25 1989 50 Miles From Broadway 1929 Pathé 47 2011 Short Subject 7 Faces Of Dr. Lao, The 1964 M-G-M 11 1975 70,000 Witnesses 1932 Paramount 16 1980 Abie Kabibble Outwitted His Rival 1917 International 44 2008 Academy Awards, 22nd Annual 1949 31 1995 Accusing Finger, The 1936 Paramount Pictures 53 2017 Ache In Every Stake, An 1941 Columbia Pictures 51 2015 Acquitted 1929 Columbia 44 2008 Act Of Violence 1949 M-G-M 31 1995 Active Life of Dolly Of The Dailies, The Short Subject Chapter 5: The Chinese Fan 1914 Edison 47 2011 Actress, The 1953 M-G-M 39 2003 Adam's Apple 1928 38 2002 Adam's Rib 1923 Paramount 34 1998 Advance Base 1945 41 2005 Adventure In Sahara 1938 Columbia 45 2009 Adventurer, The 1917 Lone Star-Mutual 50 2014 Short Subject Adventures Of Captain Marvel 1940 Republic 26 1990 Adventures Of Trazan, The - Great Western-Numa Pictures-Weiss Short Subject Chapter 11: The Hidden Foe 1921 Brothers Artclass 51 2015 Adventures With D.W.
    [Show full text]
  • Cinecon Films
    Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES Charlie on the Ocean 1921 ? 1 1965 NOTE: [Charlie Chaplin newsreel] Conquest of the North Pole 1912 G. Méliès 1 1965 Feathered Nest, The 1916 Keystone 1 1965 Lure of the Circus, The 1918 Universal 1 1965 NOTE: [excerpts] Max the Pickpocket 1 1965 Primitive Lover, The 1922 First National 1 1965 Road to Yesterday, The 1925 DeMille/PDC 1 1965 Screen Snapshots Columbia 1 1965 Show People 1928 M-G-M 1 1965 Spanish Dancer, The 1923 Paramount 1 1965 Square Deal Sanderson 1919 Ince/Paramount 1 1965 Uncensored Movies 1923 Hal Roach/Pathe 1 1965 Winsor McKay Explains Cartoons to John Bunny 1911 Vitagraph 1 1965 Coward, The 1915 Ince - KayBee 2 1966 Eyes of Youth 1919 Garson 2 1966 Hands Up! 1925 Paramount 2 1966 Hazards of Helen, The 1914 Kalem 2 1966 Invaders, The 1912 KayBee 2 1966 Iron Claw, The 1916 Pathé 2 1966 Lizzies of the Field 1924 Sennett/Pathe 2 1966 Man With the Punch, The 1920 Universal 2 1966 Beauty and theBump 1927 Skylark - Bray 3 1967 Don Juan 1926 Warner Bros. 3 1967 Fatty and Mabel Adrift 1916 Keystone - Triangle 3 1967 Irene 1926 First National 3 1967 Iron Horse, The 1924 Fox 3 1967 Judith of Bethulia 1913 Biograph 3 1967 Kismet 1920 Robertson-Cole 3 1967 Last Command, The 1928 Paramount 3 1967 Updated September 6, 2019 Navigator, The 1924 Keaton/Metro 3 1967 Richard the Lion Hearted 1923 Allied Producers 3 1967 Sherlock, Jr. 1924 Keaton/Metro 3 1967 Silent Clips 3 1967 Silent Movie as a Communicator, The 3 1967 Sons Of The Desert 1933 Roach/M-G-M 3 1967 Steel Shod Evidence 1923 Pathé 3 1967 Big Boy Short Educational 4 1968 NOTE: [title not known] Crackerjack, The 1925 C.C.
    [Show full text]
  • MERCHANTS Lectures on the New Based on Ferenc Molnar's Roman- the Character of a Revolutionist in and Santa Effects
    ". ■ 1 .. 1 ■ 1 .. wins honors with her inimit- again Yacht Club to engineer’s office said following his neers. They will likely go througl LAUDS PORT able clowning and acrobatic dancing Stage return from Austin. at the March letting of state cod as well as participating in novel DEPORTATION Dance Next Plans for paving the road from tracts. MOVIE SIDELIGHTS song numbers with Polly Moran Saturday a point about five miles beyond Los j and Marie Dressier. Cliff (Ukelele An Irish dance will be staged at Fresnos to Point Isabel are now Sweden la to aid a sc hod Ike) Edwards wins fresh laurels as the Point Isabel Yacht club Satur- high CAPITOL featured film Tom Santschl. being checked over by state In Reval, of Estonia.* player; a screen artist and Karl Dane and day March 15. according to Capt. engl- capital BEING William Powell, whose Charles John STUDIED versatility Breeden, H. Hall Grapewin. George K. Arthur lend voice to the B. Monday. is admired by millions of enthusias- Elim Tom Summerville, Kennedy fesive film. The dance will begin at g:30, and tic talking screen fans all over the and Walter Brennan. Jack Benny, vaudeville star, acts decorations will carry the Irish Valley Mexican Societies world is coming to the the- “The Shannons of motif. Capitol Broadway” as master-of-ceremonies and intro- ater tomorrow. smashed all records at the Martin "Our Confer With Gill On duces Conrad Nagci as a singer. Washington Birthday dance The picture, an Para- Beck Theater. New York when it was such a all-dialog Anita Page shares the act with Con- success, with more than mount release, is "Street of Chance" ran for 39 consecutive and 70 Different Cases weeks, rad, and Charles King of "Broad- couples present from all over IN an STEP original story by Oliver H.
    [Show full text]
  • Economic Effects of Vertical Disintegration: the American Motion Picture Industry, 1945 to 1955
    Working Papers No. 149/10 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 . Gregory Mead Silver © Gregory Mead Silver, LSE November 2010 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0) 20 7955 7860 Fax: +44 (0) 20 7955 7730 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 Gregory Mead Silver Abstract In 1948, the United States Supreme Court declared the operations of eight of the nation’s largest motion picture studios in violation of the 1890 Sherman Antitrust Act.1The decision ordered them to disintegrate their producer-distributor roles from cinemas. The Court believed this would promote competitive practices in a hitherto uncompetitive industry. However, these desired benefits were not entirely reached. Instead, by leading the Hollywood studio system to collapse, the Court also distorted the supply- chain for motion pictures. This work utilizes Coasian analyses of transaction costs to show that institutional integration was an efficient structure for the motion picture industry. It explores the motives to integrate and the benefits it garnered. Having laid this groundwork, it then assesses the effects theatre divorcement had on the industry and offers plausible counterfactuals had the studios remained intact after 1948. 1 Introduction There has been much conjecture over the effects that government intervention can have on industry. The case examined here is the intervention of the United States Judiciary on the American motion picture industry in the late 1940s. Since 1890, the year Congress signed the Sherman Antitrust Act into law, the government has served as the self- imposed overseer that assures the proper functioning of competitive markets.
    [Show full text]
  • Guide to the Motion Picture Stills Collection 1920-1934
    University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs.
    [Show full text]
  • JOHN GILBERT : Grandeur Et Déclin
    DOSSIERS JOHN GILBERT : grandeur et déclin Né le 10 juillet 1895 à Logan (Utah) Décédé le 09 Janvier 1936 à Beverly Hills (Californie) De son vrai nom John Cecil Pringle, John Gilbert naît dans une famille de comédiens. Ses parents John Pringle et Ida Adair, dirigent une petite troupe ambulante, le "Pringle Stock Company". Puis sa mère quitte son père pour épouser Walter Gilbert, dont le jeune John prendra le nom. En 1915, John Gilbert a 20 ans et se rend à Inceville (Santa Monica) pour y faire ses débuts dans le cinéma. Il est engagé en tant que figurant pour des westerns principalement. Par la suite assistant du réalisateur français Maurice Tourneur, il s'essaye également à la mise en scène et à l'écriture avec "Love's penalty" tourné en 1921. Au sujet de ce premier essai en tant que réalisateur et scénariste, John Gilbert déclarera : "Quel film j'ai fait là ! C'était incroyablement mauvais !". Il accepte ensuite un contrat aux Studios Fox, sans enthousiasme. On lui confiera surtout des rôles fades dans des films à budget limité. Mais il se fera cependant remarquer en tenant un ou deux rôles dans de grosses productions. Page 1 En 1924, il quitte la Fox pour tenter sa chance à la MGM, toute jeune compagnie qui vient de se former par la combinaison de Goldwyn Pictures et des productions Louis B.Mayer. Irving Thalberg, responsable de la production MGM, fait signer un contrat à John Gilbert. Sa carrière va subitement décoller et l'année 1925 sera l'année de la consécration pour Gilbert.
    [Show full text]
  • From Under My Hat HEDDA HOPPER Rom Unaer Si Hat
    1° EARL THEISEN, LOOK PHOTO Above, De Wolf Hopper, son Bill, and nurse; Hedda Hopper with, right, John Barrymore; middle right, William Farnum in Battle of Hearts; lower right, Paulette Goddard and Ray Milland in Reap the Wild Wind; lower left, Edgar Bergen at a costume ball; left, Bette Davis Hedda Hopper with, left, Ingrid Berg- man; above left, Wendell Willkie; above, Bernard Baruch From unaerd. mj Hat Above, De Wolf Hopper and son Bill; above tigfit, Mrs. Dewey, Thomas E. Dewey, Hedda Hop- per, and Ginger Bogers; right, Rex (assistant to Fred Frederics), Hedda Hopper, and Fred Frederics Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/fromundermyhatOOhedd From under my Hat HEDDA HOPPER rom unaer si Hat Doublcchy & Company, Inc., Garden City, N.Y., 1952 Library of Congress Catalog Card Number: 52-10394 Copyright, 1952, by Hedda Hopper All Rights Reserved Printed in the United States First Edition TO MY MOTHER, WHO WAS AN ANGEL ON EARTH From under my Hat Once upon a time there was a six-toed cousin. Mine. When I first saw him, I knew I was in show business. Kids in the neighborhood couldn't afford pennies, but I made them pay five pins every time they got a look at him. At the time when my six-toed cousin and I were in business, I was Elda Furry. I was born in Hollidaysburg, Pennsylvania, a peaceful, pretty town fourteen miles out- side the industrial city of Altoona. In the West we'd call it a suburb, although the Hollidaysburg citizens might want to hang me for using that term.
    [Show full text]
  • Heaven Overland Jim Murphy Kennesaw State University
    Kennesaw State University DigitalCommons@Kennesaw State University KSU Press Legacy Project 2009 Heaven Overland Jim Murphy Kennesaw State University Follow this and additional works at: https://digitalcommons.kennesaw.edu/ksupresslegacy Part of the American Literature Commons, and the Modern Literature Commons Recommended Citation Murphy, Jim, "Heaven Overland" (2009). KSU Press Legacy Project. 10. https://digitalcommons.kennesaw.edu/ksupresslegacy/10 This Book is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in KSU Press Legacy Project by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. HEAVEN OVERLAND Poems by Jim Murphy Copyright 2009 Kennesaw State University Press All rights reserved. No part of this book may be used or reproduced in any manner without prior written consent of the publisher. Kennesaw State University Press Mail Drop 2701 Kennesaw State University 1000 Chastain Road Kennesaw, GA 30144 Melissa Stiers, Editor Shirley Parker Cordell, Administrative Assistant Sean Elliott, Cover Photography Holly S. Miller, Cover & Book Design Jennifer Clifton, Production Editor Library of Congress Cataloging-in-Publication Data Murphy, Jim, 1971- Heaven overland : poems / Jim Murphy. p. cm. ISBN 978-1-933483-20-7 (pbk. : alk. paper) 1. National characteristics, American--Poetry. 2. United States--History--Poetry. I. Title. PS3563.U738H43 2009 811’.54--dc22 2008046462 Printed
    [Show full text]
  • Online Versions of the Goldenrod Handouts Have Color Images & Hot Links August 28, 2018 (XXXVII:1)
    Online versions of the Goldenrod Handouts have color images & hot links August 28, 2018 (XXXVII:1) http://csac.buffalo.edu/goldenrodhandouts.html King Vidor, THE BIG PARADE (1925, 151 min) DIRECTED BY King Vidor, George W. Hill (uncredited) WRITTEN BY Laurence Stallings (story), Harry Behn (scenario), Joseph Farnham (titles) (as Joseph W. Farnham), Laurence Stallings (screenplay) (uncredited), King Vidor (uncredited) PRODUCED BY Kevin Brownlow (1988 Turner print), David Gill (1988 Turner print), Irving Thalberg (uncredited), King Vidor (uncredited) CINEMATOGRAPHY John Arnold (photography), Charles Van Enger (uncredited) FILM EDITOR Hugh Wynn VISUAL EFFECTS Max Fabian (uncredited) STUNTS Allen Pomeroy Selected for National Film Registry by the National Film Preservation Board, 1992 CAST John Gilbert...James Apperson Renée Adorée...Melisande (as Renée Adorée) Before releasing Peg ‘o My Heart in 1922 and securing Hobart Bosworth...Mr. Apperson a contract with Goldwyn Studios, Vidor would direct films such Claire McDowell...Mrs. Apperson as The Jack-Knife Man (1920), Love Never Dies (1921), The Sky Claire Adams...Justyn Reed Pilot (1921), Real Adventure (1922), Dusk to Dawn (1922), and Robert Ober...Harry Conquering the Woman (1922). The success of The Big Parade Tom O'Brien...Bull (1925) would establish Vidor as one of the premier directors at Karl Dane...Slim the newly-formed MGM. Building up to his career-defining work Rosita Marstini...French Mother in The Big Parade, Vidor would direct Happiness (1924) and Proud Flesh (1925). The latter half of the 1920s would see such KING VIDOR (b. King Wallis Vidor, 8 February 1894, films as La Bohème (1926), The Crowd (1928), The Patsy Galveston, TX, U.S.A.—d.
    [Show full text]