No Goose Step at the Cenotaph
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The Last Post Reveille
TTHHEE LLAASSTT PPOOSSTT It being the full story of the Lancaster Military Heritage Group War Memorial Project: With a pictorial journey around the local War Memorials With the Presentation of the Books of Honour The D Day and VE 2005 Celebrations The involvement of local Primary School Chidren Commonwealth War Graves in our area Together with RREEVVEEIILLLLEE a Data Disc containing The contents of the 26 Books of Honour The thirty essays written by relatives Other Associated Material (Sold Separately) The Book cover was designed and produced by the pupils from Scotforth St Pauls Primary School, Lancaster working with their artist in residence Carolyn Walker. It was the backdrop to the school's contribution to the "Field of Crosses" project described in Chapter 7 of this book. The whole now forms a permanent Garden of Remembrance in the school playground. The theme of the artwork is: “Remembrance (the poppies), Faith (the Cross) and Hope( the sunlight)”. Published by The Lancaster Military Heritage Group First Published February 2006 Copyright: James Dennis © 2006 ISBN: 0-9551935-0-8 Paperback ISBN: 978-0-95511935-0-7 Paperback Extracts from this Book, and the associated Data Disc, may be copied providing the copies are for individual and personal use only. Religious organisations and Schools may copy and use the information within their own establishments. Otherwise all rights are reserved. No part of this publication and the associated data disc may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval systems, without permission in writing from the Editor. -
A Brief History of War Memorial Design
A BRIEF HISTORY OF WAR MEMORIAL DESIGN War Memorials in Manitoba: An Artistic Legacy A BRIEF HISTORY OF WAR MEMORIAL DESIGN war memorial may take many forms, though for most people the first thing that comes to mind is probably a freestanding monument, whether more sculptural (such as a human figure) or architectural (such as an arch or obelisk). AOther likely possibilities include buildings (functional—such as a community hall or even a hockey rink—or symbolic), institutions (such as a hospital or endowed nursing position), fountains or gardens. Today, in the 21st century West, we usually think of a war memorial as intended primarily to commemorate the sacrifice and memorialize the names of individuals who went to war (most often as combatants, but also as medical or other personnel), and particularly those who were injured or killed. We generally expect these memorials to include a list or lists of names, and the conflicts in which those remembered were involved—perhaps even individual battle sites. This is a comparatively modern phenomenon, however; the ancestors of this type of memorial were designed most often to celebrate a victory, and made no mention of individual sacrifice. Particularly recent is the notion that the names of the rank and file, and not just officers, should be set down for remembrance. A Brief History of War Memorial Design 1 War Memorials in Manitoba: An Artistic Legacy Ancient Precedents The war memorials familiar at first hand to Canadians are most likely those erected in the years after the end of the First World War. Their most well‐known distant ancestors came from ancient Rome, and many (though by no means all) 20th‐century monuments derive their basic forms from those of the ancient world. -
VOL.40 No.4 APRIL 1985 (PDF) Download
MONTHLY JOUffNAL CF THE 2/4 INFANTRY BATTALION ASSOCIATION -----i PATRON: Major Genera! Sir Ivan Dougherty, C.B.E.. D.S.O. & Bar. E D., B.Ec.. LL.D (Hon.) I 40th Year of continuous publication fi ^SK. Registered by:- Australia Post Publication NAS1532. Price:- 50c per copy VoluBe 46 Ho. 4 Month:- April t985. President: Alf Carpenter 66 Chatham Rd, Georgetown 2298 Ph. 049-671969 Vice-Presidents: Senior Allen Lindsay 21a Mirral Rd, Caringbah 2229 02- 5241937 Queensland Laurie hcCosker 60 Hillsdon Rd, Tarlnga 4O66 07-3701395 Far Nth Coast Allan Kirk 1?9 Dibbs St, Lismore 248O 066-214464 Northern JISW £sca Riordan 111 Kemp St, Kempsey 244O 065-624671 Newcastle George Mitchell 6 verll Place Waratab 2298 049-672182 Southern NSW Artie Kleem 5 Karabah Awe, Young 2594 063-822461 Victoria Claude Raymond 92 Rose St, West Coburg 3058 03- 3541145 Sth Australia Peter Denver 15 Admiral Terrace Qoolwa 5214 O85-552252 West Australia Doug Slinger 53 Botham St Bayswater 6053 09-2717027 Committee: Cec Chrystal,Ferd Pegg, Ken Kesteven MC, John Hawkins, Ted Fox, Harry Wright, Worm Aubereon, George Stack, ecretary: Fred Staggs 13 Seven Hills Rd, Seven Hills 2147 02-6711765 .set. Secy: John Meehan 5/23 Dine St, Randwick 2031 02-3999606 Treasurer: Allen Lindsay 21a Mirral Rd, Caringbah 2229 02-5241937 Editor! Laurie Waterhouse 34 Milford Rd, Miranda 2228 02-5242114 Welfare Officer: Harry Wright 3 Boundary Rd, Carlingford 2118 02-8715312 Liaison Officer to the Gallipoli Memorial Club: Athol Heath 02-4514466 NEXT MLETIHQ. The next regular monthly meeting will be held on Tuesday, 28th MAY. -
London in One Day Itinerary
Thursday's post for London Love was Part 1 of 2 of 'London in One Day' where I gave you a short list of essentials to make your day out run as smoothly and comfortably as possible, along with information to purchase your Tube and London Eye tickets . Now that we've got all that taken care off we're off on a busy day filled with many of London's best landmarks and attractions. *Please note that all times listed on here are approximate and will be based on things like how fast you walk, possible train delays, or unexpected crowds. I've done my best to estimate these based on my experiences in London to show you as much as possible in one day (albeit a fairly long, but definitely enjoyable, day). (9:00 a.m. - 10:00 a.m.) WESTMINSTER & WHITEHALL ©2014 One Trip at a Time |www.onetripatatime.com| Yep it's an early start but you've got places to go and things to see! You won't be sorry you got up bright and early especially when you exit Westminster Station and look up and there it is... Big Ben ! Unarguably London's best known landmark and where our tour begins. Take some selfies or have your travel companions take your photo with Big Ben and then save them for later when you have free WiFi (at lunch) to post on all your social network sites. Don't worry that lunch is a few hours off because with time zone differences people back home probably aren't awake to see them yet anyway. -
Revival After the Great War Rebuild, Remember, Repair, Reform
Revival after the Great War Rebuild, Remember, Repair, Reform Edited by Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete LEUVEN UNIVERSITY PRESS Published with the support of the KU Leuven Fund for Fair Open Access, the City of Leuven and LUCA School of Arts Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © 2020 Selection and editorial matter: Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete © 2020 Individual chapters: The respective authors This book is published under a Creative Commons Attribution Non-Commercial Non- Derivative 4.0 International Licence. The license allows you to share, copy, distribute, and transmit the work for personal and non-commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete (eds.). Revival after the Great War: Rebuild, Remember, Repair, Reform. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licenses are available at http://creativecommons.org/licenses/ ISBN 978 94 6270 250 9 (Paperback) ISBN 978 94 6166 354 2 (ePDF) ISBN 978 94 6166 355 9 (ePUB) https://doi.org/10.11116/9789461663542 D/2020/1869/60 NUR: 648 Layout: Friedemann Vervoort Cover design: Anton Lecock Cover illustration: A family -
University of Florida Thesis Or Dissertation Formatting
ETIENNE-LOUIS BOULLÉE’S VISION OF NATURE IN ARCHITECTURE By LIANG SHUI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURAL STUDIES UNIVERSITY OF FLORIDA 2019 © 2019 Liang Shui To my parents, mentors and friends, I couldn’t have done this without you ACKNOWLEDGMENTS I would first like to thank my thesis chair Dr. Hui Zou of the School of Architecture at the University of Florida, who has consistently allowed this thesis to be of my own work, while pushing me diligently to the right direction when he thought I needed it. I would also like to thank the co-chair of the committee Dr. Vandana Baweja without whose wholehearted dedication and passionate participation the validation of the thesis could not have been successfully conducted. I would also like to thank the graduate advisor Sheryl McIntosh for her unimpeded support and patience. Last but not the least I thank my family for supporting me spiritually throughout the writing of this thesis and for having always been the rock of my life. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 LIST OF FIGURES .........................................................................................................................6 ABSTRACT .....................................................................................................................................8 CHAPTER -
The London Quiz
The London Quiz 1. Opened in 1979, which is the newest line on the London Underground network? 2. Which number Heathrow terminal was opened by Queen Elizabeth II in March 2008? 3. The Shaftesbury Memorial Fountain is located at the south eastern side of which public space? 4. London Bridge was the only bridge across the River Thames until which date: (a)1639, (b)1739, or (c)1839? 5. The Cenotaph war memorial on Whitehall; can you name both the architect and the stone it is built from? 6. What was first designed by Harry Beck in 1931? 7. The Tower of London lies within which London Borough? 8. What took place in Hyde Park from 1 May to 11 October 1851? 9. British TV Presenter, Yvette Fielding had one, Bez of the Happy Mondays owns one, and it was used by The Governor of the Falkland Islands - what is it? 10. Great Ormond Street Hospital received the copyright of which book in 1929, providing significant future funding? 11. Which London University has been attended by Mick Jagger, David Attenborough and President John F. Kennedy? 12. How many times has London hosted the modern Summer Olympic Games 13. What is 30 St Mary Axe also known as? 14. What is the official name of the tower that houses Big Ben? 15. Which London football club has its ground on the banks of the River Thames? 16. Cleopatra’s Needle is a time capsule! In 1838 what were placed underneath it? 17. Aldgate Station has what buried underneath it 18. Name the river that flows directly outside the 2012 Olympic Stadium? 19. -
The Making and Maintenance of Cenotaphs
第8頁 田野與文獻 第五十二期 2008.7.15 The Making and Maintenance of Cenotaphs Ian Morley History Department, Chinese University of Hong Kong Funerary architecture and memorials have known for its aesthetic properties and durability historically taken a variety of structural and aesthetic (Morley, 2002: 634-5), the Cenotaph was aesthetically forms. In the 19th century, for example, Western composed as an excursion into mathematical invention mausolea embraced aesthetic forms relating to the so that the memorial could be distinguished from austerity and simplicity of Classicism, the intricacy its surroundings in both abstract and stylistic terms. and visual density of the Gothic style, and symbols Although superficially giving the impression of associated with Egyptology in order to bring a sense of symmetry the Cenotaph was in fact designed in a apotheosis to the memory of the departed. Significantly geodesic manner (Hussey, 1984) with entasis, a series these design styles, and their plethora of reworked of subtle curves branching out from axial points forms, were not only exclusively used in the West, but positioned about 900 feet below the surface of the were due to the engagement of colonial activities by ground and 900 feet above the ground (Lutyens, European nations propagated in overseas territories 1942), the composition therefore forming a globe in places such as Asia, Africa and Australasia. that in conceptual terms united the underworld, and Accordingly cemeteries in far-flung colonies the ground with heaven above. In other words, its became filled with often impressively sized funerary architectural manner attempted to tie those killed by structures similar to those found in the Motherlands, war, and those that memorialise them, with eternal and memorials too were frequently constructed peace and glory. -
Global Gateway London an International Center for Scholarship and Collaboration
GLOBAL GATEWAY LONDON AN INTERNATIONAL CENTER FOR SCHOLARSHIP AND COLLABORATION WELCOME TO NOTRE DAME The University of Notre Dame boasts a network of extraordinary facilities and programs located around the world—the Notre Dame Global Gateways. Under the aegis of Notre Dame International (NDI), the Global Gateways are academic and intellectual centers where scholars, students, and leaders from universities, government, business, and the community gather to discuss issues of topical and enduring relevance. At each Global Gateway, the Notre Dame community and its many international partners and colleagues work together to advance knowledge across all disciplines with a view to the common good. London is home to one of six Notre Dame Global Gateways, with the others located in Beijing, Chicago, Dublin, Jerusalem, and Rome. The London Global Gateway consists of two major facilities: an academic center (Fischer Hall at Trafalgar Square) and a 270-bed residence building (Conway Hall, close to the South Bank near Waterloo Station). These two facilities, located in vibrant Central London, are within easy walking distance of each other. Whether for hosting a large conference or merely for providing office space for a day or two, Fischer Hall and Conway Hall serve the needs of the Notre Dame community in London. • The Summer Engineering Program in LONDON London exposes Notre Dame students to innovative technological achievements PROGRAMS during a six-week program. • The Law Summer Program is open The London Global Gateway is active to Notre Dame and non-Notre Dame year-round, hosting a myriad of activities law students and has between 30 including graduate and undergraduate and 40 participants. -
Westminster Lions Cycle Ride
WESTMINSTER Lions CYCLe ride I N W E S T MCYC I N S T E R A seven mile ride, best done on a END Sunday morning as much of the ride is on major streets, observing a few L of Westminster’s lions. More can be ING found in START ‘London Pride, the 10,000 Lions of London’ by Valerie Colin-Russ. A Lion-head mooring rings aLong the Victoria embankment. Designed by the sculptor Gilbert Bayes, the lions are considered to mark the point of a dangerously high tide, ‘When the lions drink, London will sink’. B south bank Lion At the south end of Westminster Bridge, visible from the Victoria Embankment, this 1837 Lion by W.F. Woodington originally stood atop the Red Lion Brewery on the South Bank site. When the brewery was demolished for the 1951 Festival of Britain, the lion was moved to Station Approach Waterloo - British Rail had a Lion logo at this time. In 1966 the lion was moved to its present location, the red paint having been Mooring rings removed to reveal the statue is made from Coade Stone, a tough, artificial stone that several lions on this trip are made from. Mrs Coade’s factory was also on the South Bank. C roof of oLd home office buiLding, Whitehall (just by the Cenotaph) Queen Victoria sits atop the building with a lion to one side and a unicorn to the other D red Lion pub While this building is Victorian there has been a tavern on this site since 1434, though it has not always been the Red Lion. -
The Cranes Compiled by Curt D
Status Survey and Conservation Action Plan The Cranes Compiled by Curt D. Meine and George W. Archibald IUCN/SSC Crane Specialist Group IUCN The World Conservation Union IUCN/Species Survival Commission Donors to the SSC Conservation Communications Fund and The Cranes: Status Survey & Conservation Action Plan The IUCN/Species Survival Commission Conservation Communications Fund was established in 1992 to assist SSC in its efforts to communicate important species conservation information to natural resource managers, deci- sion-makers and others whose actions affect the conservation of biodiversity. The SSC's Action Plans, occasional papers, news magazine (Species), Membership Directory and other publi- cations are supported by a wide variety of generous donors including: The Sultanate of Oman established the Peter Scott IUCN/SSC Action Plan Fund in 1990. The Fund supports Action Plan development and implementation; to date, more than 80 grants have been made from the Fund to Specialist Groups. As a result, the Action Plan Programme has progressed at an accelerated level and the network has grown and matured significantly. The SSC is grateful to the Sultanate of Oman for its confidence in and sup- port for species conservation worldwide. The Chicago Zoological Society (CZS) provides significant in-kind and cash support to the SSC, including grants for special projects, editorial and design services, staff secondments and related support services. The President of CZS and Director of Brookfield Zoo, George B. Rabb, serves as the volunteer Chair of the SSC. The mis- sion of CZS is to help people develop a sustainable and harmonious relationship with nature. The Zoo carries out its mis- sion by informing and inspiring 2,000,000 annual visitors, serving as a refuge for species threatened with extinction, developing scientific approaches to manage species successfully in zoos and the wild, and working with other zoos, agencies, and protected areas around the world to conserve habitats and wildlife. -
Stalin's Russia: Visions of Happiness, Omens of Terror Mark Konecny Institute of Modern Russian Culture, [email protected]
Chapman University Chapman University Digital Commons Art Faculty Creative Works – Exhibitions Art Faculty Creative Works 2014 Stalin's Russia: Visions of Happiness, Omens of Terror Mark Konecny Institute of Modern Russian Culture, [email protected] Wendy Salmond Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/art_exhibitions Part of the Cultural History Commons, European History Commons, Other History of Art, Architecture, and Archaeology Commons, Political History Commons, Slavic Languages and Societies Commons, and the Social History Commons Recommended Citation Konecny, Mark and Salmond, Wendy, "Stalin's Russia: Visions of Happiness, Omens of Terror" (2014). Art Faculty Creative Works – Exhibitions. Book 18. http://digitalcommons.chapman.edu/art_exhibitions/18 This Book is brought to you for free and open access by the Art Faculty Creative Works at Chapman University Digital Commons. It has been accepted for inclusion in Art Faculty Creative Works – Exhibitions by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPMAN UNIVERSITY PRESS PRESS CHAPMAN PRESSAn exhibition exploringUNIVERSITY the power PRESS of visual propaganda. From the Ferris Russian Collection, PRESSthe Institute of Modern Russian CultureCHAPMAN at USC, UNIVERSITY and the Wende Museum, Culver City. PRESS CHAPMAN UNIVERSITY PRESS CHAPMAN UNIVERSITY PRESS CHAPMAN UNIVERSITY PRESS MMXIV 1 ACKNOWLEDGEMENTS e wish to express our deep gratitude to the lenders and institutions whose Wgenerosity has made this exhibition possible: to Mrs. Jeri Ferris and her late husband Tom, who assembled an unparalleled collection of Staliniana; to the Institute of Modern Russian Culture at USC and its director, John E.