Programme d’agrégation 2015-2016 , (1811)

Bibliographie sélective

proposée par Isabelle Bour, Université Sorbonne Nouvelle-Paris 3, (roman) et par Ariane Hudelet, Université de Paris-Diderot (version filmée)

1. Roman

Ouvrages bibliographiques

Roth, Barry. An Annotated Bibliography of Jane Austen Studies, 1984-1994. Athens : Ohio UP, 1996. Gilson, David. A Bibliography of Jane Austen. Oxford : Clarendon, 1982.

Comptes rendus de la première édition

Anon. The Critical Review 4th series. 1: 2 (Feb. 1812): 149-57. Anon. The British Critic 39 (May 1812): 527.

Correspondance de Jane Austen

Jones, Vivien, ed. Selected Letters. Oxford World’s Classics. Oxford : Oxford UP, 2009. Le Faye, Deidre, ed. Jane Austen’s Letters. 4th ed. Oxford : Oxford UP, 2014.

Biographie

Austen-Leigh, J.E. A Memoir of Jane Austen and other Family Recollections. 1871. Ed. Kathryn Sutherland. Oxford : Oxford UP, 2002. Fergus, Jan. Jane Austen : A Literary Life. London : Macmillan, 1991. Kaplan, Deborah. Jane Austen among Women. Baltimore : Johns Hopkins UP, 1992. Le Faye, Deirdre. Jane Austen : A Family Record. 1989. 2nd ed. Cambridge : Cambridge UP, 2004. Tomalin, Claire. Jane Austen : A Life. Harmondsworth : Viking, 1997.

Editions de Sense and Sensibility

Ed. R.W. Chapman. Oxford : Oxford UP, 1923. Ed. Tony Tanner. Harmondsworth : Penguin, 1969.

1 Ed. and intr. Ros Ballaster (with the 1969 introduction by Tony Tanner). London : Penguin Classics, 1995. Ed. James Kinsley, intr. and notes Margaret Anne Doody and Claire Lamont. Oxford World’s Classics.Oxford : Oxford UP, 2008. (Edition au programme) Ed. Edward Copeland. Cambridge : Cambridge UP, 2009. Ed. Patricia Meyer Spacks. Cambridge, Mass. : Belknap P, 2013.

Sources primaires sur la sensibilité

Austen, Jane. « Juvenilia ». In Minor Works. Ed. R.W. Chapman, 1954. [ Courtes fictions parodiques ] ---. Catharine and Other Writings. Ed. Margaret Anne Doody and Douglas Murray. Oxford World’s Classics. Oxford UP, 2009. [ id. ]

Brooke, Frances. The History of Lady Julia Mandeville. 1763. London : Chatto and Pickering, 2012. [ Roman ] ---. The History of Lady Emily Montague. 1769. En ligne : Project Gutenberg. [ Roman ] *Montolieu, Isabelle de. Caroline de Lichtfield, ou Mémoires d’une famille prussienne. 1786. Trad. Thomas Holcroft (1786). London : Chatto and Pickering, 2014. [ Roman ] En ligne : http://www.jimandellen.org/montolieu/caroline.show.html

James Fordyce. Sermons to Young Women. 1766. Ed. Janet Todd. London : Pickering, 1996. [ Manuel de bonne conduite ] Gregory, John. A Father’s Legacy to his Daughters. 1774. London : Cadell and Davies, 1808. En ligne : Archive.org [ Manuel de bonne conduite ] Wollstonecraft, Mary. A Vindication of the Rights of Woman. 1792. Ed. Janet Todd. Oxford : Oxford UP, 1993. [ Mise en cause de la sensibilité ]

Histoire littéraire, contexte historique et littéraire

Adkins, Roy and Lesley. Eavesdropping on Jane Austen’s England. London : Little, Brown, 2013. *Armstrong, Nancy. Desire and Domestic Fiction : A Political History of the Novel. Oxford : Oxford UP, 1987. Colley, Linda. Britons : Forging the Nation 1707-1837. New Haven : Yale UP, 1992. Collins, Irene. Jane Austen and the Clergy. London : Hambledon, 1994. Boyd, Hilton. A Mad, Bad & Dangerous People ? England 1783-1846. Oxford : Clarendon, 2006. * Butler, Marilyn. Jane Austen and the War of Ideas. Oxford : Clarendon, 1975. ---. Romantics, Rebels and Reactionaries : English Literature and its Background 1760-1830. Oxford : Oxford UP, 1981. Fabricant, Carole. « The Aesthetics and Politics of Landscape in the Eighteenth Century. » In Ralph Cohen, ed., Studies in Eighteenth-Century British Art and Aesthetics. Berkeley : U of California P, 1985. Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic : the Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 2nd ed. New Haven : Yale UP, 2000. * Jarvis, Robin. The Romantic Period : The Intellectual and Cultural Context of English Literature 1789- 1830. Harlow : Pearson Longman, 2004. * Kelly, Gary. English Fiction of the Romantic Period 1789-1830. London : Longman, 1989. Kroll, Richard, ed. The English Novel : Smollett to Austen. London : Longman, 1998.

2 McCalman, Iain, ed. An Oxford Companion to the Romantic Age. Oxford : Oxford UP, 1999. Miller, D .A. Narrative and its Discontents : Problems of Closure in the Traditional Novel. 1981. Princeton : Princeton UP, 1989. Monaghan, David. Jane Austen in a Social Context. Totawa, N.J. : Barnes and Noble, 1981. Moretti, Franco. The Way of the World : The Bildungsroman in European Culture. 1987. London : Verso, 2000. Spacks, Patricia Meyer. The Female Imagination: A Literary and Psychological Investigation of Women’s Writing. New York: Knofp, 1975. Renwick, W.L. English Literature 1789-1815. Oxford History of English Literature. Oxford : Oxford UP, 1963. Roe, Nicholas, ed. Romanticism : An Oxford Guide. Oxford : Oxford UP, 2005. Sales, Roger. Jane Austen and Representations of Regency England. 1994. London : Routledge, 1996. *Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. Oxford: Blackwell, 1986. *Todd, Janet, ed. Jane Austen in Context. Cambridge : Cambridge UP, 2005. Todd, Janet. The Sign of Angellica : Women, Writing and Fiction, 1660-1800. London : Virago, 1989. Wu, Duncan, ed. A Companion to Romanticism. Oxford : Blackwell, 1998.

Ouvrages et article sur la sensibilité

* Barker-Benfield, G.J. The Culture of Sensibility : Sex and Society in Eighteenth-Century Britain. Chicago : Chicago UP, 1992. * Brissenden, R.F. Virtue in Distress : Studies in the Novel of Sentiment from Richardson to Sade. New York : Barnes & Noble, 1974. Csengei, Ildiko. Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century. London : Palgrave Macmillan, 2012. * Mullan, John. Sentiment and Sociability : The Language of Feeling in the Eighteenth Century. Oxford : Clarendon, 1988. Pinch, Adela. Strange Fits of Passion : Epistemologies of Emotion, Hume to Austen. Stanford : Stanford UP, 1996. Riskin, Jessica. Science in the Age of Sensibility : The Sentimental Empiricists of the French Enlightenment. Chicago : U of Chicago P, 2002. Stewart, Philip. L’Invention du sentiment : roman et économie affective au XVIIIe siècle. Oxford : Voltaire Foundation, 2010. * Todd, Janet. Sensibility : An Introduction. London : Methuen, 1986. * Van Sant, Jessie. Eighteenth-Century Sensibility and the Novel. Cambridge : Cambridge UP, 1993. Wilson, Erin. « The End of Sensibility : The Nervous Body in the Early Nineteenth Century. » Literature and Medicine 30.2 (Fall 2012) : 276-91.

Ouvrages et chapitres sur les romans de Jane Austen

*Babb, Howard S. Jane Austen’s Novels : The Fabric of Dialogue. Columbus, OH : Ohio State UP, 1952. Bloom, Harold, ed. Modern Critical Views: Jane Austen. New York: Chelsea House, 1986. *Bradbrook, Frank W. Jane Austen and Her Predecessors. Cambridge: Cambridge UP, 1967. Brown, Julia Prewitt. Jane Austen’s Novels : Social Change and Literary Form. Cambridge, Mass. : Harvard UP, 1979.

3 Burrows, J.F. Computation into Criticism : A Study of Jane Austen’s Novels and an Experiment in Method. Oxford : Clarendon, 1987. *Copeland, Edward and Juliet McMaster. The Cambridge Companion to Jane Austen. Cambridge : Cambridge UP, 1997. ---. The Cambridge Companion to Jane Austen. 2nd ed. Cambridge UP, 2011. [ Il vaut la peine de consulter les deux éditions, deux chapitres ayant disparu de la seconde et huit étant apparus, dont un sur la filmographie. ] Devlin, D.D. Jane Austen and Education. London : Macmillan, 1975. Evans, Mary. Jane Austen and the State. London : Tavistock, 1987. *Fergus, Jan. Jane Austen and the Didactic Novel. London : Macmillan, 1983. Fullbrook, Kate. « Jane Austen and the Comic Negative. » In Sue Roe, ed., Women Reading Women’s Writing. Brighton : Harverster, 1987. Galperin, William H. The Historical Austen. Philadelphia : U of Pennsylvania P, 2003. Gard, Roger. Jane Austen’s Novels : The Art of Clarity. New Haven : Yale UP, 1992. Goubert, Pierre. Jane Austen: Etude psychologique de la romancière. Paris: PUF, 1976. Grey, J. David, et al. The Jane Austen Companion. New York: Macmillan, 1986. Hardy, Barbara. A Reading of Jane Austen. 1975. London : Athlone P, 1979. Heydt-Stevenson, Jillian. Austen’s Unbecoming Conjunctions: Subversive Laughter, Embodied History. New York: Palgrave Macmillan, 2005. Horwitz, Barbara J. Jane Austen and the Question of Women’s Education. New York : Peter Lang, 1991. Hudson, Glenda A. Sibling Love and Incest in Jane Austen’s Fiction. Basingstoke : Macmillan, 1992. Johnson, Claudia. Equivocal Beings. Politics, Gender and Sentimentalism in the 1790s : Wollstonecraft, Radcliffe, Burney, Austen. Chicago : U of Chicago p, 1995. *--. Jane Austen : Women, Politics and the Novel. Chicago : U of Chicago P, 1988. *--- and Clara Tuite. A Companion to Jane Austen. Chichester : Wiley-Blackwell, 2009. Kirkham, Margaret. Jane Austen : Feminism and Fiction. 1983. London : Athlone P, 1997. Koppel, Gene. The Religious Dimension of Jane Austen’s Novels. Ann Arbor : UMI Research P, 1988. *Lascelles, Mary. Jane Austen and her Art. 1939. Oxford : Oxford UP, 1966. *Littlewood, Ian, ed. Jane Austen : Critical Assessments. 4 vols. Mountfield : Helm Information, 1998. *Litz, A. Walton. Jane Austen : A Study of her Artistic Development. London : Chatto and Windus, 1965. Mandal, Anthony. Jane Austen and the Popular Novel : The Determined Author. London : Palgrave Macmillan, 2007. --- and Brian Southam. The Reception of Jane Austen in Europe. London: Continuum, 2007. Masséi-Chamayou, Marie-Laure. La Représentation de l’argent dans les romans de Jane AustenParis: L’Harmattan, 2012. *Miller, D.A. Jane Austen, or the Secret of Style. Princeton: Princeton UP, 2003. ---. *Narrative and its Discontents: Problems of Closure in the Traditional Novel. Princeton: Princeton UP, 1981. *Moler, Kenneth A. Jane Austen’s Art of Allusion. Lincoln, NE : U of Nebraska P, 1968. Monaghan, David. Jane Austen : Structure and Social Vision. London : Macmillan, 1980. *Morgan, Susan. In the Meantime: Character and Perception in Jane Austen’s Fiction. Chicago: U of Chicago P, 1980. Mudrick, Marvin. Jane Austen : Irony as Defense and Discovery. Princeton : Princeton UP, 1952. Nardin, Jane. Those Elegant Decorums: The Concept of Propriety in Jane Austen’s Novels. Albany, NY: State U of New York P, 1973. *Page, Norman. The Language of Jane Austen. Oxford: Blackwell, 1972.

4 Park, You-me and Rajeswari Sunder Rajan, eds. The Postcolonial Austen. London : Routledge, 2000. *Poovey, Mary. The Proper Lady and the Woman Writer : Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago : U of Chicago P, 1984. Rigberg, Lynn R. Jane Austen’s Discourse with New Rhetoric. New York : Peter Lang, 1999. Roberts, Warren. Jane Austen and the French Revolution. 1979. London : Athlone P, 1995. *Scott, P.J.M. Jane Austen: A Reassessment. Totowa, NJ: Barnes & Noble, 1982. Sedgwick, Eve Kosovsky. « Jane Austen and the Masturbating Girl. » Critical Inquiry 17 (1990-91): 818-37. Seeber, Barbara K. General Consent in Jane Austen: A Study of Dialogism. Montreal: McGill- Queen’s UP, 2000. Selwyn, David. Jane Austen and Leisure. London : Hambledon P, 1999. *Southam, B.C., ed. Jane Austen : The Critical Heritage. 2 vols. London : Routledge, 1968-87. *---. Critical Essays on Jane Austen. London : Routledge, 1968. *---. Jane Austen: Sense and Sensibility, Pride and Prejudice and Mansfield Park. London: Macmillan, 1976. Stokes, Myra. The Language of Jane Austen A Study of Some Aspects of her Vocabulary. London : Macmillan, 1991. Sulloway, Alison G. Jane Austen and the Province of Womanhood. Philadelphia: U of Pennsylvania P, 1989. *Tanner, Tony. Jane Austen. 1986. Basingstoke : Palgrave Macmillan, 2007. [Contient l’introduction à son édition de S&S. ] *Tave, Stuart. Some Words of Jane Austen. Chicago: Chicago UP, 1973. *Thompson, James. Between Self and World : The Novels of Jane Austen. University Park : Pennsylvania State U, 1988. *Tuite, Clara. Romantic Austen : Sexual Politics and the Literary Order. Cambridge : Cambridge UP, 2002. Waldron, Mary. Jane Austen and the Fiction of her Time. Cambridge : Cambridge UP, 1999. ---, ed. Women’s Writing. Special issue on Jane Austen 5.1 (1998). Wallace, Tara Ghoshal. Jane Austen and Narrative Authority. New York: St Martin’s P, 1995. *Watt, Ian, ed. Jane Austen : A Collection of Critical Essays. 1963. Englewood Cliffs : Prentice Hall, 1986. *Wiesenfarth, Joseph. The Errand of Form : An Assay of Jane Austen’s Art. New York : Fordham UP, 1967. *Wiltshire, John. Jane Austen and the Body : ‘The Picture of Health’. Cambridge : Cambridge UP, 1992. ---. The Hidden Jane Austen. Cambridge : Cambridge UP, 2014. [ Un chapitre sur S&S ] Wright, Andrew. Jane Austen’s Novels: A Study in Structure. London : Chatto and Windus, 1953.

Ouvrages et articles sur Sense and Sensibility

ApRoberts, Ruth. « Sense and Sensibility, or Growing up dichotomous. » Nineteenth-Century Fiction 30 (1975-76): 351-65. *Armstrong, Isobel. Sense and Sensibility. Penguin Critical Studies. London : Penguin 1994. Bartlett, Nora. « Deaths and Entrances : The opening of Sense and Sensibility. » Persuasions : the Jane Austen Journal On-line 32.2 (Summer 2012) : no pagination. Benedict, Barbara. « Jane Austen’s Sense and Sensibility: The Politics of Point of View ». Philological Quarterly 69.4 (Fall 1990): 453-70.

5 Boyd, Zelda. « The Language of Supposing : modal auxiliaries in Sense and Sensibility ». In Janet Todd, ed., Jane Austen : New Perspectives. New York : Holmes and Meier, 1983. Pp. 142-54. Brissenden, R. F. « The Task of Telling Lies : Candor and Deception in Sense and Sensibility. » In Paul J. Korshin and Robert R. Allen, Greene Centennial Studies. Charlottesville : UP of Virginia, 1984. Pp. 442-57. Brodey, Inger Sigrun. « Adventures of a Female Werther: Jane Austen’s Revision of Sensibility. » Philosophy and Literature 23.1 (April 1999): 110-26. *Craddock, Patricia. « The Almanac of Sense and Sensibility ». Notes and Queries new series 26 (1979): 222-6. Edgecombe, Rodney Stenning. « Change and Fixity in Sense and Sensibility ». SEL: Studies in Englih Literature 1500-1900 41.3 (2001): 605-22. *Folsom, Marcia McClintock. « The Narrator’s Voice and the Sense of Sense and Sensibility. » Persuasions : The Jane Austen Journal 33 (2011) : 29-39. Goodlad, Lauren M.E. « England’s Glorious ‘Middle Way’: Self-Disciplinary Self-Making and Jane Austen’s Sense and Sensibility. » Genr e: Forms of Discourse and Culture 33.1 (Spring 2000) : 51-81. Goubert, Pierre. « Sense and Sensibility : Réflexions sur un titre. » XVII-XVIII Bulletin de la Société d’études anglo-américaines des XVIIe et XVIIIe siècles (juin 1993) : 55-60. Hughes, Bill. « Jane Austen’s Conversational Pragmatics : Rational Evaluation and Strategic Action in Sense and Sensibility. » Persuasions: the Jane Austen Journal On-Line 32.2 (Summer 2012) : no pagination. Jack, Ian. « The Epistolary Element in Jane Austen. » In G.A. Bonnard, ed., English Studies Today : Second Series. Bern : Francke, 1961. Pp. 173-86. Johnson, Claudia. « The ‘Twilight of Probability’ : Uncertainty and hope in Sense and Sensibilit.y » Philological Quarterly, 62 (1983): 171-86. Kaplan, Deborah. « Achieving Authority : Jane Austen’s first published novel. » Nineteenth- Century Fiction 37 (1983) : 531-51. Kaplan, Laurie and Richard S. Kaplan. « What is Wrong with Marianne ? Medicine and Disease in Jane Austen’s England. » Persuasions : Journal of the Jane Austen Society of North America 12 (16 December 1990) : 117-30. *Kaufmann, David. « Law and Propriety, Sense and Sensibility : Austen on the Cusp of Modernity. » ELH 59.2 (Summer 1992) : 385-408. Kroeber, Karl. « Jane Austen as an Historical Novelist: Sense and Sensibility. » Persuasions: Journal of the Jane Austen Society of North America 12 (December 16, 1990) : 10-18. Lindstrom, Eric Reid. « Sense and Sensibility and Suffering ; or, Wittgenstein’s Marianne ? » ELH : English Literary History 80.4 (2013) : 1067-92. Maurer, Shawn L. « At Seventeen : Adolescence in Sense and Sensibilit.y » Eighteenth-Century Fiction 25.4 (2013) : 721-50. McMaster, Juliet. « Speaking Fictions : The genres of Talk in Sense and Sensibility. » Persuasions : The Jane Austen Journal 33 (2011) : 172-86. Mitric, Ana. « Jane Austen and Civility : A Distant Reading. » Persuasions : The Jane Austen Journal 29 (2007) : 194-208. *Moler, Kenneth L. « Sense and Sensibility and its Sources. » Review of English Studies 17 (1966) : 413-19. *Moody, Ellen. « A Calendar for Sense and Sensibility. » Philological Quarterly 78.3 (Summer 1999) : 301-34. O’Rourke, James L. « What Never Happened: Social Amnesia in Sense and Sensibility. » SEL: Studies in English Literature 1500-1900 54.4 (2014) : 773-91. Perkins, Moreland. Reshaping the Senses in Sense and Sensibility. Charlottesville : UP of Virginia, 1998.

6 Phillipps, Kenneth C. « Lucy Steele’s English ». English Studies 50 (1969), Anglo-American Supplement, lv-lxi. Richardson, Rebecca. « Dramatizing Intimacy : Confessions and Free Indirect Discourse in Sense and Sensibility. » ELH 81.1 (2014) : 225-44. *Ruoff, Gene W. Jane Austen’s Sense and Sensibility. London : Harvester Wheatsheaf, 1992. *Sabor, Peter. « Good, Bad, and Ugly Letters in Sense and Sensibility. » Persuasions : The Jane Austen Journal On-Line 32.1 (Winter 2011) : no pagination. Saisselin, Rémy. « The Man of Taste as Social Model, or ‘Sense and Sensibility. » In JacquesCarré, ed. The Crisis of Courtesy : Studies in the Conduct-Book in Britain, 1600-1900. Leiden : Brill, 1994. Pp. 119-27. Seeber, Barbara Karolina. « ‘I see Every Thing as You Desire Me to Do’ : The Scolding and Schooling of ». Eighteenth-Century Fiction, 11.2 (1999) : 223-34. Spacks, Patricia Meyer. « Privacy, Dissimulation, and Propriety : Frances Burney and Jane Austen. » Eigthteenth-Century Fiction12.4 (July 2000) : 515-31. Stohr, Karen. « Practical Wisdom and Moral Imagination in Sense and Sensibility ». Philosophy and Literature 30.2 (2006) : 378-94. Thompson, James. « Sense and Sensibility : Finance and Romance. » In Syndy McMillen Conger, Creative Resistance to Sentiment from the Augustans to the Romantics. Rutherford : Farleigh Dickinson UP, 1990 ; 147-71. Wallace, Tara Ghoshal. « Sense and Sensibility and the Problem of Feminine Authority. » Eighteenth-Century Fiction 4.2 (1992) : 149-64. Zimmerman, Everett. « Admiring Pope no more than is proper : Sense and Sensibility » In John Halperin, ed. Jane Austen : Bicentenary Essays (Cambridge : Cambridge UP, 1975) : pp. 123-43.

Filmography

Selection of other Sense and Sensibility adaptations:

From Prada to Nada, directed by Angel Gracia. Lionsgate, 2011. 107 minutes. Kandukondain, Kandukondain, directed by Rajiv Menon. V. Creations (Tamil adaptation). 2000. 158 minutes. Sense and Sensibility, directed by John Alexander. Screenplay Andrew Davies. BBC / WGBH Boston, 2008. 174 minutes.

Selection of other Jane Austen adaptations:

Jane Austen’s Emma, directed by Diarmuid Lawrence, written by Andrew Davies. 1997 UK. ITV/A&E. 107 minutes. Mansfield Park, directed and written by Patricia Rozema, 1999 US/UK. Miramax, BBC, HAL Films. 112 minutes. Pride and Prejudice, directed by Simon Langton, written by Andrew Davies. 1995 UK. BBC TV series. 300 minutes (6 episodes). Pride and Prejudice, directed by Joe Wright, written by Deborah Moggach. Working Title, 2005. 127 minutes.

Selection of other Ang Lee films:

The Wedding Banquet. Samuel Goldwyn Company, 1993.

7 Eat Drink Man Woman. Samuel Goldwyn Company, 1994. The Ice Storm. Fox / Touchstone, 1997. Crouching Tiger, Hidden Dragon. EDKO / Sony, 2000. Brokeback Mountain. Focus Features, 2005.

Bibliography

General works on film analysis and adaptation.

BAZIN, André. « Pour un cinéma impur: défense de l’adaptation », Qu’est-ce que le cinéma ? Paris: Cerf, 1981. 81-106. BORDWELL, David and Kristin Thompson. Film Art, an Introduction. McGraw-Hill, Inc.: 1979, reed. 1993. CARTMELL, Deborah, and Imelda WHELEHAN, eds. Adaptations. From Text to Screen, Screen to Text. London and New York: Routledge, 1999. CARTMELL, Deborah and Imelda WHELEHAN, eds. The Cambridge Companion to Literature on Screen. Cambridge: Cambridge University Press, 2006. GIDDINGS, Robert, Keith SELBY and Chris WENSLEY. Screening the Novel: the Theory and Practice of Literary Dramatization. 1990. New York: St Martin’s Press, 1997. —— and Erica SHEEN, eds. The Classic Novel from Page to Screen. Manchester, New York: Manchester University Press, 2000. HARPER, Sue. Picturing the Past: the Rise and Fall of the British Costume Film. London: British Film Institute, 1994. HIGSON, Andrew. English Heritage, English Cinema. Costume Drama since 1980. Oxford: Oxford University Press, 2003. HUTCHEON, Linda. A Theory of Adaptation. London; New York: Routledge, 2006. LEITCH, Thomas. Film Adaptation and Its Discontents. From Gone With the Wind to the Passion of Christ. Baltimore: Johns Hopkins University Press, 2009. MC FARLANE, Brian. Novel to Film: an Introduction to the Theory of Adaptation. Oxford: Clarendon Press; New York: Oxford University Press, 1996. NAREMORE, James, ed. Film Adaptation. London: the Athlone Press, 2000. STAM, Robert, and Alessandra RAENGO, eds. A Companion to Literature and Film. Oxford: Blackwell, 2004.

On Sense and Sensibility and Jane Austen adaptations.

AMIS, Martin. “Jane’s World”. The New Yorker 8 Jan. 1996: 31-35. BLUM, Virginia. “The Return to Repression: Filming the Nineteenth Century”, in Pucci, Suzanne R. and James Thompson, eds. Jane Austen & Co.: Remaking the Past in Contemporary Culture. Albany: State University of New York Press, 2003. 133-156. BROWNSTEIN, Rachel M. “Out of the Drawing Room, Into the Lawn”, in Troost, Linda and Sayre N. Greenfield, eds. Jane Austen in Hollywood. Lexington: University Press of Kentucky, 1998. 13–21. DILLEY, Whitney Crothers. “Opposition and resolution in Sense and Sensibility, The Cinema of Ang Lee. New York: Wallflower, 2007. 85-101. DOBIE, Madeleine. “Gender and the Heritage Film: Popular Feminism Turns to History”, in Pucci, Suzanne R. and James Thompson, eds. Jane Austen & Co.: Remaking the Past in Contemporary Culture. Albany: State University of New York Press, 2003. 247–260.

8 DOLE, Carol M. “Austen, Class and the American Market”, in Troost, Linda and Sayre N. Greenfield, eds. Jane Austen in Hollywood. Lexington: University Press of Kentucky, 1998. 58- 78. GAY, Penny. “Sense and Sensibility in a Post-Feminist world: Sisterhood is Still Powerful” in MacDonald, Gina and Andrew MacDonald, eds. Jane Austen on Screen. Cambridge University Press, 2003. 90–110. GRAY, Beverley. “Sense and Sensibility, a Script Review” Creative Screenwriting 4.2. Summer 1997: 74-82. HARRIS, Jocelyn. “Reviews of Sense and Sensibility, Persuasion and Clueless”. Eighteenth Century Fiction 8. 1996: 427-30. HIGSON, Andrew. “English Heritage, English Literature, English Cinema: Selling Jane Austen to Movie Audiences in the 1990s” in Voigts-Virchow, Eckart. Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s. Gunter Narr Verlag Tubingen, 2004. 35–50. KAPLAN, Deborah. “Mass Marketing Jane Austen”, in Troost, Linda and Sayre N. Greenfield, eds. Jane Austen in Hollywood. Lexington: University Press of Kentucky, 1998. 177- 187. KOHLER-RYAN, Renee and Sydney PALMER. “What Do You Know of My Heart?: The Role of Sense and Sensibility in Ang Lee's Sense and Sensibility and Crouching Tiger Hidden Dragon”, in Arp, Robert, Adam Barkman and James McRae. The Philosophy of Ang Lee. University Press of Kentucky, 2013. 41–63. LOOSER, Devoney. “Jane Austen ‘Responds’ to the Men’s Movement”. Persuasions On-Line 18: 150–170. 1996. http://www.jasna.org/persuasions/printed/number18/looser.htm Last consultation May 2015. MACDONALD, Gina and Andrew F. MACDONALD, eds. Jane Austen on Screen. Cambridge: Cambridge University Press, 2003. MENAND, Louis. “Hollywood’s trap”. New York Review of Books 19 Sept. 1996: 4-6. ____. “What Jane Austen doesn’t tell us”. New York Review of Books 1 Feb. 1996: 13-15. MILLS, Clifford W. Ang Lee. Chelsea House Publishers, 2009. MONAGHAN, David, Ariane HUDELET and John WILTSHIRE. The Cinematic Jane Austen. Jefferson, NC and London: McFarlane, 2009. NIXON, Cheryl L. “Balancing the Courtship Hero: Masculine Emotional Display in Film Adaptations of Austen’s Novels”, in Troost, Linda and Sayre N. Greenfield, eds. Jane Austen in Hollywood. Lexington: University Press of Kentucky, 1998. 22–43. NORTH, Julian. “Conservative Austen, Radical Austen: Sense and Sensibility from Text to Screen”, in Cartmell, Deborah, and Imelda Whelehan, eds. Adaptations. From Text to Screen, Screen to Text. London and New York: Routledge, 1999. 38-50. O’NEILL, Eithne. “Blue Wedgwood”, critique de Sense and Sensibility, Positif 42 Mars 1996: 50- 51. PARRILL, Sue. “What Meets the Eye: Landscape in the Films Pride and Prejudice and Sense and Sensibility”. Persuasions; The Journal of the Jane Austen Society of North America 21. 1999: 32- 43. PIDDUCK, Julianne. “Of Windows and Country Walks. Frames of Space and Movement in 1990s Austen Adaptations”, in Park, You-Me and Rajeswani Sunder Rajan, eds. The Postcolonial Jane Austen. London: Routledge, 2001. 116-136. PUCCI, Suzanne R. and James THOMPSON, eds. Jane Austen & Co.: Remaking the Past in Contemporary Culture. Albany: State University of New York Press, 2003. PYE, Michael. “Austen Viewed from Mars”. The Daily Telegraph Arts 27 Jan. 1996: P A1 +3. (on Sense and Sensibility, interview of Ang Lee).

9 SALES, Roger. “In Face of All the Servants: Spectators and Spies in Austen”, in Lynch, Deirdre, ed. Janeites: Austen’s Disciples and Devotees. Princeton: Princeton University Press, 2000. 188-205. STEVENS, Amy. “Poor Jane Austen didn’t live to see Sense and Sensibility”. Wall Street Journal 25 Mar.1996: 1+. STOVEL, Nora. “From Page to Screen: Emma Thompson's Film Adaptation of Sense and Sensibility” Persuasions On-Line 32 (1). 2011. http://www.jasna.org/persuasions/on-line/vol32no1/stovel.html Last consultation May 2015. THOMPSON, Emma. Sense and Sensibility; the Diaries. London: Bloomsbury, 1995. ——. Sense and Sensibility, the Screenplay. London: Bloomsbury, 1995. THOMPSON, James. “How to Do Things with Austen”, in Pucci, Suzanne R. and James Thompson, eds. Jane Austen & Co.: Remaking the Past in Contemporary Culture. Albany: State University of New York Press, 2003. 13-32. TROOST, Linda and Sayre N. GREENFIELD, eds. Jane Austen in Hollywood. Lexington: University Press of Kentucky, 1998, rpt.2001. TROOST, Linda V. “The Nineteenth-century Novel on Film: Jane Austen", in Cartmell, Deborah and Imelda Whelehan, eds. The Cambridge Companion to Literature on Screen. Cambridge University Press, 2007. 75–89. WELDON, Faye. “Star of Age and Screen”. The Guardian 12 Mar. 1995: s.2. 2-11-12. ——. “Jane Austen and the Pride of Purists”. New York Times 8 Oct. 1995: H15. WILTSHIRE, John. Recreating Jane Austen. Cambridge: Cambridge University Press, 2001.

Internet resources

The Republic of Pemberley http://pemberley.com/

The Jane Austen Society of North America http://jasna.org

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