A MULTIMODAL CRITICAL DISCOURSE ANALYSIS by Kristin
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
The City Anthology: Definition of a Type
Marven, L 2020 The City Anthology: Definition of a Type. Modern Languages Open, 2020(1): 52 pp. 1–30. DOI: https://doi.org/10.3828/mlo.v0i0.279 ARTICLE The City Anthology: Definition of a Type Lyn Marven University of Liverpool, GB [email protected] This article uses a corpus of over one hundred and fifty Berlin literary anthologies from 1885 to the present to set out the concept of a ‘city anthology’. The city anthology encompasses writing from as well as about the city, and defines itself through a broad sense of connection to the city rather than thematic subject matter as such. This article uses the example of Berlin to set out the unique traits of the city anthology form: the affective connection between authors, editors, readers, texts and the city; diversity of contributors and literary content; and a tendency towards reportage. It further uses the corpus to identify four key types of city anthology – survey, snapshot, retrospective and memory anthology – and to argue for a functional rather than formal definition of the anthology. Finally, Berlin anthologies challenge precepts of that city’s literary history in two key ways: in mapping different historical trajectories across the nineteenth to twenty-first centuries, and in particular countering the focus on the much better known city novel. The often-overlooked city anthology thus constitutes a specific form of city literature as well as anthology. As a literary manifestation – not just a representation – of the city, city anthologies inhabit a border space between literary geographies and urban imaginaries with the potential to open up an affective dimension in urban studies. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Australian Anarcha-Punk Zines: Poststructuralism in Contemporary Anarchist and Gender Politics
Australian Anarcha-Punk Zines: Poststructuralism in Contemporary Anarchist and Gender Politics Author Nicholas, Lucy Katherine Published 2006 Thesis Type Thesis (Masters) School School of Arts, Media and Culture DOI https://doi.org/10.25904/1912/2826 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367436 Griffith Research Online https://research-repository.griffith.edu.au Australian Anarcha-punk Zines: Poststructuralism in contemporary anarchist and gender politics. Lucy Katherine Nicholas BA (Hons) Politics and Society with Combined Studies, University of Gloucestershire Submitted in fulfilment of the requirements of the degree of Master of Philosophy in the Faculty of Arts, Griffith University. Date of Submission: September 2005 Abstract This thesis describes and analyses the politics of the Australian DIY anarcha-punk scene and the ethos of the culture’s participants. Eschewing the orthodox sub-cultural approach which situates “punk” within a structuralist hegemony / resistance paradigm, the thesis uses participant observation and textual analysis techniques to understand the role played by zines (hand made publications) in fostering the intellectual and ethical capacities needed to participate in the Australian DIY anarcha-punk scene. The zines, in their deviation from classical anarchism, often invoke concepts of power and “the political” analogous with those of poststructuralist theory, yet DIY anarchist politics also diverge from poststructuralism. I therefore address DIY anarchist politics by questioning the significance of these inconsistencies with Theory. In doing so I am led to suggest that the zines may be more usefully approached as elements in the ethico- political practice of DIY anarchism, which nonetheless draws on the “conceptual vocabulary” of much poststructuralism, as well as other theoretical approaches. -
Film Adaptation As the Interface Between Creative Translation and Cultural Transformation
The Journal of Specialised Translation Issue 29 – January 2018 Film adaptation as the interface between creative translation and cultural transformation: The case of Baz Luhrmann’s The Great Gatsby Katerina Perdikaki, University of Surrey ABSTRACT Adaptation is prominent in many facets of the creative industries, such as the performing arts (e.g. theatre, opera) and various forms of media (e.g. film, television, radio, video games). As such, adaptation can be regarded as the creative translation of a narrative from one medium or mode to another. This paper focuses on film adaptation and examines its role in cultural production and dissemination within the broader polysystem (Even-Zohar 1978a). Adaptation has been viewed as a process which can shed light on meaningful questions on a social, cultural and ideological level (cf. Casetti 2004; Corrigan 2014; Venuti 2007). Nevertheless, an integrated framework for the systematic analysis of adaptations seems to have remained under-researched. The paper puts forward a model for adaptation analysis which highlights the factors that condition adaptation as a process and as a product. In this way, adaptation is studied as a system monitored by economic, creative and social agendas which nevertheless transforms the communicating vessels of the literary system and the film industry. To illustrate this, the paper discusses how the two systems and various creative and socioeconomic considerations interlace in the latest film adaptation of The Great Gatsby (Luhrmann 2013). It concludes on the benefits of a holistic approach to adaptation. KEYWORDS Film adaptation, translation, polysystem, paratexts, creative industries, The Great Gatsby. 1. Introduction Adaptations play a crucial part in the contemporary creative industries. -
December Edition
Black Diamond Presents you: Monthly Miner Bulletin: December Edition SCHOOL NEWS: Covid-19 causes California to Shut down Upcoming Holidays 2nd Quarter Report Cards are mailed out on Covid-19 has the citizens of California January 29th. stuck in their homes as it has caused Martin Luther King Jr. Birthday Monday California to shut down. Covid-19 has been January 18th, keeping hospitals all over the United States on their feet. Reaching up to a whopping 21,000 Monday February 8th is Lincoln's birthday. new cases a day, twice as many as the state Monday February 15th is Presidents day. was reporting at its worst part, and it's by far the highest level of the pandemic right now, it really makes you wonder how we aren't losing Rocket League - Video Game Tourney! it's a our minds by now. 3v3 tournament. They can sign up as a single, a The statistics of COVID-19, In Contra pair, or a full team of 3! This game is offered on Costa county we have about 45,000 cases and all gaming systems (Xbox, PlayStation, switch, PC, etc.). Cut off to sign up next Friday the 371 deaths. In California we have about 3 22nd! million cases and we also have about 29,000 deaths. The United States have 21.7 million cases and 365K deaths. Worldwide we have check the ECHO main page, District page and 88.2 million cases 49.2 million recovered and school website for up-to-date information we have 1.9 million deaths. Wear a mask, regarding school news wash your hands, and stay safe indoors. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Dance Music & Songs
Top 10’s – Dance Music & Songs Dance Music Top 10 50's 1. Chuck Berry – Johnny B Good 2. Dion – Runaround Sue 3. Chubby Checker – Let’s Twist Again 4. Jerry Lee Lewis – Great Balls Of Fire 5. The Beatles – Twist and Shout 6. Big Bopper – Chantilly Lace 7. Elvis Presley – Can’t Help Falling In Love 8. Bill Haley – Rock Around The Clock 9. The Commitments – Mustang Sally 10. The Kingsmen – Louie Louie Top 10 60's or Motown 1. Temptations – Aint To Proud To Beg 2. Aretha Franklin - Respect 3. Stevie Wonder – I Was Made To Love Her 4. Diana Ross – Someday We’ll Be Together 5. Michael Jackson - ABC 6. The Foundations – Build Me Up Buttercup 7. Rolling Stones - Satisfaction 8. Temptations – My Girl 9. Ike and Tina Turner – Proud Mary (newer version) 10 David Sanborn & Babi Floyd - Shotgun Top 10 70's and Disco 1. Beegees - Stayin’ Alive 2. Abba – Dancin’ Queen 3. Grease Megamix 4. Kool and The Gang - Celebration 5. Donna Summer – Last Dance 6. Village People - YMCA 7. KC and The Sunshine Band – That’s The Way 8. Gloria Gaynor – I Will Survive 9. Marvin Gaye – Got To Give It Up 10. Franki Valli - Oh What A Night Top Ten 80's Dance Hits 1. EWF - September 2. George Clinton - Atomic Dog 3. Dead Or Alive – Spin Me Around 4. B52’s – Love Shack 5. Madonna - Holiday 6. GoGo’s – We Got The Beat/Our Lips are Sealed 7. Romantics – What I like About You 8. Billy Idol – Mony Mony 9. Michael Jackson - Thriller 10. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Musical Preferences and Technologies: Contemporary Material and Symbolic Distinctions Criticized
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/277006512 Musical preferences and technologies: Contemporary material and symbolic distinctions criticized Article in Journal of Consumer Culture · May 2015 DOI: 10.1177/1469540515586870 CITATIONS READS 11 943 3 authors: Adrián Leguina Sara Arancibia-Carvajal Loughborough University Universidad Diego Portales 24 PUBLICATIONS 53 CITATIONS 3 PUBLICATIONS 15 CITATIONS SEE PROFILE SEE PROFILE Paul Widdop Leeds Beckett University 40 PUBLICATIONS 206 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Outcomes of Sport View project Leeds Let's Get Active View project All content following this page was uploaded by Adrián Leguina on 21 May 2015. The user has requested enhancement of the downloaded file. Musical preferences and technologies: contemporary material and symbolic distinctions criticised Adrian Leguina The University of Manchester, UK Sara Arancibia-Carvajal Universidad Diego Portales, Chile Paul Widdop Leeds Beckett University, UK Journal of Consumer Culture 0(0) 1–23 ©The Author(s) 2015 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1469540515586870 joc.sagepub.com This is a preprint. May contain typos. Final version available at http://joc.sagepub.com/content/early/2015/05/19/1469540515586870.full.pdf+html Abstract: Music as a mechanism for social distinction is well established (Bennett et al, 2009). Yet, perhaps more than any other form of cultural expression, it is music which has been systematically transformed by emerging technologies. From the gramophone, radio, cassette, and CD, through to portable devices and shared through social media, music is in constant flux. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
(De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University
Seton Hall University From the SelectedWorks of Karen Bloom Gevirtz Winter 2010 (De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University Available at: https://works.bepress.com/karen_gevirtz/3/ Karen B. Gevirtz PERSUASIONS ON-LINE V.31, NO.1 (Winter 2010) (De)Constructing Jane: Converting “Austen” in Film Responses KAREN B. GEVIRTZ Karen B. Gevirtz (email: [email protected]) is an Assistant Professor of English at Seton Hall University. She is the author of Life After Death: Widows and the English Novel, Defoe to Austen (University of Delaware Press, 2005) and articles on eighteenth-century women novelists. YOU SORT OF FEEL LIKE YOU OWN HER,” Keira Knightley says of Jane Austen in an interview, adding, “And I’m sure everybody feels the same way” (“Jane Austen”). Certainly if the last two decades are any indication, just about “everybody” does feel a claim or connection not just to the works but to Austen herself. Suzanne R. Pucci and James Thompson describe an explosion of Austen-related materials in an impressive array of media, from traditional print to cyberspace, during the end of the twentieth and the beginning of the twenty-first century (1). Phases appear within this effusion, however, particularly in film responses to her work. In the 1990s, films were occupied with the novels themselves. Gradually, however, film responses have shifted their focus so that by the end of the first decade of the new millennium, a large number of Austen films present the novels not as the result of brilliant literary endeavor, but as the inevitably limited product of a historically-bound being, Austen the woman.