DOCSLIB.ORG

Nino Martini Appears Here in Concert Series March 24

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nino Martini Appears Here in Concert Series March 24 Georgia College Knowledge Box Colonnade Special Collections 3-8-1941 Colonnade March 8, 1941 Colonnade Follow this and additional works at: https://kb.gcsu.edu/colonnade Part of the Higher Education Commons, and the Mass Communication Commons Recommended Citation Colonnade, "Colonnade March 8, 1941" (1941). Colonnade. 368. https://kb.gcsu.edu/colonnade/368 This Book is brought to you for free and open access by the Special Collections at Knowledge Box. It has been accepted for inclusion in Colonnade by an authorized administrator of Knowledge Box. •..'•-• •*.••••"." Overton to fcead ^ T a l k s f [ie On Personal Problems 'r^--" 010 nh a e Grace Sloan Oerton, au- Volume XV. Z-122. Milledgeville, Ga., Saturday March 8, 1941 Number 20 thor of "Love, Marriage and Parenthood", will be the speaker for the annual In- stitute of Personal Relations Nino Martini Appears Here sponsored by the YWCA on March 27-30. A member of the Commit- tee on Marriage and the Hjome In Concert Series March 24 for *he Federial Council of Churches, Mrs. Overton has Nina Martini, young lead- had many years' experience ing tenor of the Metropolitan working with social groups Opera, will appear here in all over the United States as concert Monday, March 24, an expert in social relation- under the auspices of the Co- ship problems. operative Concert Associa- The program of the Insti- tion. The program, which tute of Personal Relations will be in Russell auditorium will be as follows: Thursday, will begin at 8:30. 10:00: "Youth and Its Di- At the age of ten, the lemmas"; 4:00 "Morals in a gentleman of Verona started Changing Culture"; 7:00 GRACE OVERTON horseback riding at the fam- "New Aittitudes Toward the ours Camp Delia Fiera, and Body'*. Friday: 10:30 "Ro- Y Speaker singing. He sang so vociferous miantic Mamage and Personal ly that his teacher, the local Integrity"; 4:00 "Making Tomorrow's Homes". Sunday: choirmaster, insisted that he Romantic Marriage Socially 10:00 "Marriage and Christ- stop for a while in order not Sound"; 7:00 "From Love to ian Integrity"; 6:45 "Can We to ruin his voice. Martini was Parenthood". Saturday: 10:- Have Faith in the Future?" later soloist and a member of 30 "Ai-e Children a Gamble?"; All meetings will be held in the choir of San Fermon's 2:00 "Today's Childi-en and Russell auditorium. church. The performance in which Martini made his operatic College Life h Theme debut at 21 as the Duke in I: f'Rigoletto'' so inspired! the audience that he was immed- For Texas DancelGroup iately signed for "I Puritini" an opera that had not been BY ANN WATERSTON sung for over 50 years in its lecture. "Education XYZ'^ original key because one of March 25 is the date Dr.- (mental hygiene) begins with the tenor arias called for F Anne Schley Duggan, Presi- a happy, well integrated above high C. HSs sensation- dent of the National Physi- group of students who suffer al success in "Puritini" result^ cal Education, and her Mod- ed in 16 succesive perform- successively the personality For the third of the Cooperative Concert Association pre- ern Dance Group from Texas difficulties included in a ance in Milan. Then he went State College for Women will course in mental hygiene. sentations, famed Metropolitan tenor Nino Martim will on a concert tour of Euro- be on our campus. They pass from their state of sing here M)onday, March 24 . pean music centers. Martini's Dr. Duggan will speak in integration through a perse- ikat ajppe^rance in concert chapel on Tuesday morning cution complex, delusion of joutside of Italy was maide and she will conduct a lecture grandeur—^in which individu- Ace Reporter with the famous Kurhaus Or- als confess themselves with YIVCA Plans chestra in (Dstend, Belgium demonstration on that after- and in Paris, he met Jesse noon at 4:30 in the Physical Stokowski, Napoleon and Cle- Lectures On Lasky. ' ' :' , • i i i'lC Education Building. All who opatra, and through the stag- Retreat Here are interested in the dance es of extreme depression and After being pei^uaded to and have had enough danc- elation. Happily, they return" liarcll 22,23 Overseas War come to Ajmjerica for five ing to know the fundamentals to their original state of in- (Continued on page 5) of it are invited to come as tegration. "Speech Clinic" DeWitt Mackenzie, author spectators or to participate. opens with a group of stud- Dr. Josiah Crudup of Mer- and newspapemvan, will be Tuesday night at 8:15 Dr. ents taking deep-breathing ex- cer University Iwill^ be Sthe featured here on the lyceum CGA Oiticials Duggan will present her ercises and reviewing assign- principal speaker at the Lead- series Thursday night, March Group in a recital in Russell ments prior to the bell which ership Training Retreat which will be sponsored by the 27. at 8:30 in Russell audir auditorium. Admission will summons them to the pre- ' torium. Retreating be free. All students, faculty sentations of individual clini- YWCA on this campus March 22 and 23. Mr. Mackenzie received his and town people who are in- cal cases. The assignment is New College Government Georgia colleges have been education at Black River Ac- terestd are invited to the the recitation of the familiar ademy, Ludlow, Vt.,. and Ajssociation officers, members dance. quatrain from Shakespeare's invited to send representa- of Upper Court, Student tives from their YW and YM Syracuse University, and be- Julius Ceasar which begins gan his career as a reporter Council, Honor Council, Miss One of the groups of dan- with "Friends, Romans, Coun- organizations to the retreat Ethel Adams and Miss Mary ces that the girls will present which will begin Saturday af- on the Syracuse Post Stand- trymen"—^Four cases perform ard in 1908. From there he Thomjas Maxwell left this af- is the CAMPUS SUITE which in turn—& timid student, a ternoon with a worship pro- ternoon, March 8, for the an- is composed of dances de- gram led by Dr. Crudup. The went on to the sports editor- "rah-rah" type, a girl who has ship of the Schenectady Gaz- nual spring retreat at Lake] veloped on themes closely re- had a great deal of elocution, program for the retreat will Laurel. lated to student life on the be as follows: 4:00-4:30, Get ette, N. J. Later he became and a very dramatic indivi- a member of the editorial Spring retreat is instigatec Texas State College for Wo- dual. Acquainted Tea; 4:30-6:00, men campus. "Registration" Program Laboratory, What staff of the Associated Press, fori the purpose of getting: commemorates the tribula- is the Real Purpose of the serving as foreign corres- new officers of College Gov- tions on registration day, in- Chilistian Association of a pondent to Ireland in 1916. ernment associated with prob- cluding line crashing, renew- Stevenson, Moore Campus? led by Mr. Henry Mackenzie was the first lems and plans for the com- all of acquaintances, iconsul- Speak at Tech Ware, Regional Y. M. Sec- journalist admitted to Egypt ing year, and to acquaint them tation of schedule sheet, and retary; 7:30, Banquet, guets after the outbreak of the with all phases of studeni difficulties in the boolcroom. "Labor in the Defense speaker to be Dr. Ctudup. The World War and he is accred- government. "Garden Party" portrays the Program" was the topic for Sunday schedule will include: ited with outstanding service Speeches, open discussions meeting of faculty and new discussion led by Doris Stev- 9:30-11:00, Program labor- to the British and Firench forums, proposed changes ii students and the popularity enson and June Moore at a altory. Ways By Which the armies in a journalistic capa- the Contitution, and suggest of the punch bowl, an in- program presented at Geor- -Purpose of the Christian As- city from 1917 to the end ed improvements in genera evitable adjunct of the garden gia Tech Wednesday, March sociation Might be Realized, of the war. will predominate Saturday af party. "In the Classroom" 5. Caroline Edwards, Merle led by Miss Elizabeth Stin- temoon and Sunday morning Representing the AP, Mack- The party will return Sun \ reviews typical classroom McKemie, and Josephine Bone Son,T.,secretary, Winthrop enzie, covered the peace con- procedures including roll call, completed, the deputation sent diiy morning, March 9 befon recitation, and a boring class by the YWGA. ::;,,: „ (Continued i^ page 5) (Contiriued on page six)' lunch. Ave Tw« TRS COLONNADS Saturday. March 8,1941 THE COLONNADE Page Three ^iOtfr^liaMK Saturday, March 8,1941 Rtqti2st For Student mi •--r-. THESE PEOPLE Drama Class Choir Awaits March 15 MAiaiNEWS Valtin Packs Drama Into To Head For^New|Orleans if' - By BLANCHE LATTON - Gives Plays For many months we have begged for more student True Story/Out oliliemglir Have you ever thought of The A Capella Choir, com participation in chapel; we haVe ^ k ^ fdi* m6re voic^ iii BY MILDRED BALLARD posed of girls from GSCW an( AVe Maria—Jacob Arcad- what one possession you'd Horror stories that chill the very blood have leaked the choice of programs; aiid we have promised better aud- like to have if you could have March 10 boys from GMCi, will leave ^elt. ience reaction if and when our first two objectives are out to us from the hotbed that is Nazi Germany today but Saturday, March 15, on theii Brother James' Air—Gor- any one thing you asked for? none bring with them quite Two plays, a comedy and accomplished.
Load more

Recommended publications
  • 28Apr2004p2.Pdf
    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
    [Show full text]
  • Silk Stockings
    STATE A REAL MONEY SAVER Service Weight Silk Stockings Pure thread silk to the hem full fashioned for lit with pieot Enter tlx* Villa'it perfect on the Broadway theater New York—You can count the mustache* run cradle boards and still have enough fingers left for a Bach concerto. top guaranteed atop The days of thd villain who stroked his precariously glued fringe and hissed: "Ah-ha, me fair lady,” have not only vanished, but a good foot French heels reinforced toe rent the Good Evening. o!d-fasl)loned villain Is almost as rare as a tenant who pays on first of the month. guard. -r°i- Within the month I have heard Innumerable sighs for the return of a villain who would cause real shudders. Only Hollywood supplies ANOTHER VIEW OF IT them and mostly In westerns. There Is, for Instance, a murder-mystery In such fashionable shades the last fellow one play In which the slayer turns out to be. as usual, as these: would suspect. But he Is a psychopathic case and causes sympathy The new year beckons. of his even at a moment when shudders accompany understanding Nomad So we are told, plight. Corner," there Is a fellow who causes no end Tahiti To me, mere continuance— Again, in "Dangerous of trouble; yet, he is suave and of the world, and easily explained to a Gunmetal Of the old. modern audience. Brownwood All of which defeats the basic purposes of villainy. Only In an -[o]- adaptation of Shakespeare's "Luerece” does one find a return to a sort Taupe Mist of unforgivable flendishness which once was commonplace In the most L Dove Beige A story with a moral.
    [Show full text]
  • J Chas.Schvprtz &
    Bruckner’s Place Gained Rosenthal Is Featured After Life of Neglect With Symphony Today i -- -i Society Bearing His Name &'jf- Orchestra Program Offers Makes Plea for More ] a New Works on of r List Public Attention. / Local Selections. Alice Ever smart. For the of By opening the eighth season of the National Symphony Orchestra In the formation of symphonic programs by any of the orchestras which this afternoon at 4 o'clock in Constitution Hall Dr. Hans Ktndler, conductor, have performed in Washington, there has been a severe neglect of one com- has arranged a that gala program will include two works never before played Anton Bruckner. Yet the world in is more and more the orchestra and poser. general coming by will feature the appearance of Moriz Rosenthal, world- to an appreciation of his genius, which in this country is represented by the famous pianist, in the capacity of guest artist. some time of the Bruckner of America. Mr. Rosenthal, famed as a organization, ago, Society Although pupil of Liszt and supreme exponent of tha the performance of the Bruckner symphonies has been sponsored by such out- golden age of pianism, is celebrating^*____ standing conductors as Toscanini, s me opening oi nis goiaen jUDiiee most beloved works Koussevitsky and Ormandy with con-- tour of America at the concert today. of the great 19th given a small position In a small town. spicuous success, there is still a feeling On November 13 in Carnegie Hall, century composer as well as one of Fate stepped in at this moment, j that the musical public, on the whole, New York, he will celebrate the 50th the most difficult.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Copyright by Melody Marie Rich 2003
    Copyright by Melody Marie Rich 2003 The Treatise Committee for Melody Marie Rich certifies that this is the approved version of the following treatise: Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs Committee: _____________________________ Andrew Dell’Antonio, Supervisor _____________________________ Rose Taylor, Co-Supervisor _____________________________ Judith Jellison _____________________________ Leonard A. Johnson _____________________________ Karl Miller _____________________________ David A. Small Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs by Melody Marie Rich, B.M., M.M. Treatise Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2003 ACKNOWLEDGEMENTS The journey to discovering Pietro Cimara began in 1996 at a summer workshop where upon first hearing “Ben venga amore,” I instantly knew that I had to have more of Cimara’s music. Since then, the momentum to see my research through to the finish would not have continued without the help of many wonderful people whom I wish to formally acknowledge. First, I must thank my supervisor, Dr. Andrew Dell’Antonio, Associate Professor of Musicology at the University of Texas at Austin. Without your gracious help and generous hours of assistance with Italian translation, this project would not have happened. Ringraziando di cuore, cordiali saluti! To my co-supervisor, Rose Taylor, your nurturing counsel and mounds of vocal wisdom have been a valuable part of my education and my saving grace on many occasions. Thank you for always making your door open to me.
    [Show full text]
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The further we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated Columbia pressings (1923- 1940) offer particularly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-‘14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or similarly related comments. VERTICALLY CUT RECORDS. There were basically two systems, the “needle-cut” method employed by Edison, which was also used by Aeolian-Vocalion and Lyric and the “sapphire ball” system of Pathé, also used by Rex. and vertical Okeh.
    [Show full text]
  • Colonnade March 29, 1941
    Georgia College Knowledge Box Colonnade Special Collections 3-29-1941 Colonnade March 29, 1941 Colonnade Follow this and additional works at: https://kb.gcsu.edu/colonnade Part of the Higher Education Commons, and the Mass Communication Commons Recommended Citation Colonnade, "Colonnade March 29, 1941" (1941). Colonnade. 367. https://kb.gcsu.edu/colonnade/367 This Book is brought to you for free and open access by the Special Collections at Knowledge Box. It has been accepted for inclusion in Colonnade by an authorized administrator of Knowledge Box. t.,il.i^t'*K<*>WiH,V.',i.'*^''-'l''^''' 'fT!'?Stdii^-.'Mi.t^.^.„..^.,^^,.^ Crowds Hear Overton J|^g Speak on Marriage olonna e "Fear and mystery about personal rtelations have been gone for twenty years," said Mya. Grace Sloan Overton at Volumbe XV. Z-122. Milledgeville, Ga., Saturday, March 29, 1941 ^ Number 21 her opening address for the Institute of Personal Relations - at chapel Thursday morning. Mrs. Overton is the guest speaker brought to the annual institute GSC Marks 50th Anniversary MacKenzie To which is being sponsored by the YWCA this week-end. Romantic Mjarriage Give European In her address on "The Roman- April 25, 26; Alumnae Invited tice Marriage" Mrs. Overton con- War Analysis tinued. "There ai'e three funda- mentals of life which we cannot Boucher, Talmadge, Elliott Tonight, in a lecture of the do without: birth of a human lyceum series, DeWitt MacKen- being, the social structure into zie, military expert for the As- which infants are born, and the Speak; Banquet, Dance, sociated Press, will give his in- training of the infant to live terpretation of the present Euro- creatively." She showed that mar- pean situation.
    [Show full text]
  • ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
    ROBYNCATHCART: M.A. CANDIDATEIN MUSICOLOGY THEUNIVERSITY OF VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia IZ- Supervisor: Dr. Gordana Lazarevich December 12,2003 University of Victoria PO Box 1700 STN CSC Victoria, BC V8W 2Y2 Canada Supervisor: Dr. Gordana Lazarevich A~STRACT Manuel Garcia 11 (1805-1906) is perhaps the greatest teacher of voice in history, and his approach, stated in A Complete Treatise on the Art of Singing, Parts One (1841) and Two (1847), became one of the principal methods of vocal instruction during his time. By tracing Garcia 11's methodology, based on the Italian Schools of Singing and be1 canto opera, it will become clear that his type of voice building holds many of the keys needed to unlock the voices of singers today. Analysis of Garcia II's vocal treatises, combined with first hand research conducted with faculty throughout three prominent Canadian university voice programs, will further substantiate the claim that Garcia 11 is a pivotal figure within the landscape of vocal pedagogy, also putting to rest several misconceptions (i.e. vocal onset and the coup de la glotte, and vocal registers) concerning his teachings. Respected internationally for his contributions to the worlds of classical voice and opera, performance practice, voice science, and pedagogy during his lifetime, Garcia II's theories on vocal production remain intact in current vocal pedagogy, despite shifts in the paradigms of musical, cultural, social and vocal aesthetics. List of Figures ............................................................................ 11 ... List of Appendices ...................................................................... 111 Acknowledgements ..................................................................... iv Preface ......................................................................................... v Chapter 1: Planting the Seeds of the Garcia 11 School ................. 1 (a) The Italian Schools ......................................
    [Show full text]
  • The Corsai Buccaneer! Published Bi-Monthly by Victoria Junior College Press Club
    T / \ BAcK THE JOIN UP WITH STt'DEN'l 'iBE COUNCIL! THE CORSAI BUCCANEER! PUBLISHED BI-MONTHLY BY VICTORIA JUNIOR COLLEGE PRESS CLUB VOLUME 2 VICTORIA, TEXAS, WEDNESDAY, . OCTOBER 13, 1937 NUMBER a Librarian Attends Levy Presentation District M e e t The Candid Camera Catches - - To Junior College At EI Campo Viewed at Assemb Miss Anne Elkowitz Elected Historical Replicas Donated Vice President Of To V. J. C. By Local Organization Merchants Mr. J. R. Levy, in behalf of Miss Anne Elkowitz attended A. and S. Levy, Inc., presented the meeting of the Association of Victoria Junior College and St, Librarians for Scholastic District Joseph's High School with replicas 23 in El Campo on Oct. 2nd. One of the guest speakers at the meet- ing was Mrs. Dorothy Cotton Left to Right: No, look again! AH! HA! Three of our college with this photo, because you are I BULLETIN: The entire stu- Joumeay, Field Worker for the See you aren't seeing things? It beauties. Lucy and the three seeing correctly. The name of dent body and school officials of Texas State Library and Histori- is really one of our college fresh- Dots. this rare- picture is "LOVE IN Victoria Jcnhr College take this cal Commission. men. Don't think something is wrong BLOOM." means of oherill,~ our sincere Two meetings are held annual- , thanks to A. and S. Levy for the ly by this organization, one in the N.Y.A. Funds Pamona College Greer Heads Staff valuable contributions of copl fall and the other in'May.
    [Show full text]
  • 78Rpm to Sell !
    Beginning ! ! 78rpm to sell ! ! ! Albums : Lotte Lehmann : Schubert + Schumann + Brahms (3x) Columbia US Sir Charles Thomas Victor Grace Moore Lily Pons Mario Lanza Yves Thymaire Voices of the Golden age (volume 1 Victor) Gilbert & Sullivan Princess Ida HMV OA + HMS Pinafore Decca Vaughan Williams On wenlock wedge Pears Jeaette Mc Donald in songs Blanche Thebom Schumann Jennies Tourel Offenbach Dorothy Maynor Spirituals Hulda Lahanska Lieder recital Erna Sack Popular favorites Eileen Farrell Irish songs Paul Robeson Spirituals Josef Schmidt Lotte Lehmann Strauss Lotte Lehmann Song recital Maggie Teyte French art songs Gladys Swarthout pˆopular favorites Maggie Teyte Debussy with Cortot Lotte Lehmann Schumann with Bruno Walter Lotte Lehmann Brahms Index Ada ASLOP, 44 Alma GLUCK, 38, 51 Ada NORDENOVA, 96, 97 Amelita GALLI-CURCI, 27, 30, 32, 57, 63, 72 Adamo DIDUR, 99 Anne ROSELLE, 25 Adele KERN, 17, 18, 46, 74, 77 Anny SCHLEMM, 45 Alda NONI, 14, 17, 48, 60, 74 Anny von STOSCH, 91 Alessandro BONCI, 57 Antenore REALI, 40 Alessandro VALENTE, 58, 67 Antonio CORTIS, 58, 60 Alexander KIPNIS, 71, 72, 77 Antonio SCOTTI, 30 Alexander SVED, 47 Armand TOKATYAN, 65 Alexandra TRIANTI, 76 Arno SCHELLENBERG, 71 Alexandre KOUBITSKY, 49 Arthur ENDREZE, 61, 85, 86 Alexandre KRAIEFF, 23 Arthur PACYNA, 58 Alfons FUGEL, 40 Astra DESMOND, 41, 59 Alfred JERGER, 57 August SEIDER, 47 Alfred PICCAVER, 25, 26, 96 Augusta OLTRABELLA, 46, 87 Alina BOLECHOWSKA, 46 Aulikki RAUTAWAARA, 100 Barbara KEMP, 23 Cesare FORMICHI, 99 Bernardo de MURO, 32, 50 Cesare PALAGI, 78 Bernhard
    [Show full text]
  • Connecticut College News Vol. 29 No. 18
    Connecticut College Digital Commons @ Connecticut College 1943-1944 Student Newspapers 3-15-1944 Connecticut College News Vol. 29 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1943_1944 Recommended Citation Connecticut College, "Connecticut College News Vol. 29 No. 18" (1944). 1943-1944. 22. https://digitalcommons.conncoll.edu/ccnews_1943_1944/22 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1943-1944 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ONNECTICUT Z8G EWS Vol.29-No. 18 ew London, Connecticut, \l'edn day" Marth 15, 1944 5<: p"r ropy Metropolitan Opera Quartet French Group Will Red Cross Asks Help inal Program f Pass Summer in CC In Work on Kit Bags The War Service commit- oncert n to tee needs girls desperately to 'French Quarter' wind thread for the Red un. larch 19 Cross kit bags. The Red Cross B has found it impossible to Special Festivities, send the materials for mak- ~1 .ropolitan Quartel Five Related Courses ing the kit bags on campus, To Pre nt lection but the thread to be wound Planned for Students for these bags has arrived. or n rt las i This work is under the dl- The director of the summer ses- rection of Mrs. Garabed Thls year's Connecticut colleec sion has announced that five re- Daghlian and will be done in series will be brought to a close lated courses dealing with the Iit- the astronomy room on the by the M ,ropoll'an Opera Quar· erature, history, philosophy, art third floor of Bill hall on tel, which Is presenting a pro- and language of modern France Monday, Tuesday, Wednes- gram Sunday all moon, 'Iarch will be offered at Connecticut col- day, and Friday afternoons 19, at 3:30 tn Palmer audilorlum.
    [Show full text]
  • Democratizing Opera in America, 1895 to the Present
    DEMOCRATIZING OPERA IN AMERICA, 1895 TO THE PRESENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Daniela Smolov Levy May 2014 © 2014 by Daniela Smolov Levy. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ys875gk2432 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Thomas Grey I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Stephen Hinton Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Abstract Despite opera’s well-known exclusivity, the genre has in fact consistently been the target of popularizing initiatives, a point often overlooked in accounts of its history.
    [Show full text]