78Rpm to Sell !

Total Page:16

File Type:pdf, Size:1020Kb

78Rpm to Sell ! Beginning ! ! 78rpm to sell ! ! ! Albums : Lotte Lehmann : Schubert + Schumann + Brahms (3x) Columbia US Sir Charles Thomas Victor Grace Moore Lily Pons Mario Lanza Yves Thymaire Voices of the Golden age (volume 1 Victor) Gilbert & Sullivan Princess Ida HMV OA + HMS Pinafore Decca Vaughan Williams On wenlock wedge Pears Jeaette Mc Donald in songs Blanche Thebom Schumann Jennies Tourel Offenbach Dorothy Maynor Spirituals Hulda Lahanska Lieder recital Erna Sack Popular favorites Eileen Farrell Irish songs Paul Robeson Spirituals Josef Schmidt Lotte Lehmann Strauss Lotte Lehmann Song recital Maggie Teyte French art songs Gladys Swarthout pˆopular favorites Maggie Teyte Debussy with Cortot Lotte Lehmann Schumann with Bruno Walter Lotte Lehmann Brahms Index Ada ASLOP, 44 Alma GLUCK, 38, 51 Ada NORDENOVA, 96, 97 Amelita GALLI-CURCI, 27, 30, 32, 57, 63, 72 Adamo DIDUR, 99 Anne ROSELLE, 25 Adele KERN, 17, 18, 46, 74, 77 Anny SCHLEMM, 45 Alda NONI, 14, 17, 48, 60, 74 Anny von STOSCH, 91 Alessandro BONCI, 57 Antenore REALI, 40 Alessandro VALENTE, 58, 67 Antonio CORTIS, 58, 60 Alexander KIPNIS, 71, 72, 77 Antonio SCOTTI, 30 Alexander SVED, 47 Armand TOKATYAN, 65 Alexandra TRIANTI, 76 Arno SCHELLENBERG, 71 Alexandre KOUBITSKY, 49 Arthur ENDREZE, 61, 85, 86 Alexandre KRAIEFF, 23 Arthur PACYNA, 58 Alfons FUGEL, 40 Astra DESMOND, 41, 59 Alfred JERGER, 57 August SEIDER, 47 Alfred PICCAVER, 25, 26, 96 Augusta OLTRABELLA, 46, 87 Alina BOLECHOWSKA, 46 Aulikki RAUTAWAARA, 100 Barbara KEMP, 23 Cesare FORMICHI, 99 Bernardo de MURO, 32, 50 Cesare PALAGI, 78 Bernhard BOTEL,¨ 69 Cesare SIEPI, 55 Bernhardt SONNERSTEDT, 47, 67 Charles FRIANT, 66 Bianca SCACCIATI, 60, 78 Charles KULLMANN, 21, 54, 58, 76, 77, 96 Bohuslav MARTINU, 25 Charles PANZERA, 52 Brita HERZBERG, 24 Claire DUX, 50 Bruna CASTAGNA, 14, 53 Clemens ADRIJENKO, 68 Cloe ELMO, 75 C´esar VEZZANI, 78 Conchita SUPERVIA, 22, 23, 54 Carel BUTTER, 34, 35 Cyrena van GORDON, 30 Carl GUNTHER,¨ 51 Carl JOKEN, 55 Danizza ILITSCH, 14 Carl JORN, 94 David LLOYD, 69 Carla MARTINIS, 40 Debora PANTOFEL-NECECKA, 62 Carlo GALEFFI, 31, 77, 99 Diana EUSTRAI, 45 Carlo TAGLIABUE, 76, 81, 98 Dietrich FISCHER-DIESKAU, 54 Carol BRICE, 97 Dino BORGIOLI, 48 Celestina BONINSEGNA, 30, 31 Dora LABBETTE, 81 Dorothe MANSKI, 24 Elisabeth SCHWARZKOPF, 39, 41, 52, 53 Dorothy KIRSTEN, 42–44 Elisabeth SODESTROM, 63 Dorothy MAYNOR, 45, 79 Elizaveta SHUMSKAYA, 62 Dusolina GIANNINI, 18, 60, 77 Ellabelle DAVIS, 45 Elsa ALSEN, 91 Ebe STIGNANI, 14, 73 Elsa SIGFUSS, 24, 53 Edith OLDRUP, 21, 25 Else BREMS, 74 Edward JOHNSON, 51 Emil POLLERT, 97 Eid´eNORENA, 20 Emil SCHIPPER, 14 Eide NORENA, 88 Emilio de GORGOZA, 34 Einar ANDERSSON, 47, 59 Emma CALVE, 31 Einar BEYRON, 59 Emmerich WEILL, 78 Einar NORBY, 21, 25, 48, 64 Emmy BETTENDORF, 19, 21, 23 Ekse BREMS, 21 Emmy DESTINN, 37 Elda RIBETTI, 66 Enrico CARUSO, 29, 33, 34, 51, 94 Elena ANTONOVA, 62 Enrico MOLINARI, 98 Elena GERHARDT, 76, 77, 80 Erich KUNZ, 42, 61, 96 Elisabeth REICHELT, 41, 42, 49 Erna BERGER, 56, 75, 79, 80, 89, 97 Elisabeth SCHUMANN, 49, 75 Erna SACK, 14, 18, 48, 63, 69 Frances ALDA, 37, 38, 51, 94 Erna SPOORENBERG, 41, 43–45 Francesco MERLI, 14, 96 Ernestine SCHUMANN-HEINK, 37, 51 Frank TITTERTON, 69 Eugenia BRONSKAYA, 21 Franz BIEHLER, 74 Eugenia BURZIO, 94 Franz KLARWEIN, 76 Eugenio GIRALDONI, 96 Franz VOLKER,¨ 24, 48, 63, 69, 87–89 Evan WILLIAMS, 32 Frieda HEMPEL, 31, 36 Friedel BECKMANN, 64 F´elicie HUNi-MIHACSEK, 46 Friedrich BRODERSEN, 89 Fanny HELDY, 24 Fritz KRAUSS, 55, 67 Fedor SHALIAPIN, 15, 28, 54, 56, 65, 81, 86 Fritzi JOKL, 98 Fedora BARBIERI, 14 Felice LYNE, 30 G¨ota LJUNGBERG,¨ 19 Felicie HUNI-MIHACSEK, 68 Gabriella BESANZONI, 37, 38, 51, 57, 94 Fernando de LUCIA, 23, 28 Gabriella GATTI, 87 Florence AUSTRAL, 50, 92 Galliano MASINI, 43, 58 Florence EASTON, 20 Georg BAKLANOFF, 29 Florence QUARTARARO, 96 Georges BAKLANOFF, 49 Florencio CONSTANTINO, 35 Georges THILL, 61, 63, 78, 84 Geori BOUE, 45 Giuseppe LUGO, 66 Geraldine FARRAR, 30 Giuseppe VALDENGO, 98 Gertrud RUNGE, 94 Gladys PALMER, 39 Gertrud RUNGER, 92 Gladys RIPLEY, 77, 93 Gertrud WETTERGREN, 55 Glafira ZHOKOVSKAYA, 56 Giacomo LAURI-VOLPI, 52, 55, 65 Goar GASZPARJAN, 62, 93 Giacomo RIMINI, 98 Gote LJUNGBERG, 74 Gianna PEDERZINI, 87 Gr´eBROUWENNSTIJN, 42 Gianni POGGI, 41, 50, 58 Grace MOORE, 43–45 Gino BECHI, 60, 99 Graziella PARETO, 29 Gino SINIMBERGHI, 79 Hanina ROLAND, 59 Giovanni INGHILERI, 98, 99 Hans BRAUN, 67 Giovanni MALIPIERO, 22, 87 Hans HOTTER, 102 Giusepe TADDEI, 43 Hans REINMAR, 67, 70, 87 Giuseppe CAMPANARI, 35 Hans WOCKE, 69, 71 Giuseppe DANISE, 68, 81 Heddle NASH, 92 Giuseppe GARUTI, 71 Hedwig von DEBICKA, 44 Giuseppe LENGHI, 22, 71 Heinrich REHKEMPER, 47, 97 Heinrich SCHLUSNUS, 16, 21, 28, 55, 59, 88, 89 Hugo MEYER-WELFING, 66, 71 Helena BRAUN, 72 Hulda LAHANSKA, 24 Helena KAZANTSEVA, 64, 93 Igor GORIN, 20, 44, 58, 77 Helena ZBOINISKA-RUSZKOWSKA, 82 Ina SOUEZ, 25 Helge NISSEN, 64 Irene JESSNER, 41, 42 Henri SCOTT, 35 Irina MASLENNIKOVA, 62 Hermann PREY, 47 Irina SOKOLOVA, 64 Hermann SCHEY, 66 Irmgard SEEFRIED, 101 Herta TOPPER,¨ 41 Isobel BAILLIE, 14, 15, 18, 46 Hertha GLAZ, 74 Italo TAJO, 42 Hetty PLUMACHER, 74 Ivan BUGAYEV, 62 Hilde KONETZNI, 67, 74 Jacques BASTARD, 66 Hildegard ERDMANN, 66 Jacques URLUS, 42 Hildegard HENNECKE, 43 James MELTON, 41 Hildegarde RANCZAK, 91 Jan PEERCE, 40, 61, 65, 73 Hipolito LAZZARO, 32, 38 Jeanine MICHEAU, 41, 45 Horst GUNTER,¨ 47 Jeanne GERVILLE-REACHE, 36 Hugo HASSLO MED, 24 Jo VINCENT, 25 Joan CROSS, 20, 45 Joseph HISLOP, 21, 65 Joan HAMMOND, 52, 53, 89, 90 Joseph ROGACHEWSKY, 60, 92 Joel BERGLUND, 48, 64 Joseph SCHMIDT, 50 Joh COATES, 82 Joszej SIMANDY, 97 Johanna GADSKI, 35 Julius PATZAK, 49, 64, 68 John BROWNLEE, 78 Karin BRANZELL, 29, 47, 48, 60, 74, 81 John GLASER, 96 Karl HAMMES, 52 John HARGREAVES, 69 Karl HAUSS, 82 John HARRISON, 35 Karl JORN, 28 John Mac CORMACK, 54 Karl SCHMITT-WALTER, 47, 60, 67, 71 John Mac Cormack, 77 Karl TERKAL, 63 Jolanda PETRIS, 20 Kate HEIDERSBACH, 46 Jos´eMARDONES, 33, 35 Kate HERWIG, 50 Josef GREINDL, 73 Kathleen FERRIER, 52, 80 Josef HERMANN, 82 Kathryn MEISLE, 47 Josef KALENBERG, 82 Kim BORG, 58 Josef METTERMICH, 48, 67 Kirkby LUNN, 24 Josef von MANOWARDA, 60, 64 Klavdiya SHUVCHENKO, 53 Koloman von PATAKY, 61, 72, 82, 86, 92 Luigi INFANTINO, 50, 63, 87 Luisa TETRAZZINI, 22, 31, 32, 91 Lawrence TIBBETT, 54 Luise WILLER, 91 Lea PILTTI, 48, 63 Lyudmila LEGOSTAEVA, 62 Leo SLEZAK, 28 Leonid UTESOV, 53 Maartje OFFERS, 47, 88, 89 Licia ALBANESE, 99, 100 Magdeleine GRESLE, 48 LiliaA LOBANOVA-ROGACHEVA, 93 Marcel JOURNET, 30, 34, 51, 57 Lily PONS, 95 Marcel WITTRISCH, 53, 67, 69, 70, 81 Lina CAVALLIERI, 32 Marcella SEMBRICH, 31, 102 Lina PAGLIUGHI, 17, 19, 87 Margaret BAUMER, 50 Lola ARTOT di PADDILLA, 36 Margaret MATZENAUER, 32, 35, 38 Lorenz FEHENBERGER, 40, 63 Margaret OBER, 51, 94 Lotte SCHOENE, 18, 23, 46, 48, 72, 73, 92 Margaret RITCHIE, 44, 50 Louise HOMER, 38 Margaret SHERIDAN, 89, 91 Lucette KORSOFF, 50 Margarete TESCHEMACHER, 54, 70, 92 Luciano NERONI, 40, 72 Margherita CAROSIO, 46, 61 Lucrezia BORI, 22, 57, 95 Margherita GRANDI, 72, 84 Luigi FORT, 71 Margherita PERRAS, 48, 92 Margherita SALVI, 67 Mariano STABILE, 72, 77 Marguerita CAROSIO, 17, 19, 22 Marina KOZOLUPOVA, 62 Marguerite d’ALVAREZ, 91 Mario BINCI, 82 Maria BARRIENTOS, 96 Mario CHAMLEE, 20, 61 Maria CANIGLIA, 22 Mario LANZA, 69 Maria de los ANGELES, 44 Marion TALLEY, 24 Maria FARNETTI, 42 Marius JACOBSEN, 59 MAria GAY, 36 Marko ROTHMULLER, 20 Maria GENTILE, 54 Martha WINTERNITZ, 67 Maria GOTZE, 97 Mary GARDEN, 78 Maria IVOGUN, 27, 28, 49, 79 Mattia BATTISTINI, 29, 36, 37 Maria JERITZA, 49, 83, 94 Mattwilda DOBBS, 44 Maria MICHAILOVA, 50 Max HIRZEL, 21 Maria MORDASOVA, 62 Michel DENS, 14 Maria OLCZEWSKA, 28, 70, 90 Michele FLETA, 50, 65, 71 Maria von BASILIDES, 74 Miguel VILLABELLA, 82 Maria ZVESDINA, 62 Mikhail ALEXANDROVITCH, 62 Marian ANDERSON, 52, 56, 80 MYASNIKOVA, 64 Natalia SOKOLOVA, 53 Paul SCHOFFLER, 40, 44, 47, 52, 60 Nellie MELBA, 30, 31 Peter ANDERS, 43, 69, 78, 82 Nicola ROSSI-LEMENI, 42 Peter CORNELIUS, 51 Nicolai GEDDA, 40, 90 Peter PEARS, 16, 52, 64, 83 Nino MARTINI, 65, 97 Peter RAICEFF, 63 Pia TASSINARI, 14, 17, 39 Olive FREMSTAD, 33 Pierre BERNAC, 43 Oreste MIELI, 57 Pol PLANCON, 34, 36, 38 Ornelia FINESCHI, 39 Poli RANDACCIO, 14 Oscar NATZKA, 24 Otte SVENDSEN, 74 Ren´eMAISON, 21, 96 Ottilie METZGER, 88 Renato ZANELLI, 68, 72, 98 Otto GORITZ, 57 Ria GINSTER, 20, 24, 73, 74, 91, 98 Paolina DONALDA, 65 Riccardo STRACCIARI, 28, 49, 53, 73, 75 Paolo SILVERI, 61, 84, 85 Richard CROOKS, 46, 67 Paul ALTHOUSE, 35, 51 Richard MAYR, 57 Paul KNUPFER,¨ 29, 30, 36, 51, 94, 99 Richard TAUBER, 20, 23, 76 Paul LATHOUSE, 38 Richard TUCKER, 39, 41, 65 Paul SANDOZ, 43 Rina GIGLI, 85 Rita STREICH, 44 Sigued BJORLING, 45 Robert HUTT, 94 Sonja SCHONER, 48 Robert WEEDE, 19 Suzanne STEN, 91 Roberta PETERS, 76 Sven-Olof SANDBERG, 42, 58, 61 Roberto d’ALESSIO, 66 Sydney RAYNER, 44 Rosa RAISA, 31 Tancredi PASERO, 55, 77, 84 Rosetta PAMPANINI, 21, 60 Theodor SCHEIDL, 20, 21 Rosette ANDAY, 19, 60, 88, 89 Thom DENYIS, 69 Rosina TORRI, 53 Tilly de GARMO, 63 Rudolf BOCKELMANN, 66 Tino PATTIERA, 27 Rudolf SCHOCK, 93, 97 Titta RUFFO, 94 Rudolph GALENA, 91 Todd DUNCAN, 43 Rudolph GERLAK-RUSNAK, 91 Tomaso ALCAIDE, 42 Sabine KALTER, 85 Toti dal MONTE, 65, 91 Salvatore BACCALONI, 72, 98 Traian GROSAVESCU, 82 Salvatore SALVATI, 22 Ulysses LAPPAS, 47 Selma KURZ, 65 Umberto URBANO, 65, 66, 98 Sigrid ONEGIN, 16, 49, 79, 94 Ursula van DIEMEN, 82 Vera FIRSOVA, 64, 93 Vera SCHWARZ, 58 Vilhelm HEROLD, 27 Viorica URSULEAC, 46, 58, 61 Vladimir NECHAIEV, 53 Walter WIDDOP, 61, 92 Walther LUDWIG, 26, 27, 59, 66, 78 Webster BOOTH, 24 Wilhelm HESCH, 97 Wilhelm RODE, 89 Wilhelm STREINZ, 47, 58, 60, 76, 82 Willi DOMGRAF-FASSBAENDER, 48 Willy FASSBAENDER, 66 Xenia BELMAS, 87 13 Singer index / Beginning ◦ Box n 01.
Recommended publications
  • Corso Di Dottorato Di Ricerca in Storia Delle Arti Tesi Di Ricerca
    Corso di Dottorato di ricerca in Storia delle Arti ciclo XXI Tesi di Ricerca «THE PHENOMENAL CONTRALTO» Vita e carriera artistica di Eugenia Mantelli SSD: L-ART/07 Musicologia e storia della musica Coordinatore del Dottorato ch. prof. Piermario Vescovo Supervisore ch. prof. Paolo Pinamonti Dottorando Federica Camata Matricola 808540 «THE PHENOMENAL CONTRALTO». VITA E CARRIERA ARTISTICA DI EUGENIA MANTELLI INDICE Introduzione p. 3 1. Biografia di Eugenia Mantelli p. 7 1.1. L’infanzia e gli studi p. 9 1.2. Il debutto al Teatro de São Carlos p. 13 1.3. La carriera internazionale p. 16 1.3.1. 1886: prima tournée in Sudamerica p. 17 1.3.2. 1887: seconda tournée in Sudamerica p. 24 1.3.3. 1889: terza tournée in Sudamerica p. 26 1.3.4. Eugenia Mantelli-Mantovani p. 28 1.3.5. Dal Bolshoi al Covent Garden p. 31 1.3.6. ¡Que viva Chile! Ultime tournée in Sudamerica p. 33 1.4. New York, il Metropolitan e le tournée negli Stati Uniti p. 36 1.4.1. Eugenia Mantelli-De Angelis p. 47 1.5. «Madame Mantelli has gone into vaudeville» p. 51 1.6. Mantelli Operatic Company p. 66 1.7. Attività artistica in Italia p. 69 1.8. Le ultime stagioni portoghesi e il ritiro dalle scene p. 81 1.9. Gli anni d’insegnamento p. 91 1.10.Requiem per Eugenia p. 99 1 2. Cronologia delle rappresentazioni p. 104 2.1. Nota alla consultazione p. 105 2.2. Tabella cronologica p. 107 3. Le fonti sonore p. 195 3.1.
    [Show full text]
  • Eberhard Waechter“
    DIPLOMARBEIT Titel der Diplomarbeit „Eberhard Waechter“ Verfasserin Mayr Nicoletta angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl: A 317 Studienrichtung: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof.Dr. Hilde Haider-Pregler Dank Ich danke vor allem meiner Betreuerin Frau Professor Haider, dass Sie mir mein Thema bewilligt hat und mir mit Rat und Tat zur Seite stand. Ich danke der Familie Waechter und Frau Anneliese Sch. für die Bereitstellung des Materials. Ich danke meiner Schwester Romy und meiner „Seelenverwandten“ Sheila und all meinen Freunden für ihre emotionale Unterstützung und die zahlreichen motivierenden Gespräche. Ich danke meinem Bruder Florian für die Hilfe im Bereich der Computertechnik. Ein großer Dank gilt meiner Tante Edith, einfach dafür, dass es dich gibt. Außerdem danke ich meinen Großeltern, dass sie meine Liebe zur Musik und zur Oper stets enthusiastisch aufgenommen haben und mit mir Jahr für Jahr die Operettenfestspiele in Bad Ischl besucht haben. Ich widme meine Diplomarbeit meinen lieben Eltern. Sie haben mich in den letzten Jahren immer wieder finanziell unterstützt und mir daher eine schöne Studienzeit ermöglicht haben. Außerdem haben sie meine Liebe und Leidenschaft für die Oper stets unterstützt, mich mit Büchern, Videos und CD-Aufnahmen belohnt. Ich danke euch für eure Geduld und euer Verständnis für eure oft komplizierte und theaterbessene Tochter. Ich bin glücklich und froh, so tolle Eltern zu haben. Inhalt 1 Einleitung ..........................................................................................
    [Show full text]
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26
    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
    [Show full text]
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette.
    [Show full text]
  • Genre Interprete Chant Avec Orchestre AL
    Disques 78 Tours Septembre 2006 Genre Interprete Chant avec orchestre AL. JOLSON Fox trot ALIBERT Slow fox ALSTONE AMBROSE AND HIS ORCHESTRA Opera ANDRE BAUGE Operette ANDRE BAUGE Operette ANDRE BAUGE ANDRE BAUGE & FANELY REVOIL Operette ANDRE BAUGE & GERMAINE FERALDY ANDRE GOAVAC ET ROSE CARDAY ARMANDINO Slow fox & valse BARNABAS VON GECZY Fox trot BEN BERNIE and his hotel Roosevelt orchestra Fox trot CALOFORNIA RAMBLERS & GEO HALL4S ORCHESTRE Fox CAMILLE SAUVAGE ET SON ORCHESTRE JAZZ CHARLES TRENET Valse CLEVELAND ORCHESTRA Slow fox COMEDIANS HARMONISTS DON AZPIAZU AND HIS HAVANA CASINO ORCH & WAYNE KINQ DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA Fox trot EDDY DUCHIN AND HIS CENTRAL PARK CASINO ORCHESTRA Tango argentin Francisco Canaro et son orchestre argentin Fox trot Franck Black and his orchestra Fox trot FRANKIE MASTERS & PAUL WHITEMAN AND THEIR ORCHESTRA Fox trot FREDDIE MARTIN AND HIS ORCHESTRA Fox trot GEORGES OLSON ET SON ORCHESTRE Fox trot GEORGES OLSON ET SON ORCHESTRE Valses GRAND ORCHESTRE BOHEMIEN Valse GRAND ORCHESTRE BOHEMIEN GRAND ORCHESTRE SYMPHONIQUE Melodie & Valse lente GUY BERRY HENRY GARAT Valse & fox trot HENRY GARAT Fox trot & tango J. VIARD, J. VAISSADE et P. GRIGAUT Fox trot Jack Hylton et son orchestre Valse & fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Valse Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre Fox trot Jack Hylton et son orchestre JACQUES PILLS ET GEORGES TABET JAN KIEPURA Melodie fox JEAN CLEMENT ET LE TRIO PIERRE CHAGNON Page 1 Disques 78 Tours Septembre 2006 JEAN CYRANO Fox trot JEAN WIENER ET CLEMENT DOUCET Fox trot JEAN WIENER ET CLEMENT DOUCET JEANNE GAUTIER JESSE CRAWFORD JESSE CRAWFORD Tango milonga JOSE M.
    [Show full text]
  • Gianni Schicchi Puccini Il Trittico 2000-2001
    3 COMUNE DI LUCCA TEATRO DEL GIGLIO CENTRO STUDI G. PUCCINI Teatro di Tradizione in coproduzione con FONDAZIONE ORCHESTRA REGIONALE TOSCANA PUCCINI IL TRITTICO 2000-2001 GIANNI SCHICCHI PUCCINI IL TRITTICO 2000-2001 direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA Progetto Puccini nel Novecento 1999-2002 Progetto Puccini nel Novecento 1999-2002 COMUNE DI LUCCA TEATRO DEL GIGLIO CENTRO STUDI G. PUCCINI in coproduzione con FONDAZIONE ORCHESTRA REGIONALE TOSCANA Teatro Verdi, Firenze - giovedì 3 maggio 2001 - ore 21.00 TEATRO DEL GIGLIO, LUCCA - venerdì 4 maggio 2001 - ore 21.00 GIANNI SCHICCHI in forma di concerto direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA IL TRITTICO 2000-2001 Teatro Verdi, Firenze - giovedì 3 maggio 2001 - ore 21.00 TEATRO DEL GIGLIO, LUCCA - venerdì 4 maggio 2001 - ore 21.00 GIANNI SCHICCHI in forma di concerto opera in un atto di Giovacchino Forzano musica di GIACOMO PUCCINI Edizioni Casa Ricordi, Milano personaggi e interpreti Gianni Schicchi Bruno De Simone Lauretta Anna Carnovali Zita Adele Cossi Rinuccio Roberto Iuliano Gherardo Carlo Bosi Nella Daniela Schillaci Gherardino Matteo Ciccone Betto di Signa Giovanni Mele Simone Marco Spotti Marco Arturo Cauli La Ciesca Dionisia Di Vico Maestro Spinelloccio Armando Gabba Ser Amantio di Nicolao Fabio Bonavita Pinellino Marco Pauluzzo Guccio Daniele Tonini Direttore DONATO RENZETTI ORT - ORCHESTRA DELLA TOSCANA Mise en space di GILBERTO TOFANO in collaborazione con ROSANNA MONTI - luci UGO BENEDETTI Fin dalla mia elezione a Sindaco della città di Lucca, ho manifestato il mio impegno personale e quello dell’Amministrazione a porre al centro del programma culturale la figura e l’opera di Giacomo Puccini.
    [Show full text]
  • Giovanni Marchisio
    Giovanni Marchisio Il balen del suo sorriso C’era una volta il baritono Carlo Tagliabue 02_Il_Balen_del_sorriso_edizione_2015_interni.indd 1 17/09/15 15:31 2014 INDICE Prefazione ............................................................................................................................. VII Nota dell’Autore .................................................................................................................... IX 1 - Scusatemi se da sol mi presento ........................................................................ 1 Un nido di memorie ............................................................................................................................. 3 ...che di studi ancor poco mi manca .................................................................................................... 8 Andiam, incominciate! ....................................................................................................................... 11 Verso America il mare solcava ........................................................................................................... 13 Il debutto all’Arena e alla Scala .......................................................................................................... 31 Al Metropolitan .................................................................................................................................. 45 Il secondo conflitto mondiale: lo spartiacque ................................................................................... 55 Il dopoguerra:
    [Show full text]
  • 1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
    CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini.
    [Show full text]
  • Der . Fliegende Hollander
    _ Der . Fliegende Hollander. Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 Courtle[glz GOLD BAND FILTER TIPPED ·HAND BLENDED ·LIGHT AND MILD Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 &caPAB ~ '' I I CAPAB OPERA/KHUIK-OPERA Artistic Director/ Artistieke Direkteur PROF. MURRAY DICKIE Der Fliegende Hollander OPERA IN THREE ACTS/OPERA IN DRIE BEDRYWE (Sung in German/Geslng in Duits) Music/Musiek & Libretto RICHARD WAGNER Producer/Regisseur, Set Designs/Dekorontwerpe, Lighting/Beligting GUNTHER SCHNEIDER-SIEMSSEN Conductor/Dirigent CHRISTOPHER DOWDESWELL Costume Designs/ Kostuumontwerpe JENNY DE SWARDT Lighting Director/ Beligtingsdirekteur PIETER DE SWARDT Design Assistants/ DIETMAR SOLT Ontwerpassistente AMELIA MULLER Scenic Painter/T oneeiskilder CHRISTOPHER LORENTZ Assistant Producer/ Assistent-Regisseur CHRISTINE CROUSE Choreography Adviser/ Choreografie-Adviseur PAMELA CHRIMES CAPAB CHORUS/ KRUIK-KOOR Chorus Master/Koormeester RAYMOND HUGHES CAPAB ORCHESTRA/ KRUIK-ORKES Leader/ Konsertmeester THOMAS MOORE Der Fliegende Hollander Der Riegende Hollander was first performed in Dresden is di€ eerste maal op 2 Januarie 1843 on 2nd January, 1843 in Dresden opgevoer. hrst production in the Nico Malan Opera House. Eerste produksie in die Nico Malan-Operahuis. Aprill976 Aprill976 Season: 29th March until 12th April, 1986. Speelvak: 29 Maart tot 12 Aprtll986. Digitised by the Open Scholarship & Digitisation Programme, University of Pretoria, 2016 THE VISUAL AND DRAMATIC CONCEPTION OF WAGNER'S DER FLIEGENDE HOLlANDER By Professor Giinther Schneider-Siemssen While Wagner's music for Tristan und Isolde belongs to the later period of his work and has an erotic and cosmic nature, Der Fliegende Hollander is an earlier work in which the influence of Verdi is sometimes felt.
    [Show full text]
  • Volume 70, Number 11 (November 1952) Guy Mccoy
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1952 Volume 70, Number 11 (November 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 11 (November 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/123 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. IN THE FINEST HOMES ••. ON THE LeTTeRS CONCERT STAGE ~~ T o T B E E D I T o R ITS liL1ristmasShopping &Juide . ~ ; ¢=.<- ~ am going to try and start one of INSTRUMENTS IN MINIATURE Articles these libraries for my few pupils as Piano, Violin, Cornet, Cello, Banjo, Trom- LYREAND WREATH PIN bone, Guitar, Drum, Saxophone. Sir: I would like to express a the benefit her students receive well deserved compliment to the from this library must be too nu- J-70 reads Music J_22A Gold Plated (Pin Back Only). .60 tJ-228 Sterling Pin or Chorm ETUDE Magazine. I think the Au- merous to mention. .75 J-71 reads Choir (Specify which instrument) gust issue is one of the best ever Roger Warren Roszell J-72 Plain Bar or Engraving *BRACElET WITH NINE CHA.RMS published.
    [Show full text]
  • ARSC Journal
    THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued.
    [Show full text]
  • Catalogo Delle Opere a Stampa E Una Cartolina Con Firma Autografa, Il Primo 24 Pp
    Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939.
    [Show full text]