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Pacific Express De Cecil B. Demille

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Pacific Express De Cecil B. Demille PACIFIC EXPRESS DE CECIL B. DEMILLE destination( permettant ainsi # l’Amérique de disposer de sa première ligne de c.emin de fer( s;m/ole m2me du progrès+ ANALYSE Pacific Express ="nion Pacific> possède tous les codes du 5estern+ 6e t.ème du film( la construction du c.emin de fer transcontinental( reprend celui du C.eval de fer de Jo.n 3ord =$?@A> : on ; retrouve la figure de 6incoln( qui inspire la conqu2te de l’Buest( et celle des Indiens comme o/stacles au progrès, idée qui anime le m;t.e de la 3rontière sur lequel se fonde le 5estern américain+ Avec 6e C.evauc.ée fantastique =3ord( $?C?>( qui est aussi une adaptation d’une nouvelle de Da;cox( Pacific Express est le film qui a permis au 5estern de sortir de la série 4( o/tenant ainsi des /udgets considéra/lement plus élevés, et pouvant prétendre # davantage de sérieux auprès des spectateurs et de la critique+ 6es deux films servirent RÉSUMÉ ainsi d’étalons pour nom/re de productions ultérieures+ En outre( Pacific Express, comme le film de 3ord( utilise le Pacific Express illustre la grande épopée américaine 5estern pour interroger( par éc.os, l’histoire contemporaine : du XIXème siècle : l’édification de la voie ferrée reliant la en l’occurrence( il s’agit d’une vérita/le célé/ration de l’unité Côte Atlantique des tats!"nis # la Côte Pacifique dans les nationale, aussi /ien en réponse # la )rande Dépression que années 1%&'( en pleine Guerre de Sécession+ face à la menace de la Seconde Guerre Mondiale imminente+ Deux compagnies sont en concurrence pour réaliser 6e film présente un triangle amical et amoureux( ce pro-et colossal+ Par décision du gouvernement américain( autour de 7eff 4utler( ,ic: Allen et <ollie <ona.an+ 7eff elles se voient c.acune attri/uer la construction de la moitié représente la /eauté et la rectitude morale( tandis que ,ic: du réseau+ Alors que la 0 Pacific Express 1 se concentre sur se montre comme son dou/le négatif E c’est aussi un .omme sa mission( la compagnie concurrente( la Central Pacific( courageux( mais passé du côté de l’om/re : il -oue et est au sem/le /ien décidée # emp2c.er sa rivale d’arriver # ses fins+ service des hors!la!loi+ 3inanciers véreux( parmi lesquels le /anquier 4arro5s, C’est le film auquel fut attri/ué la Palme d’Br spéculateurs, /andits et agitateurs politiques entrent en -eu rétrospective en @''@( lors d’une réédition commémorative pour mettre un terme au travail de la Pacific Express+ du Festival de Cannes de 1?C?+ 6es dirigeants de la Pacific Express décident donc d’engager un policier privé, 7eff 4utler, pour mettre un terme EXTRAITS DE PRESSE aux exactions de la compagnie rivale+ Pendant des mois( 4utler partage donc la vie de milliers d’ouvriers, tec.niciens 0 6a la/orieuse production de Pacific Express par et man8uvres, et assure la protection du convoi parti de la Cecil 4+ De<ille( presque aussi .erculéenne que la côte Atlantique. Sa t9c.e n’est pas aisée( car il a face # lui un construction de la ligne de c.emin de fer elle-m2me( # ce .omme sans scrupules, Sid Campeau( engagé par la Central que nous comprenons, arrive au Paramount avec un très Pacific pour semer le trou/les parmi les travailleurs de la léger retard+ Dodge Cit;( Stagecoac.( 6et 3reedom Fing et Pacific( et qui ne recule ni devant la corruption ni devant le G.e B:la.oma Kid lui sont passés devant # Gime Square+ meurtre pour arriver # ses fins. Assisté de ,ic: Allen, un ami Inévita/lement( ces autres arias de l’Bpéra du C.eval ont de guerre de 4utler # qui ce dernier a sauvé la vie, Campeau rendu la mélodie des grands espaces excessivement incite les travailleurs # la dé/auc.e( engage des .ommes de familière+ Goutefois, le petit opus de <+ ,e<ille est un film main pour voler l’argent de la pa;e( et va -usqu’# soulever les puissant( /ien fait( spectaculaire( et d’un .éritage distingué+ tri/us indiennes contre la compagnie( déclenc.ant ainsi une 6e C.eval de fer l’a engendré+ Bn ne le condamnera attaque de Sioux contre le train+ ,ic: Allen et 7eff 4utler sont certainement pas dans cette colonne matinale+ 1 tous deux amoureux de <ollie <ona.an( la fille du conducteur du train( tandis que celle!ci( qui aime 7eff( est 3ran: *+ Iugent( 0 G.e screen in revie5 : Cecil 4+ ,e<ille pr2te # tout pour le sauver( ; compris # épouser ,ic:+ <ais Continues Dis Distorical Foad5or: Wit. "nion Pacific ,ic: finit par mourir( tué par Campeau lui!m2me( qui le Bpening at t.e Paramount 1( G.e Ie5 Kor: Gimes, $$ mai confond avec 7eff Butler+ $?C? )r9ce de son partenaire( le vieux 3iesta( et aux sacrifices de <ollie( 7eff 4utler parvient finalement # mener 0 Loici( dou/lé en franMais, le film t;piquement sa t9c.e # /ien( et le Pacific Express arrive # temps # ;an:ee que Cecil 4+ de <ille( un peu fatigué sans doute des $ La reproduction ou la diffusion partielle ou intégrale des fiches commandées par le Comité Jean Zay à Adèle Yon dans le cadre du Festival de Cannes 1939 à Orléans 2019, quel qu'en soit le support "papier ou électronique", est formellement interdite dans un autre cadre et constitue une violation des droits d'auteur du Comité Jean Zay. Ce dernier se réserve le droit de poursuivre toute personne se rendant coupable de diffusion illégale des fiches. temps anciens et du <o;en!Âge( avait décidé de consacrer aux pionniers ferroviaires du continent américain+ Bn n’entend pas, sans une sorte de g2ne( les deux personnages épisodiques les plus truculents du lot =A:im Gamiroff et 6;nne Bvermann> parler O avec des mines de durs # cuire du 3ar Jest( qui ont ou/lié depuis /elle lurette toute langue natale( pour ne plus s’exprimer qu’en un slang imagé et a/rupt – un franMais doucereusement ar;t.mé et aux sylla/es étirées de la manière la plus péni/le+ Cet inconvénient capital du dou/lage est pro/a/lement pour /eaucoup dans la légère déception que nous laisse cette /ande( # laquelle nous eussions pourtant aimé prendre tout le plaisir que nous avons pris aux ouvrages de la m2me veine de naguère( 6a Piste de ?% ou 6a Caravane vers l’Buest+ 1 3ran: Nino( Pour Lous( nPQ?A( 3 avril 1?A' GÉNÉRIQUE Féalisation : Cecil B+ De<ille( assisté d’Art.ur Rosson( C.arles Barton et 7ames P+ Hogan (non crédité> Production : Cecil B+ De<ille( William Le4aron et William H+ Pine Société de production : Paramount Scénario : Walter Deleon( C+ Gardner Sullivan et 7esse 6ask; 7r+ d’après la nouvelle de Ernest Ha;cox( Grou/le Shooter Adaptation : 7ac: Cunning.am P.otograp.ie : Lictor Milner Effets spéciaux : Gordon 7ennings ,irecteurs artistiques : Hans Dreier et Roland Anderson Costumes : Natalie Lisart Ingénieurs du son : Harr; Lindgreen et 7o.n Cope <ontage : Anne 4auc.ens <usique : Sigmund Krumgold et 7o.n 6eipold ,istri/ution : 7eff Butler : 7oel McCrea <ollie Mona.an : Bar/ara Stan5;c: ,ic: Allen : Ro/ert Preston 3iesta : A:im Gamiroff Sid Campeau : Brian Donlevy 6eac. Bvermile : L;nne Overman Asa M+ Barro5s : Henr; Kol:er ,urée : 1$Q minutes ,ate de sortie en France : 2' mars 1?A' @ La reproduction ou la diffusion partielle ou intégrale des fiches commandées par le Comité Jean Zay à Adèle Yon dans le cadre du Festival de Cannes 1939 à Orléans 2019, quel qu'en soit le support "papier ou électronique", est formellement interdite dans un autre cadre et constitue une violation des droits d'auteur du Comité Jean Zay. Ce dernier se réserve le droit de poursuivre toute personne se rendant coupable de diffusion illégale des fiches..
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