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M.F.A.Plastic Arts ~·~Pt· _ ?\QS\\c.. Question Booklet No. ~h\s. lOP/259/2 (To be filled up by the candidate by bluelblack ball-point pen) Roll No. LI_....l.._....l.._....l.._-'-_-'-_-'-_-'-_...J Roll No. (Write the digits in words) ................................................................................................ Serial No. of Answer Sheet .............................................. .......................................... Day and Date ................................................................... (Signature of Invigilator ) INSTRUCTIONS TO CANDIDATES (Use only hluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes oCthe issue ofthe Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case offaulty Question Booklet bring it to the notice of the Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Card without its envelope. 3. A separate Answer Sheet is given. It should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. 5. On the front page ofthe Answer Sheet, write by pen your Roll Number in the space provided at the top and by darkening the circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate place~i. 6. No overwriting is allowed in the entries ofRoll No., Question BOOklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Que.~ton Booklet. 7. Any change in the aforesaid entries is to be verified by the invigilator, otherwise it will be taken as unfairmeans. 8. Each question in this Booklet isfollowed byfour alternative answers. For each question,you are to record the correct option on the Answer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheet, by pen as mentioned in the guidelines given on the first page ofthe Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note that the answer oncefilled in ink cannot be changed. Ifyou do nol wish 10 attempt a question. leave all the circles in the corresponding row blank (such question will be awarded zero marks). 11. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet. 12. Deposit both the Question Booklet and the Answer Sheet at the end of the Test. 13. You are not permitted to leave the Examination Hall until the end of the Test. 14. Ifa candidate attempts to use any fonn of unfair means. he/she shall be liable to such punishment as the University may determine and impose on himlher. Total No. of Printed Pages :28 lOP/259/2 No. of Questions: 100 W'i'fq,'t~: 100 1 Time : 1 2 Hours Full Marks: 300 W1lT: 1 ~ "ETUt 'l0/fit : 300 Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question. 31fomfQQ; m <iil jl<'f q;f.j <or"ll'lFl "fitl ~ WI 3 (<ft;r) at<!> <or *1 J/I'4<1i 7ffflf;fflf in fffi!: I{C/i" 3fq; <6TGT ;;"4'11 I ~ 3lj\lRd WI <or ~ 1«1 iif; l'J"'T;irt1i (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. * l('IiIf'l'!> ~if;f0l'li "3m miI0R t- f.rR. m, mf-i'li,WI miI0R ~I 01. Famous for its Paleolithic cave paintings: (1) Lascaux (2) Chauvet Cave (3) Altamira (4) Cussac q;t.nft ~ fq;jj t- ~ >!ftw; : (1) (11~'ffi (2) ~~ 02. The Persian Wars of 480 BC to 448 BC are usually taken as the divid­ ing line in ancient Greek Art between the (1) Archaic and the classical periods (2) Classical and the Hellenistic period (3) Archaic and the Hellenistic Period (4) Hellenistic and the Byzantine Period 3 P.T.O. lOP/259/2 -q;mft 480 ~ 'fl "i\ 448 ~ 'fl it ~ it <iR! ~ 'R ~ m 'Ii<'IT it m it m~ 'lit tw it ~ it fW:!1 -;;mIT i : (1) ~ aft>: ~1I>dl~ <lWl (2) ~I""ft'l aft>: @r<:1RRif> 31cIf~ (3) ~ aft>: ~r<:1r"r~if> 31cIf~ (4) ~r<:1r"r~if> aft>: '11$"11',01$'1 31cIf~ 03. Ancient Egyptian art was expressed in : (1) Realistic (2) Simplified (3) Stylized and symbolic (4) Decorative ~ flm 'lit 'Ii<'IT qi\ ~ ~ '<I ? (1) ,,'<1m (2) {l(ctlq;ct (3) o"'l aft>: Q <iI if> 1<'4 if> (4) {l"lI<1i1 04. In place of the nude, Martyrs of Christian tradition were elevated in : (1) Ancient Greece art (2) Byzantine art (3) Archaic art (4) Hellenistic art 'll'! it W'I it. m:r ~ 'I"t<RT it ~ qi\ ~ -aaT'lT 'lm ' (1) ~"lim 'Ii<'IT (2) '11$"11"'15'1 "F'IT (3) ~ 'Ii<'IT 05. Ingres, is among the best-known : (1) Fauvists (2) ImpressionIsts (3) Post Impressionists (4) Neoclassicis:s Ingres "{lC[..m it "i\ m:r fW{ "IRT -;;mIT i ? (1) q;1f~R (2) i~~If"R 4 10P/259/2 06. The technical ability of the Hellenistic sculptors are clearly evidence m: (1) Winged Victory of Samothrace (2) Kleobis and Biton, (3) Terracotta statue of Zeus and Ganymede (4) Peplos kore ~ <it 'If<\ ~f<i1HfRq; f.i1f<"4>l1 <tt (lq;;j\if>l 'jj~I(1(11 qi\ ~ ~ ~ ? (1) <i1li'i CIR'II \'Iil{Il1'l <tt ~ (2) q;iillf'll1 ait< fl:rit (3) ~ ait< '1M", 'lit ~ 'lit >Iffim(4) qq(1ll1 ~ 07. Who had working with found objects for many years? (1) Van Gogh (2) Pablo Picasso (3) Rodin (4) Henry Moore ~ ~ 'flif if; ffil< 1lrl'ft ~aiY if; m'! 'WI <.f;{ W V; ? ( 1) CIR lJ1T1 (2) 'IT'<'i\ fq q; IIi) (3) U<::i (4) m 'i' 08. Who was the greatest architect and sculptor of the Baroque period? (1) Michelangelo (2) Annibale Carracci (3) Gianlorenzo Bernini (4) Raphael. ~ ~ ""'" 31clf.. 'liT C11~1{ ait< "!fdq;R ~ 'IT ? (1) 1l1.q;(1<i;lliill (2) tf-11~(1 ~ (3) '1~I(1i\;;fl "H'll;j\ (4) m 09. Leonardo da Vinci was : (1 ) Italian (2) French (3) Spainish (4) Greek fcl>ll11sT <;r f<rffi 'IT : (1 ) .(lI<?Icil (2) ~ (3) ,",H~I (4) m 10. Most influential Florentine sculptors of the Early Italian Renaissance was: (1) Rodin (2) Camille Claude! (3) Donatello (4) Nancy Grossman 5 P.T.O. lOP/259/2 'R1l1'21$1 i! mp'\ >f'lI'l¥IIMl 3R'il $dlMofl 3;1"11'1{ 01 if; 'If<!'l>1{ "'I>'t1 'IT ? (1) -00 (2) <l>Ii1Ml 'l>MI~M (3) <il1Id",1 (4) M Ql1ii41 11. Masters of the human form was: (1) Barbara Hepworth (2) John Mira (3) Michelangelo (4) Henry Moore '1:!"1 if; ~ 0Rf.t i! ~ 'IT ; ( 1) ,"RiW ~,f (2) ""If.! -,:fRt (3) ql$'l>M~MI (4) m'i' 12. Louvre museums is in : (1) Lundon (2) Paris (3) Berlin (4) California ~ 4Q<;IM~ ~ t ? (1) ~ (2) ilmi (3) "iiifW! 13. The Rape of the Sabine Women (1578-82) Florence painted by; (1) Michelangelo (2) Henry Moore (3) Giambologna (4) Anthony Caro 4fiHIii i! Sabine ~ "" iiiMIi'l>R (1578-82) "" ftB!uT f'!;Wi ~ ? (1) '11$'l>M ~ (2) m'i' (3) nl~I'I"10)1111 (4) 1t>A\ q;ffi 14. Didarganj Yakshi is famous for its; (1) Size (2) Polish (3) Form (4) Ornamentation ~~R'i"l 'l&rr f<RI if; ~ ~ t ? ( 1) a:rr<1iR (2) -q'jfurn (3) ~ i! 15. Which sculptor free their work from the extreme realism of the Greek ideal : (1) Rodin (2) Alberto Giacometti (3) Pablo Picasso (4) Alexander Calder 6 10P/259/2 %<l ~ 'f>'t ~ <'t 1Wt 311<;~r'M 'f>'t 31fu<T'l1$rr<; <'t :;:rR 'fiTIl 'f>'t '3,m 'lm'lT : (1) 00 (2) ~ rlWf,lllffi (3) 'Il'ffi fi:I 'h 1Bl (4) 16. Art not only imitates nature, but also completes its deficiencies. Said: (1) Immanual Kant (2) Aristotle (3) Hegal (4) Croce '-M1I "I ~ ~ 'liT <"'I ~ t ~ 31'Fil 'hf'1>.jj 'Ii't oft 1P W %1 %<l "r q;m : (1) ~31c'!"'hi<: (2) ~ (3) Wwr (4) ~ 17. The Sistine Chapel ceiling was painted by : (1) Raphael (2) Rembrandt (3) Leonardo de Vinci (4) Michelangelo f(lf~1 ~ 'f>'t W<! 'Ii't fqfuf f<p:rr 'l'1T : (1) ~ (2) ~ (3) f<'1~111~ G mn (4) "1l"'1~"''h'''<'1,""q<ll''"J;i\1 18. The Italian sculptors made sculptures in : (1) Lime Stone (2) Carara Marble (3) Granite (4) White marble ~dl<'1"l fiilf,;q>.jj" "r ~ '!!*rt ~ : ( 1) "I't 'iI; 'lffi (2) <gJU >:i' IWW (3) ~ (4) WI;<; >:i'lww 19. Jackson Pollock is called: (1) Relativist (2) Abstract Expressionist (3) Impressionist (4) Pointillist ~iffi1 ~ q;m omrr % : (1) RAfcfq~ (2) w: ~iffi~f«l'ifoj~ (3) ~cli~lfoj~ (4) tql~~f<'1e 7 P.T.O. 10P/259/2 20. Art is Itself Placed Under The Larger Umbrella Term New Media Art is: (1) Pop Art (2) Print Media (3) Digital Art (4) Installation Art <m1T 'lit ~ ~ <llf;;~1 <m1T ~ aRrfu \1.!lT t ? (1) -q'fq 31Ti (2) flic filf'lfuf;;m~1 (3) f;;MlM 31Ti (4) a1f"lYN'! <m1T 21.
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