Eris Goddess of Discord © Emmanuella Kozas
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Victorian Paintings Anne-Florence Gillard-Estrada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archive Ouverte en Sciences de l'Information et de la Communication Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings Anne-Florence Gillard-Estrada To cite this version: Anne-Florence Gillard-Estrada. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings. Polysèmes, Société des amis d’inter-textes (SAIT), 2016, L’or et l’art, 10.4000/polysemes.860. hal-02092857 HAL Id: hal-02092857 https://hal-normandie-univ.archives-ouvertes.fr/hal-02092857 Submitted on 8 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian Paintings This article proposes to examine the treatment of Greek myths of the golden apples in paintings by late-Victorian artists then categorized in contemporary reception as “classical” or “classic.” These terms recur in many reviews published in periodicals.1 The artists concerned were trained in the academic and neoclassical Continental tradition, and they turned to Antiquity for their forms and subjects. -
MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats. -
The Application of Greco-Roman Mythology Learning in English Vocabulary Teaching from the Perspective of Etymology
International Journal of Languages, Literature and Linguistics, Vol. 7, No. 1, March 2021 The Application of Greco-Roman Mythology Learning in English Vocabulary Teaching from the Perspective of Etymology Jia Fan and Sun Yu mythology account for nearly 30% of the total‖ [3]. As one Abstract—Language is the carrier of culture and culture of the sources of European civilization, in the process of nourishes language. According to statistics, 56% of the English language development, Greco-Roman mythology commonly used 10,000 English words are adopted from Latin greatly enriches English vocabulary, and injects fresh blood and ancient Greek, which are the carrier languages of Roman civilization and Greek civilization respectively. Greco-Roman into English expression. A large quantity of words and mythology, with its rich cultural connotation, permeates all phrases derived from Greco-Roman mythology entered into aspects of people's social life in English-speaking countries and English vocabulary. Therefore, it is of great practical becomes a source of vitality for the expansion of English significance to integrate Greco-Roman mythological vocabulary. Etymology, the scientific study of the origin of learning into English vocabulary learning. words, is crucial in English vocabulary teaching, as etymological study improves vocabulary learning. This paper B. Research Objective adopts the methodology of literature research to gather materials about English vocabulary teaching methods, This paper aims to classify English vocabulary from etymology theory, and Greco-Roman mythological origin of Greco-Roman mythology systematically and apply English vocabulary. In order to better explain the cultural Greco-Roman mythology to English vocabulary teaching connotation of words in English vocabulary teaching, this from the perspective of etymology, so as to further promote paper proposes method of applying Greco-Roman mythology vocabulary teaching and learning. -
The Golden Apple Golden The
2010 © MUELLER C. MARY by MUELLER MARY APPLE GOLDEN THE Project Poems Origami BY The Greek Myths Greek The Graves, obert R the three might be intended. be might three the mine. already is what for tion: ‘To the fairest!’ not knowing which of of which knowing not fairest!’ the ‘To tion: scheme must I Now up, and stood embarrassed by its inscrip- its by embarrassed stood and up, find. to impossible was I golden apple at their feet. Peleus picked it it picked Peleus feet. their at apple golden entwined arms my with perhaps cably together, arm in arm, she rolled a a rolled she arm, in arm together, cably – hand my on alight to [email protected] Athene, and Aphrodite were chatting ami- chatting were Aphrodite and Athene, flight take dove a like THE GOLDEN APPLE GOLDEN THE or email us at:: us email or guests at loggerheads, and while Hera, Hera, while and loggerheads, at guests not did apple that odd How origamipoems.com leus) was determined to put the divine divine the put to determined was leus) Find out about us at: us about out Find invited (to the marriage of Themis and Pe- and Themis of marriage the (to invited But the goddess Eris, who had not been been not had who Eris, goddess the But Apple the on Reflects Aphrodite Please recycle to a friend. a to recycle Please Hera Scorns the Apple Athena Considers the Apple Golden apple? Cherished Honor, are you They have such devious ways, I own a tree with golden apples inscribed in this orb? Does its Must I of cast pure those mortals on which he preys safe in the Hesperides metal carry fair weight? as my helmet and shield, in perverse abnegation of me. -
OCR Document
Abelmoschus-Allium 1 Abelmoschus manihot white-yellow to 2m 110 69 Agastache pallidiflora ssp neomexicana lavender-pink 2 Abies koreana yellow dwarf 50 x 20cm 161 45-75cm 258 3 Acaena myriophylla greenish 15-25cm 106 70 rugosa rose/violet to 120cm 253 4 sericea purple fls/silver lvs 6-25cm 62 242 71 rugosa 'Golden Jubilee' blue-purple/chartreuse lvs 100cm 236 5 Acantholimon araxanum pink 15-20cm 243 72 rugosa 'Honey Bee Blue' blue 60-90cm 130 6 armenum pink/white 10-20cm 233 73 rugosa 'Liquorice Blue' deep blue 60-75cm 130 7 capitatum pink 4-18cm 242 74 rupestris pink-orange 60cm 205 8 halophilum light pink 5-10cm 233 75 rupestris 'Apache Sunset' dp orange/rose purple 45-60cm 149 9 hohenackeri pink 5-10cm 243 76 Ageratum houstonianum white 30-80cm 227 10 kotschyi pink 5-10cm 67 77 Agoseris glauca yellow 5-60cm 67 11 litvinovii pale pink 5-15cm 242 78 grandiflora yellow 25-60cm 227 12 saxifragiforme deep pink 5-10cm 6 79 Agrimonia pilosa v pilosa yellow 30-120cm 256 13 sp white 5cm 6 80 Akebia quinata 'Variegata' cream marbled lvs to 12m 259 14 sp ex Ala Dag pink 5cm 6 81 Albuca humilis white/green 15cm 140 15 venustum pink 10-15cm 233 82 shawii yellow 30-45cm > 16 Acanthus hungaricus pink/mauve to 1.5m 56 83 sp ex JCA 15856 white/green 15cm 105 17 Acer griseum to 12m 229 84 Alcea rosea mix 2-3m 34 18 palmatum 'Sango-kaku' 6-7.5m 198 85 rosea pink 2-3m 238 19 palmatum v dissectum 'Crimson Queen' to 3m 149 86 rosea 'Nigra' dark maroon 1.5-2m 34 20 Achillea clavennae white to 25cm 51 87 rosea spp ficifolia yellow/orange to 2.25m 34 21 millefolium -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Shield of Heracles (Hes
chapter 4 The Shield of Heracles (Hes. Sc. 139–320) 4.1 Introduction The next extant ekphrasis in ancient Greek Literature is found in the pseudo- Hesiodic Shield. The Shield is a small-scale epic poem of 480 hexameters, named after its central section which deals with Heracles’ shield. The poem is usually dated to the first third of the sixth century BC. It narrates an episode from the life of Heracles: the killing of Cycnus, a son of Ares. Heracles is por- trayed throughout the poem in a positive light: Zeus has fathered Heracles as a protector against ruin for gods and for men (ὥς ῥα θεοῖσιν / ἀνδράσι τ’ ἀλφηστῇσιν ἀρῆς ἀλκτῆρα φυτεύσαι, 28–29).1 By killing Cycnus, who robs travellers on their way to Delphi, Heracles lives up to this purpose. The poem is generally regarded as a product of an oral tradition.2 The fact that the Shield is oral poetry has consequences for its understanding. Thus, the idea that the Shield is a mere imitation of Achilles’ shield in Il. 18.478–608— a verdict that goes back to Aristophanes of Byzantium—must be rejected.3 It is doubtful whether in the sixth century BC fixed texts of the Iliad existed, to which another text, that of the Shield, could refer.4 This is very much a Hellenis- tic point of view. Rather, it is more plausible that both texts came into being in a still-fluid oral tradition, which contained certain stock formulae and themes.5 One common element in the tradition might well have been a shield ekphrasis, which could serve as a showpiece of the poet.6 The poet of the Shield has indeed composed his shield ekphrasis as a show- piece: Heracles’ shield is noisier, more sensational, more gruesome, but above all bigger than Achilles’ shield. -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
8Th Grade ELA Greek Mythology Review 1
Greek Mythology Review 1 It has been quite awhile since we’ve done Greek Mythology in class, so before we can continue with some new myths, we need to do some review. Below are some of the Greek Gods and Goddesses we’ve learned about so far. This will be done as matching. You CAN use the internet to help you with this. If you know who they are without the internet, then just fill the answers in. The purpose of this activity is just to refresh your memories on who the different gods and goddesses are before we learn any new ones. Directions:For each god/goddess, put the letter next to the word “answer” that matches the god/goddesses description/definition. Gods/Goddesses/Beings Answer Chaos Hades Tartarus Rhea Uranus Poseidon Hera Kronos Gaea Eros Titans Zeus Ourea Definitions/Descriptions a. The underworld-creation of chaos b. Earth and the universal mother-creation of chaos c. God of the Underworld. Son to Kronos and Rhea d. Children of Uranus and Gaea, sent to the Underworld by Uranus e. One of the titans-Child of Gaea and Uranus-wife to Kronos f. Goddess of love and marriage. Daughter to Kronos and Rhea. Wife to Zeus g. God of thunder. Son to Kronos and Rhea. h. God of the sea. Son to Kronos and Rhea i. The first thing to exist j. Earth and the universal mother-creation of Chaos k. God of the sky-child of Gaea l. The mountains-child of Gaea m. The ruling Titan-child of Gaea and Uranus . -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Five Modern Adaptations of Ancient Myths Synchronos Mythos
Five Modern Adaptations of Ancient Myths Synchronos Mythos Five Modern Adaptations of Ancient Myths Polytechnic School March 3rd 2009 STAFF CREDITS Ezra Rawitsch……..Editor in Chief Allie Hodgen…..Copy Editor Emily Beljak…..Copy Editor Preston Harvey……..Art Director Daniel Stoffel…...Team Manager Table of Contents Opening the Earth By Allie Page 4-5 Conquest for the Golden Apple By Preston Page 6-7 The Epic Apple Hunt By Daniel Page 8 - 9 A Man Who Knew What Was Right By Emily Page 10 - 11 30,000,000 Gone By Ezra Page 12 - 13 Opening the Earth By Allie Trapped in the underworld With nowhere to go They were left behind, And chained to the wall Zeus had done this to save his throne For if they had escaped Zeus’s rule would surly fall But slowly, yet surely The chains started to erode And after hundreds of centuries The Cyclops emerged out of their prison The one eyed monsters split open the earth But as soon as they did They believed themselves cursed The sun beat down on them Seeping into their skin They had nowhere to go So the went back down Into the dark flames of the earth The Cyclops were raging So they stomped and ramped about Thus creating earthquakes whenever the sun comes out 4 5 Conquest for the Golden Apple Hercules had a commission A task to get a consecrated apple For this wasn’t an easy mission Because the apples would terminate a human life Upon one single touch He conjured up a marvelous plan And advised Atlas to get him one But Atlas had to hold up the sky Hercules knew this was no easy chore For it was one of his 12 labors -
The Whispers of Nemesis Free
FREE THE WHISPERS OF NEMESIS PDF Anne Zouroudi | 304 pages | 08 Jun 2012 | Bloomsbury Publishing PLC | 9781408821916 | English | London, United Kingdom The Whispers of Nemesis (Mysteries of the Greek Detective, book 5) by Anne Zouroudi Please note that this product is not available for purchase from Bloomsbury. It is winter in the mountains of Greece and as the snow falls in the tiny village of Vrisi a coffin is unearthed and broken open, revealing some unexpected remains to the astonished mourners gathered at the graveside. In a village where The Whispers of Nemesis flows like ouzo, the discovery in the grave sets tongues wagging and heads shaking. But when a body is found buried beneath the fallen snow in the The Whispers of Nemesis of the shrine of St Fanourios the patron The Whispers of Nemesis of lost thingsit seems the truth, behind both the body and the coffin may be far stranger than the villagers' wildest imaginings. Hermes Diaktoros, drawn to the mountains on an affair of the heart, finds himself embroiled in the mysteries of Vrisi, as well as the enigmatic last will and testament of Greece's most admired modern poet. The Whispers of Nemesis is a story of desperate measures and dark secrets, of murder The Whispers of Nemesis immortality, and of pride coming before the steepest of falls. The Lady of Sorrowsher latest, is a gorgeous treat You can unsubscribe from newsletters at any time by clicking the unsubscribe link in any newsletter. For information on how we process your data, read our Privacy Policy.