Finding Aid to the Historymakers ® Video Oral History with Marla Gibbs
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
00 Kwajalein Hourglass
-" 1 00 KWAJALEIN HOURGLASS VOLUME XXIII, NO 90 U S ARMY KWAJALEIN MISSILE RANGE, MARSHALL ISLANDS FRIDAY, MAY 9, 1986 BUSINESS LEADERS SEE ROSY TIMES House Committee AHEAD FOR AMERICAN ECONOMY Approves Budget By JANET STAIHAR Councll, made up of 200 execu In ltS semlannual report on For Fiscal 1987 Assoclated Press Wrlter tlves from the country's larg the economy, the councli sald By STEVEN KOMAROW HOT SPRINGS, Va -- The coun est corporatlons lt foresees a strengthenlng of AssOclated Press Wrlter try's top bUSlness leaders, say The executlves generally the U S economy for the rest lng the economy lS ln an upbeat gave a nod of approval to the of the year, "as the economy WASHING10N -- The House mode, today predlcted that over tax package adopted thlS week moves out of the lethargy that Budget Commlttee approved a the next two years, Amerlcans by the Senate Flnance Commlttee has prevalled SInce the mlddle flscal 1987 budget that en wl1l beneflt by stable lnterest They dId not see the added tax of 1984 " dorses a tax Increase but, un rates, low lnf1atlon and hlgher burden on corporatlons as detrl The councli sald the "out llke the Senate, puts most of lncome mental to buslness, but eApress look lS more upbeat than pre that money toward deflclt cut Desplte the buslness execu ed a skeptlcal walt-and-see at vlously, ln part reflectlng the tlng lnstead of Pentagon pro tlves' glowlng forecast, they tltude on any flnal verslon expected effects of lower lnter grams also explessed "a sense of un emergIng from a conference wlth est -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Black Nights Stars Programme
%ODFN 1RYHPEHU 1LJKWV ,QGXVWU\#7DOOLQQ %DOWLF(YHQW 6WDUV Black Nights Stars is designed to support young actors from ‘It was a tremendously gratifying experience to serve on the the Baltic Sea region, to make their next steps into the in- BLACK NIGHT STARS Jury to select stellar talent from the ternational arena by connecting them to key international Baltics. Though all unique, they share an amazing presence, film professionals, such as casting directors, casting agents, an unexpected force, mystery, soulful beauty, fierce inten- producers and the press and acquire various practical skills sity, intricate sensuality, and deepness which feels unique needed in their future international careers. to their countries and still universal in their sincerity. It is of great value to the film industry to discover these marvellous The five-day online event, highlights the emerging talent of and fresh artists who will shine, not just in their country, but eight young actors and actresses, all selected by an interna- internationally. To bring them to the film industry’s atten- tional jury of experts, based on their first feature films and TV tion so they can further enrich our experience as audiences roles. The program consists of masterclasses, workshops and and bring us closer together is a treasure’. networking events with international casting professionals from Europe and the USA and focuses on the future of cast- Lina Todd, Lina Todd Casting Agency, New York ing and auditioning online, presenting oneself at industry and media events, how to make your best Self Video and about ‘Black Nights Stars is a wonderful way to celebrate local Intimacy in Front of the Camera. -
BUSINESS Reps Meet in Attempt to Avert Strike
to - MANCHESTER HERALD. Monday. Aug. 5, 1985 MANCHESTER FOCUS U.S./WORLD WEATHER Both parties gather Kids get into spirit Chaiienger readies Clouds, fog tonight: B U SIN ESS Buckland signatures of mime troupe visit for return flight humid Wednesday Proposed tax changes affect retirement plans ... page 3 ie11 ... page 10 ... page 2 determining whether Social Security benefits are income in 1986 without owing tax or filing a return. The tax-reform legislation that President Reagan taxed; the payout doesn't count toward the That's the sum of the new $2,900 flat standard appeared to toss almost casually to Congress is $32,000/$25,000 threshold. However, under the tax deduction and the new $2,000 personal exemption. It actually among the most complex tax laws ever Y o u r overhaul, lump-sum payouts would be treated and would be a 43 percent increase over the current 1985 proposed by any president in our history. The more I level of $3,430. study, the more impressed I become with the taxed as ordinary income. M oney's Result: In the year you receive the payout, you men/women responsible for putting this legislation would almost certainly exceed the threshold and be QUESTION: Suppose part or all of my child's together. W o rth hit with a tax on your SS benefits, income comes from investments: bank interest, Consider the facts in this third in a series of three dividends, the like. Is the tax-free income level the columns that I put together with the assistance of Eli Sylvia Porter QUESTION: I am considering investing in a tax same? J. -
Biographical Description for the Historymakers® Video Oral History with Alfred Cain
Biographical Description for The HistoryMakers® Video Oral History with Alfred Cain PERSON Cain, Alfred Earl, 1921-2011 Alternative Names: Alfred Cain; Life Dates: October 5, 1921-December 30, 2011 Place of Birth: Warrior, Alabama, USA Residence: Chicago, Illinois Occupations: Choral Director Biographical Note Musical director and writer Alfred Earl Cain was born October 5, 1921, in Warrior, Alabama. Cain's mother was the former Helen Hazel Moore and his father, Louis Cain, was a graduate of Tuskegee Institute. Cain attended Trinity School in Alabama and Nathan Hale Junior High School in Brooklyn, New York; he graduated from Alexander Hamilton High School in 1939, where he was a member of the school chorus, the Frederick Douglass Society, and wrote for the Hamiltonian. Drafted in 1943, Cain was stationed at Wright Field in Dayton, Ohio. Cain earned a B.A. Hamiltonian. Drafted in 1943, Cain was stationed at Wright Field in Dayton, Ohio. Cain earned a B.A. degree in 1949, and an M.A. degree from Columbia University in public law and government in 1951; while at Columbia, he became president of the local chapter of the NAACP and formed an NAACP chorus, which featured Doug Pugh, Deke Johnson, and future opera great, Leontyne Price. Cain served as a social investigator for the New York City Department of Welfare from 1951 to 1959, when he decided to serve as his church’s full time musical director. Cain worked as the musical director for Vinette Carroll’s production of Dark of the Moon in 1950, and recorded with Fred Norman’s The Normanaires Quartet in 1953, featuring Brock Peters and Theresa Merritt. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
Word Search 'Crisis on Infinite Earths'
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Congratulations to Marla Gibbs for Her Star Unveiled Later Today on The
Congratulations to Marla Gibbs for Her Star Unveiled Later Today on the Hollywood Walk of Fame But Hollywood Chamber Continues to "Pass Over" the Installation of the Star Awarded to "Thanks for the Memory" Lyricist 31 Years Ago Yet Never Installed SHERMAN OAKS, CA / ACCESSWIRE / July 20, 2021 / Leo Robin Music congratulates actress Marla Gibbs, who will have her star on the Hollywood Walk of Fame unveiled at a ceremony later this morning. She is probably best known for her role as the sassy maid Florence Johnston on "The Jeffersons." She is an honoree from the Hollywood Walk of Fame Class of 2021 and was awarded the star in the television category. Each year, Leo Robin Music awaits with great interest the release of the annual announcement by the Hollywood Chamber of the new class of honorees to have their stars unveiled and installed on the Hollywood Walk of Fame to see if the star awarded to lyricist Leo Robin 31 years ago but never installed finally appears on this list. For Leo Robin, this annual ritual is known as 'Pass Over.' Charlie Parker performing "f I Should Lose You," composed by Ralph Rainger with lyrics by Leo Robin, on his Charlie Parker With Strings album in 1949 and Marla Gibbs singing "Easy Living," composed by Ralph Rainger with lyrics by Leo Robin, in the style of Billie Holiday on the NBC sitcom 227 episode entitled "Blues" The contributions Leo Robin has made to The Great American Songbook are celebrated time and again with contemporary covers by artists including regularly by those appearing on the annual list of honorees. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
TELEVISION NATIONAL HONOREES 24 Hours: Assault on the Capitol
TELEVISION NATIONAL HONOREES 24 Hours: Assault On the Capitol (ABC News and Hulu) ABC NEWS Frontline - Special Report [TV - National] 60 in 6: Covid and Domestic Abuse CBS News Investigative Feature [TV - National] 60 Minutes: Talking to the Past CBS News Soft News Feature [TV - National] Alexa Mansour & Aliyah Royale (The Walking Dead: World Beyond) AMC Networks Actress in a Breakthrough Role- Drama [TV - National] Bess Kalb, Karen Chee, Akilah Green, Franchesca Ramsey, Jocelyn Richard (Yearly Departed) Amazon Studios Writer Scripted- Comedy [TV - National] Between the World and Me HBO Special [TV - National] black-ish Disney Television Studios Comedy [TV - National] Bravery and Hope: 7 Days on the Front Line (CBS News Special) CBS News Documentary- Covid Special [TV - National] Breonna Taylor: Her Life, Death and Legacy (CBS This Morning) CBS News Hard News Feature- Interview [TV - National] Caitriona Balfe (Outlander) Starz Actress in a Leading Role - Drama [TV - National] Catherine O'Hara (Schitt's Creek) Not a Real Company Productions, Inc., Pop TV, CBC Actress in a Leading Role - Comedy or Musical [TV - National] Catherine Reitman (Workin' Moms) Wolf + Rabbit Entertainment ULC Showrunner Fiction- Comedy [TV - National] Cecilia Peck, Inbal B. Lessner (Seduced: Inside the NXIVM Cult) Starz Showrunner Nonfiction [TV - National] Erin Andrews (FOX NFL) FOX Sports On-Air Talent - Sports [TV - National] Eve Lindley (Dispatches from Elsewhere) AMC Networks Actress in a Supporting Role - Made for TV Movie or Limited Series [TV - National] folklore: the long pond studio sessions Disney+ Grand Award for Special or Variety [TV - National] Gina Brillon (Gina Brillon: The Floor is Lava) Amazon Prime Video & Comedy Dynamics Variety [TV - National] Hear Her Voice (Nightline) ABC NEWS Hard News Feature [TV - National] Hoda Kotb & Jenna Bush Hager (TODAY with Hoda & Jenna) TODAY Show/NBC News On-Air Talent - Lifestyle, Entertainment [TV - National] Jessica Goldberg (AWAY) True Jack Productions USA, Sixth and Idaho, Refuge Inc.