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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
00 Kwajalein Hourglass
-" 1 00 KWAJALEIN HOURGLASS VOLUME XXIII, NO 90 U S ARMY KWAJALEIN MISSILE RANGE, MARSHALL ISLANDS FRIDAY, MAY 9, 1986 BUSINESS LEADERS SEE ROSY TIMES House Committee AHEAD FOR AMERICAN ECONOMY Approves Budget By JANET STAIHAR Councll, made up of 200 execu In ltS semlannual report on For Fiscal 1987 Assoclated Press Wrlter tlves from the country's larg the economy, the councli sald By STEVEN KOMAROW HOT SPRINGS, Va -- The coun est corporatlons lt foresees a strengthenlng of AssOclated Press Wrlter try's top bUSlness leaders, say The executlves generally the U S economy for the rest lng the economy lS ln an upbeat gave a nod of approval to the of the year, "as the economy WASHING10N -- The House mode, today predlcted that over tax package adopted thlS week moves out of the lethargy that Budget Commlttee approved a the next two years, Amerlcans by the Senate Flnance Commlttee has prevalled SInce the mlddle flscal 1987 budget that en wl1l beneflt by stable lnterest They dId not see the added tax of 1984 " dorses a tax Increase but, un rates, low lnf1atlon and hlgher burden on corporatlons as detrl The councli sald the "out llke the Senate, puts most of lncome mental to buslness, but eApress look lS more upbeat than pre that money toward deflclt cut Desplte the buslness execu ed a skeptlcal walt-and-see at vlously, ln part reflectlng the tlng lnstead of Pentagon pro tlves' glowlng forecast, they tltude on any flnal verslon expected effects of lower lnter grams also explessed "a sense of un emergIng from a conference wlth est -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Panelist Bios
PANELIST BIOGRAPHIES CATE ADAIR Catherine Adair was born in England, spent her primary education in Switzerland, and then returned to the UK where she earned her degree in Set & Costume Design from the University of Nottingham. After a series of apprenticeships in the London Theater, Catherine immigrated to the United States where she initially worked as a costume designer in East Coast theater productions. Her credits there include The Kennedy Center, Washington Ballet, Onley Theater Company, The Studio and Wolf Trap. Catherine then moved to Los Angeles, joined the West Coast Costume Designers Guild, and started her film and television career. Catherine’s credits include The 70s mini-series for NBC; The District for CBS; the teen film I Know What You Did Last Summer and Dreamworks’ Win a Date with Tad Hamilton. Currently Catherine is the costume designer for the new ABC hit series Desperate Housewives. ROSE APODACA As the West Coast Bureau Chief for Women's Wear Daily (WWD) and a contributor to W, Rose Apodaca and her team cover the fashion and beauty industries in a region reaching from Seattle to Las Vegas to San Diego, as well as report on the happenings in Hollywood and the culture-at-large. Apodaca is also instrumental in the many events and related projects tied to WWD and the fashion business in Los Angeles, including the establishment of LA Fashion Week, and has long been a champion of the local design community. Before joining Fairchild Publications in June 2000, Apodaca covered fashion and both popular and counter culture for over a decade for the Los Angeles Times, USA Today, Sportswear International, Detour, Paper and others. -
Page 1 1 ALL in the FAMILY ARCHIE Bunker Emmy AWARD
ALL IN THE FAMILY ARCHIE Bunker Based on the British sitcom Till MEATHEAD Emmy AWARD winner for all DEATH Us Do Part MIKE Stivic four lead actors DINGBAT NORMAN Lear (creator) BIGOT EDITH Bunker Archie Bunker’s PLACE (spinoff) Danielle BRISEBOIS FIVE consecutive years as QUEENS CARROLL O’Connor number-one TV series Rob REINER Archie’s and Edith’s CHAIRS GLORIA (spinoff) SALLY Struthers displayed in Smithsonian GOOD Times (spinoff) Jean STAPLETON Institution 704 HAUSER (spinoff) STEPHANIE Mills CHECKING In (spinoff) The JEFFERSONS (spinoff) “STIFLE yourself.” “Those Were the DAYS” MALAPROPS Gloria STIVIC (theme) MAUDE (spinoff) WORKING class T S Q L D A H R S Y C V K J F C D T E L A W I C H S G B R I N H A A U O O A E Q N P I E V E T A S P B R C R I O W G N E H D E I E L K R K D S S O I W R R U S R I E R A P R T T E S Z P I A N S O T I C E E A R E J R R G M W U C O G F P B V C B D A E H T A E M N F H G G A M A L A P R O P S E E A N L L A R C H I E M U L N J N I O P N A M R O N Z F L D E I D R E D O O G S T I V I C A E N I K H T I D E T S A L L Y Y U A I O M Y G S T X X Z E D R S Q M 1 84052-2 TV Trivia Word Search Puzzles.indd 1 10/31/19 12:10 PM THE BIG BANG THEORY The show has a science Sheldon COOPER Mayim Bialik has a Ph.D. -
Finding Aid to the Historymakers ® Video Oral History with Marla Gibbs
Finding Aid to The HistoryMakers ® Video Oral History with Marla Gibbs Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Gibbs, Marla, 1931- Title: The HistoryMakers® Video Oral History Interview with Marla Gibbs, Dates: July 8, 2007 Bulk Dates: 2007 Physical 6 Betacame SP videocasettes (2:41:50). Description: Abstract: Actress Marla Gibbs (1931 - ) was best known for her role as "Florence" on The Jeffersons. She also starred in her own sitcom, 227. Gibbs was interviewed by The HistoryMakers® on July 8, 2007, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2007_199 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actress Marla Gibbs was born on June 14, 1931 to Douglas Bradley and Ophelia Kemp in Chicago, Illinois. After graduating from Wendell Phillips High School in 1949, Gibbs attended secretarial school and went to work at Service Bindery in Chicago. She then was hired, at Gotham Hotel in Detroit, Michigan, and later worked for Detroit Street Railways (DSR). Gibbs worked for United Airlines as a receptionist. After being transferred to Detroit and later Los Angeles, she took acting classes at the Mafundi Institute and the Watts Writers’ Workshop. In the early 1970s, Gibbs was cast in theatrical roles at the Zodiac Theater and small roles in “made for TV” movies. In 1973, Gibbs had a major supporting role in the 1973 movie Sweet Jesus, Preacher Man. Gibbs’ big break came in 1975 at the age of forty-four when she was hired for a bit part as a household domestic named “Florence” in the CBS show The Jeffersons, a spin-off of All In The Family. -
Black Families and the Mass Media. Occasional Paper No
DOCUMENT RESUME ED 278 748 UD 025 326 AUTHOR Stroman, Carolyn A. TITLE Black Families and the Mass Media. OccasionalPaper No. 23. INSTITUTION Howard Univ., Washington, D.C. Inst. forUrban Affairs and Research. PUB DATE 86 NOTE 66p. AVAILABLE FROM Institute for Urban Affairs and Research,2900 Van Ness Street, N.W., Washington, DC, 20008 ($5.00; $4.00 each for 10 copies or more). PUB TYPE Reports - General (140) EDRS PRICE MF01 Plus Postage. PC Not Available fromFDRS. DESCRIPTORS Audience Analysis; *Black Family; *CulturalImages; Labeling (of Persons); *Mass Media Effects;Media Research; *News Media; *Public Opinion; *Social Influences; Stereotypes; Television ABSTRACT The paper examines the role themass media play in the functioning of black families. Emphasis ison the perspectives and images of black families thatare presented via commercial television, newspapers, and magazines. Dividedinto four parts, the paper discusses the following: (1) the theoretical frameworkaround which the paper is centered, including thevarious perspectives utilized by social scientists in studyingblack family life; (2) content analysis of newspaper and magazinecoverage and television portrayal of black families; (3) commentaries andcriticisms that have been made about the media'scoverage and portrayal; and (4) a research agenda of priority topics for futureresearch in this area, and recommendations for action by parents,educators, and practitioners. The effects of mediacoverage and portrayals of blacks and their families are discussed. An extensive listof references is included. (PS) *********************************************************************** Reproductions supplied by EDRSare the best that can be made from the original document. *********************************************************************** BLACK FAMILIES AND THE MASS MEDIA by Carolyn A. Stroman, Ph.D. Occasional Paper No. 23 Institute for Urban Affairs and Research Howard University Washington, D.C. -
CLASS DISMISSED HOW TV FRAMES the WORKING CLASS TRANSCRIPT Class Dismissed How TV Frames the Working Class
MEDIA EDUCATION FOUNDATION Media Education Foundation | 60 Masonic St. Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org CLASS DISMISSED HOW TV FRAMES THE WORKING CLASS TRANSCRIPT Class Dismissed How TV Frames the Working Class Writer & Producer: LORETTA ALPER Executive Producer: SUT JHALLY Associate Producers: KENYON KING & KENDRA OLSON Editor: KENYON KING Narrated by ALVIN POUSSAINT, Professor of Psychiatry, Harvard Medical School and Director of the Media Center, The Judge Baker Children’s Center Featuring Interviews with MELISSA BUTLER, Teacher, Pittsburgh, PA STEVEN EDWARDS, Principal, East Hartford High School, CT ARNOLD FEGE, Director of Public Engagement, Public Engagement Network NELL GEISER, Student, CO CHRIS GERZON, Teacher, Fiske Elementary School, Concord MA HENRY GIROUX, Professor, Penn State University WILLIAM HOYNES, Professor, Vassar College DARBY KAIGHIN-SHIELDS, Student, Pittsburgh, PA NAOMI KLEIN, Author, No Logo: Taking aim at the Brand Bullies BECKY MCCOY, Mother, Montgomery County MD ALEX MOLNAR, Professor, Arizona State University ELAINE NALESKI, Director of Communications, Colorado Springs CO LINDA PAGE, Lead Teacher, CIVA Charter School Colorado Springs CO TOM PANDALEON, Parent, Pittsburgh, PA SENATOR PAUL PINSKY, Maryland State Senator RANDALL TAYLOR, School Board Member, Pittsburgh, PA LAURA WILWORTH, Student, Manchester Essex Regional High School MEDIA EDUCATION FOUNDATION 60 Masonic St. | Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org This transcript may be reproduced for educational, non-profit uses only. © 2006 INTRODUCTION [Opening Music] Fortunate Son [Television clip] How do you do? My name is Dave Garroway and I’m here, and gladly so, to tell you that television is ready for you. -
"Introduction: Survey of Literature of "All in The
6 "INTRODUCTION: SURVEY OF LITERATURE OF "ALL IN THE FAMILY" Mike Porter On the night of January 12, 1971 a group of men sat watching a monitor in the CBS executive suite in New York. Some were optjmistic but all were nervous as careers lay on the line. Meanwhile, a continent away, another gentleman was "pacing the floor of a viewing room in Television City, 1 Hollywood, like an expectant father." It was too late for anyone to change their minds--the point of no return had been reached. At 10:30 p.m. EST, these men looked on as a new mid-season replacement program was fed down the lines to awaiting and warned affiliates nationwide. Meanwhile, in every major television market, extra operators hired by the network prepared themselves for the expected tempest of an enraged American public. As was later recalled, these men "kind of sneaked it on 2 one night with no advance advertising or anything." As the show began with its now familiar theme song--American entered into what was later described as "a new era of candor. The name of the program was "All in the Family." Without a doubt, "All in the Family" is one of the most controversial yet successful series in the history The show about Archie Bunker, his wife Edith, his daughter Gloria and his son-in-law the "Meathead," became what one 7 4 observer called "instant American folklore." Indeed that observation became true since in 1978 Archie Bunker's famous chair was installed as an exhibit at the Smithsonian Institution. -
Qt88g031r8.Pdf
UC Berkeley Berkeley Planning Journal Title The Tragicomic Televisual Ghetto: Popular Representations of Race and Space at Chicago’s Cabrini-Green Permalink https://escholarship.org/uc/item/88g031r8 Journal Berkeley Planning Journal, 22(1) ISSN 1047-5192 Author Godlewski, Joseph Publication Date 2009 DOI 10.5070/BP32215363 Peer reviewed eScholarship.org Powered by the California Digital Library University of California 113 115 The Tragicomic Televisual Ghetto: Popular Representations of Race and Space at Chicago’s Cabrini-Green by Joseph Godlewski Abstract The production of cultural perceptions in mass media is linked to the project of urban renewal and institutionalized racism. Popular television shows like Good Times, so infused with progressive ideals and issues of social relevance, were able to convey a normative view of “the projects” as an inherently failed space. This article presents a history of cultural translation and racial relations against a backdrop of American housing policy in the post-war era. The 1970s television show, Good Times, which earned the status as one of the fi rst “black sitcoms,” told the story of a morally strong family enduring life in “the projects” of Chicago. Experiencing a kind of racialized modernity, social mobility for the Evans family was continually fraught and “progress” was agonizingly and circularly deferred in weekly half- hour segments. In their perpetual struggle, the show’s characters can be seen as engaged with what Cornel West has called the “ignoble paradox of modernity.”1 (West 1999, 53) It’s serious themes, though, were punctuated by witty lines and the enigmatic catchphrase “Dyn-o-mite!” emphatically uttered by the family’s eldest son and star of the show, J.J. -
Copper Cat Books 10 July
Copper Cat Books 10 July Author Title Sub Title Genre 1979 Chevrolet Wiring All Passenger Cars Automotive, Diagrams Reference 400 Notable Americans A compilation of the messages Historical and papers of the presidents A history of Palau Volume One Traditional Palau The First Anthropology, Europeans Regional A Treasure Chest of Children's A Sewing Book From the Ann Hobby Wear Person Collection A Visitor's Guide to Chucalissa Anthropology, Guidebooks, Native Americans Absolutely Effortless rP osperity - Book I Adamantine Threading tools Catalog No 4 Catalogs, Collecting/ Hobbies African Sculpture /The Art History/Study, Brooklyn museum Guidebooks Air Navigation AF Manual 51-40 Volume 1 & 2 Alamogordo Plus Twenty-Five the impact of atomic/energy Historical Years; on science, technology, and world politics. All 21 California Missions Travel U.S. El Camino Real, "The King's Highway" to See All the Missions All Segovia and province America's Test Kitchen The Tv Cookbooks Companion Cookbook 2014 America's Test Kitchen Tv the TV companion cookbook Cookbooks Companion Cookbook 2013 2013 The American Historical Vol 122 No 1 Review The American Historical Vol 121 No 5 Review The American Historical Vol 122 No 2 Review The American Historical Vol 122 No 5 Review The American Historical Vol 122 No 4 Review The American Historical Vol 122 No 3 Review The American Revolutionary a Bicentennial collection Historical, Literary Experience, 1776-1976 Collection Amgueddfa Summer/Autumn Bulletin of the National Archaeology 1972 Museum of Wales Los Angeles County Street Guide & Directory. Artes De Mexico No. 102 No 102 Ano XV 1968 Art History/Study Asteroid Ephemerides 1900-2000 Astrology, Copper Cat Books 10 July Author Title Sub Title Genre Astronomy Australia Welcomes You Travel Aviation Magazines Basic Course In Solid-State Reprinted from Machine Engineering / Design Electronics Design Becoming Like God Journal The Belles Heures Of Jean, Duke Of Berry. -
February 21, 2007
FOR IMMEDIATE RELEASE Contact: Geoffrey Baum 213-821-1491 USC Establishes Norman Lear Chair in Entertainment, Media and Society Martin Kaplan to hold Endowed Chair at USC Annenberg School LOS ANGELES, February 21, 2007 – Norman Lear, the pioneering television and film producer, political and social activist and philanthropist is being honored by the University of Southern California with the establishment of the Norman Lear Chair in Entertainment, Media and Society, Geoffrey Cowan, dean of the USC Annenberg School for Communication announced today. The inaugural holder of the Norman Lear Chair is Martin Kaplan, founding director of the Norman Lear Center at the USC Annenberg School. Kaplan, an Annenberg Research Professor, has been associate dean of the School since 1997. “I view few things as more important to the health of our culture as Martin Kaplan’s work leading the Center that exists in my name at the USC Annenberg School,” said Lear. “I could not be more honored that Mr. Kaplan has additionally agreed to occupy a Chair in my name – so honored, that I would be happy to surround his Chair with a roomful of furniture, piano included, were the Annenberg School to allow.” “USC’s decision to create and name this chair is a wonderful tribute to Norman’s commitment to USC Annenberg and the work of the Lear Center,” said Cowan, who noted that, other than the Annenberg family, Lear is the largest donor to the USC Annenberg School. In addition to $11 million from Mr. Lear—which includes a new $6 million pledge—the Lear Center has garnered more than $9 million in gifts and research grants from foundation, government and other sources.