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An Arthurian Drama
EXCALIBUR: AN ARTHURIAN DRAMA RALPH ADAMS CRAM EXCALIBUR: AN ARTHURIAN DRAMA Table of Contents EXCALIBUR: AN ARTHURIAN DRAMA...........................................................................................................1 RALPH ADAMS CRAM..............................................................................................................................1 Advertisement:...............................................................................................................................................1 Prologue.........................................................................................................................................................2 Act I................................................................................................................................................................6 ACT II..........................................................................................................................................................44 i EXCALIBUR: AN ARTHURIAN DRAMA RALPH ADAMS CRAM This page copyright © 2002 Blackmask Online. http://www.blackmask.com • Advertisement: • Prologue • Act I • ACT II Advertisement: Excalibur is the introductory drama of a contemplated trilogy founded on the Arthurian legends as the perfect embodiment of the spirit and impulse of that great Christian epoch we call Mediævalism. The attempt is again madehowever inadequately to do for the epic of our own race, and in a form adapted to dramatic presentation, a small measure of that which -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1. -
4.7 the Sword in the Stone
4.7 The Sword in the Stone (King Arthur, famous in legends and history as one of the bravest and noblest Kings of Britain, grew up as an orphaned youth, before Destiny intervened, in the form of his protector and guardian, Merlin the Magician, to reveal his true identity to the people of Britain.) In ancient Britain, at a time when the land was invaded by wild barbarians, the good and noble Lord Uther fought them bravely and drove them away from his land. The people made him king of Britain and gave him the title, Pendragon, meaning Dragon’s head. King Uther Pendragon ruled Britain wisely and well; the people were content. But very soon, the king died; it was thought that he had been poisoned by some traitors. There was no heir to the throne of British. The powerful Lords and Knights who had been kept under control by King Uther, now began to demand that one of them should be crowned King of Britain. Rivalry grew amongst the Lords, and the country as a whole began to suffer. Armed robbers roamed the countryside, pillaging farms and fields. People felt unsafe and insecure in their own homes. Fear gripped the country and lawlessness prevailed over the divided kingdom. Nearly sixteen years had passed since the death of Lord Uther. All the Lords and Knights of Britain had assembled at the Great Church of London for Christmas. On Christmas morning, just as they were leaving the Church, a strange sight drew their attention. In the churchyard was a large stone, and on it an anvil of steel, and in the steel a naked sword was held, and about it was written in letters of gold, ‘Whoso pulleth out this sword is by right of birth King of England.’ Many of the knights could not hold themselves back. -
King Arthur and His Knights
King Arthur and his Knights by George Gibson 1/23 Contents Chapter One: Young Arthur............................................................................3 Chapter Two: The sword in the stone............................................................. 4 Chapter Three: Britain has a King...................................................................5 Chapter Four: Excalibur.................................................................................. 6 Chapter Five: Arthur meets Guinevere........................................................... 7 Chapter Six: The five Kings............................................................................8 Chapter Seven: Lancelot............................................................................... 10 Chapter Eight: The Holy Grail...................................................................... 12 Chapter Nine: King Arthur goes to Aralon................................................... 14 Track 1: Was King Arthur Only a Legend?.................................................. 16 Track 2: Before Arthur's Time...................................................................... 17 Track 3: Knight............................................................................................. 18 Track 4: Page, Squire, Knight....................................................................... 19 Track 5: Castles.............................................................................................20 Track 6: Old Castle of Great Interest........................................................... -
The Matter of Britain
The Matter of Britain The Mythological and Philosophical Significance of the British Legends by John J. Davenport Department of Philosophy Fordham University [email protected] In honor of Stephen R. Donaldson Originally composed in 1997 for relatives and friends from the UK, this work has been shared with others since. I make it available to all for any pleasure and insight it may bring. last revised November, 2004 Contents Introduction : The Mystery Part I: The Cycle of Britain 1. Historical Context 2. Archetypal Background 3. Brutus and the Founding of Britain 4. The Paradigmatic Language of Myth and Legend 5. The Development of Arthurian Legend 6. The British Cycle Part II: Themes of the British Legend 7. Spenser's Paean to Arthur 8. The Arthurian Vision 9. The Island Kingdom 10. Impregnable Wierd and the Human Will 11. The Tragic Poignance of Humanity 12. Poignance and the Mark of Mortality 13. The Phenomenology of Poignance Conclusion: Resentiment or Eucatastrophe -- 1 -- The Matter of Britain Introduction Oh England my Lionheart I'm in your garden fading fast in your arms The soldiers soften, the war is over. The air raid shelters are blooming clover; Flapping umbrellas fill the lanes, My London Bridge in rain again... This first stanza of Kate Bush's song, “Lionheart,” evokes a legendary image of ‘Britain' only to relate it to modern imagery, specifically the legacy of World War II. The nostalgic mood, as we learn in the last stanza, reflects a dying soldier’s last vision of the spirit of his country—the desires and symbols native to this land for which he would give his life. -
King Arthur's Round Table Logic Puzzle
N WHO W SAT E WHERE? S KING ARTHUR’S ROUND TABLE LOGIC PUZZLE Use the clues and family trees on the following pages to work out in which seat each of the Knights of the Round Table sat. Each knight is recorded in bold. Other people in their families are bracketed. Siblings are shown in order of age. If there is a group of you, why not draw the table on the floor or just lay out some chairs in a circle. Each take on the role of one of the knights, wear named labels and perhaps green or white seat stickers. Then find your seat as you go through the clues. Families of the Knights of the Round Table [King Uther] [King Meirchion] King Arthur [Anna] m. [King Lot] [Morgan] m. King Uriens [Elizabeth] Gawain Gareth Gaheris Agravaine Mordred Yvain King Tristram Guinglain [King Pellinore] [King Pelles] [King Ban] [King Bors] [Nestor] Lamorak Percivale [Elaine] m. Lancelot Ector Bors Lionel Bleoberis Galahad No Family at the Table Kay [Bedrod] [King Esclabor] Pelleas Bedivere Lucan Palomides Safir Brunor Dagonet (the Jester) Remember that brothers in the family trees run eldest to youngest, left to right. Names in bold are the knights who had a seat at the table. Clues: Challenging Version Go through the clues below. As you work out where the knights sit, write their names in the correct segment and cross them off on the family trees. Remember that, when thinking about right and left, you must imagine you are the person sitting at the table. 1. -
Synopsis for Sir Guinevere by Dana Cowden
Synopsis for Sir Guinevere by Dana Cowden 5th Century England. The Dark Age… The stories of Camelot, King Arthur, and Guinevere have been around for ages, but Guinevere that is always portrayed as the spoiler of Camelot. But what if those stories are all wrong about her? Twelve year old Guinevere is no damsel in distress. As the only child of King Leodegrance, she is taught to ride, use a sword, and has a talent for knives to match her spunk. After her father is betrayed and murdered by former knightMALLEWAS, her mother draws the enemy away to give MERLIN time to hide Guinevere in a secret passage. Mallewas is determined to have a male heir of royal blood, so he uses Guinevere’s mother to that purpose. Once Mallewas has left her, Merlin and Guinevere sneak her out and hide her at a peasant home. Young Guinevere is hell bent on avenging her parents and taking back their land, so Merlin takes her to a compound to train to become a knight. There, at Sir Ector’s, she meets ARTHUR who breaks through her defenses and they become the best of friends. By the time she’s nineteen, Guinevere fights with the other Squires and Knights against the many invaders surging into England to plunder. While camped near the battlefield, a rogue knight, MALLEGANT, asks to join the group. He proves his skills in battle and becomes a leader the knights look to in each battle. Because his father is Mallewas, Guinevere attempts to kill Mallegant but is stopped by Arthur and Merlin. -
Tales from Camelotk 0 Pakistan to Defend the Right to Handsome He Wears Red Armour C 40 R 175 8 C 40 R 175 Education for Girls
Step Two A2/B1 KEYS TO THE ACTIVITIES Colore iniziali GreenVictoria Apple Heward CHAPTER 7 – THEColore QUEST iniziali FOR Green THE Apple 3 They fought for their HOLY GRAIL independence, they wanted an C 50 R 147 C 50 R 147 education and wanted to have Colore Life Skills M 0 G 192 Possible answer: M 0 G 192 more control over their own lives. Y 100 B 25 Important: 4 He can sit on theY 100 SiegeB 25 4 Because she bravely fought for K 0 C 0 R 239 K 0 Perilous 5 He must find the Holy girls’ right to an education, M 60 G 123 Grail 7 He has a special destiny Y 100 B 0 because she risked her life in Colore Green Apple Not important: 3 He Coloreis very Green Apple Tales from CamelotK 0 Pakistan to defend the right to handsome He wears red armour C 40 R 175 8 C 40 R 175 education for girls. M 0 G 202 M 0 G 202 King ArthurY 90 andB 0 the Knights CHAPTER 8 – AVALON Y 90 B 0 2 K 0 K 0 1 Open answer. Possible answer: 2 Open answer. of the Round Table 1 love, sadness, death 2 betrayal, 3 Open answer. Font utilizzati dishonesty, love, fearFont 3 utilizzatibetrayal, KEYS TO THE ACTIVITIES 4 Open answer. ambition, dishonesty, lies, death 4 Agenda Medium Before you read CHAPTER 3 – THE LADY OF THE dishonesty, sadness,Agenda lies Medium 3 LAKE 1 d 2 f 3 e 4 c 5 b 6 a 1 Dossier - King Arthur – magician knight beard Possible answer: Activities 1 2 3 Truth or Legend? 4 sword 5 armour 6 stone 1 a good soldier – He helped unite CHAPTER 1 – THE MAGICIAN AND 7 wedding 8 chapel 9 lake theGill kings Sans Std of ExtraBritain Bold 2 magician – 1 Gill Sans Std Extra -
“Young Arthur” by Robert D. San Souci King Uther Heard the Baby's
“Young Arthur” By Robert D. San Souci King Uther heard the baby’s wail and leaped to his feet. There was a sharp rap at the chamber door, and a servant entered grinning happily. “You have a son,” he told the king. Uther’s joy knew no bounds. When he was ushered into Queen Igerna’s bedchamber, Uther looked lovingly at mother and son. “The boy’s name shall be Arthur,” he declared, “and he shall be a great king. For Merlin [the magician] has foretold that he will one day rule the greatest kingdom under heaven.” But Uther’s happiness did not last. His beloved queen died soon after Arthur’s birth, and sadness sapped the king’s spirit. He lost interest in ruling, and Merlin was unable to rouse him from his melancholy. “Unrest grows throughout the land,” Merlin warned. “Your old foes are rising in rebellion. Give the babe into my keeping, for you have enemies even at court.” Anxious for his son’s safety, Uther agreed. So Merlin, disguised as a beggar, took the infant Arthur to sir Ector and his lady, who lived some distance from the court and all its dangers. He told them nothing about the child, save that his name was Arthur. The couple had recently lost their infant son and welcomed Arthur as their own. Soon rebellion divided the kingdom. Uther, reclaiming his old spirit, rallied his knights and barons. With Merlin always beside him, he drove back his enemies. But as Uther celebrated his victory, in the town of Verulum, traitors poisoned the town’s wells. -
King Arthur and the Knights of the Round Table
King Arthur and the Knights of the Round Table Level 2 Retold by Deborah Tempest Series Editors: Andy Hopkins and Jocelyn Potter Pearson Education Limited Edinburgh Gate, Harlow, Essex CM20 2JE, England and Associated Companies throughout the world. ISBN-13: 978-0-582-42118-9 ISBN-10: 0-582-42118-7 This edition first published 2000 Fifth impression 2006 Copyright © Penguin Books Ltd 2000 Illustrations by John James Cover design by Bender Richardson White Typeset by Pantek Arts Ltd, Maidstone, Kent Set in 11/14pt Bembo Printed in China SWTC/05 Alt rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Publishers. Published by Pearson Education Limited in association with Penguin Books Ltd, both companies being subsidiaries of Pearson Pic For a complete list of the titles available In the Penguin Readers series, please write to your local Pearson Education office or to: Penguin Readers Marketing Department, Pearson Education, Edinburgh Gate. Harlow, Essex CM20 2JE. CONTENTS Page Introduction.............................................................................................................................................................5 Chapter 1 Arthur and Merlin......................................................................................................................6 Chapter 2 The Round Table .....................................................................................................................9 -
Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators Of
The College of Wooster Libraries Open Works Senior Independent Study Theses 2012 Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators of British National Identity Throughout History Audrey Ellen Wimbiscus The College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the European History Commons, and the Literature in English, British Isles Commons Recommended Citation Wimbiscus, Audrey Ellen, "Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators of British National Identity Throughout History" (2012). Senior Independent Study Theses. Paper 3829. https://openworks.wooster.edu/independentstudy/3829 This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2012 Audrey Ellen Wimbiscus The College of Wooster Rex Quondam, Rexque Futurus: Arthurian Legends as Indicators of British National Identity Throughout History by Audrey Ellen Wimbiscus Presented in Partial Fulfillment of the Requirements of Senior Independent Study Supervised by Madonna Hettinger Department of History Spring 2012 TABLE OF CONTENTS Acknowledgements i Introduction 1 Chapter One: Le Morte d’Arthur and the Birth of a King 16 Chapter Two: The Once & Future King: Arthur in a New Era 35 Chapter Three: Women Emerging From the Mists of Arthurian Legends 56 Conclusion 73 Appendix 76 Annotated Bibliography 77 ACKNOWLEDGEMENTS First of all, I would like to thank my parents, for fostering an early love of reading and history, which ultimately led to this study. -
The New High King a King Arthurs Short Story by K. M. Shea
The New High King A King Arthurs short story by K. M. Shea “Once the giant was defeated, it was quite simple to free the lady. Sir Lanval did most of the work, but it was a jolly good adventure!” Sir Tor beamed at the Knights of the Round Table, in a cheerful mood as usual. Mordred rubbed his chin. At least that hasn’t changed. “Yes, thank you, Sir Tor,” Sir Ulfius said. “I believe that brings this meeting of the Round Table to an end. Unless you wish to say something, My King?” Mordred pushed his shoulders back and smiled. “Only that I’m exceedingly proud and happy with the Order of the Round Table, and I would like to thank every one of you for making Britt’s vision of Camelot carry on. That is all.” Various emotions flickered across the knights’ faces—sadness, affection, and pain at a wound that still ached. It had been a year since Merlin and a number of Britt’s closest knights sealed themselves in a cave in hopes of meeting Britt in the future. It had been even longer since Britt had left, but the gaping hole of her absence was still felt, though it had dulled to an ache rather than the stabbing sensation that had plagued everyone in Camelot for months. As knights began standing and taking their leave, Sir Ywain trotted up to Mordred. “My King, I wish to tell you that I shall return to my lands in a week.” Mordred smiled. “You miss your wife, do you?” “Like a thirsty man misses water,” Ywain agreed.