ABOLITIONISTS and the CONSTITUTION Library of Congress/Theodore R
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Twelve Years a Slave. Narrative
FIFTH THOUSAND TWELVE YEARS A SLAVE. NARRATIVE OF SOLOMON NORTHUP, A CITIZEN OF NEW-YORK, KIDNAPPED IN WASHINGTON CITY IN 1841, AND RESCUED IN 1853, FROM A COTTON PLANTATION NEAR THE RED RIVER, IN LOUISIANA. AUBURN: DERBY AND MILLER. BUFFALO: DERBY, ORTON AND MULLIGAN. LONDON: SAMPSON LOW, SON & COMPANY, 47 LUDGATE HILL. 1853. Entered according to Act of Congress, in the year one thousand eight hundred and fifty-three, by D E R B Y A N D M ILLER , In the Clerk's Office of the District Court of the Northern District of New-York. ENTERED IN LONDON AT STATIONERS' HALL. TO HARRIET BEECHER STOWE: WHOSE NAME, THROUGHOUT THE WORLD, IS IDENTIFIED WITH THE GREAT REFORM: THIS NARRATIVE, AFFORDING ANOTHER Key to Uncle Tom's Cabin, IS RESPECTFULLY DEDICATED "Such dupes are men to custom, and so prone To reverence what is ancient, and can plead A course of long observance for its use, That even servitude, the worst of ills, Because delivered down from sire to son, Is kept and guarded as a sacred thing. But is it fit, or can it bear the shock Of rational discussion, that a man Compounded and made up, like other men, Of elements tumultuous, in whom lust And folly in as ample measure meet, As in the bosom of the slave he rules, Should be a despot absolute, and boast Himself the only freeman of his land?" Cowper. [Pg vii] CONTENTS. PAGE. EDITOR'S PREFACE, 15 CHAPTER I. Introductory—Ancestry—The Northup Family—Birth and Parentage—Mintus Northup—Marriage with Anne Hampton—Good Resolutions—Champlain Canal—Rafting Excursion to Canada— Farming—The Violin—Cooking—Removal to Saratoga—Parker and Perry—Slaves and Slavery— The Children—The Beginning of Sorrow, 17 CHAPTER II. -
William Lloyd Garrison: Deliverance from Slavery
WILLIAM LLOYD GARRISON: DELIVERANCE FROM SLAVERY Mariana Antonio Serrano NATIONAL HISTORY DAY February 4, 2020 Word Count: 2238 "My name is 'LIBERATOR'! I propose/ to hurl my shafts at freedom's deadliest foes!/ My task is hard-for I am charged to save/ Man from his brother!-to redeem the slave!"1 With these opening words on January 1, 1831, the very first issue of the abolitionist newspaper, The Liberator, was published in Boston, Massachusetts at No.6 Merchants Hall, "at the corner of Walter and Congress streets" 2 . This paper would circulate around the United States to 3000 subscribers and to many more readers,3 bearing on the front page of every issue its motto," Our country is the world-our countrymen are mankind."4 This newspaper ultimately triumphed in spreading the abolitionist fire to the masses. The intense zeal that William Lloyd Garrison, editor of The Liberator , held for the cause of the immediate abolition of slavery was the key to his success as an abolitionist . How did William Lloyd Garrison impact the abolitionist movement? William Lloyd Garrison kept the abolitionist movement prosperous despite damaging failures by way of the publication of The Liberator, correspondence with other abolitionist groups, and by standing firm, though the very same abolitionists he worked with disagreed with his "radical" viewpoint on abolitionism, because he was insistent on not telling a part of the truth of the immorality of slavery, but the whole truth. Garrison's beginnings as an abolitionist were rooted in his childhood and adolescence. Frances, his mother, a strongly religious woman, was the source of Garrison's strong belief that 1 W illiam Lloyd Garrison, "Salutation ," The Liberator , Vol. -
Repor 1 Resumes
REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-. -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
Can Words Lead to War?
Middle School Uncle Tom’s Cabin Inquiry Can Words Lead to War? Full-page illustration from first edition Uncle Tom’s Cabin by Hammatt Billings. Available in Uncle Tom’s Cabin & American Culture. Supporting Questions 1. How did Harriet Beecher Stowe describe slavery in Uncle Tom’s Cabin? 2. What led Harriet Beecher Stowe to write Uncle Tom’s Cabin? 3. How did northerners and southerners react to Uncle Tom’s Cabin? 4. How did Uncle Tom’s Cabin affect abolitionism? THIS WORK IS LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL- SHAREALIKE 4.0 INTERNATIONAL LICENSE. 1 Middle School Uncle Tom’s Cabin Inquiry Can Words Lead to War? Framework for Summary Objective 12: Students will understand the growth of the abolitionist movement in the Teaching American 1830s and the Southern view of the movement as a physical, economic and political threat. Slavery Consider the power of words and examine a video of students using words to try to bring about Staging the Question positive change. Supporting Question 1 Supporting Question 2 Supporting Question 3 Supporting Question 4 How did Harriet Beecher What led Harriet Beecher How did people in the How did Uncle Tom’s Stowe describe slavery in Stowe to write Uncle North and South react to Cabin affect abolitionism? Uncle Tom’s Cabin? Tom’s Cabin? Uncle Tom’s Cabin? Formative Formative Formative Formative Performance Task Performance Task Performance Task Performance Task Complete a source analysis List four quotes from the Make a T-chart comparing Participate in a structured chart to write a summary sources that point to the viewpoints expressed discussion regarding the of Uncle Tom’s Cabin that Stowe’s motivation and in northern and southern impact Uncle Tom’s Cabin includes main ideas and write a paragraph newspaper reviews of had on abolitionism. -
Abolitionist Movement
Abolitionist Movement The goal of the abolitionist movement was the immediate emancipation of all slaves and the end of racial discrimination and segregation. Advocating for immediate emancipation distinguished abolitionists from more moderate anti-slavery advocates who argued for gradual emancipation, and from free-soil activists who sought to restrict slavery to existing areas and prevent its spread further west. Radical abolitionism was partly fueled by the religious fervor of the Second Great Awakening, which prompted many people to advocate for emancipation on religious grounds. Abolitionist ideas became increasingly prominent in Northern churches and politics beginning in the 1830s, which contributed to the regional animosity between North and South leading up to the Civil War. The Underground Railroad c.1780 - 1862 The Underground Railroad, a vast network of people who helped fugitive slaves escape to the North and to Canada, was not run by any single organization or person. Rather, it consisted of many individuals -- many whites but predominantly black -- who knew only of the local efforts to aid fugitives and not of the overall operation. Still, it effectively moved hundreds of slaves northward each year -- according to one estimate, the South lost 100,000 slaves between 1810 and 1850. Still, only a small percentage of escaping slaves received assistance from the Underground Railroad. An organized system to assist runaway slaves seems to have begun towards the end of the 18th century. In 1786 George Washington complained about how one of his runaway slaves was helped by a "society of Quakers, formed for such purposes." The system grew, and around 1831 it was dubbed "The Underground Railroad," after the then emerging steam railroads. -
The Slave's Cause: a History of Abolition
Civil War Book Review Summer 2016 Article 5 The Slave's Cause: A History of Abolition Corey M. Brooks Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Brooks, Corey M. (2016) "The Slave's Cause: A History of Abolition," Civil War Book Review: Vol. 18 : Iss. 3 . DOI: 10.31390/cwbr.18.3.06 Available at: https://digitalcommons.lsu.edu/cwbr/vol18/iss3/5 Brooks: The Slave's Cause: A History of Abolition Review Brooks, Corey M. Summer 2016 Sinha, Manisha The Slave's Cause: A History of Abolition. Yale University Press, $37.50 ISBN 9780300181371 The New Essential History of American Abolitionism Manisha Sinha’s The Slave’s Cause is ambitious in size, scope, and argument. Covering the entirety of American abolitionist history from the colonial era through the Civil War, Sinha, Professor of Afro-American Studies at the University of Massachusetts, Amherst, presents copious original research and thoughtfully and thoroughly mines the substantial body of recent abolitionist scholarship. In the process, Sinha makes a series of potent, carefully intertwined arguments that stress the radical and interracial dimensions and long-term continuities of the American abolitionist project. The Slave’s Cause portrays American abolitionists as radical defenders of democracy against countervailing pressures imposed both by racism and by the underside of capitalist political economy. Sinha goes out of her way to repudiate outmoded views of abolitionists as tactically unsophisticated utopians, overly sentimental romantics, or bourgeois apologists subconsciously rationalizing the emergent capitalism of Anglo-American “free labor" society. In positioning her work against these interpretations, Sinha may somewhat exaggerate the staying power of that older historiography, as most (though surely not all) current scholars in the field would likely concur wholeheartedly with Sinha’s valorization of abolitionists as freedom fighters who achieved great change against great odds. -
The PAS and American Abolitionism: a Century of Activism from the American Revolutionary Era to the Civil War
The PAS and American Abolitionism: A Century of Activism from the American Revolutionary Era to the Civil War By Richard S. Newman, Associate Professor of History Rochester Institute of Technology The Pennsylvania Abolition Society was the world's most famous antislavery group during the late eighteenth and early nineteenth centuries. Indeed, although not as memorable as many later abolitionists (from William Lloyd Garrison and Lydia Maria Child to Frederick Douglass and Sojourner Truth), Pennsylvania reformers defined the antislavery movement for an entire generation of activists in the United States, Europe, and even the Caribbean. If you were an enlightened citizen of the Atlantic world following the American Revolution, then you probably knew about the PAS. Benjamin Franklin, a former slaveholder himself, briefly served as the organization's president. French philosophes corresponded with the organization, as did members of John Adams’ presidential Cabinet. British reformers like Granville Sharp reveled in their association with the PAS. It was, Sharp told told the group, an "honor" to be a corresponding member of so distinguished an organization.1 Though no supporter of the formal abolitionist movement, America’s “first man” George Washington certainly knew of the PAS's prowess, having lived for several years in the nation's temporary capital of Philadelphia during the 1790s. So concerned was the inaugural President with abolitionist agitation that Washington even shuttled a group of nine slaves back and forth between the Quaker State and his Mount Vernon home (still, two of his slaves escaped). The PAS was indeed a powerful abolitionist organization. PAS Origins The roots of the Pennsylvania Abolition Society date to 1775, when a group of mostly Quaker men met at a Philadelphia tavern to discuss antislavery measures. -
John Brown, Abolitionist: the Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights by David S
John Brown, Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights by David S. Reynolds Homegrown Terrorist A Review by Sean Wilentz New Republic Online, 10/27/05 John Brown was a violent charismatic anti-slavery terrorist and traitor, capable of cruelty to his family as well as to his foes. Every one of his murderous ventures failed to achieve its larger goals. His most famous exploit, the attack on Harpers Ferry in October 1859, actually backfired. That backfiring, and not Brown's assault or his later apotheosis by certain abolitionists and Transcendentalists, contributed something, ironically, to the hastening of southern secession and the Civil War. In a topsy-turvy way, Brown may have advanced the anti-slavery cause. Otherwise, he actually damaged the mainstream campaign against slavery, which by the late 1850s was a serious mass political movement contending for national power, and not, as Brown and some of his radical friends saw it, a fraud even more dangerous to the cause of liberty than the slaveholders. This accounting runs against the grain of the usual historical assessments, and also against the grain of David S. Reynolds's "cultural biography" of Brown. The interpretations fall, roughly, into two camps. They agree only about the man's unique importance. Writers hostile to Brown describe him as not merely fanatical but insane, the craziest of all the crazy abolitionists whose agitation drove the country mad and caused the catastrophic, fratricidal, and unnecessary war. Brown's admirers describe his hatred of slavery as a singular sign of sanity in a nation awash in the mental pathologies of racism and bondage. -
Harpers Ferry and the Story of John Brown
Harpers Ferry and the Story of John Brown STUDY GUIDE Where History and Geography Meet Today, John Brown's war against slavery can be seen as a deep, divisive influence on the course of mid-19th century American politics. This Study Guide, along with the book John Brown's Raid and the video To Do Battle in This Land, is designed to help junior and senior high school teachers prepare their students to understand this essential issue in American history. It can also be used to lay the groundwork for a visit to Harpers Ferry National Historical Park, where travelers can explore firsthand the places associated with the event that intensified national debate over the slavery issue and helped to bring on the Civil War. Harpers Ferry and the Story of John Brown STUDY GUIDE Produced by the Division of Publications, National Park Service U.S. Department of the Interior, Washington, D.C., 1991 Contents Introduction The Study Guide and How to Use It 4 Using the Book and Video Synopsis 6 Pre-viewing Discussion Questions and Activities 7 Post-viewing Discussion Questions and Activities 8 Extended Lessons Law, Politics, Government, and Religion 10 The Importance of Geography 12 Slavery and the Constitution 13 Property and Economics 14 The Role of the Media 15 Women's Rights 16 Literature 17 Music 18 Resources Glossary 19 Chronology of John Brown's Life and Related Events 20 Chronology of John Brown's Raid on Harpers Ferry, 1859 22 Harpers Ferry and Vicinity in 1859 24 Harpers Ferry in 1859 25 U.S. -
Civil War Drama Circle Directions: the Entire Class Will Sit in a Large Circle
Civil War Drama Circle Directions: The entire class will sit in a large circle. Each student will preview a card for fluency/understanding. Students are expected to stand and go to the middle of the circle to act out their part of the Drama Circle. Practice with students first, and then perform the Drama Circle from Beginning to end. 1. (Start Card) 2. After Harriet Tubman sings, Say in a booming voice, “I am stand and say (like a Harriet Tubman leading gentleman), “I am Frederick slaves to freedom on the Douglass, abolitionist and Underground Railroad”, and friend of Lincoln, please lend sing one line of “Follow the me an ear.” (Hold your hand Drinking Gourd.” to your ear) 3. When Frederick Douglass 4. After Lincoln writes the says to listen, pretend to sit Emancipation Proclamation and write and say, “Abraham say, “I am Harriet Beecher Lincoln here, writing the Stowe, abolitionist and Emancipation Proclamation author of Uncle Tom’s to free the slaves.” “I must Cabin.” “My book will bring end slavery and keep the the evils of slavery to light.” United States together.” (Do a curtsey with your dress) 5. When Stowe curtsies, say “I 6. After Sojourner Truth gives am Sojourner Truth; I her speech (March to the escaped from slavery and circle) and say, “Ulysses S. became an abolitionist and Grant at your service; I am fought for women’s rights.” the General of the Union (With one arm extended) Army and will later become say, “Truth is powerful and it president of the United prevails.” States.” (March back to seat) 7. -
"I's Not So Wicked As I Use to Was:" the Interplay of Race and Dignity In
La Salle University La Salle University Digital Commons HON499 projects Honors Program Spring 2018 "I's Not So Wicked as I Use to Was:" The nI terplay of Race and Dignity in Nineteenth-Century American Drama and Blackface Minstrelsy Sam Volosky [email protected] Follow this and additional works at: http://digitalcommons.lasalle.edu/honors_projects Part of the Acting Commons, African American Studies Commons, American Literature Commons, Dramatic Literature, Criticism and Theory Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Volosky, Sam, ""I's Not So Wicked as I Use to Was:" The nI terplay of Race and Dignity in Nineteenth-Century American Drama and Blackface Minstrelsy" (2018). HON499 projects. 16. http://digitalcommons.lasalle.edu/honors_projects/16 This Honors Project is brought to you for free and open access by the Honors Program at La Salle University Digital Commons. It has been accepted for inclusion in HON499 projects by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. “I’s Not So Wicked as I Use to Was:” The Interplay of Race and Dignity in Nineteenth-Century American Drama and Blackface Minstrelsy By Sam Volosky At the origin of theatrical performance, theatre was used by the ancient Greeks as an efficacious tool to enact social change within their communities. Playwrights used tragedy and comedy in order to sway their audiences so that they might vote in one direction or the other on matters such as war, government, and social structure.