Asian Stereotypes? Have the Kind of Dignity and City
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Japanese Videos - (Last Update September 13, 2019) Use the Find Function to Search This List
Japanese Videos - (last update September 13, 2019) Use the Find function to search this list Aspects of the Kabuki Theater of Japan 198?, 20 minutes, English. Shows costumes, make up, and examples of Kabuki productions. Accompanied by traditional Kabuki music. JCU Library CALL NO. PN2924.5.K3.A86 Career Escalator, The – with notes Education and Job Competition. LLC Library CALL NO. JP 008 – C Double Suicide Double Suicide Director: Masahiro Shinoda. 1969, 105 minutes, B&W, Japanese with English subtitles. Compelling drama based on a traditional Bunraku puppet play which is performed within the film itself about a married man who plans a suicide pact with his mistress. LLC Library CALL NO. JP 012 Funeral, The Director: Juzo Itami. with Nobuko Miyamoto, Tsutomu Yamazaki. 1985, 114 minutes, Japanese with English subtitles. Darkly funny tale of a contemporary Japanese family’s skewed attempts to conduct a traditional Buddhist service for their late patriarch. Controversial, compelling comic effort on the part of director and actors. LLC Library CALL NO. JP 009 Japan Invades China PBS Video, 1989, 51 minutes. 1. Highlights Japan’s expansion into French Indochina, the Dutch Indies, Burma, Malaya and the Philippines. 2. Focuses on the diplomatic and economic pressure placed on Japan prior to the attack on Pearl Harbor. JCU Library CALL NO. D443.J36 Japanese Version, The 1991, 56 minutes. The film explores Japan’s fascination with things American, pointing out that in borrowing from other cultures, there emerges a distinct Japanese slant on such things as American baseball, the 1950’s, weddings, and love hotels. JCU Library CALL NO. -
Programmation Septembre 2020
Une sélection du meilleur du cinéma de patrimoine par Carlotta Films ! PROGRAMMATION SEPTEMBRE 2020 MIKIO NARUSE RÉALISATEUR DU MOIS 4 fi lms majeurs AU GRÉ DU COURANT (1956) QUAND UNE FEMME MONTE L’ESCALIER (1960) UNE FEMME DANS LA TOURMENTE (1964) NUAGES ÉPARS (1967) UNE FAMILLE DÉVOYÉE ÉVÉNEMENT SPÉCIAL : AVANT-PREMIÈRE EXCEPTIONNELLE un fi lm de Masayuki Suo (1984) - EXCLUSIVITÉ LE VIDÉO CLUB CARLOTTA FILMS (Int. -16 ans) - THE ENDLESS SUMMER DÉJÀ CULTE un fi lm de Bruce Brown (1966) THE EXTERMINATOR (LE DROIT DE TUER) DÉJÀ CULTE un fi lm de James Glickenhaus (1980) A FULLER LIFE DÉCOUVERTES & RARETÉS un fi lm de Samantha Fuller (2013) LE COUSIN JULES DÉCOUVERTES & RARETÉS un fi lm de Dominique Benicheti (1973) LE MONDE SUR LE FIL LE FILM FLEUVE un fi lm de Rainer Werner Fassbinder (1973) LEVIDEOCLUB.CARLOTTAFILMS.COM CARLOTTA FILMS 5-7, imp. Carrière-Mainguet 75011 Paris Tél. : 01 42 24 10 86 LE RÉALISATEUR DU MOIS MIKIO NARUSE DÉCOUVREZ 4 MAGNIFIQUES PORTRAITS DE FEMME PAR L’UN DES PLUS GRANDS CINÉASTES JAPONAIS AU GRÉ DU COURANT QUAND UNE FEMME MONTE L’ESCALIER UNE FEMME DANS LA TOURMENTE NUAGES ÉPARS Longtemps méconnue en Occident, l’œuvre de Mikio Naruse est aujourd’hui élevée au même rang que celle de ses compatriotes Mizoguchi, Ozu et Kurosawa. À partir des années 1950, il se spécialise dans le shomin geki, genre qui vise à dépeindre le quotidien des gens de la classe moyenne. Son œuvre à la fois poétique et réaliste, pleinement ancrée dans son temps, donne à voir de magnifiques portraits de femmes, portés par les plus grandes actrices du cinéma nippon comme Hideko Takamine, sa muse, ou Yoko Tsukasa. -
Newsletter 12/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/09 DIGITAL EDITION Nr. 254 - Juli 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/09 (Nr. 254) Juli 2009 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Hoher Besuch aus England: Der neue Newsletter kommt mal wieder et- Kinotechnikspezialist was unpünktlich in Ihren Briefkasten (ob Duncan bei Laser Hotline elektronisch oder in Papierform) geflattert. Und das nicht ohne Grund. Denn just als wir die aktuelle Ausgabe beenden wollten, gab es einen Überraschungsbesuch aus England. Duncan McGregor, seines Zeichens Chefvor- führer des berühmten Pictureville Cinema in Bradford, nutzte seinen Urlaub in Deutsch- land zu einer Stippvisite bei der Laser Hotline in Korntal. Eigentlich logisch, dass es da nicht nur bei einer Stippvisite blieb, wo man sich doch soviel Neues aus der Welt des Films im Speziellen und der Kinotechnik im Besonderen zu erzählen hatte. Und unser Heimkino hatte es ihm ganz offensichtlich angetan. Der Sound gefiel dem Spezialisten so gut, dass er immer mehr sehen und vor allem hören wollte. Dieser Wunsch wurde ihm natürlich nicht verweigert. So kam es, dass der Newsletter etwas auf der Strecke blieb. Der Experte beim Hörtest: unser Heimkino ist jetzt Einer unserer Geheimtipps liefert dieses Mal „Duncan“-approved! das Titelbild für den aktuellen Newsletter. Wer DER KNOCHENMANN im Kino verpasst hat, der darf sich jetzt bereits auf September freuen. Denn dann wird Josef Bierbichler als Inhaber eines österreichischen Landgasthofes weiter sein Unwesen auf DVD treiben. -
National Gallery of Art Spring 2012 Film Program
FILM SPRING 2012 National Gallery of Art 9 Art Films and Events 16 Japanese Divas 24 American Originals Now: Ernie Gehr 27 Michael Cacoyannis 31 The Tales of Jan Švankmajer 34 Bill Morrison: Recent Work The Miners’ Hymns p. 34 National Gallery of Art cover: Hanezu p. 9 Films are screened in the Gallery’s East Building Audito- The spring film season brings key restorations, new works, rium, Fourth Street and Pennsylvania Avenue NW. Works and special guests in a celebration of the art of the moving are presented in original formats and seating is on a image. Japanese Divas spotlights thirteen feature films, first-come, first-seated basis. Doors open thirty minutes primarily from the 1950s, by auteurs such as Yasujiro Ozu, before each show and programs are subject to change. Kenji Mizoguchi, and Akira Kurosawa, who collaborated For more information, visit www.nga.gov/programs/film, with major acting talents like Setsuko Hara, Machiko Kyo, e-mail [email protected], or call (202) 842-6799. Hideko Takamine, Kinuyo Tanaka, and Isuzu Yamada to develop some of the most revered films of the twentieth century. The spectacular world of Joan Miró is explored through a program of short nonfiction profiles of the artist by his friend, famed Catalan director Pere Portabella. The Gallery welcomes back renowned pianist Dennis James in a program of American silents, as well as conductor Gillian B. Anderson, who leads a performance of original scores developed for shorts by Segundo de Chomón. Other pro- grams present the work of legendary Czech animator Jan Švankmajer, two titles by the late Greek director Michael Cacoyannis, three programs of recent shorts by contem- porary American director Bill Morrison, and a weekend of films and videos by the deeply influential avant-garde filmmaker Ernie Gehr, who will appear in person. -
Film Noir in Postwar Japan Imogen Sara Smith
FILM NOIR IN POSTWAR JAPAN Imogen Sara Smith uined buildings and neon signs are reflected in the dark, oily surface of a stagnant pond. Noxious bubbles rise to the surface of the water, which holds the drowned corpses of a bicycle, a straw sandal, and a child’s doll. In Akira Kurosawa’s Drunken Angel (1948), this fetid swamp is the center of a disheveled, yakuza-infested Tokyo neighborhood and a symbol of the sickness rotting the soul of postwar Japan. It breeds mosquitos, typhus, and tuberculosis. Around its edges, people mourn their losses, patch their wounds, drown their sorrows, and wrestle with what they have been, what they are, what they want to be. Things looked black for Japan in the aftermath of World War II. Black markets sprang up, as they did in every war-damaged country. Radioactive “black rain” fell after the atomic bombings of Hiroshima and Nagasaki. Black Spring was the title of a 1953 publication that cited Japanese women’s accounts of rape by Occupation forces. In “Early Japanese Noir” (2014), Homer B. Pettey wrote that in Japanese language and culture, “absence, failure, or being wrong is typified by blackness, as it also indicates the Japanese cultural abhorrence for imperfection or defilement, as in dirt, filth, smut, or being charred.” In films about postwar malaise like Drunken Angel, Kenji Mizoguchi’s Women of the Night (1948), and Masaki Kobayashi’s Black River (1957), filth is everywhere: pestilent cesspools, burnt-out rubble, grungy alleys, garbage-strewn lots, sleazy pleasure districts, squalid shacks, and all the human misery and depravity that go along with these settings. -
Ant Movie Catalog
Biblioteca di Città Studi CATALOGO FILM IN DVD Le schede dei film sono tratte da: www.cinematografo.it N.B. Le schede riportano la trama completa del film Titolo Regista A n n o Collocazione Scheda n. 1999 - conquista della terra J. Lee Thompson 1972 F DVD 107 5 0 2 single a nozze David Dobkin 2005 F DVD 186 6 0 2001: odissea nello spazio Stanley Kubrick 1968 F DVD 18 1 A beautiful mind Ron Howard 2001 F DVD 44 2 A proposito di schmidt Alexander Payne 2002 F DVD 192 4 A.i. intelligenza artificiale Steven Spielberg 2001 F DVD 60 5 Amadeus Milos Forman 1984 F DVD 127 7 Amarcord Federico Fellini 1973 F DVD 132 8 American beauty Sam Mendes 1999 F DVD 85 9 Amici miei Mario Monicelli 1975 F DVD 64 1 0 Amici miei atto II Mario Monicelli 1982 F DVD 65 1 1 Amici miei atto III Nanni Loy 1985 F DVD 66 1 2 Anno 2670 ultimo atto J. Lee Thompson 1973 F DVD 108 2 6 Apocalypse now redux Francis Ford Coppola 2001 F DVD 63 1 3 Arancia meccanica Stanley Kubrick 1971 F DVD 17 1 4 Assassinio sul nilo John Guillermin 1978 F DVD 120 1 6 Assassinio sull'orient express Sidney Lumet 1974 F DVD 119 1 7 Bagdad cafè Percy Adlon 1987 F DVD 53 2 0 Balla coi lupi Kevin Costner 1990 F DVD 32 2 2 Balle spaziali Mel Brooks 1987 F DVD 150 2 3 Band of Brothers. Fratelli al fronte Vari F DVD 202-207 2 4 Barry lyndon Stanley Kubrick 1975 F DVD 23 2 5 Belva di guerra Kevin Reynolds 1988 F DVD 163 2 7 Billy elliot Stephen Daldry 2000 F DVD 122 2 8 Black hawk down - black hawk abbattuto Ridley Scott 2001 F DVD 201 2 9 Blade runner Ridley Scott 1982 F DVD 1 3 0 Blade: trinity David S. -
2010 IEAS Events
2010 IEAS Events China's Labor Policies: In Transition January 20, 2010 Center for Chinese Studies, UC Berkeley Center for Labor Research and Education A seminar featuring presentations by three labor scholars from China. Economic and social transitions in China during the past 30 years have changed conditions for workers greatly. The Chinese government has made some changes in labor policies, however as the research by these scholars shows, much more needs to be done. Please join us for a discussion with responses from American labor experts. Agenda Wang Zhiyong, Chinese Academy of Social Sciences, "Preparing Rural Migrant Workers for New Jobs amid Crisis" Bu Changli, Professor of Sociology, Changchun University of Science and Technology, "Restructuring State-Owned Enterprises and Preserving the Rights and Interests of Workers" Shi Zhenlei, Associate Professor, Employment Relations and Labor Policies, Beijing Jiaotong University, "Changes in Employment Systems in China from 1949 to the Present" Practicescape at Bao shan Wendi Adamek, Fellow, Stanford Humanities Center January 21, 2010 Center for Buddhist Studies The site known as Bao shan (Treasure Mountain) in Henan reveals a rich web of complex relationships: gender relations, lay and ordained relations, successive reshapings of the environment, human and non-human relations, and images and texts of various kinds. Dr. Adamek illustrates these relationships with slides and selected inscriptions from the site's treasures. Drawing from Tim Ingold's notion of a given environment as a rhizomatic "taskscape," she will discuss her current work on Bao shan in terms of "practicescape," a multi-directional reinscription of the landscape in Buddhist terms. The notion of "practicescape" allows us to examine the relationships noted above within the context of key co-dependent representations of practice space: empty peaks and caves with images, mountain and city temples, sites of ascetic "escape" and socioeconomic networks. -
EL INTENDENTE SANSHO (V.O.S.) Martes, 5 De Junio, 18:00 Horas
ELEGÍA DE NANIWA (v.o.s) Martes, 17 de abril, 18:00 horas SINOPSIS FICHA TÉCNICA Ayako es una joven operadora telefónica Titulo Naniwa erejî prometida a su compañero Susumu, quien Genero Drama observa impasible el acoso que sufre la joven por Nacionalidad Japón parte de su jefe Asai. Tras enfrentarse a su padre Idioma original Japonés por una deuda que podría hundir a la familia, Duración 69 minutos Ayako se encuentra en la calle sin saber dónde Año de producción 1936 acudir. Llevada por la desesperación, la joven Dirección Kenji Mizoguchi acepta ser acogida por Asai como amante, Productor Masaichi Nagata enfrentándose a la humillación y el rechazo de su Guión Kenji Mizoguchi familia... Tadashi Fujiwara Yoshikata Yoda Basado en el relato “Mieko” de Saburo Okada Música Kôichi Takagi Fotografía bl. y n. Minoru Miki FICHA ARTíSTICA Ayako Murai Isuzu Yamada Susumu Nishimura Kensaku Hara Sonosuke Asai Benkei Shiganoya Junzo Murai Seiichi Takegawa Sachiko Murai Chiyoko Okura Hiroshi Murai Shinpachiro Asaka Sumiko Asai Yôko Umemura CRÍTICA “El primer filme sonoro del imprescindible Kenji Mizoguchi anuncia su madurez como cineasta, ya que tras 54 títulos mudos de temática melodramática y folletinesca éste decantó su obra hacia el realismo y la denuncia social. Elegía de Naniwa, que junto a Las hermanas Gion conforman un osado díptico que se acerca desde una óptica netamente feminista a la situación de la mujer en la patriarcal sociedad japonesa, narra el drama personal de Ayako, una joven telefonista que para sufragar las deudas contraídas por su padre se ve obligada a convertirse en la querida de un acaudalado empresario. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Cinema Year Book of Japan 1938
.1 Digitized by the Internet Archive in 2017 with funding from Media History Digital Library https://archive.org/details/cinemayearbookof00inte_0 CINEMA YEAR BOOK OF JAPAN 1938 EDITED BY THE INTERNATIONAL CINEMA ASSOCIATION OF JAPAN PUBLISHED BY KQKUSAI BUNKA SHINKOKAI The Society for International Cultural Relations TOKYO, JAPAN PRINTED IN JAPAN, 1938 PREFACE The vigorous culture of Japan is rooted in the traditions of more than twenty-five centuries. Through many years Japan has been looked upon with admiration as a land of dreams and imagination by only a limited number of interested people. Still less is the number of those who know the real Japan in which old tradition is harmoniously blended with the civilization of the new age. Herein lies the necessity to introduce to the world the true features of present-day Japan. The cultural activities of our country have witnessed a remarkable advance in recent years in civilization, whether liberal arts or arts. Cinematography too, has kept every field of spiritual fine , abreast with this general cultural advancement. The motion-picture industry of our country which, only a few years ago, met barely ivith the needs within the country, has begun to send forth its pro- ductions to the international market, the realization of an ideal cherished for many years. The Japanese film production to-day is steadily equipping itself ivith the ultimate aim of participating in the stage of international cinema activities. As already mentioned in the Cinema Year Book of last year, it will not be long before the Japanese films will play a significant role in the world market. -
La Influencia De Shakespeare En El Cine Japonés
LA INFLUENCIA DE SHAKESPEARE EN EL CINE JAPONÉS CARLOS GIMÉNEZ SORIA AKIRA KUROSAWA Y LA LITERATURA OCCIDENTAL No resulta del todo correcto hablar de una supuesta influencia general de la dramaturgia de William Shakespeare (1564-1616) sobre la cinematografía japonesa, ya que las tragedias de este escritor inglés tan sólo fueron objeto de especial admiración por parte de uno de los grandes maestros: Akira Kurosawa (1910-1998). Como es sabido, Kurosawa ejerció un gran peso como nexo de unión entre la cultura oriental y la occidental, por cuya literatura sentía una especial debilidad (en particular, por los clásicos de la literatura realista rusa y por la obra del citado autor británico). En su faceta de figura-puente entre ambas culturas, el realizador de Rashomon (1950), primer film japonés en ganar el Oscar de Hollywood, fue muy incomprendido en su país –buena prueba de ello es su mutilada adaptación de “El idiota” (1868), la célebre novela de Fedor Dostoievsky–, del mismo modo que lo fue su devoción por la pintura impresionista y, sobre todo, la obra pictórica del holandés Vincent Van Gogh (1853-1890) –a quien homenajea en Los sueños (Konna yume wo mita, 1990), otorgándole los rasgos físicos del cineasta norteamericano Martin Scorsese. Aun así, esa particular simbiosis que Kurosawa realizó en su día le ha convertido en una personalidad creativa dotada de una sensibilidad poco frecuente respecto al carácter universal del arte. Gracias a sus aproximaciones a los iconos de la cultura occidental, el cine nipón ha recibido una riquísima herencia iconográfica: los modelos escénicos del western fueron trasladados al ámbito guerrero de los samuráis, suplantando las leyes del honor propias de los pistoleros del far west por la tradición del código ético del bushido. -
Municipal Facilities[PDF,516KB,7Pages]
HIRO CLUB NEWS ・ EVENTS Facilities Lecture on the Grass Whistle / Sun., Jun. 18 (Address / Telephone / Open Hours / Closed / / 1:00 pm - 3:00 pm / Shibafu Hiroba, Kyukei- Admission Fee / URL) jo / Fee: Free Admission is generally allowed up to 30 min. prior to closing. The Hiroshima Botanical Garden Hiroshima City Forest Park & (3-495 Kurashige, Saeki-ku 731-5156 / 922-3600 / Insectarium 9:00 am - 4:30 pm / Closed on Friday / Adults- (173 Fujigamaru, Fukuda-cho, Higashi-ku 732- ¥510, Seniors & High school students-¥170, 0036 / Forest Park: 899-8241, Insectarium: 899- Junior high and Elementary school students-Free 8964 / Forest Park: 9:00 am – 4:30 pm; (Free admission for high school students on Insectarium: 9:00 am - 4:30 pm / Closed: Forest Saturdays (except on national holidays and Park – Wednesdays; Insectarium – Wednesdays / during school holidays)) / Admission Fees for the Insectarium: Adults-¥510, http://www.hiroshima-bot.jp/) Seniors & High school students-¥170, Junior high & Elementary school students-Free (Free <Exhibitions> Exhibitions will close at 3:30 pm admission for high school students on Saturdays on their last day. (except on national holidays and during school Tenji Shiryo-kan holidays)) / Forest Park: http://www.daiichibs- Botanical Arts / Tue., May 9 – Thurs., Jun. 8 shitei.com/forest/ Insectarium: Small Bonsai / Sat., Jun. 10 - Thurs., Jun. 15 http://www.hiro-kon.jp/) Touc huu-kasou (Ophiocordyceps sinensis) / Sat., Jun. 17 – Thurs., Aug. 17 Events at the Forest Park Hiroshima Yamanohi (Mountain Day) Events Te n j i Onshitsu (hothouse exhibitions) Green Adventure / Sun., Jun. 4 / 9:00 am - African Violets & Iwatabako (Conandron 2:00 pm / Meeting place: Next to Kanri ramondioides) / Sat., May 27 – Thurs., Jun.