Iltebir Umd 0117E 16484.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Iltebir Umd 0117E 16484.Pdf ABSTRACT Title of Dissertation: TURKEY’S NEW FOREIGN POLICY ORIENTATION, A THREAT TO THE WEST? Elnigar Iltebir, Ph.D., 2015 Directed by: Professor I.M. Destler, Maryland School of Public Policy, University of Maryland College Park Turkey, a staunch US ally during the Cold War, experienced a transformation of its domestic and foreign policy in the last decade. It pursued a more independent foreign policy in the neighboring region, leading the critics to charge Turkey with abandoning the Western alliance and to question its commitment to strategic partnership with the United States and the EU. This dissertation uses a series of case studies on Turkey’s foreign policy in the Middle East and the Eurasia region to answer the question of whether the recent changes in Turkish foreign policy represent a fundamental reorientation of the country away from the Western alliance and to examine the dominant factors driving Turkish foreign policy during this period. The study concludes that Turkey’s foreign policy transformation in the last decade represents a significant change in the direction of autonomy, but not a fundamental reorientation of the country away from the West. The study also finds that while international factors played an important role in preparing the ground for Turkey’s foreign policy change, domestic factors, particularly Turkey’s economic interests, its new foreign policy elite and their vision, and Turkish public opinion, have been the main drivers of its foreign policy change. TURKEY’S NEW FOREIGN POLICY ORIENTATION A Threat to the West? by Elnigar Iltebir Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor I. M. Destler, Chair Professor Christopher Foreman Professor Virginia Haufler, Dean’s Representative Professor William Nolte Professor Michael Sodaro, GWU © Copyright Elnigar Iltebir 2015 Dedication To my parents, Ablikim and Dilber, who made all the sacrifices for my success in life, To my life partner, Ferhat, whose love and support helped me overcome any challenges, To my angels, Kurshat and Seray, who have been the joys of my life during this solo process and beyond… ii Acknowledgements This has been a long but rewarding journey and I finally have the opportunity to thank many people who made it all possible. My greatest gratitude goes to my dissertation chair Dr. I.M. Destler for being the best advisor anyone would like to have. He respected my views, gave me room to explore ideas on my own, and most importantly kept me on track. I am very fortunate and honored to be his student and I am indebted to him for my greatest academic achievement. I cannot thank my committee members enough for their valuable contribution. I am happy to have this chance to express my deepest thanks to my undergraduate professor from the George Washington University, Dr. Michael Sodaro, who did not leave me alone in this journey. His invaluable advice has guided me throughout my graduate years and professional career and I am grateful for his support of my dissertation with his critical contribution to my analytical framework. I am also thankful to my committee members Dr. Virginia Haufler and Dr. Charles Foreman, whose insightful feedback greatly improved this dissertation and to Dr. William Nolte, whose profound expertise significantly contributed to the analytic line. I would also like to acknowledge my professors who guided me throughout my graduate years by supporting my application for the Ph.D. program and by advising me during my doctoral studies. I am thankful to Dr. Tony Saich, Dr. Ashton Carter, and Dr. Joseph Nye for their valuable advice and recommendations while I was studying Public Policy at the Harvard Kennedy School and to Dr. Philip Joyce and Dr. Peter Reuter for their support in earning my doctoral degree in International Security and Political Economy at the University of Maryland’s School of Public Policy. Finally, completing this dissertation while working full-time and raising two kids would not have been possible without the patience and unwavering support of my family. My mother Dilber, who is the most hardworking person I know, sacrificed so much to support my academic achievements in life and I could not have done it without her. My father Ablikim, who is a teacher, writer, and a mentor, has introduced me to international politics since my childhood and always encouraged me to strive for better. My husband, Ferhat picked up that mantle after we decided to join our life together and he has been my source of knowledge, inspiration, and most importantly love and friendship ever since. My 7-year old son, Kurshat, and 1-year-old daughter Seray will be happy to know that their mom can now spend the full weekends with them. Their unending energy and laughter kept me up when I felt down during the lonely process of writing a dissertation and I was motivated every single day to finalize my studies because of the yearning in their eyes just to be with their mommy. My kids were able to have some fun while their mom was in the library thanks to my loving sister and best friend, Elfidar, who has always been there for me to take care of everything I needed. Without the support of my professors and family and encouragement of relatives, close friends, and professional colleagues, this journey would have been impossible for me to complete. Thank you! iii Table of Contents CHAPTER 1: INTRODUCTION ............................................................................................... 1 CHAPTER 2: HISTORY OF TURKISH FOREIGN POLICY (1923-2000) ................... 18 2.1. The EArly RepublicAn Years Between TwO WOrld WArs (1923-1945) ................. 18 2.2. Coups And Turmoil in Turkish Politics And the Cold WAr (1945-1980) .............. 22 2.3. Return to DemocrAcy And Reforms in Turkey And the End of the Cold WAr (1980-2000) ..................................................................................................................................... 32 2.4. Conclusion ................................................................................................................................. 39 CHAPTER 3: THEORETICAL FRAMEWORK ................................................................... 42 3.1. LiterAture On FOreign POlicy ChAnge ............................................................................... 42 3.2. LiterAture on Levels of AnAlyses To ExplAin Foreign Policy ChAnge ..................... 49 3.2.1. International or Systemic Approach ........................................................................................ 49 3.2.2. Domestic Dynamics Approach ................................................................................................... 54 3.3. DissertAtion’s AnAlyticAl FrAmework .............................................................................. 67 3.4. ReseArch Methodology ......................................................................................................... 69 3.5. DAtA ............................................................................................................................................. 71 CHAPTER 4: TURKISH FOREIGN POLICY IN THE MIDDLE EAST ............................ 73 4.1. THE CASE STUDY FRAMEWORK ......................................................................................... 74 4.2. OVERVIEW OF FOREIGN POLICY CHANGE IN THE MIDDLE EAST ........................... 78 4.3 TESTING HYPOTHESES .......................................................................................................... 82 1. IRAN ............................................................................................................................................................... 82 2. IRAQ ............................................................................................................................................................ 105 3. SYRIA .......................................................................................................................................................... 125 4. ISRAEL ........................................................................................................................................................ 141 4.4. CONCLUSION .......................................................................................................................... 160 CHAPTER 5: TURKISH FOREIGN POLICY IN EURASIA ............................................. 166 5.1. THE CASE STUDY FRAMEWORK ...................................................................................... 167 5.2. OVERVIEW OF FOREIGN POLICY CHANGE IN EURASIA ........................................... 170 5.3 TESTING HYPOTHESES ....................................................................................................... 177 1. RUSSIA ........................................................................................................................................................ 177 2. CENTRAL ASIA ........................................................................................................................................ 206 3. THE CAUCASUS ...................................................................................................................................... 222 5.4. CONCLUSION .........................................................................................................................
Recommended publications
  • The Gospel and Globalization
    the Gospel and Globalization Exploring the Religious Roots of a Globalized World Edited by Michael W. Goheen Erin G. Glanville Regent College Press • Geneva Society Vancouver, B.C., Canada THE GOSPEL AND GLOBALIZATION: EXPLORING THE RELIGIOUS ROOTS OF A GLOBALIZED WORLD Copyright © 2009 Regent College Publishing All rights reserved. Published 2009 by REGENT COLLEGE PUBLISHING 5800 University Boulevard / Vancouver, British Columbia V6T 2E4 / Canada / www.regentpublishing.com with GENEVA SOCIETY www.genevasociety.org Cover image by Ben Goheen Typeset by Dan Postma No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher or the Copyright Licensing Agency. Views expressed in works published by Regent College Publishing are those of the authors and do not necessarily represent the official position of Regent College (www.regent-college.edu). Library and Archives Canada Cataloguing in Publication The Gospel and globalization : exploring the religious roots of a globalized world / edited by Michael W. Goheen and Erin G. Glanville. Includes bibliographical references. ISBN 978-1-57383-440-7 1. Globalization—Religious aspects—Christianity. 2. Globalization— Religious aspects—Islam. 3. Capitalism—Religious aspects—Christianity. 4. Capitalism—Religious aspects—Islam. 5. Globalization—Moral and ethical aspects. 6. Globalization—Economic aspects. 7. Christian ethics. 8. World politics. I. Goheen, Michael W., 1955- II. Glanville, Erin G., 1980- BL65.G55G68 2009 201’.7 C2009-902767-4 For Phoebe Shalom, because the future is secure Table of Contents Preface 7 Introduction 11 Michael W. Goheen and Erin G.
    [Show full text]
  • Metaphysics and the Moving Image Trevor Mowchun a Thesis in The
    Metaphysics and the Moving Image Trevor Mowchun A Thesis In the Humanities Program For the Degree of Doctor of Philosophy (Humanities (Fine Arts)) at Concordia University July 2018 © Trevor Mowchun, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Trevor Mowchun Entitled: Metaphysics and the Moving Image and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Humanities (Fine Arts)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Kristina Huneault External Examiner Dr. George Toles External to Program Dr. Nathan Brown Examiner Dr. Andre Furlani Examiner Dr. Justin E. H. Smith Thesis Supervisor Dr. Martin Lefebvre Approved by Dr. Erin Manning, Graduate Program Director December 10, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT Metaphysics and the moving image Trevor Mowchun, Ph.D. Concordia University, 2018 The various forms of cross-pollination and encounter between film and philosophy have generated thought experiments which make it possible to think beyond what the two fields can do for each other to what they can do together. My guiding intuition in this thesis is that the distinct historical evolutions of film and philosophy intersect in the speculative domain of the Western metaphysical paradigm, as the film medium technologically and aesthetically reestablishes conditions for “truth” within
    [Show full text]
  • Black Feminist Thought
    Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice.
    [Show full text]
  • Peforming Louisiana
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Peforming Louisiana: the history of Cajun dialect humor and its impact on the Cajun cultural identity Debrah Royer Richardson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Richardson, Debrah Royer, "Peforming Louisiana: the history of Cajun dialect humor and its impact on the Cajun cultural identity" (2007). LSU Doctoral Dissertations. 2300. https://digitalcommons.lsu.edu/gradschool_dissertations/2300 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PERFORMING LOUISIANA: THE HISTORY OF CAJUN DIALECT HUMOR AND ITS IMPACT ON THE CAJUN CULTURAL IDENTITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Debrah Royer Richardson B.A., Louisiana Tech University, 1974 M.A., Louisiana Tech University, 1993 August 2007 © COPYRIGHT 2007 Debrah Royer Richardson All rights reserved ii For my husband and cheerleader, Bill, who supported me with his love and strength. For my children, Rob, Megan, and Joshua, and their spouses, Amanda, Michael, and Lauren, whose pride and belief in me kept me going. For my beloved grandsons, Cole and Caden, so that they will know their history and find joy and pride in their heritage.
    [Show full text]
  • Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
    Discography Of The Blue Note Label Blue Note was started in New York City in 1938 by Alfred W. Lion. Blue Note recorded jazz only. The following history of the Blue Note record label is from the Blue Note Website (bluenote.com). “In 1925, 16-year old Alfred Lion noticed a concert poster for Sam Wooding's orchestra near his favorite ice-skating arena in his native Berlin, Germany. He'd heard many of his mother's jazz records and began to take an interest in the music, but that night his life was changed. The impact of what he heard live touched a deep passion within him. His thirst for the music temporarily brought him to New York in 1928 where he worked on the docks and slept in Central Park to get closer to the music. On December 23, 1938, Lion attended the celebrated Spirituals to Swing concert at Carnegie Hall. The power, soul and beauty with which boogie woogie piano masters Albert Ammons and Meade Lux Lewis rocked the stage gripped him. Exactly two weeks later, on January 6 at 2 in the afternoon, he brought them into a New York studio to make some recordings. They took turns at the one piano, recording four solos each before relinquishing the bench to the other man. The long session ended with two stunning duets. Blue Note Records was finally a reality. The label's first brochure in May of 1939 carried a statement of purpose that Lion rarely strayed from throughout the many styles and years during which he built one of the greatest jazz record companies in the world.
    [Show full text]
  • Trans Affects: Performance, Technology, and the Racialization of Femininity
    TRANS AFFECTS: PERFORMANCE, TECHNOLOGY, AND THE RACIALIZATION OF FEMININITY Ali Na A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts & Sciences. Chapel Hill 2017 Approved by: Della Pollock Elizabeth Grosz Torin Monahan Karen Shimakawa Kumarini Silva © 2017 Ali Na ALL RIGHTS RESERVED ii ABSTRACT Ali Na: Trans Affects: Performance, Technology, and the Racialization of Femininity (Under the direction of Della Pollock) Recognizing performance and technology as entangled modes of bodily expression, Trans Affects: Performance, Technology, and the Racialization of Femininity examines how Western tropes of Asian and Asian American femininity continue to shape differently sexed and gendered bodies. Drawing on Asian and Asian American artists in relation to U.S. contexts, this study enacts close readings of performances of hypersexuality, drag, and the trans body as they intersect with photography, Internet culture, multimedia installations, viral videos, biomedia, and emerging technologies. Specifically, the dissertation focuses on four contemporary artists: Laurel Nakadate, Ming Wong, Luo, and Yozmit. Employing “trans” as a theoretical lens to highlight affective capacities of art, I argue that “trans affects” in these performances resist the binary choice to either reject tropes or accept them as totalizing. The set of artists I explore do not engage in direct opposition to the stereotypes or tropes forwarded by processes of racialized femininity. Instead, they operate in more diffuse modes of affirmation, destabilization, confusion, and play, pointing to the possibilities that indeterminacy might offer politics and ethics.
    [Show full text]
  • Copertina / Cover
    copertina / cover Public Smog (2004-ongoing), by Amy Balkin et al. Public Smog is a "clean-air" park in the atmosphere that fluctuates in location and scale. The park is constructed through financial, legal, or political activities that open it for public use. Activities to open Public Smog have included the purchase and retiring emissions offsets (NOX and CO2) in regulated emissions schemes in the US and European Union, making them inaccessible to polluting industries. This activity resulted in the opening of parks above Southern California (June 2004), the European Union (2006-7), and the United States (2010). When Public Smog is built through this process, it exists in the unfixed public airspace above the region where offsets are purchased and withheld from use. The park’s size varies, reflecting the amount of emissions allowances purchased and the length of the contract. Other activities to create Public Smog impact the size, location, and duration of the park. The work is currently focused on building a larger, permanent atmospheric preserve through an effort to inscribe Earth's Atmosphere on the UNESCO World Heritage List, begun in 2006, but developed more fully in collaboration with Documenta (13) since 2010. This undertaking has involved an invitation first presented to Germany, then to all UNESCO States Parties, to act as lead State Party in initiating an extraordinary nomination process for inscription of Earth's atmosphere. With the exception of the Kingdom of Tonga, no reply of interest was received, so a petition was launched from within the exhibition, requesting the audience to further petition their respective governments via signed postcard.
    [Show full text]
  • The Complete Bobby Hutcherson Discography Compiled by Scott Mortensen • the Discography Is Album-Based, Rather Than Session-Based
    The Complete Bobby Hutcherson Discography Compiled by Scott Mortensen • The discography is album-based, rather than session-based. • Entries are listed chronologically, by recording date. (Hutcherson’s compilation albums appear at the end of the list.) • Entries with Hutcherson as a sideman are shaded gray. Hutcherson leader and co-leader entries are unshaded. • LP label and catalog information are for the original release. CD label and catalog information are for the most recent release. • If you notice any errors or omissions please contact me at [email protected]. I. Recordings as a Leader, Co-Leader, and Sideman Leader / Personnel / Label & Cat Nos. Tracks (Composers) Album Name Recording Date & Location Various Artists / LP: 1 Oatmeal - Les McCann Tracks 1 & 4: This Is The Blues, Vol.1 Pacific Jazz PJ 13 (McCann, Hutcherson) Bobby Hutcherson (vib); Curtis 2 Tellin' Em About It - Les McCann Amy (ts); Les McCann (p); Herbie CD: (McCann) Lewis (b); Ron Jefferson (d) Les McCann Ltd. In 3 This Is The Blues - Curtis Amy & New York (Pacific Jazz Paul Bryant (Amy) Late 1960 CDP-7-92929-2) [This 4 One More Hamhock Please - Los Angeles, CA CD includes the two Les McCann (Amy) cuts from This Is the 5 Red Shirt - Teddy Edwards Blues, Vol. 1 with BH] Septet (Edwards, Witherspoon) 6 Blowin' The Blues - Harold Land BH on tracks 1 & 4 & Jackie Davis (Davis, Wilson) Curtis Amy & Frank Butler LP: 1 Gone Into It (Amy) Curtis Amy (ts); Carmell Jones (tp); / Groovin’ Blue Pacific Jazz ST 19 2 Annsome (Amy) Bobby Hutcherson (vib); Frank 3 Bobbin’
    [Show full text]
  • Cross-Cultural Influence in the Work of Witi Ihimaera
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository Université de Bourgogne Ecole Doctorale « Langage, Idées, Sociétés, Institutions, Terroires » Centre Interlanges « Texte, Image, Langage » (EA 4182) In international cotutelle with University of Canterbury School of Culture, Literature and Society “STRIDING BOTH WORLDS”: CROSS-CULTURAL INFLUENCE IN THE WORK OF WITI IHIMAERA Melissa Kennedy 2007 Thèse de doctorat en études Anglophones présentée sous la direction de M. le Professeur Jean-Pierre Durix A thesis submitted to the University of Canterbury in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature supervised by Professor Mark Williams Jury: Mme le Professeur Sylvie Crinquand (Université de Bourgogne) M. le Professeur Jean-Pierre Durix (Université de Bourgogne) Professor Kon Kuiper (University of Canterbury) Professor Paul Sharrad (University of Wollongong) Professor Mark Williams (University of Canterbury) Professor Janet Wilson (University of Northampton) ii ABSTRACT This thesis engages with aspects of Witi Ihimaera’s oeuvre that demonstrate influences from cultures other than Maori. These may be overt in the fiction, such as plot settings in Venice, Vietnam and Canada, or implicit in his writing mode and style, influenced by English romanticism, Pakeha cultural nationalism, Katherine Mansfield’s modernist epiphanies, and Italian verismo opera. In revealing Ihimaera’s indebtedness to cultural and aesthetic influences commonly seen as irrelevant to contemporary Maori literature, this thesis reveals a depth and richness in Ihimaera’s imaginary that is frequently overlooked and undervalued in New Zealand literary interpretation. Illuminating cross-cultural influence in Ihimaera’s works calls into question the applicability of biculturalism as a comprehensive manner of accounting for both Maori cultural ambitions of self-determination and the Maori relationship with Pakeha on the national level.
    [Show full text]
  • Executive Intelligence Review, Volume 15, Number 20, May 13, 1988
    eed to be ' d Doyoun p1ugg e t e b est in 0 ":h world's intelligenc . e service? • Alert • ential d ed riz nfi mpute r co o to ou s us dd e C we a ich gw ay. wh �ery d ase. ided E data b S prov . gence s item an • ption intelli o neW d. ero O cess t worl As the z o nt ac er the in­ gate. need t tnsta all o� of lran well eaUS ate age y �ery r bur get edi al<- In the U ma by ou r. yoU iTTun nt bre st. yO scribe porta glasno s. t sub ost im and e neW Ner the m S. of tb n on omiC matio n econ be ead for ents i • ah. confi­ lopm nce. e EIR g de�e d scie to th on in Ws. an scribe OU in iC ne U sub ring y rateg s en yo . we b e usC st e neW Wh ervice lity w oncis lert s apabi c - ntial A ence c OU 20 mail de tellig ings y 10- clasS que in nce ert br first e uni tellige IR N el<. by th iVe In E e a we e). mble xecut . j¢C cbarg o asse E revieW items extra • t eekly at no w y faX- ( w'S or b Revie rubB. pe: tur G , Euro nagen r. 166 In richte ruerst Nach otzhei EIR 308 D G. ach 2. , F.R. to: postf aden yable Wiesb ks pa 62.00 e chec ce D- Mak serd 'NeVIS tB.
    [Show full text]
  • The Syncretic Strategies of the Miniseries Suburbia* As Estratégias Sincréticas Da Narrativa Da Minissérie Suburbia
    109 The syncretic strategies of the miniseries Suburbia* As estratégias sincréticas da narrativa da minissérie Suburbia GELSON SANTANA** Universidade Anhembi Morumbi, Programa de Pós-graduação em Comunicação. São Paulo – SP, Brasil RENATO PUCCI JR.*** Universidade Anhembi Morumbi, Programa de Pós-graduação em Comunicação. São Paulo – SP, Brasil ABSTRACT * This article originated The Suburbia miniseries, directed by Luiz Fernando Carvalho (Globo Television Ne- from the paper selected twork, 2012), turns the concept of pre-logcal into a way to expose the multiple audio- by the Television Studies Work Group and presented visual aspect. The miniseries blends temporalities, causes a lack of definition between in the XXIII Encounter fiction and reality, and, through Roberto Carlos’ ballads, emphasizes the dimensions of Compós, at Federal University of Pará, Belém, of affection and faith in a community of Rio de Janeiro. Some points of the miniseries Brazil, May 27-30, 2014. clarify the syncretic way that the narrative was shaped in and assess the possibility of a new trend to be explored in Brazilian television fiction. The analytical instruments are ** Professor of the Department of based in Raymond Bellour, the narrative examination is based in Kristin Thompson, Communication at the and the idea of oral pre-logic cultures in Lévy-Bruhl. Anhembi Morumbi University, São Paulo, Brazil. Keywords: Television, serial, audiovisual analysis, syncretism Author of O prazer trivial: cultura midiática, gênero e pornochanchada (A Lápis, RESUMO 2014). E-mail: gsansan@ gmail.com A minissérie Suburbia, dirigida por Luiz Fernando Carvalho (Rede Globo, em 2012), faz do conceito de pré-lógico uma forma de expor o aspecto audiovisual múltiplo.
    [Show full text]
  • Cross-Cultural Influence in the Work of Witi Ihimaera
    Université de Bourgogne Ecole Doctorale « Langage, Idées, Sociétés, Institutions, Terroires » Centre Interlanges « Texte, Image, Langage » (EA 4182) In international cotutelle with University of Canterbury School of Culture, Literature and Society “STRIDING BOTH WORLDS”: CROSS-CULTURAL INFLUENCE IN THE WORK OF WITI IHIMAERA Melissa Kennedy 2007 Thèse de doctorat en études Anglophones présentée sous la direction de M. le Professeur Jean-Pierre Durix A thesis submitted to the University of Canterbury in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature supervised by Professor Mark Williams Jury: Mme le Professeur Sylvie Crinquand (Université de Bourgogne) M. le Professeur Jean-Pierre Durix (Université de Bourgogne) Professor Kon Kuiper (University of Canterbury) Professor Paul Sharrad (University of Wollongong) Professor Mark Williams (University of Canterbury) Professor Janet Wilson (University of Northampton) ii ABSTRACT This thesis engages with aspects of Witi Ihimaera’s oeuvre that demonstrate influences from cultures other than Maori. These may be overt in the fiction, such as plot settings in Venice, Vietnam and Canada, or implicit in his writing mode and style, influenced by English romanticism, Pakeha cultural nationalism, Katherine Mansfield’s modernist epiphanies, and Italian verismo opera. In revealing Ihimaera’s indebtedness to cultural and aesthetic influences commonly seen as irrelevant to contemporary Maori literature, this thesis reveals a depth and richness in Ihimaera’s imaginary that is frequently overlooked and undervalued in New Zealand literary interpretation. Illuminating cross-cultural influence in Ihimaera’s works calls into question the applicability of biculturalism as a comprehensive manner of accounting for both Maori cultural ambitions of self-determination and the Maori relationship with Pakeha on the national level.
    [Show full text]