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The Influence of Kitchen Sink Drama in John Osborne's
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 23, Issue 9, Ver. 7 (September. 2018) 77-80 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Influence of Kitchen Sink Drama In John Osborne’s “ Look Back In Anger” Sadaf Zaman Lecturer University of Bisha Kingdom of Saudi Arabia Corresponding Author: Sadaf Zaman ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission:16-09-2018 Date of acceptance: 01-10-2018 ----------------------------------------------------------------------------------------------------------------------- ---------------- John Osborne was born in London, England in 1929 to Thomas Osborne, an advertisement writer, and Nellie Beatrice, a working class barmaid. His father died in 1941. Osborne used the proceeds from a life insurance settlement to send himself to Belmont College, a private boarding school. Osborne was expelled after only a few years for attacking the headmaster. He received a certificate of completion for his upper school work, but never attended a college or university. After returning home, Osborne worked several odd jobs before he found a niche in the theater. He began working with Anthony Creighton's provincial touring company where he was a stage hand, actor, and writer. Osborne co-wrote two plays -- The Devil Inside Him and Personal Enemy -- before writing and submittingLook Back in Anger for production. The play, written in a short period of only a few weeks, was summarily rejected by the agents and production companies to whom Osborne first submitted the play. It was eventually picked up by George Devine for production with his failing Royal Court Theater. Both Osborne and the Royal Court Theater were struggling to survive financially and both saw the production of Look Back in Anger as a risk. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Iraq War Documentaries in the Online Public Sphere
Embedded Online: Iraq War Documentaries in the Online Public Sphere Eileen Culloty, MA This thesis is submitted to Dublin City University for the award of PhD in the Faculty of Humanities and Social Sciences. Dublin City University School of Communications Supervisor: Dr. Pat Brereton September 2014 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________ ID No.: ___________ Date: _________ ii DEDICATION This work is dedicated to the memory of Martin Culloty. … I go back beyond the old man Mind and body broken To find the unbroken man. It is the moment before the dance begins. Your lips are enjoying themselves Whistling an air. Whatever happens or cannot happen In the time I have to spare I see you dancing father Brendan Kennelly (1990) ‘I See You Dancing Father’ iii TABLE OF CONTENTS ABSTRACT ............................................................................................................................ vii LIST OF FIGURES ................................................................................................................ viii ABBREVIATIONS ................................................................................................................... -
Look Back in Anger by John Osborne
PILOT THEATRE LOOK BACK IN ANGER RESOURCES Introduction On May 8th 1956, Look Back in Anger opened at the Royal Court Theatre as the third production of the newly formed English Stage Company. The English Stage Company had been founded in 1955 to promote the production of new plays by contemporary authors that might not find production in the commercial West End theatre (London's equivalent of Broadway in New York City). West End theatre provided quality acting and high standards of production, but very little drama that related to life in contemporary England. Most plays of the time were generally innocuous light comedies, thrillers, and foreign imports—fourteen American shows in 1955 alone. Osborne had submitted copies of Look Back in Anger to every agent in London and to many West End producers and had been rejected by all. When the script arrived at the Royal Court, the Artistic Director George Devine and his young assistant director Tony Richardson knew it was exactly what they were looking for. Look Back in Anger was viewed as a play that would, as Devine later put it, "blow a hole in the old theatre." Critical reception was strongly mixed: some detested the play and the central character, but most recognized Osborne as an important new talent and the play as emotionally powerful. They also recognized the play as one that fervently spoke of the concerns of the young in post-war England. The first production of Look Back in Anger was not initially financially successful, although after an excerpt was shown on BBC the box office was overwhelmed. -
A Double Universe: the Doppleganger and the Angst of an Uncanny World in John Osborne’S Play the World of Paul Slicky
Vol. 3(7), pp. 215-222, July 2015 DOI: 10.14662/IJELC2015.058 International Journal of English Copy© right 2015 Literature and Culture Author(s) retain the copyright of this article ISSN: 2360-7831 http://www.academicresearchjournals.org/IJELC/Index.htm Review A Double Universe: The Doppleganger and the Angst of an Uncanny World in John Osborne’s play The World of Paul Slicky Saranya Mukherjee Guest Lecturer (Department of English) for P.G.Students in St. Paul‟s Cathedral Mission College.MA, M.Phil.(English Dept.), University of Calcutta. E-mail: [email protected] Accepted 13 July 2015 An in-depth psychological study of plays and protagonists of John Osborne gives a primeval notion of an uncanny alienation. The theory is partially based on Sigmund Freud’s notion of Das Unheimliche, which he discusses in The Uncanny first published in Imago, 1919. Freud’s essay is grounded on analyses of Ernst Theodor Wilhelm Hoffmann’s story. The present study would delve deep into the notion of angst and the reason of the anxiety that almost all Osborne-Protagonist suffer. Before analyzing the play under discussion, namely, The World of Paul Slicky the paper, in its introductory pages would deal with the notion of Doppleganger and uncanny which are the two fundamental theoretical tools to establish the argument. In the following paper it will be shown, how they are related to Osborne’s protagonists; how the plays are but a mere way to express the fuming self of the double- folded psyche of a crossed mind. How the known notions’ evaporation leads to the temporal fragmentation getting its fuel from the anxiety that causes the angst and its aberrations and hence split in concerned characters. -
Drama and Cultural Transfer: John Osborne in Vienna”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit “Drama and Cultural Transfer: John Osborne in Vienna” Verfasserin Maria Kasser Angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil.) Wien, im August 2008 Studienzahl lt. Studienblatt: A 190 344 313 Studienrichtung lt. Studienblatt: Lehramtstudium, UF Englisch, UF Geschichte, Sozialkunde, Polit. Bildung Betreuer: o. Univ. Prof. Dr. Ewald Mengel ii iii Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich, mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Es wird gebeten, diesen Hinweis bei der Lektüre zu beachten. Hiermit bestätige ich diese Arbeit nach bestem Wissen und Gewissen selbständig verfasst und die Regeln der wissenschaftlichen Praxis eingehalten zu haben. iv v Danksagung An dieser Stelle möchte ich mich bei all jenen bedanken, die mich während meines Studiums an der Universität Wien unterstützt haben: Ich danke allen meinen Professoren an der Universität Wien. Im Besonderen natürlich Dr. Ewald Mengel , dem ich dieses interessante Thema zu verdanken habe, und der mich in der Diplomarbeitsphase tatkräftig unterstützt hat. Bei meinen Eltern, Josef und Veronika Kasser , dafür, dass sie mir das Studium ermöglicht und immer an mich geglaubt haben. Bei meiner Schwester Johanna , die mit ihrem Ehrgeiz und ihrer Zielstrebigkeit immer ein Vorbild für mich war. Bei meinem Bruder Jürgen , für seine Gelassenheit, die sich auch auf mich übertragen hat. -
Four in Gay History
Hubert Kennedy Four in Gay History Peremptory Publications Concord, CA 2003 © 2003 by Hubert Kennedy Four in Gay History is a Peremptory Publications ebook. It may be freely distributed, but no changes may be made in it. Comments and suggestions are welcome. Please write to [email protected]. 2 Contents Introduction 4 A Latter-Day Hadrian: Fitzroy Davis and Der Kreis 6 German Gay Activist Visits San Francisco – In 1931 9 Karol Szymanowski, His Boy-Love Novel, and the Boy He Loved 14 Johann Baptist von Schweitzer: The Queer Marx Loved to Hate 26 3 Introduction Most of my research in gay history was into the lives of Karl Heinrich Ulrichs or John Henry Mackay or James Mills Peirce, but I also had occasion to write articles that do not deal directly with that trinity. Four of them are collected here. The first recalls Fitzroy Davis, whom I met in New England shortly before his death in 1980. When I moved to San Francisco in 1986, I immediately joined the San Francisco Bay Area Gay and Lesbian Historical Society. My article on Davis was my first contribu- tion to its Newsletter (which later evolved into OurStories). I welcomed the opportunity to identify him as “Hadrian,” the author of eleven articles in the trilingual Swiss journal Der Kreis. Otherwise that identification might have been lost forever, for there was noth- ing in any of his “Hadrian” articles that would lead one to suspect that Fitzroy Davis was their author. Later I also pointed out this identification in my book The Ideal Gay Man: The Story of Der Kreis (1999). -
Knowlesad032.Pdf
Copyright by Adam Daniel Knowles 2003 The Dissertation Committee for Adam Daniel Knowles Certifies that this is the approved version of the following dissertation: MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 Committee: _____________________________________ Elizabeth Cullingford, Co-Supervisor _____________________________________ Elizabeth Richmond-Garza, Co-Supervisor _____________________________________ Mia Carter _____________________________________ Alan Friedman _____________________________________ Wm. Roger Louis MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 by Adam Daniel Knowles, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 Publication No. ___________ Adam Daniel Knowles, Ph.D. The University of Texas at Austin, 2003 Supervisors: Elizabeth Cullingford and Elizabeth Richmond-Garza I take the near coincidence in 1956 of the premiere of John Osborne’s Look Back in Anger and the Suez crisis as a starting point for a study of the context, reception and politics of a selection plays by Osborne, John Arden and Margaretta D’Arcy, Howard Brenton, David Hare and Caryl Churchill. The end of my study is marked by Margaret Thatcher’s consolidation of power in the early eighties and the 1982 Falklands War. My analysis focuses on how these plays represent forms of British national identity that developed during the era of Britain’s imperial strength and how they show these formations changing after World War II. -
Martin Luther – the Hero of the Reformation 1483-1546
Martin Luther: The Hero of the Reformation (1483-1546) 1 Also Available from LutheranLibrary.org Luther Examined and Reexamined by William Dau. _The Table Talk of Doctor Martin Luther: A Selection. The Life and Deeds of Martin Luther by Fick and Loy. 2 ◊ “Martin Luther” 3 About The Lutheran Library The Lutheran Library is a non-profit publisher of good Christian books. All are available in a variety of formats for use by anyone for free or at very little cost. There are never any licensing fees. We are Bible believing Christians who subscribe wholeheartedly to the Augsburg Confession as an accurate summary of Scripture, the chief article of which is Justification by Faith. Our purpose is to make available solid and encouraging material to strengthen believers in Christ. Prayers are requested for the next generation, that the Lord will plant in them a love of the truth, such that the hard-learned lessons of the past will not be forgotten. Please let others know of these books and this completely volunteer endeavor. May God bless you and keep you, help you, defend you, and lead you to know the depths of His kindness and love. 4 Martin Luther: The Hero of the Reformation (1483-1546) By Henry Eyster Jacobs DEAN AND PROFESSOR OF SYSTEMATIC THEOLOGY EVANGELICAL LUTHERAN SEMINARY, PHILADELPHIA, PA., AUTHOR OF “THE LUTHERAN MOVEMENT IN ENGLAND DURING THE REIGNS OF HENRY VIII AND EDWARD VI AND ITS LITERARY MONUMENTS” AND “A HISTORY OF THE EVANGELICAL LUTHERAN CHURCH IN THE UNITED STATES”. NEW YORK G.P. PUTNAM’S SONS © 1909 / 2021 (CC BY 4.0) LutheranLibrary.org 5 Contents About The Lutheran Library Contents List of Illustrations Preface by Lutheran Librarian Preface Key To The Chief References Book I. -
The "Enemy" in Israelite Wisdom Literature
THE "ENEMY" IN ISRAELITE WISDOM LITERATURE A Dissertation Presented to the Faculty of the Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by John Keating Wiles June 1982 Digitized by Ted Hildebrandt, Gordon College, 2006 Displayed with permission from Dr. John Keating Wiles APPROVAL SHEET THE "ENEMY" IN ISRAELITE WISDOM LITERATURE John Keating Wiles Read and Approved by: Marvin E. Tate (Chairman) John Joseph Owens John D. Watts Date: August 10, 1982 CONTENTS Page Chapter 1. Introduction 1 Personal Enemies in the Psalms 3 A Methodology for Investigating "Enemies" in the Wisdom Literature 18 Methodological Caveats 22 Contemporary Value of this Study 28 2. Enemy Designations Within the Wisdom Literature 30 Proverbs 32 The byvx-Group 33 The fwr-Group 35 The religion of the wicked 36 The demeanor of the wicked 37 The speech of the wicked 39 The allies of the wicked 41 The Neutral Group 45 The Friends and Kinfolk Group 56 The Animals Group 59 Job 61 The byvx-Group 61 The fwr-Group 66 The Neutral Group 72 iii The Friends and Kinfolk Group 74 The Animals Group 76 Qoheleth 77 The fwr-Group 78 The Neutral Group 79 The Animals Group 80 Sirach 80 The byvx-Group 82 The fwr-Group 87 The wicked in the cult 91 The wicked and the economy 92 The wicked at court 93 The wicked and their speech 94 Wicked friends 94 The wicked and the family 96 The wicked and duplicity 99 The wicked and the fool 100 The Neutral Group 101 The Friends and Kinfolk Group 105 The Animals Group 109 Wisdom of Solomon 110 The byvx-Group 112 The fwr-Group 114 The Neutral Group 118 iv The Friends and Kinfolk Group 119 The Animals Group 120 Summary 121 3. -
Chasing Mr. C:" Early Motion-Picture
CHASING MR. C: EARLY MOTION-PICTURE EXHIBITION IN ROBESON COUNTY, NORTH CAROLINA (1896-1950) Christopher J. McKenna A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2012 Approved by: Dr. Timothy Marr Dr. Linda Wagner-Martin Dr. John McGowan Dr. Robert C. Allen Dr. Malinda Maynor-Lowery 2012 Christopher J. McKenna ALL RIGHTS RESERVED ii ABSTRACT CHRISTOPHER J. MCKENNA: Chasing Mr. C: Early Motion-Picture Exhibition in Robeson County, North Carolina (1896-1950) (Under the direction of Timothy Marr) This dissertation seeks to document the development of early moviegoing in a specific North Carolina county during the first half-century of commercial film exhibitions. Several local factors resulted in exhibition developments that often did not conform—or only partially conformed—to the metro-centric narratives that have dominated U.S. cinema history. Instead, Robeson’s exhibitors and audiences faced a series of economic, socio-cultural, and racial challenges that shaped the highly-contingent and inescapably public activity of moviegoing in the county’s rural, highly-decentralized, socially conservative, and racially discriminatory small- town communities. This study depicts local moviegoing as neither a ubiquitous nor fully accessible leisure activity due to: Local demographic factors that delayed the implementation of core commercial infrastructures and slowed the introduction and stabilization of local exhibitions until long after several notable exhibition trends that never meaningfully applied to Robeson had long since reshaped metropolitan moviegoing. The concerns of local civic and religious leaders that nearly resulted in the imposition of a cinema-censorship structure based on a legislative proposal during the 1921 General Assembly that had been co-sponsored by a Robeson County delegate.