Sophia Smith Collection from 1971 to 1992

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MORTIMER RARE BOOK ROOM

SMITH COLLEGE

Oriele Horch Farb Feshbach Papers ca. 1931-2016 35 Linear Feet (66 boxes)

MS 388

Processed by

Daria D’Arienzo

2016

Contact information Mortimer Rare Book Room Smith College Northampton, Massachusetts 01063 413-585-2906; fax: 413-585-2904 [email protected] https://www.smith.edu/libraries/libs/rarebook 2

Oriole Horch Farb Feshbach Papers, ca. 1931-2016 35 linear ft. (66 boxes)

TABLE OF CONTENTS

Page Boxes

Biographical note 3

Provenance 5

Other collections 6

Scope and Content 7

Series I: Personal: Education, Family and Travel 13-16 1-4

Series II: Yearly Files 17-34 5-10

Series III: Professional 35-38 11-13

Series IV: Teaching and Teaching Tools 39-40 14

Series V: Correspondence 41-42 15-16

Series VI: Poets 43-46 17-18

Series VII: Artists 47-48 19-20

Series VIII: Scrapbooks 49-53 21-24

Series IX: Bibliography/Printed Material 54-60 25-29

Series X: Process and Research 61-62 30-31

Series XI: Artwork 63-66 32-35

Series XII: Projects 67 36

Series XIII: A Vanitas Self-Portrait Book 68-73 37-41

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Series XIV: Illuminations 74-77 42-44

Series XV: Parallels: Artists/Poets 78-79 45-46

Series XVI: Luminations 80-82 47-49

Series XVII: Slides: Artwork 83 50-51

Series XVIII: Photographs: Artwork 84-96 52-54

Series XIX: Photographs: Models 97-104 55-58

Series XX: Photographs: Exhibitions 105-107 59-61

Series XXI: Media 108 62

Series XXII: A Dozen Humpty Dumpty Egg Tales 109-110 63-64

Series XXIII: Oversize Flat Boxes 111 65-66

Subject Headings and Added Entries 112

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BIOGRAPHICAL NOTE

OHFF 1939, she graduated with honors from Hillhouse High School. Though she had already formed a desire to practice law, Motley lacked the means to attend college, and instead went to work for the National Youth Administration.

{etc.}

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The Oriole Horch Farb Fesbach Papers are the physical property of the Mortimer Rare Book Room, Smith College. Literary rights, including copyright, belong to the authors of the works or their legal representatives.

STANDARD STATEMENT {No restrictions, SSC owns CR} … donated her Papers to the Sophia Smith Collection from 1971 to 1992. Additional papers of … are housed at ….

The Papers are open to research according to the regulations of the Sophia Smith Collection without any additional restrictions.

The Sophia Smith Collection owns copyright to ...'s unpublished works. Permission must be obtained to publish reproductions or quotations beyond "fair use." Copyright to materials authored by others may be owned by those individuals or their heirs or assigns. It is the responsibility of the researcher to identify and satisfy the holders of all copyrights. Permission to publish reproductions or quotations beyond "fair use" must also be obtained from the Sophia Smith Collection as owners of the physical property.

Please cite the Papers as follows: "… Papers, Sophia Smith Collection, Smith College, Northampton, Mass."

VARIATIONS on Access and copyright statements {See Processing Guide for more } The Papers are open to research according to the regulations of the Sophia Smith Collection, with the following exceptions: ....

{Donor or family owns CR}: Jane Doe retains copyright ownership for her writings. Copyright to materials authored by others may be….

{Copyright unknown} Copyright ownership of Jane Doe‘s writings is unknown. Copyright to materials authored by others…

OPTIONAL: This collection has a detailed, preliminary finding aid.

Some additions to this collection are expected.

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PROVENANCE

The Oriole Horch Farb Feshbach Papers were the gift of OHFF, 20??-2016.

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OTHER COLLECTIONS

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SCOPE AND CONTENTS

The Oriole Horch Farb Feshbach Papers consist of 35 linear ft. and The papers are arranged in twenty-three series:

I. PERSONAL; EDUCATION, FAMILY AND TRAVEL (1931-2016) This series, 1931-2016 (with gaps), combines OHFF’s early personal life, her schooling through graduate work, materials related to her internships and work at the Museum of Moderns Art and her travels. Materials include early photographs, letters, sketchbooks and notebooks and items documenting all phases of her education. There is also a folder of OHFF’s recollections and thoughts about her childhood, family life, education, artwork and influences on her life and art.

II. YEARLY FILES A series of professional materials relating to OHFF’s career as an artist, her artwork, her artist’s books, exhibitions, writings by OHFF and by others about her work, incoming and outgoing correspondence with colleagues and friends and associates; gift documentation and some research and reference material related to models, and OHFF’s artwork and creative material. Documentation of exhibitions includes lists, price lists, artist statements, publicity, catalogues, guest books and more. Photographs include shots of OHFF at work, of exhibitions and book events, OHFF with friend and miscellaneous images.

III. PROFESSIONAL A small series of material that OHFF culled from her Yearly Files because she felt they needed more direct access. The files include documentation of her professional activities and her work as an artist and some personal material that touches on her artwork. There is a separate section for OHFF’s work as director of the Master Institute and Curator of the Riverside Museum (in New York City) in the 1960s to 1971.

IV. TEACHING AND TEACHING TOOLS Documents OHFF’s teaching positions at the University of Massachusetts, Amherst (Lecturer, 1975-1981, 2001) and at Amherst College (Visiting Professor of Fine Arts, 1977-1978) as well as an instructor for Continuing Education and Elderhostel. It includes contracts, syllabi, roll books, teaching notes, student exhibition information, slides, sketches and tools that chronicle her methods of teaching and student evaluations.

V. CORRESPONDENCE This small series, 1965-2015 (with gaps), contains OHFF’s correspondence with colleagues, friends, associates and subjects of her artwork. It is arranged alphabetically by the last name of the writer. Highlights include early (1967-1975) correspondence with photographer Cornell Capa about the creation of the International Center for Photography and numerous letters from poet Stanley Kunitz, who wrote the “Foreword” to OHFF’s book Illuminations. Some of it culled by OHFF from her Yearly Files because she felt the writers need more direct access.

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VI. POETS Poets, 1976-2000s, is organized alphabetically by the last name of the poet. It contains copies of poems, portraits of poets, biographical and related research material, photographs and event and publicity materials, publishers’ information and organizations. These files include anything OHFF could use to make connections between the poems and her artwork.

VII. ARTISTS Artists, 1969-2015, contains materials about women artists who were active in the feminist art world, who influenced OHFF’s work or for whom OHFF provide opportunities when she was Director of the Riverside Museum. OHFF worked together with several of the artists; some she met at her M.F.A. program at the University of Massachusetts, Amherst in the 1970s. Others she knew from her work at the Riverside Museum in the 1960s. OHFF stayed in touch with many of the artists over the years, collecting information about their artwork and maintaining ongoing correspondence. In 1969 she commissioned artist Audrey Flack to paint a portrait of her family (OHFF, first husband Peter Farb, and sons Mark and Daniel). Documentation of that portrait is included. OHFF segregated material relating to these artists because of their significance in her curatorial and artwork.

VIII. SCRAPBOOKS Scrapbooks, 1962 to date, chronicle the professional activities, artwork and life of Oriole Horch Farb Feshbach. This series also includes some documentation of her first husband, writer and photographer Peter Farb.It contain correspondence, press releases, photographs, publicity, correspondence (originals and photocopies), auction contributions, artwork for Parnassus and The Massachusetts Review, documentation of exhibitions and public appearances, news stories and articles, catalogues related to OHFF work, or other artists who she supported in their careers.This series can be used to create a framework for establishing a timeline of OHFF’s life and activity, supplements by every other series, especially Yearly Files.

IX. BIBLIOGRAPHY/PRINTED MATERIAL Bibliography/Printed Material, 1960-2015, contains a selection of materials written by or about OHFF and her work. It is divided into 10 sections, each arranged chronologically. It includes the books she created, catalogues of exhibitions she curated, catalogues for exhibitions of her own artwork and any reviews and articles of her work and life as an artist. The listing format follows the structure of the lists prepared by OHFF for her own records and for her website: http://oriole-art.com. Some categories have been refined to provide easier access. The first folder contains bibliographies and resumes containing her publications, prepared by OHFF over the years.

The material is not comprehensive, but does cover all decades of her professional life, 1960-2015.

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X. PROCESS AND RESEARCH Collecting Information and Material are files of research material, notes, copies of poems, working sketches, slides, photographs, cut-outs from photocopies and related materials used as part of OHFF’s creative process in making her varied artworks. The files document how OHFF chose her subjects, the evolution of her themes and the creation of some specific images in her art. Alphabetical folders related to specific themes, topics, nature and natural phenomenon, space, symbols and mythology or people. These follow general folders of Poems, Printmaking Process and Sketches. The material have been kept as grouped by OHFF. Most of the folders are not dated. Much of the material is from the 1970s through the 2000s.

XI. ARTWORK Artwork illustrate the breadth of OHFF’s artwork over multiple decades and the process by which OHFF created her various works. OHFF worked in many media, including collaged, and pioneering work in offset lithography. The series includes working materials, early sketches and studies and experiments for several pieces. Includes an early portrait sketch of poet and artist Elise Asher and early portrait lithographic portrait of Sunne Savage and Robert Newman. There are more than half a dozen works involving the close study of an individual woman poet’s poem—focusing on the parallels of art and poetry. These include some process work—and the stages of getting to the ultimate image. “Darklight” for an Adrienne Rich poem is an example.

XII. PROJECTS Projects, c. 1987-2000s, contains a few of OHFF’s focused projects that resulted in specific pieces of art or a series of artworks. These include an intended series of portraits of her grandsons, (never done); “Omen’s in Nature” for a 2002 exhibition; the Mother Tongue Project from the 1990s and “Tingley Beach” in 1987.

XIII. A VANITAS SELF-PORTRAIT BOOK Documents the entire creative process OHFF undertook to create this artist book from start to finish. It brings together the administrative work to produce the book and related exhibitions; the artistic process work including design materials, working tools and final volume. The organization reflects the stages and process by which OHFF created her book and type of material.

XIV. ILLUMINATIONS Documents the creation, publication, administrative work and publicity related to the production of OHFF’s book “Illuminations” Images by Oriole Farb Feshbach for the poem “Asphodel, That Greeny Flower” by William Carlos Williams. Materials include copies of the book, slides and photographs of the artwork, process materials, permissions, correspondence with writers and with Dr. William E. Williams, the poet’s son and exhibitions and events.

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XV. PARALLELS; ARTISTS/POETS Parallels: Artists/Poets (c. 1991-1995, 2001, 2015) brings together the administrative work to produce the book; some process work for OHFF’s artwork; photographs and slides of OHFF’s artwork; and documentation of events and related exhibitions following the publication of the book Parallels: Artists/Poets. The series includes OHFF’s “Background and Experiences in the making of the book Parallels: Artists/Poets,” (2015) and noted by Claire Heimarck, about the project (2015).

XVI. LUMINATIONS Luminations, c. 2000-2012, documents the creation, publication, administrative work and publicity related to the production of OHFF’s book “Luminations” images by Oriole Farb Feshbach for the poem “The Auroras of Autumn” by Wallace Stevens. Materials include copies of the book, slides and photographs of the artwork, some artwork, process materials, permissions, correspondence with writers and the book designer and material related to exhibitions and events.

XVII. SLIDES: ARTWORK Contains slides of all OHFF work, from 1973 to date. These include images of oil paintings and portraits; pastel drawings and portraits; self-portraits; pencil drawings; photo collages; offset lithograph collages; 2 and 3 dimensional objects and sculpture (including design plans); works in mixed and varied media and works created for OHFF’s various artists books and other creative work. Commissioned work and works that have been destroyed are also included. Most of the slides are identified by title of the piece, date and size of the original work.

XVIII. PHOTOGRAPHS: ARTWORK Photographs: Artwork, c. 1976-to date, contains a selection of black and white photographs and an occasional color photograph, negatives and contact sheets of OHFF self-portraits, art portraits and commissions, oil paintings, photograph collages, offset lithograph prints, offset lithograph print collages, pastels, drawings, objects and other artwork.

XIX. PHOTOGRAPHS: MODELS This series, 1973-2004, includes photographs taken of people by OHFF and historic graphic images used for portrait commissions, oil paintings, photograph collages, offset lithograph prints, offset lithograph print collages, pastels, watercolors, drawings and other artwork.

XX. PHOTOGRAPHS: EXHIBITIONS Photographs: Exhibitions, 1978-2013, contains a selection of color, black and white photographs and some slides relating to OHFF’s one-woman and group shows and individual or multiple works on display in galleries and museums. It includes photographs of installations, openings and events, works exhibited in the galleries, OHFF, art patrons and more. Several video recordings of exhibitions are included.

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XXI. MEDIA This series (1978-1979, 1985, 1994) includes a few interviews and programs on film, television and radio. Material is arranged chronologically, 1978-1979, 1985, 1994.

XXII. A DOZEN HUMPTY DUMPTY EGG TALES A Dozen Humpty Dumpty Egg Tales, c. 1985-2012 (with gaps) is a unique children’s story written by Oriole Horch Farb Feshbach and Sidney Feshbach in 2001 for their grandchildren. It was created in celebration of their 20th wedding anniversary (September 20, 2001) and published in an edition of 12.

XXIII. OVERSIZE FLAT BOXES Contains oversize materials from various series in the papers.

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Box Folder No. No.

SERIES I. PERSONAL; EDUCATION, FAMILY AND TRAVEL

1 1 OHFF’s recollections and thoughts about her childhood, family life, education, artwork and influences on her life and art.“My history and memory of some childhood events and about Helena, Nicholas, and Svetoslav Roerich,” 2015 Dec 17“Reflections on my art teachers, educations, travel and the influence on my art,” 2015 Dec 17“Reflections on my father, mother and the Roerichs,” 2015 Oct 11“Living and working in the Master Building,” 2015 Dec 15“Teaching: My Background, The University of Massachusetts-Amherst, and Amherst College,” 2015 Dec 5“Remembering Barbara Walters and Mary Bayes Ryan and J.D. Salinger at Birch Wathen School and Sarah Lawrence College,” 2014 Oct 14“Feminism and Related Women’s Work,” 2015 Feb 13“Feminism 2: Connections from the Past Forward,” 2015 “Audrey Flack,” 2015 Oct 11“Background and Experiences in the making of the book Parallels: Artists/Poets,” 2015 Mar 2“Comments on William Carlos Williams book, Illuminations and related exhibitions,” 2014 Sept 1“Notes about my “Vanitas Self- Portrait” hanging in the Smith College Art Museum,” 2010, 2015 Dec“The ‘Garage Series,’ 1987,” 2016 Jan 2“My Smith College Connections,” 2016 May 13 March 15.

2 Photographs and slides of OHFF childhood, young adult and adult; OHFF with her father (Louis Horch), brother (Frank Horch), first husband (Peter Farb), second husband (Sid Feshbach); photographs of OHFF’s nanny Marie.Includes photographs by Frank Horch, Pete Farb and Sid Feshbach

3 Report cards: PS 54, 1939; Claremont School, 1940

4 Master Institute: memorabilia of plays, 1942

5 Congregation Emanu-El: Confirmation and membership; 1945-1946

6 Stamford Jewish Center, 1948

7 Bennington College: acceptance letter; 1951

8 Museum of Modern Art: OHFF internships and service; includes exhibitions and events worked on1952-1972, with gaps Museum of Modern Art-Art Lending Service Museum of Modern Art Junior Council (1952-1972)

9 Oriola “Oriola farbae”; abstract of discovery; 1967

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Box Folder No. No.

1 10 Horch Family. 2015.“My history and memory of some childhood events and about Helena, Nicholas, and Svetoslav Roerich,” 2015 Dec 17“Reflections on my art teachers, educations, travel and the influence on my art,” 2015 Dec 17“Reflections on my father, mother and the Roerichs,” 2015 Oct 11“Living and working in the Master Building,” 2015 Dec 15 See Also: Series 3: Professional for “A Remarkable Man; A Remarkable Life.”

11 Frank Horch murder, 1975

12 Roerichs. 2015.“My history and memory of some childhood events and about Helena, Nicholas, and Svetoslav Roerich,” 2015 Dec 17 “Reflections on my art teachers, educations, travel and the influence on my art,” 2015 Dec 17 “Reflections on my father, mother and the Roerichs,” 2015 Oct 11“Living and working in the Master Building,” 2015 Dec 15 Painting of childhood summer home in Moriah, N.Y., by Arno Sernglass; 1940 See separate oversize box in Series 23: Oversize.

13-14 Birch Wathen School: 5th to 8th Grade; 1945, n.d. “Birch Buds” student magazine, 1945 Student play 8th Grade graduation card. 9th to 12th Grade (high school); 1946-1949. Student papers; report cards; activities; student newspapers; For 1949 Diploma—see Oversize Box

15 Photographs; 1945-to date OHFF; faculty; friends at school and later; school building; classes; reunions

16 Washington D.C. trip; 1947. With Mr. and Mrs. Borger (OHFF’s history teacher). Went with friends Maria Petscheck and Helene Feldman

17 Class of 1949 reunion; 1999

18 Twentieth-Century Poetry annotated textbook; 1947-1948 OHFF used in 10th grade.

2 19 Alumni materials; 1963, 199, n.d.

20 School friends and teachers: correspondence and notes, recollections; 1950s, 2014, 2015, n.d.. Includes recollections of Will Barnett, Hugh Ross, Carl Horton and other Birch Wathen teachers and recollections of Barbara Walters. “Reflections on my art teachers, educations, travel and the influence on my art,” 2015 Dec 17. “Remembering Barbara Walters and Mary Bayes Ryan and J.D. Salinger at Birch Wathen School and Sarah Lawrence College,” 2014 Oct 14

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2 21 Silvermine Guild School of Art; 1948 fall-1949OHFF attended 1948 fall. Photograph of OHFF in studio painting. Exhibition programs, includes OHFF work. Exhibition program for teacher Gail Symon (1949).

22-23 Colorado College; 1949 summer. OHFF attended and took painting and music. Photographs of OHFF and friends and campus. Programs from Hindemith concert and other concerts and Hanya Holm dance performances (OHFF in chorus). Colorado College; 1949 June-Aug. Letters from OHFF to her parents Louis and Nettie Horch.

24-28 General; 1949-1951; 1988, 2014. OHFF attended 1949-1951. Photographs, programs, notes, alumni material. For Phi Alpha Pi Sorority photograph; 1951; See Series 23: Oversize. Letters; 1949-1950. OHFF to her parents Louis and Nettie Horch. Course Papers; 1949-1951. Art, English, Religion, Biology. Yearbook: L’Agenda; 1950, Yearbook: L’Agenda; 1951.

29 Harvard; 1951 summer. OHFF attended classes and worked in the brattle Theatre Company. Report cards, programs, notes.

3 30-39 Sarah Lawrence College: General; 1951-1953, 1955, 1968, 1995. Draft of application essay to transfer. Narrative faculty reports about OHFF progress in courses. Commencement program, 1953 May 28. OHFF small diploma. 1955 alumni magazine announcement of birth of son in 1954. 1968 “Arts & Music Festival” celebrating 40 years of SLC at the Riverside Museum, where OHFF was director. Memorabilia, obituaries and photographs of OHFF teachers. For Kurt Roesch’s prospectus for engravings for Rilke’s “The Sonnets to Orpheus,” – See Series 23: Oversize . (Roesch was OHFF’s teacher) . Course papers; 1951-1953. Art History; English. The Campus (student newspaper) articles; 1952-1953. Articles written by OHFF; clippings. Salinger, J.D. and Mary Bayes: OHFF notes; 2014 . OHFF was Mary Bayes roommate (in her senior year); Bayes was Salinger’s fiancé in 1952-1953. Copy of Franny & Zooey. “Remembering Barbara Walters and Mary Bayes Ryan and J.D. Salinger at Birch Wathen School and Sarah Lawrence College,” 2014 Oct 14. Sarah Lawrence Yearbook 1952. Sarah Lawrence Yearbook 1953. Sarah Lawrence Years and Beyond; 1969. Alumnae publication; OHFF reflects on her time, education and experience at Sarah Lawrence. Sarah Lawrence College Class of 1953 4oth Reunion; 1993. Alumnae book. Sarah Lawrence College Class of 1953 60th Reunion; 2013. Alumnae book. College Friends; 1965, 2011, 2014, n.d.. Correspondence; information about people; memories. Columbia University German Course; 1954. Grade report.

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3 40 Columbia University German Course, 1954

41-43 MFA UMASS 1973-1976: Materials Relating to MFA Program; 1973-1976 OHFF received an MFA in Painting. Application; thesis framework; letters; grades; teaching assistantship; final show. Course Notebook: Basic Design; 1973 With Professor Hanlyn Davies. Course Notebook: Studio-Basic Drawing and Basic Design; 1973 With Professor Hanlyn Davies

4 44-50 MFA UMASS 1973-1976Course Notebook: Basic Drawing and Drawing & Design; 1973-1974. With Professor Hanlyn Davies. Course Notebook: Advanced Drawing; 1974-1975. With Professor John Roy. Course Notebook: Course 452; 1974-1975. For graduate students who were teaching assistants. With Professor John Roy. Art History Course Papers: 1975. Great Themes: Painting and Photography. Photographs of faculty and colleagues; 2001, n.d.. OHFF dedication of work to UMass faculty. Thesis Project: “Frame-Works”; 1976. MFA Diploma; 1976.

51-56 Travel and Trips: Adventure Trails; 1947. Travel across the Unites States and across the Canadian border. Itinerary: Adventure Trails Letters: 1947 July- August: OHFF to her parents Louis and Nettie Horch. 1 letter to aunt, Ester Lichtman. Transmarine Art Tour; 1950: Travel across Europe with Alexander Dobkin. Itinerary; memorabilia; sketchbook; photographs. Transmarine Art Tour Letters; 1950 June-August: OHFF to her parents Louis and Nettie Horch. European Trip With Parents Louis and Nettie Horch; 1952: Itinerary; memorabilia; sketch. Trip Itineraries; 1979, 2001, n.d.:Middle America with first husband Peter Farb. Europe with first husband Peter Farb, 1979. Europe with second husband Sid Feshbach, 2001. Israel.

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SERIES II. Yearly Files

5 1 1973:Exhibition: “Objects & (8 Women Realists),” Herter Gallery, University of Massachusetts, Amherst, catalogue Correspondence: 7 letters from Leonard and Lisa Baskin.

2 1974:Correspondence: Michael Benedict, Barbara Walters (and OHFF draft), Horace Hewlett

3 1975: Exhibition: “1 of 9”, University of Massachusetts Women Students exhibition at the Museum of Fine Arts, Springfield, Mass., press release and reviews, June 2, 1975 -Correspondence: J. McGrath, Bureau of Indian Affairs exhibit; Massachusetts Review editors-Amherst Historical Society: letters and information 5 4 1976:-Exhibition: “Frameworks,” Herter Gallery, University of Massachusetts, Amherst; OHFF’s M.F.A. exhibition. -Photos and negatives: Working with Peter Farb (OHFF’s first husband, a writer and professional photographer) Photos of “Frameworks” exhibition; installation; some may be the only record of paintings (portraits) destroyed -Photos by Jerome Liebling, of M.F.A. graduation party -Solo images of Peter Farb used on his book cover; photograph by Jerome Liebling -Correspondence: Fine Arts Center Acquisition Committee for University of Massachusetts with Hugh Davies -Job application material to teach at University of Massachusetts, Amherst

5 1977-Exhibitions:Exhibitions paperwork“Offset Prints,” Mount Holyoke College Art Museum, South Hadley, Mass.“An Exhibition of Offset Lithographs,” Artists Gallery, Leverett Center, Mass.“58th National Exhibition,” G.W.V. Smith Art Museum, Springfield, Mass.“The Connecticut Academy of Fine Arts,” 67th Annual Exhibition, Wadsworth Athenaeum, Hartford, Conn. “Art Faculty Exhibition,” University of Massachusetts, Amherst “Grand Opening,” Baracca Gallery, North Hatfield, Mass. “Group Show,” Symphony Hall, Boston, Mass. -Catalogues: Offset Prints, Mount Holyoke College Art Museum, South Hadley, Mass. -Art Prizes: The Alice Collins Dunham Prize, The Connecticut Academy of Fine Arts, Hartford, Conn.; Past-President’s Award, Springfield (Mass.) Art League -Correspondence: Kirwins-portrait contracts and more; Sheppards-portrait exchanges; Dorothy Johnson; Aileen and Ernest Beck; Stephen Weil; Lee Sheridan (Women in the Arts conference)

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-Publicity: Fine Arts at Amherst College, summer 1977; Observance of International Woman’s Day; 19 articles and reviews and mentions in the newspaper -Photos: OHFF printing “Kathi”—offset print—Newell’s print shop— documentation of process; See Also: Series 21: Photographs: Models, K “Kathi”

5 6 1977-1978 Amherst College: -OHFF application for teaching position -Correspondence: John William Ward, President; Prosser Gifford; Frank Trap; Dick Schmaltz; Charles Elliot -Students: Elaine Dunham; Randy Meikeljohn; and others -Student exhibitions, announcements, activities

7 1978: - Exhibitions:“Summer Show,” Sunne Savage Gallery, Boston, Mass.“Oriole Farb: Recent Work,” Center Gallery, Bucknell University, Lewisburg, Penn.“National Print Exhibition,” Trenton State College, Trenton, N.J.“Offset Prints,” Hathorn Gallery, Skidmore College, Saratoga Springs, N.Y.“Prudential Sculpture Show,” The Boston Visual Artists Union, Inc., Prudential Center, Boston, Mass. -Photos: photos of OHFF and self-portrait photos used in offset prints -Article: “Self Portraits: Consistency & Contradiction,” for The Massachusetts Review -Activities: Workshop, national observance of International Woman’s Year; Women’s Caucus for Art lecture, New York City; lecture “New Imagery in Women’s Art” at Bucknell University, Lewisburg, Penn. -Publicity: WCA Newsletter, 4/78; Women Artists News 3/78; Amherst Record 4/22/78; “Woman’s Work…Festival” in The Alumnus, UMass, Amherst, 6&7/78; “Farb Creates ‘Family’ Prints,” The Bucknellian, 4/21/78; “Celebration of the Arts,” Bucknell World, 6/78 -Correspondence: Clement Coger; Richard Muhlberger; Carol Kesich (Art Review editor); Bella Fishko; Doris Abramson; Dorothy Johnson; Winthrop Dakin; D. Baumwoll -Gift: Chanel 57 Auction

8 1978 College Art Association/Women’s Caucus for Art:-Panel: “Contemporary Women’s Art: Iconography and Sensibility” Preparation and planning the event and panel; program notes, letters; lecture; slide lecture; notes from Dotty Attie, Audrey Flack, Yvonne Jacquette, Nancy Holt; after event letters. See Also: Series 4: Teaching and Teaching Tool for Women Artists Slides

9 1978 “Oriele Farb; Recent Work,’ Bucknell University Center Gallery- Exhibition material, inventory, press release

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-Correspondence: Marilyn Sweedler, Director of Center Gallery; Carl Beltz; Donna Bachman (WCA); Sara Manner; Marita Dizan; Jackson Hill; Dennis O’Brian; Cynthia Kahan; Howard Fox; Ed Powis Jones; Scott Nichols; Susan Zilen; Deb Leopold; Barbara Diver; Lee, Miriam, Arlyn and Marcia (OHFF Women’s Group); Elise Asher (poet and artist) and Stanley Kunitz (poet); Michael Benedikt; Alice M. Smith; Avital Sagalyn; Stan Frankel:

5 10 1978-1979 “Valley People” Mead Art Museum, Amherst College: -Exhibition documentation; artist statements; price list; Judith Barter, Curator -Dates: December 6, 1978-January 24, 1979 -Photos: Installation; Judith Barter; contact sheets -Correspondence (and flowers): Michael Benedikt; Bruce Brown; Richard Estes; Nina Kaminer; Wardlaw family; The Massachusetts Review; Anne and Ed Jones; 10 Jean Becker; Richard Muhlberger; Ellen Berzin; Dick Milstein; Joe Shannon; Emily Bett; Edwin A. Malloy; Richard Yarde (artist); Estelle Jusson; Stephen E. Weil; Rob Cowley; Tom and Laverne George; Raphael and Joshua Sperry; Judith Barter -Publicity: in Daily Hampshire Gazette by Kay Moran, 12/16/78; Valley Advocate by Laura Holland, 12/3/79

11 1979: Exhibitions:“New Portraits,” Freedman Gallery, Albright College, Reading, Penn.“Contemporary Portraits,” Ely Gallery, Westfield State College, Westfield, Mass.“The Making of a Portfolio,” Herter Hall, University of Massachusetts, Amherst“Small is Beautiful,” Freedman Gallery, Albright College, Reading, Penn.; See Also: Series 20: Photographs: Exhibitions“Small is Beautiful,” Center Gallery, Bucknell University, Lewisburg, Penn.“Art Femini[st],” Herter Art Gallery, University of Massachusetts, Amherst, “Valley People,” Mead Art Museum, Amherst College, Amherst, Mass.“Group Show,” Baracca Gallery, North Hatfield, Mass.“Annual Art Exhibition,” Westfield State College, Westfield, Mass. -Correspondence: Marilyn Zeitlin; Laurie Gans; William Lieberman (MOMA); Alison Baker (SLC); Richard Demarco; Robert Henning, Jr.; Michael Benedikt (poet); F.F. Hofrichter; Timothy Riggs (Worcester Art Museum): David and Janet Soyer; Bicks family; Ellen Berezin; Alex Page; Hugh Davies; Ellen Cutler; Linda Weintraub; Mahler Ryder; Girl Scout Troop thank you notes; bill of sale -Publicity: Google search for OHFF; “The Critic Paints,” Hampshire Life, 3/3/79; Valley Advocate; Women’s Art…, 12/7/79; “Contemporary Portraits,” Springfield Daily News, 2/79; WCA Newsletter, 2/79; Print News, June/July 1979; “The A.R.T. Gang,” Hampshire Life, Sept. 1-7, 1979 -Gifts: Boston Museum of Fine Arts, 3/14/79; Jewish Community of Amherst.

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6 12 1980: -Exhibitions:“Who Am I?” (a self-portrait show), New York State Office Building, New York City,“Multiples’ 80,” Contemporary Arts Center, New Orleans, La.“National Print Exhibition 1980,” Trenton State College, Trenton, N.J.,“Potsdam Prints 1980,” Brainerd Art Gallery, Potsdam, N.Y.,“13th National Print Exhibition,” Silvermine Guild of Artists, Inc., New Cannan, Conn.,“Works From A.R.T.,” Rose Art Museum, Brandeis University, Waltham, Mass.; See Also: Series 20: Photographs: Exhibitions .“Valley Women Artists 2nd Annual,” Hampshire College Gallery, Amherst, Mass. -Correspondence: Alexander Eliot; Rhea Sanders; Peter V.K. Doyle; Alison Amore; A. MacLeish; Philip Yenawine; Howard Gottlieb; Frima F. Hofrichter; Paul Siskind; Robert Henning; Sid Kaplan; Randy Meikeljohn (former student, architect); Sandy Cushman (former student); John Varriano; Joy Gordon; Jack Portney (with OHFF photos); Sarah Callahan; Enoch O’D Woodhouse, III; Mary 12 Commager; receipts Sunne Savage Gallery; Janet Soyer; Judy Stein; Caryl Pines Curry (Birth Wathen school friend); Nina Pratt-receipt -Publicity: “Art New England,” 10/80; “Art From Area Collections,” Sunday Republican,” 12/14/80; “Provocative Examples of Offset Lithographs,” Boston Globe, 11/23/80; “Valley Women Artists,” Focus, 4/11/80; “Portrait of the Artist as Portraitist,” Hampshire Life, 9/13/80; “High-Tech Art,” Valley Advocate 12/24/80 -Award: Berkshire Art Association

13 198-Exhibitions:“20th Century Art from Area Collections,” Museum of Fine Arts, Springfield, Mass.,“Printed Portraits,” Greenfield Community College, Greenfield, Mass.; includes installation photos and guest book, “Prints from A.R.T.,” Johnson State College, Johnson, Vt., “Faces,” Creiger Sesen, Associates, Boston, Mass., “Directions in Realism,” Dansforth Museum, Framingham, Mass. -Correspondence: Charles Chetham (Smith College Art Museum, Northampton, Mass.); Smith College Art Museum receipt; Nancy Norcross; Pratt Gallery, Amherst, Mass.; Marilyn Zeitlin; Wendy Watson; Douglas Messerli; Robin Karson; Jane Garrett; Nic Delbanco; Herbert Plimpton; Laura Schecter; Fred Wessel; John Lancaster; Prentice Hale; Mary Commager -Publicity: “Printed Portraits,” The Sunday Republican, Springfield, Mass., 2/15/81; “Art,” by Robin Karson, Springfield Daily News, 6/25/81 and Daily News, Springfield; Ann Sperry, photo for her exhibition; “Artists Gaze into the Mirror,” by Robin Karson, Springfield Daily News, 6/23/81 -Lecture: “The Arts & Technology,” for the American Association of University Women, Attleboro, Mass., and panel, “Artists & Technology” -Trustee: University of Massachusetts Library1:

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6 14 1982: -Exhibitions: “Oriole Farb Feshbach,” Institute for Contemporary Psychotherapy, New York City, “Views by Women Artists,” (Women’s Caucus for Art), Realist painting, Marymount Manhattan College, New York City -Correspondence: Laura Schecter (artist); Dick Van Gelder; Mott Erhlich; Frank Trapp; Fred Turner; Caryl Pines Curry (Birth Wathen school friend); Randy Meiklejohn (architect and former student); Laurie Gans (former student); Carl Beltz (Rose Art Museum); Mary Ryan; Elise Asher Kunitz; Hanlyn Davies; Sue Pontius; Wendy Watson and John Varriano; Ralph Pomeroy; Dr. Edgar Lipton; Sherill Harbison; Herbert Plimpton; Gabriella Ressler (Herbert Plimpton’s daughter); Barbara Rosenberg; Mount Holyoke College re: gift; Matthew Feldman (New Jersey State Senator re: State Arts Fellowship); State of the Arts show re: same; Diane Waldman (Guggenheim Museum); Elizabeth Rich; Stephen Weil; Nancy Norcross; Alice Tate; Stanley Rabinowitz; Kim Mc Kell; Frank Trapp; Fred Turner; Dick Van Gelder. 14 -Publicity: “I.C.P. Celebration,” New York Times, 11/14/82; “Katie’s Heritage Traces...,” by Robin Karson, The Sunday Republican, 1/24/22

15 1983:-Exhibitions:“Art & Technology: Offset Prints,” R. Wilson Gallery, Lehigh University, Bethlehem, Penn.; also catalogue,“Selected Prints,” Mary Ryan Gallery, New York City, “Eleven Alumni,” University Gallery, University of Massachusetts, Amherst; also catalogue; includes slides, opening photos and more -Catalogues:“Portraits 1972-1983,” The Massachusetts Review, “Women in the Arts -Book: chapter in “Using an Offset Press,” for Lithography: A Complete Guide by Mary Ann Wenniger, Prentice Hall, 1983. -Events: “Artists Today,” Springfield Museum of Art, Springfield, Mass. -Correspondence: Ann Gross; Miriam Levin; Nina and Allen Cohen; Wendy Watson and John Varriano; Katie George; Nancy Norcross; Kay Nichols; Barbara Haskell; Hugh Davies; Betsy Siersma; Jim Hendricks; Sally and Hugh Davies; Judith Barter; Joe Shannon; Richard Milstein; Marilyn Zeitlin; Mary Commager; Hanlyn Davies -Photos: OHFF in Leonia, N.J. taken by second husband Sid Feshbach -Publicity: “A Print Can be a Work of Art,” Christian Science Monitor, 9/16/83; “WFCR Program Guide,” 4/83-5/83 with reproductions; The Alumnus, University of June/July 1983; Glasglow Herald, 11/25,83; “American Prints,” statement for Sarah Lawrence College Notes

16 1983-1984: “Portraits 1972-1982” for The Massachusetts Review - The women’s section of portraits by 8 women -Artists’ statements; the “Portraits” offprint

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-Correspondence: with MR staff, Carol Felter, Mary Heath; and artists Jane Lund; Karen Lewis, Sylvia Sleigh; Wendy MacNeil; Audrey Flack; Eleanor Antin; Dottie Attie; and others, Laura Holland, Carl Beltz -Publicity: “High Quality…,” and photos, The Sunday Republican, 4/10/83

6 17 1984: -Exhibitions:“Fellowship Exhibition,” (1983-84; 1984-1985) New Jersey State Council on Arts, Hunterdon Art Center, Clinton, N.J.; “A.R.T., Inc., Offset Prints,” Tyler School Art Gallery, Rome, Italy -Correspondence: Cornell Capa (International Center of Photography); Judith Barter; Leo Rabkin; Fran Gillespie (artist); Joella Bayer; Students- Daniel Stern; Randy Meiklejohn (architect); Jack Portney; Carol Felter; Gerry Shapiro; Miles Barth (International Center of Photography); Linda Muehlig (Smith College Art Museum); Janice Rebecca Gabreil (artist; fellow M.F.A. student) (fellow M.F.A. student); Caryl Pines Curry (Birch Wathen School friend); Massachusetts Review staff 17 -Photos: OHFF in Washington, D.C. and in Amherst, Mass. -Publicity: The New York Times, review by John Russell, 10/12/84; “Portrait Prints,” in New Directions For Women, 5/26/84

18 1985: -Exhibitions:“The Boston Printmakers,” Rose Art Museum, Brandeis University, Waltham, Mass. -Panelist: “Offset Printing: Technology, Aesthetics, Gender,” for the Women’s Caucus for Art National Meeting, Los Angeles; proposal and documentation; correspondence with Naomi Boretz -Correspondence: Carl Beltz; Richard Muhlberger; Cornell Capa; Ben DeMott; Marilyn Zeitlin; Andrea Miller Keller; Gerry Shapiro; Christin Couture (artist, writer); Lee Edwards; Robin Karson; Phyllis Paige; Charles Williams; Anne Malamud; J. Todd Galleries; Elizabeth McDore re: Will Barnett (artist, OHFF teacher); Annie Shave-Crandel

19 1986-Fellowship: New Jersey State Council on the Arts Fellowship Award -Exhibitions: “New Prints,” Mary Ryan Gallery, New York City,“Reflections of Self,” Fordham University, Bronx, N.Y., “Focus on Art ’86,” YW/YMCA, West Orange, New Jersey, “New Prints Northeast,” Rosendale, New York -Workshop: documentation of participation in Women’s Studio Workshop “New Prints Northeast”; correspondence and more -Panelist: Write up of “Offset Printing: Technology, Aesthetics, Gender,” for the Women’s Caucus for Art National Meeting, Los Angeles -Correspondence: John Hicks (Massachusetts Review); Joe Shannon; Barbara Haskell (Whitney); Carl Beltz (Rose Art Museum); Nancy Norcross; John Varriano (Mount Holyoke); Ivan Karp; Judith Barter (Mead Art Museum); Ann Malamud (Mrs. Bernard Malamud); Audrey Flack (artist); Jane Landis (Print

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Club); Bill Brayfield; Andy Grundberg (New York Times); Janice Rebecca Gabreil (artist; fellow M.F.A. student); Judy and Gerry Shapiro; Edwin Malloy -Photos: OHFF working on a print at the Women’s Studio Workshop, Binnewater Arts Center, Rosendale, N.Y.; “Process-photos for early inside/outside oils”:

7 20 1987: -Exhibitions:“New Jersey Arts Annual,” Jersey City Museum, Jersey City, N.J., “Women Artist Series 1987-1988,” Douglass Library, Douglass College, New Brunswick, N.J. , “New Prints Northeast,” Women’s Studio Workshop, Rosendale, N.Y. , Untitled exhibition and talk, Wood-Ridge Memorial Library, Wood-Ridge, N.J.; See Also: Series 20: Photographs: Exhibitions , “In-Time,” at The Record Office, Hackensack, N.J., “Bergen County Visual Arts Fellowship Exhibitions, N.J. -Check: (Cancelled) for Tangent Graphics, printing charge 20 -Correspondence: Ann Kresge (Women’s Studio Workshop); Richard Milstein; Janice Rebecca Gabreil (artist; fellow M.F.A. student); Max Rubin; Ruth Pasquine (National Academy of Design); Christin Couture (artist, writer); Alex and Anita Page; Pat Barber; Phyllis Paige; Marge Levine; Betsy Siersma (UMass Fine Arts Center); John Varriano and Wendy Watson (Mount Holyoke); Helaine Posner (UMass Fine Arts Center); Doris and Eli Friedensohn; Judith Barter; Martina Norellli (National Museum of American Art); Gail Stavitsky (Metropolitan Museum of Art) -Publicity: The Record, 2/13/87 -Gifts: Voorhees-Zimmerli Art Museum; Newark Museum; Worcester Art Museum re: Nettie Horch’s (OHFF’s mother) gift of OHFF’s portrait of Stanley Kunitz

21 1988: -Exhibitions: “New Jersey State Arts Council Fellowship Exhibition,” Monmouth Museum, Lincroft, N.J.“Women Artist Series 1987-1988,” Douglass Library, Douglass College, New Brunswick, N.J.; includes photos of wall shots of installation. “Offset Lithography Collages,” Jersey City State College; Jersey City, N.J.; See Also: Series 20: Photographs: Exhibitions -Publications: Book-A Vanitas Self-Portrait Book; Catalogue-“Women Artist Series 1987-1988,” Douglass Library, Douglass College, New Brunswick, N.J. -Events: Vanitis-Golliard Bookshop, Amherst, Mass.; Docent training, Springfield Museum of Fine Arts, Springfield, Mass.; Art Benefit, Jewish Community of Amherst, Amherst, Mass. -Correspondence: Margaret Fox; Miriam Gideon; Martina Norelli; Claire Heimarck; Jewish Women’s Resource Center -Publicity: Feminist Studies, spring 1988; articles for “Women Artist Series 1987-1988,” Bucknell World, September 1988; “Books By Artists,” by Laura

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Holland, The Valley Advocate, 5/30/88; The Record, Leonia, N.J., 2/4/88; CAA Newsletter, winter 1987-88

7 22 1989: -Exhibitions:“Bridging the Gaps,” Women’s Caucus for Art, SEWA Gallery, San Francisco.“Women of the Garden State,” Rabbet Gallery, New Brunswick, N.J. -Events: Docent talk at the Springfield Museum of Art, Springfield, Mass. -Correspondence: Marge Devon; New Jersey Council on Arts application; Hirshhorn Museum; Phil Lymam (James Joyce Society): Judith Norell; Martina Norelli. Book Reviews: Art Insights, 7/8/89; The Print Collector Newsletter, 1- 2/89. Photo: OHFF and Jerry Liebling (photographer) at Wolfsonian Museum in Miami, Fl. Archives: biographical and donation to Franklin Furnace See Also: Series 13: A Vanitas Self-Portrait Book

7 23 1990: -Exhibitions: Re: Vanitas, The Wichita Art Association, Wichita, Kans. -Events: “The Sister Arts and Cultural Studies: Repositioning the Gap,” slide lecture at Skidmore College, Saratoga Springs, N.Y.; Visual dialogue (WCW), Englewood Library. -Correspondence: Fellowship application to New Jersey State Council on the Arts; Roberta Waddell (New York Public Library); Nancy Frazier (arts writer); Caryl Pines Curry (Birth Wathen school friend); Arlyn Diamond; Janice Rebecca Gabreil (artist; fellow M.F.A. student) -Research: letters, documentation of work on William Carlos Williams for Illuminations Images by Oriole Farb Feshbach for the poem “Asphodel, That Greeny Flower by William Carlos Williams. -Publicity and Reviews: For Vanitas, Women Artists News, 1990 fall; Sarah Lawrence College Alumnae News, 1990 spring.

24 1991: -Book: Illuminations Images by Oriole Farb Feshbach for the poem “Asphodel, That Greeny Flower by William Carlos Williams. Copy of title page only. See Also: Series 14: Illuminations -Events: Book signing, Wootton’s Books, Amherst, Mass., 12/3/91; Slide lecture and book signing, Rutherford Public Library, 11/24/91 Correspondence: Fellowship application to New Jersey State Council on the Arts; Linda Klinger (Franklin & Marshall, slide request); Douglass Library and Dana Women Artists Series letters and statement -Publicity: “Picturing Williams’ Poetry,” The South Bergenite, 11/23/91

25 1992: Exhibitions:“Illuminations for ‘Asphodel’ by William Carlos Williams,” Davison Art Center, Wesleyan University, Middletown, Conn.

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7 25 “Illuminations for ‘Asphodel’ by William Carlos Williams,” New Jersey State Museum, Trenton, N.J.. “The 20th Anniversary of the Mary H. Dana Women Artist Series,” Douglass Library, Rutgers University, New Brunswick, N.J. -Events: Book signing party given by Ann Sperry; Focus on Art -Correspondence: Irene Banger; Pat Falk; George Gessert (artist); Irene Starr; Solveg Cox; Caryl Pines Curry (Birth Wathen school friend); Richard Halgin; Frederick Turner; Norman Kelvin; Carl Beltz (Rose Art Museum); Linda Klinger (Franklin & Marshall); Sara Cassidy (DeCordova Museum) -Publicity: CAA, 4/92; Sarah Lawrence College Alumnae News, 1990 winter; Museum Insights, 1992; Bucknell World, 5/6/92; VWA/WCA, 1992 June; New York Times, 7/5/92; CAA News, 7&8/92; The Princeton Packet, 7/24/92; Journal of the Rutgers University Libraries, 1992 -Gifts: Jersey City Museum -Photos: Book party at Ann Sperry’s apartment-Cornell Capa, Doris Friedensohn, Claire Heimarck; University of Massachusetts, OHFF work on wall; OHFF photographs by Sid Feshbach (OHFF’s second husband); photos of Lucy Rosenfeld and Claire Heimarck and OHFF.

26 1993: -Book: Parallels: Artists/Poets. By Oriole Farb Feshbach, Claire Heimarck; Lucy Rosenfeld. New York: Midmarch Arts Press, 1993. Copy of title page only. Statement by Lucy Rosenfeld. See Also: Series 15: Parallels: Artists/Poets -Exhibitions: “Parallels: Artists/Poets,” Gotham Book Mat Gallery, New York City. “Parallels: Artists/Poets,” Newark Public Library. “Parallels: Artists/Poets,” Donnell Library Center, New York Public Library, New York City. Mother Tongue” panels. “Views by Women Artists,” Women’s Caucus for Art, New York City.“Realist Painting: People & Objects in Women’s Lives,” Marymount Manhattan College, New York City. -Events: “The Perfect Weekend,” Sarah Lawrence College, 5/30/93 -Correspondence: Fellowship application to New Jersey State Council on the Arts; Pat Lawrence; Margaret Hanni (Lamont Gallery); Nancy Boas; Ross Fox (Mead Art Museum); Judith Brodsky; Irene Borger; William Dane (Newark Public Library); Friends of the Jersey City Museum -Publicity: Feminist Bookstore News, 10/93; “Art Books,” Bucknell World, 1993 September (Gertrude Stein image); “Illuminations,” Bergen News, 3/31/93; Alumni Connection, University of Massachusetts, Amherst, 1993; “Poetic License,” Star Ledger, 4/16/93; The Massachusetts Review, 1993 summer (article, section, reproductions of artwork) -Photographs: Mother Tongue exhibit; Parallels.

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7 27 1994: -Exhibitions: “Parallels: Artists/Poets,” Sarah Lawrence College Library, Bronxville, N.Y.. “Parallels: Artists/Poets,” Amherst College Library, Amherst, Mass.; See Also: Series 20: Photographs: Exhibitions “Parallels: Artists/Poets,” The Interchurch Center, New York City -Correspondence: Carl Beltz (Rose Art Museum); Martina Norelli (Künstlerlexikon); Dotty Attie -Publicity/Articles: Virginia Woolf Miscellany, 1994 spring (“Homage to Virginia repro); Valley Advocate, 11/17/94 and 11/24/94 (color reproductions etc.); Amherst Bulletin, 11/11/94 (“Amherst” by Amy Clampitt) See Also: Series 15: Parallels: Artists/Poets.

29 1996: -Exhibitions: “Women Artists Series: 25th Year Retrospective: 25 Years of Feminism, 25 Years of Women’s Art,” Douglass Library, Rutgers University, New Brunswick, N.J.. “A Sesquicentennial Exhibition of Works of Art by Bucknell Alumni/ae,” Bucknell University, Lewisburg, Penn.. “Earth & Space,” Queens Museum of Art, New York 29 -Correspondence: Marilyn Kallet (Univ. of Tenn.); Susan Danly (Mead Art Museum); Cynthia Peltier (Bucknell); Seafood Leader magazine re: images of salmon; Audrey Flack (artist); Robert von Mehren (Practicing Law Institute re: commission portrait).

30 1997: -Exhibitions:“Language as Object,” Mead Art Museum, Amherst College, Amherst, Mass.“Family Images,” Smith College Museum of Art, Northampton, Mass. -Correspondence: Patricia Everett; Smith College Museum of Art staff; Burleigh Mutén (re: Return of the Goddess 1999 publication permission); Susan Danly (Mead Art Museum); Caryl Pines Curry (Birth Wathen school friend) -Photo: A.R.T., Inc., Reunion group dinner: John Roy; Hanlyn Davies; Norman Newell, Dale Schlaeppi; Ron Michaud, OHFF; Hiroshi Murata missing. A.R.T., Inc. Collection at University of Massachusetts Library: http://scua.library.umass.edu/umarmot/artists-research-technology-inc/

31 1998: -Exhibitions: “Family Images,” Smith College Museum of Art, Northampton, Mass.“The Poetry of Painting,” Michelson Galleries, Amherst, Mass. All documentation including price lists, publicity. See Also: Series 20: Photographs: Exhibitions -Correspondence: Family members flower card; Helen Tworkov (Tricycle); Christin Couture (artist, writer) -Photos: OHFF (black & white); “The Poetry of Painting,” Michelson Galleries opening (with Grace Glueck, artist).

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8 32 1999: -Poetry Group Trip: itinerary notes on trip taken from May 20 to June 8, 1999, France -Publicity: “Creative Spirit: Valley Artists Look to Religion for Inspiration,” by Christine Benvenuto, Hampshire Life, March 26-April 1, 1999 -Photo: OHFF

33 2000: -Exhibitions:“Demonstrosity,” Tuft University Gallery, Medford, Mass. See Also: Series 20: Photographs: Exhibitions. “Mandala Exhibition,” The Discovery Museum, Bridgeport, Conn.. See Also: Series 20: Photographs: Exhibitions. “Menopause, Second Spring,” Amherst Cultural Council Grant -Images Published: “Starfish Reversing Heaven,” cover of The Massachusetts Review, v.XLII, no. 1; “The Eyes of James Joyce,” cover for Those Jehovial Oyeglances!, keepsake for the James Joyce Society. -Correspondence: Gillian Nagler (Currier Gallery of Art); Batia Charpak; Jolene de Verges (Worcester Art Museum re: gift of Parallels); Clifford Ackley (Museum of Fine Arts Boston); Beverly Bajek (WCA); Dan Monroe; Nina Nielson; Michelson Galleries; Jessica Roscio (National Museum of Women in the 33 Arts); Joseph Jacobs (Newark Museum); Alona Horn (re: project not funded); Becky Morrison (New Jersey State Museum); Roberta Olson (Wheaton); Jay Pasachoff; Derek Walcott; Clark Institute Library.

34 2000-2001: Exhibition: “Cosmic Connections,” Springfield Science Museum, Springfield, Mass., part of the “Hubble Space Telescope: New Views of the Universe” exhibition, November 18, 2000 to January 28, 2001. All documentation: photos, slides of work; publicity; loan agreements; correspondence.

35 2001: -Exhibitions:“Poetry & Painting East & West,” Taber Art Gallery, Holyoke Community College, Holyoke, Mass.. See separate folder.“Menopause, Second Spring,” Jones Library, Amherst, Mass. See Also: Series 20: Photographs: Exhibitions. “Mother Tongue,” Central Gallery, University of Massachusetts, Amherst, Mass.; See Also: Series 12: Projects. “Group Show,” Michelson Galleries, Amherst, Mass.. “Poetry & Painting East & West,” Fitchburg Art Museum, Fitchburg, Mass.. See separate folder.“”Rapid Response,” Hampden Gallery, University of Massachusetts, Amherst, Mass.; See Also: Series 20: Photographs: Exhibitions: “Living With the River,” Canal Gallery, Holyoke, Mass. -Correspondence: Anja Chávez (Fitchburg Art Museum); The Drawing Center (New York City); Printed Matter, Inc. (sold Vanitas); Ann Gross -Gift: “Starr Crossed” to University Gallery, University of Massachusetts, Amherst, Mass.

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8 36 2001: “Poetry & Painting East & West,” Fitchburg Art Museum, Fitchburg, Mass.. February 16 – May 27, 2001. All documentation, lists, agreements, price lists, photos of exhibits, talks, events, correspondence, slides, publicity. See Also: Series 20: Photographs: Exhibitions.

37 2001: “Poetry & Painting East & West,” Taber Art Gallery, Holyoke Community College, Holyoke, Mass.. October 10-November 12, 2001 All documentation, lists, agreements, price lists, photos of exhibits, talks, events, correspondence, slides, publicity. See Also: Series 20: Photographs: Exhibitions.

38 2002: -Exhibitions: “Omens In Nature,” Hampden Gallery, University of Massachusetts, Amherst, Mass.. See separate folder.“Artists for Animals 2,” Leverett Crafts and Arts Center, Leverett, Mass.. “Mother Tongue,” Center Gallery, University of Massachusetts, Amherst, Mass. -Correspondence: Delirium Press (re: “Eel and Storm” broadside with poet Jan Conn); Willard Spiegelman (re: Amy Clampitt); Schlesinger Library (re: donation of Parallels archives); William Stover (Museum of Fine Arts Boston); Douglas 38 Hyland (New Britain Museum of American Art); Richard Milstein; Stephanie Tablich; Nina Bander; K. McKell; Linda Upton; Ann La Prade; Honoré David; Faythe Turner; Janice Rebecca Gabreil (artist; fellow M.F.A. student); Janet Soyer; Jeanette Cole; Mary Bernstein; Nancy Murata; Sandy Rose; Ronnie Copeland; Cynthia Naveratta; S & C Harbison; Ann Ray Martin; Hiroshi Murata (artist and A.R.T., Inc. member); Tricia Everett; Ann Jones; Nina Bander (artist); Faye Wolfe; Ron Michaud; Elizabeth Pols; Christine Benvenuto; Bill Rohen (artist); Sid Feshbach (OHFF’s second husband re: Vivienne’s comment); Christin Couture (artist and writer); Jules and Anne Chametzky (aka poet Anne Halley); John Flint; Phillis Levin. -Artist statements: For “Miriam Star of the Sea,” (granddaughter); dedication to John Roy; “Drifting Arctic Rainbow” -Photos: OHFF at Michelson Galleries; OHFF in Amherst; Mother Tongue exhibition at Center Gallery, University of Massachusetts, Amherst, Mass.

39 2002: “Omens in Nature,” Hampden Gallery, University of Massachusetts, Amherst, Mass.. September 8-October 6, 2002. dedication to John Roy (OTFF’s teacher at UMass M.F.A. program). All documentation, poetry book, guest book, statement, price lists, correspondence, slides, publicity. See Also: Series 20: Photographs: Exhibitions.

40 2002: -Exhibitions: “Omens In Nature,” Hampden Gallery, University of Massachusetts, Amherst, Mass.. See separate folder. “Artists for Animals 2,” Leverett Crafts and Arts Center, Leverett, Mass.“Mother Tongue,” Center Gallery, University of Massachusetts, Amherst, Mass.

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-Correspondence: Delirium Press (re: “Eel and Storm” broadside with poet Jan Conn); Willard Spiegelman (re: Amy Clampitt); Schlesinger Library (re: donation of Parallels archives); William Stover (Museum of Fine Arts Boston); Douglas Hyland (New Britain Museum of American Art); Richard Milstein; Stephanie Tablich; Nina Bander; K. McKell; Linda Upton; Ann La Prade; Honoré David; Faythe Turner; Janice Rebecca Gabreil (artist; fellow M.F.A. student); Janet Soyer; Jeanette Cole; Mary Bernstein; Nancy Murata; Sandy Rose; Ronnie Copeland; Cynthia Naveratta; S & C Harbison; Ann Ray Martin; Hiroshi Murata (artist and A.R.T., Inc. member); Tricia Everett; Ann Jones; Nina Bander (artist); Faye Wolfe; Ron Michaud; Elizabeth Pols; Christine Benvenuto; Bill Rohen (artist); Sid Feshbach (OHFF’s second husband re: Vivienne’s comment); Christin Couture (artist and writer); Jules and Anne Chametzky (aka poet Anne Halley); John Flint; Phillis Levin. -Artist statements: For “Miriam Star of the Sea,” (granddaughter); dedication to John Roy; “Drifting Arctic Rainbow” -Photos: OHFF at Michelson Galleries; OHFF in Amherst; Mother Tongue exhibition at Center Gallery, University of Massachusetts, Amherst, Mass. 8 41 2004: -Exhibitions: “Postcards from Amherst,” AASU Fine Arts Gallery, Savannah, Georgia. “Recent Gifts and Acquisitions,” University Gallery, University of Massachusetts, Amherst; See Also: Series 20: Photographs: Exhibitions. “Pioneer Valley Galleries Collaborative Holiday Exhibit,” Northampton, Mass.. “Artists for Animals 4,” Leverett Crafts and Arts Center, Leverett, Mass.. “Small Works,” APE Gallery, Northampton, Mass. -Memorial: Print for Anne Halley’s (aka Chametzky) memorial service -Correspondence: Sandra Rose; Honoré David; Roger Hankins (Cantor Gallery, Holy Cross); Elizabeth Pols (UMass Amherst magazine) Margo Visusi?; William Baczek (gallery owner); Norman Kleeblatt (Jewish Museum, New York City); Sally Davis (Sarah Lawrence College); Joan Rosenbaum? Some letters on list not found, 2015 November 17/DD.

9 42 2005: -“Exhibitions: “Poetry & Painting East & West,” Hosmer Gallery, Forbes Library, Northampton, Mass.; See separate folder. “The Mystery of Renewal,” Northampton Center for the Arts, Northampton, Mass.. “Friends of the Freedman Gallery,” Albright College, Reading, Penn. -Poem: By Jan Conn, “Comma Comma She Said,” dedicated to OHFF and Terry Allen -Resume: 2005 -Correspondence: James Welu (Worcester Art Museum); Janice Rebecca Gabreil (artist; fellow M.F.A. student); Suzannah Fabing; Sunne Savage (gallery owner); Terry Rooney; Peter Stansky (historian); Jan Conn (poet; bill of sale); Nick Capasso (DeCordova Museum); Esther Park; Friends of the Freedman Gallery;

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Bonnie Clearwater; Ruth Bowman; Virginie Stern; Judith Barter (Art Institute of Chicago); Alan Garber (former student).

9 43 2005: “Poetry & Painting East & West,” Hosmer Gallery, Forbes Library, Northampton, Mass. June 2005. All documentation, poetry book, guest book, statements, price lists, correspondence, slides, publicity. See Also: Series 20: Photographs: Exhibitions.

44 2006: -Exhibitions:“Solar Refractions: Auroras and Rainbows,” Michelson Galleries, Northampton, Mass.; See Also: Series 20: Photographs: Exhibitions “Collabor8,” Nacul Center, Amherst, Mass. for a Amherst College course “Parnassus Poetry in Review,” Heidi Cho Gallery, New York City “Mother Tongue,” Jamaica Center for Art and Learning, Jamaica, New York -Correspondence: Scott Nichel (Curator “Collabor8”); Jane Tabuman (Amherst College); Ann Ray Martin; Trinkett Clark (Mead Art Museum); Mary Ryan (gallery owner); Pat Falk; Patricia Mitchell (Brattleboro Museum); M & H Hahn; Frima Fox Hofrichter; Linda Muehlig (Smith College Art Museum); Britta Konau (National Museum of Women in the Arts). 44 -Photos: “Solar Refractions: Auroras and Rainbows,” Michelson Galleries; “Collabor8,” Nacul Center.

45 2007: -Exhibitions: “Self-Reflection,” Hosmer Gallery, Forbes Library, Northampton, Mass.. “Women’s Work: Homage To Feminist Art,” Tabla Rasa Gallery, Brooklyn, N.Y.; See Also: Series 20: Photographs: Exhibitions “Little Women,” Nashawannuck Gallery, Easthampton, Mass. -Resume: 2007 -Publicity: Stages, remembrance with picture of Doris Abramson in front of an OHFF work; mention of OHFF in a letter by Jules Chametzky re: Massachusetts Review -Correspondence: Jane Maas (French House housemate, Bucknell University); Susan Sollins; Liam Silverstein; Jane Lund; Rich Michelson (gallery owner, writer); Linda Meuhlig; Nicholas Valhouli; June Kelly (gallery owner) -Photo: Patricia Holland Barber with her portrait by OHFF See Also: Series 20: Photographs: Artwork See Also: Series 21: Photographs: Models

46 2008: -Book: Luminations images by Oriole Farb Feshbach for the poem “The Auroras of Autumn” by Wallace Stevens. “Foreword” by Paul Mariani. “Introduction” by Matica Sawin. Published by Midmarch Arts Press, 2008. Book not in this folder. See Also: Series 16: Luminations

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-Events: Book publication at home of Grace Glueck, New York City, 11/6/2008; Amherst Books, Amherst, Mass., 10/2/2008; Michelson Galleries, Northampton, Mass., 9/20/2008 -Exhibitions:“The Auroras of Autumn,” (to celebrate publication of Luminations), Michelson Galleries, Northampton, Mass.; See Also: Series 20: Photographs: Exhibitions; See Also: Series 16: Luminations. “Artists for Animals,” Leverett Crafts and Arts Center, Leverett, Mass.“small works by Big Talent(ed) Women,” Grubbs Gallery, Williston Northampton School, Easthampton, Mass. “Independent Visions/Feminist Perspectives,” Baruch College, New York City -Resumes: two for 2008 -Correspondence: Stadler Center for Poetry (Bucknell University); Randy Meiklejohn (student, architect); Ann Roiphe; Barbara Kleiper Leventer (Bucknell roommate); Michael Rush (Brandeis); Linda Muehlig (Smith College Art Museum); Cynthia Navaretta (Midmarch Arts Press); Will Wilkins -Publicity: Preview, Oct. 2008; Bucknell Magazine, 2008 fall (book review); WGBY radio interview; WGBY Book Fair; Barnes & Noble bookstores; The Wallace Stevens Journal, 2008 fall.

9 47 2009: -Exhibitions:“The Massachusetts Review-50 Years of Covers,” Fine Arts Center, University of Massachusetts, Amherst, Mass. “Pioneer Women,” Tabla. Rasa Gallery, Brooklyn, N.Y. “Echoes: Portraits of the Female Spirit,” D’Amour Museum of Fine Arts, Springfield, Mass.; See separate folder for exhibition. See Also: Series 20: Photographs: Exhibitions -Correspondence: Michelson Galleries; Randall Griffey (Mead Art Museum); Susan Sollins; David Martin (Bucknell); Tatyana Goldwyn (art dealer for triple portrait of Upton children) -Publicity: American Book Review, 1 & 2 2009; Parnassus, 8/09 -Gifts: Kerry and Frank Katch, print of son portrait; Women Artists Series, Rutgers, Auction; Mead Art Museum, Parallels images; Margaret Fox; Amy Zuckerman.

48 2009: “Echoes: Portraits of the Female Spirit,” D’Amour Museum of Fine Arts, Springfield, Mass.. All documentation, agreements, guest book, statements, lists, correspondence, slides, publicity. See Also: Series 20: Photographs: Exhibitions.

10 49 2010: -Exhibitions:“Write a Painting, Paint a Poem.” Grubbs Gallery, Williston Northampton School, Easthampton, Mass.. See separate folder “Amherst Biennial Exhibition,” Amherst Town Hall and Hope & Feathers Gallery, Amherst, Mass.; preparation; exhibited 2012; See Also: Series 20: Photographs: Exhibitions. “Pioneer Women,” Paper City Project Space, Holyoke, Mass.“Wish You Were Here 9,” A.I.R. Gallery, New York City

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-Event: Celebration of the 8oth year of the Master Institute building (103rd and Riverside Drive, New York City); OHFF statement, publicity and photos -Correspondence: Susan Sollins; Bart Eeckhout (Wallace Stevens Journal); Brandon Fortune (National Portrait Gallery); Craig Harbison (UMass); Joel Halpern (UMass); John Varriano (Mount Holyoke); Bjorn Muten; Charling (Sha) Fagan (Sarah Lawrence College); Justin Griswold (UMass); Randall Griffey and others (Mead Art Museum); Michelson Galleries -Other: materials re: starting a website; lecture information.

10 50 2010: “Write a Painting, Paint a Poem.” Grubbs Gallery, Williston Northampton School, Easthampton, Mass. All documentation, statements, correspondence, publicity, lists, photographs. See Also: Series 20: Photographs: Exhibitions.

51 2011: -Exhibitions:“Pioneer Women,” Jasper Rand Art Museum, Westfield, Mass.. “A Novel Idea,” Hampden Gallery, University of Massachusetts, Amherst, Mass.; includes photos. “Music Visualized,” Gallery A3, Amherst, Massachusetts -Virtual Exhibitions: “The Pioneer Women of Amherst College 1962-83,” for Amherst College, Amherst, Mass.; preparation; online 2012 “40 Years of Women Artists at Douglass Library,” for Rutgers University, New Brunswick, N.J.; online 2012 -Events: Symposium, “Half a Century of Women Teaching at Amherst: Gender Matters,” Amherst College, Amherst, Mass.; OHFF taught Art, 1977-78 -Correspondence: The Massachusetts Review, various related to art work and editing, Jerome Liebling and Jim Hicks; John Varriano (Mount Holyoke); Judith Stein (poet); Craig Harbison (UMass); Barbara Haskell (Whitney Museum); Judith Barter (Art Institute of Chicago); Nancy Kuhl (Yale); Michelson Galleries; Randall Griffey (Mead Art Museum) -Gifts of Artwork: “Farb Family Portrait,” Audrey Flack’s portrait of OHFF’s family to Rose Art Museum, Brandeis University Vanitas Self-Portrait, oil and related drawing, prints, collages and other materials; to Smith College Museum of Art, Northampton, Mass.; See Also: Series 13: Vanitas Self-Portrait Book; “Comet # 1” and other work related to H. D. Thoreau, to the Thoreau Institute, Lincoln, Mass.

52 2012: -Exhibitions:“Amherst Biennial Exhibition,” Amherst Town Hall and Hope & Feathers Gallery, Amherst, Mass.; OHFF work on cover of catalogue; See Also: Series 20: Photographs: Exhibitions. “40 Years of Women Artists at Douglass Library,” for Rutgers University, New Brunswick, N.J.; online 2012 -Models and other artwork: Artist statements, write up about collages with models, who is who and how OHFF photographed them and created the works; See Also: Series 21: Photographs: Models

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-Daniel Farb Invention: images and email exchanges about it -Correspondence: Poets House, New York City; Jane Taubman (Amherst College); exchanges about H.D. (Hilda Doolittle) poetry for OHFF work on her “Trilogy”; Terry Rooney re: “Amherst Biennial Exhibition” -Resume: 2012 -Gifts: Mead Art Museum (Randall Griffey, Elizabeth Barker); New Britain Museum of American Art (Douglas Hyland); Smith College Museum of Art (Linda Muehlig and others; includes exchanges about artist Will Barnet, OHFF’s teacher; Vanitas Self-Portrait photo) -Photos: “Amherst Biennial Exhibition” of installation in Frost Library, Amherst College and OHFF with Terry Rooney, organizer.

10 53 2013: -Exhibitions: “Oriole Farb Feshbach: H.D.’s Trilogy, Michelson Galleries, Northampton, Mass.; includes a few photos; See Also: Series 20: Photographs: Exhibitions. “Write a Painting, Paint a Poem.” Hall Gallery, Jewish Community of Amherst, Amherst, Mass.; includes publicity, radio program notes, guest book; See Also: Series 20: Photographs: Exhibitions -Correspondence: Michelson Galleries (Paul Gulla and others re: H.D. Trilogy); Daniel Soyer; Cynthia Navaretta; (Midmarch Arts Press publisher); Sally Yarde (model); Stanley Moss (poet, publisher); Herb Leibowitz (Parnassus publisher); Randall Griffey (Metropolitan Museum of Art); Judith Stein (poet, feminist); Linda Muehlig (Smith College Art Museum); Carl Beltz (Rose Art Museum Director Emeritus); Alison Aune (used OHFF’s work in teaching her art history classes); Mitt Ehrlich (son was OHFF’s student now an artist); Dr. Rich Rosen (son a model); Leah Gans (OHFF’s student); Hugh Davies; Connie Hamilton; Sarah Lawrence College alumnae notes -Gifts: Mead Art Museum (Elizabeth Barker) -Photos: OHFF’s work in the “Just In” display, Mead Art Museum.

54 2014: -Exhibitions: -Paper: “Sheer Heaven” by Zoe Dobuler, OHFF’s grand-niece, about OHFF’s life and connection to The Master Institute and the Riverside Museum -Artist Statement: for Vanitas Self-Portrait for Smith College Art Museum (to Linda Muehlig) -Correspondence: Karen Kukil (Mortimer Rare Book Room, Smith College); Jane Mass (OHFF’s Bucknell classmate re: Harry Garvin and Doris Martin OHFF’s former professors); Deb Gorlin (The Massachusetts Review); Janice Rebecca Gabreil (fellow MFA student); Randall Griffey (Metropolitan Museum of Art); Stanley Moss (poet, publisher); Elizabeth Barker (Mead Art Museum); Peter Blaxill (poet, high school classmate); Megan DeMott Quigley (model); Ron Michaud (A.R.T., Inc. group); Robert Gottlieb; Cynthia Navaretta (Midmarch Arts Press); John Brzostoski; Bucknell Magazine 2014 summer (re: write up)

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-Gifts: “Fly Me to the Moon,” to new Amherst neighbors Claudia and David (thank you note).

10 55 2015: Expect yearly additions from OTFF

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SERIES III. Professional

11 1 Articles About OHFF’s life and work as an artist 1978, 1980, 2002, 2014, 2015

2 Artist Notebook, spiral-bound book. OHFF’s sketches for works; ideas; notes; poems; articles; research; with other items tucked in 1999-2006.

3 Artwork Documentation Notebook. Copy of a notebook containing lists of every work OHFF created including the media, dimensions, date, and disposition of the artwork. 1972 to date.

4 Artist Statements. For exhibitions, artwork, process work and more 1978-2012.

5 Bibliographies. Lists of works by OHFF including press reviews, articles, catalogues and acknowledgments. Some printed from website: http://oriole-art.com on 2015 Nov 15. 1984, 2005, 2015. See Also: Series 8: Scrapbooks. See Also: Series 9: Bibliography/Printed Material.

6 Curriculum Vitaes, 1981-2014. OHFF Vitaes over the years. Some printed from website: http://oriole-art.com on 2015 Nov 15.

7 Exhibitions: Documentation of OHFF’s exhibitions; 1975 to date in 3 folders At least one item from each exhibition OHFF curated or participated Posters; announcements; publicity. Folder 1 of 3; 1975-1979 See Also: Series 2: Yearly Files. See Also: Series 8: Scrapbooks See Also: Series 9: Bibliography/Printed Material See Also: Series 12: Projects. See Also: Series 15: Parallels: Artists/Poets See Also: Series 20: Photographs: Exhibitions.

12 8 Exhibitions: Documentation of OHFF’s exhibitions; 1975 to date in 3 folders At least one item from each exhibition OHFF curated or participated Posters; announcements; publicity. Folder 2 of 3; 1980-1999. See Also: above at Folder 1 of 3. Note: Missing: “Family Image” (Smith College, Northampton, Mass., 1997); “Mother Tongue” (Webster University, St. Louis, Mo., 1998); “Image and Verse” (UnPlace Gallery, Cambridge, Mass., 1998)

9 Exhibitions: Documentation of OHFF’s exhibitions; 1975 to date in 3 folders At least one item from each exhibition OHFF curated or participated. Posters; announcements; publicity. Folder 3 of 3; 2000 to date. See Also: above at Folder 1 of 3

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12 10 Exhibitions: “Pioneer Women Exhibition,” Westfield Athenaeum. Publicity; invitations; contract. 2011

11 “Gender Matters: Half a Century of Women Teaching at Amherst,” celebration and website exhibition, “The Pioneer Women of Amherst College 1962-1983” 2011. OHFF is honored for teaching Art, 1977-1978

12 Grant application statements, background and professional information: including National Endowment for the Arts (1979-1980, 1983, 1989-1990) and the Thanks Be to Grandmother Foundation (1993). 1979-1993, with gaps

13 Gifts: Correspondence re: gifts to museums and individuals. Includes: Mead Art Museum, Amherst College; Museum of Fine Arts, Boston; Smith College Art Museum, Northampton, Mass.; Michael Benedict, for pastel of his cat “Alice” 1977-1979. See Also: Series 2: Yearly Files. See Also: Gifts, Grants, Sales- 1982-1994; and Mary Ryan Gallery, 1982-1998 folders in this series.

14 Gifts, Grants, Sales. Correspondence; receipts; appraisals; and documentation related to gifts to individuals and institutions; grants and sale of artwork. 1982- 1994. See Also: Series 2: Yearly Files. See Also: Gifts, 1977-1979; and Mary Ryan Gallery, 1982-1998 folders in this series

15 Mary Ryan Gallery, represented OHFF and her artwork. Sales receipts; correspondence—Mary Ryan notes to OHFF and OHFF notes; notes from others; OHFF artist statements; gallery releases; notes to the gallery; Who’s Who In Portraits. 1982-1998, with gaps. See Also: Series 2: Yearly Files. See Also: Gifts, Grants, Sales-1982-1994 folders in this series.

16 Poets House, New York City including correspondence re: possible exhibition and donation of painting. 2003-2005

17 Reproduction Permissions. For images used in lithographs and photo collages 1977-1986

18 Support Groups. Articles about and photographs of women in OHFF’s feminist support groups; recollections of feminism, art, and women. “Feminism and Related Women’s Work,” 2015 Feb 13. “Feminism 2: Connections from the Past Forward,” 2015 Mar 1. “Audrey Flack,” 2015 Oct 11. 1970s-1990s, 2015

19 “Who’s Who in My Prints” OHFF list of people in her print and photo collages c. 1980’s-1990s, 2012. See Also: Series 18: Photographs: Artwork. See Also: Series 21: Photographs: Models

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12 20 Who’s Who Listings for OHFF and the German Kuestlerlexikon, 1970/71 to date

21 Women’s Caucus for Art. “How A Concern With Time and Motion Results in New Forms” Lecture notes; announcements; correspondence. 1978

22 Women’s Caucus for Art Participation. “View By women Artists,” New York City, 1982. “Offset Printing Technology” panel, Los Angeles, 1985. Photography exhibition, San Francisco, 1989. Entered “Featured Artist” competition, 2012 1982, 1985, 1989, 2012

13 23 Master Institute and Riverside Museum: “Living and working in the Master Building”. Recollections by OHFF. 2015 Dec 15.

24 Master Institute: General. Miscellaneous material 200?, 2015

25 Master Institute 75th Anniversary. Talk by OHFF about her memories of the Master Institute on the occasion of the 75th Anniversary. 2005 January.

26 “A Remarkable Man, A Remarkable Life” Paper about Master Institute founder, Louis Horch, OHFF’s father, by Andreas Valhouli-Farb, OHFF’s grandson. Includes OHFF’s corrections from 2015. 2006. See also: Series 1 Personal: Education, Family and Travel.

27 Riverside Museum. Documentation of OHFF’s work at and then as director of the Riverside Museum. Includes: exhibitions; publicity; commentary; and interviews including articles after the 1971 closing. 1952-1981, with gaps. Folder 1 of 3 See Also: Series 2: Yearly Files See Also: Series 9: Bibliography/Printed Material

28 Riverside Museum. Documentation of OHFF’s work as director of the Master Institute and Riverside Museum. Includes: correspondence to and from OHFF; Riverside Museum publicity; documentation of the gift of the Riverside Museum collection to the Rose Museum, Brandeis University in 1971; materials about the Riverside Museum and Master Institute closing and after; OHFF talk abut the Master Institute at the 75th Anniversary, 2005. 1959-2005, with gaps. Folder 2 of 3. See Also: Series 2: Yearly Files. See Also: Series 9: Bibliography/Printed Material.

29 Riverside Museum. Publicity for activities and events at the Master Institute and Riverside Museum. Includes: flyers; articles; newsletters, copies of correspondence most related to OHFF work as Director of the Master Institute

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and Riverside Museum. 1963-1976, 2005. Folder 3 of 3. See Also: Series 2: Yearly Files. See Also: Series 9: Bibliography/Printed Material.

13 30 “Sheer Heaven” Paper about the history of the Master Institute and OHFF’s life and work there by Zoe Dobuler, OHFF’s grand-niece. 2014.

31 Tibetan Art from the Riverside Museum. Documentation related to the Riverside Museum’s significant collection of Tibetan Art. Includes: information re: publicity about Tibetan Art collection, 1961,1964,1968; exhibition of the Tibetan Art at Rose Museum, Brandeis University, 1972, after the collection was given as a gift; OHFF’s plan for the 1972 Rose Museum exhibition; correspondence with Brandeis; 1977 exhibition of the Tibetan Art at Smith college Art Museum; photographs of OHFF and the Dalai Lama at the transfer of the Tibetan Art Collection from the Riverside Museum, through the Rose Museum at Brandeis University to its final home at Tibet House in New York City, 2004. 1961, 1964, 1968, 1971-1973, 1977-1978, 2004, 2007.

32 Tibetan Art from the Riverside Museum. Layout, plans and labels for the “Tibetan Buddhist Art Exhibition of the Riverside Museum Collection” at the Rose Museum, Brandeis University. OHFF curator1971.

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SERIES IV: Teaching and Teaching Tools

14 1 “Teaching: My Background, The University of Massachusetts-Amherst and Amherst College,” recollections by OHFF, 2015.

2 Teaching Positions; 1975-1981. Applications; letters of recommendation; course proposal forms; miscellaneous.

3 Course Descriptions and Proposals: 1970s. Drawing design studies; teaching notes; reading lists; course preparations.

4 Student Attendance Book; 1976-2001, with gaps for courses taught at University of Massachusetts, Amherst; Amherst College and UMass Continuing Education.

5 Elderhostel; 1978. “Exploring the Elements of Design and Composition” Art proposal; lesson plan; reading list; projects; supplies; notes.

6 Student Evaluations; 1975 fall-1977 spring. For the University of Massachusetts, Amherst courses.

7 Student Evaluations; 1978. “Scrutiny” the Amherst College student evaluation publication.

8 Student Evaluation; 1980-1981. For the University of Massachusetts, Amherst Continuing Education courses- Basic Drawing (1980 fall) and Portraiture (1981 spring).

9 Exhibition: “Transformations”; 1978 fall. Show of OHFF’s Amherst College students work in Fayerweather Gallery.

10 Exhibition: “Collabor8”; 1980. Student/faculty exhibition at the Nacul Center, Amherst, from an Amherst College collaborative art course. Invitation and curator statement.

11 Teaching Plans and Notebook; 1980. For Amherst College courses-Drawing and Studio Basic.

12 Teaching Notebook; 1981 spring. For University of Massachusetts Continuing Education course-Portraiture.

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14 13 Teaching Lecture; 1981. “Process of Printmaking and Collage and Use of Paintings”-slides.

14 Women Artists: slides; n.d. Slides of women artists used for teaching lectures and the Women’s Caucus for Art presentations. See Also: Yearly Files, 1978 for College Art Association and Women’s Caucus for Art.

15 Color Samples Used for Classes; [1970s], n.d.Color swatches; articles; notes, diagrams.

16 Line, Shape, Color Samples Used for Classes; [1970s], n.d. Printed material; postcards of artist’s work; OHFF original artwork and notes used to teach “What is drawing?” and answer the question “Why use in???”

17 Photorealism; [1970s], n.d. Graphs; cut outs; photographs; partial drawings used to teach how to copy photographs

18 Transformation: [1970s], n.d. Advertisements; postcards of art objects; printed material; OHFF notes used to illustrate the concept of transformation in art.

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SERIES V: Correspondence

15 1 Correspondence-General. Letters to OHFF including praise for exhibitions; acknowledgement of gifts; letters about artwork and more. Includes one from poet Archibald MacLeish, 1980. Bowman, Ruth; Brown, Bruce and Marian; Brown, Jane; Bruss, Liz; Cushman, Sandy (OHFF former Amherst College student); Cope, Jane; DelBanco, Nick and Ellen; Easland, Stella; Kirwin, Chandler; MacLeish, Archibald; Minton, Barbara; Pines, Roger (OHFF former Amherst College student); Plimpton, Herbert; Rabkin, Leo; Rainford, Sheila; Schecter, Laura; Steinhardt, Arnold; Udall, Leo 1969, 1978, 1980-1981, n.d.

2 Bayer, Joella and Herbert. Correspondence with the Bayers, photographs and slides related to the double oil portrait; correspondence with art museums trying to place the portrait; correspondence with the Denver Art Museum re: gift of portrait to the museum by OHFF’s son, Thomas Farb, 2004, 1968-2004, with gaps.

3 Capa, Cornell (Photographer). Correspondence re: the inception and creation of The International Center of Photography, New York City. Also included Fund For Concerned Photography material. 1967-1975, with gaps.

4 Glueck, Grace (Art Critic and Culture editor for The New York Times) Correspondence; photographs; articles; and miscellaneous materials re: exhibitions and more. Also Milt Freudenheim material. Includes: “Feminism 2: Connections from the Past Forward,” 2015 Mar 1, OHFF’s recollections on important woman in her life. 1967-2015, with gaps.

5 Haines, John (Poet). Correspondence; articles about Haines; poems; photographs; an inscribed volume of poetry Meditation on a Skull Carved in Crystal OHFF used Haines’ poem “Doors that Open” and “Meditation on a Skull Carved in Crystal” for 2002 and 2003 works and exhibitions.

6 Kunitz, Stanley (poet). Materials and photographs to, from and about Stanley Kunitz. Includes: caption for OHFF’s oil portrait of Kunitz in the Worcester Museum of Art, Worcester, Mass.; Kunitz blurb for OHFF Illuminations book for William Carlos Williams poetry; photographs of Kunitz in his garden on Cape Cod, 1991; photographs of OHFF with the Kunitz portrait; photographs of Kunitz by Peter Farb (photographer and OHFF’s first husband); images of OHFF “Passing Through” inspired by Kunitz poem “Halley’s Comet;” correspondence re: gift of portrait to the Worcester Museum of Art by OHFF’s mother Nettie Horch, 1987; correspondence with Kunitz. 1980-1991, with gaps

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See Also: Artwork for OHFF’s pencil sketch of wife, poet and artist Elise Asher, 1976. See Also: Artists: Elise Asher . Folder 1 of 2.

15 7 Kunitz, Stanley (poet). Printed articles; poems; and memorials; all by, about, and inspired by Kunitz. 1971-2009, with gaps. Folder 2 of 2

8 Leibowitz, Herbert and Parnassus: Poetry in Review. Correspondence. 1991- 2011, with gaps.

16 9 Navaretta, Cynthia (Publisher, Midmarch Arts Press). Postcard notes. Published Parallels: Artists/Poets. 1993-1995, n.d.

10 Parrish, Graydon. Correspondence. 2003-2008, with gaps.

11 Stansky, Peter. Correspondence; articles; photographs; memorial book of poems The Heart Unguarded” by William Abrahams with an introduction by Stansky, 2000. Stansky portrait by OHFF at Stanford University1948-2014, with gaps.

12 Wolff, Sara Starr (psychologist and educator). Correspondence; notes; obituary; and Wolff’s book Vital Aging. OHFF met Sara on her Adventure Trails trip across America in 1947 when she was 15. “Feminism and Related Women’s Work,” 2015 Feb 13, OHFF’s recollections about important women in her life 1981-2015, with gaps.

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SERIES VI: Poets

17 1 Adler, Lucille, poet. Poems and photograph. n.d. Poem “In the Parish of Cristo Ray,” inspired artwork of same name by OHFF.

2 Abramson, Doris, poet and performer, and Dorothy Johnson. Includes note, poem and poetry reading (1997). 1976-2001, with gaps. Abramson was OHFF’s personal friend and co-editor of The Massachusetts Review.

3 Adams, Jeanette, poet. Poems and notes. 2013, n.d. Colleague of OHFF’s second husband Sid Feshbach at City College of New York. Poem “For Gwen, My Mentor, My Friend” is in Parallels: Artists/Poets. See Also: Parallels: Artists/Poets.

4 Adams, Leonie, poet. Poems, OHFF’s notes, and photograph of OHFF’s work and remembrances. n.d. Poem “Fragmentary Stars” inspired OHFF’s work “The Pleiades,” 1997. See Also: Artwork: “Fragmentary Stars” and “Seven Sisters.”

5 Atwood, Margaret, poet. Poems and OHFF’s notes. n.d.

6 Berke, Judith, poet. Poems, letters, OHFF’s notes, photographs, articles. 1991- 2004, n.d.. Poem “The Returner” in Parallels: Artists/Poets.Was a schoolmate at Birch Wathen School. See Also: Parallels: Artists/Poets. See Also: Artwork: “Pisces Water and Air,” for Berke’s poem “Two Fish on a Piece of Yellow Paper.”

7 Bishop, Elizabeth, poet. Poems, OHFF’s notes, photos of OHFF’s artwork. 1999, n.d. Poem “Invitation to Miss Marianne Moore” inspired four OHFF’s images in 1999.

8 Boyle, Kay, poet. Poems, OHFF’s notes, material related to the poet and process work, sketches and photographs of artwork. 1997, n.d. Poem “A Nightletter” inspired OHFF’s work “Monoceros” (The Unicorn), 1997.

9 Brooks, Gwendolyn, poet. Poems, articles about Brooks, photographs of OHFF’s artwork. 1992, n.d. “For Gwen, My Mentor, My Friend” by Jeannette Adam is in Parallels: Artists/Poets. Brooks’ poem “Sadie and Maude” is in Parallels: Artists/Poets. See Also: Parallels: Artists/Poets.

10 Clampitt, Amy, poet. Poems, articles about poet, OHFF’s notes, memorial service, photos with husband Harold Korn, marriage announcement. 1980s-1994,

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n.d. Clampitt was a friend and editor of OHFF’s first husband photographer Peter Farb’s books. Clampitt’s poem, “Amherst” is in Parallels: Artists/Poets. Clampitt wrote the “Introduction” to OHFF's book Illuminations. See Also: Parallels: Artists/Poets. See Also: Illuminations.

17 11 Conn, Jan, poet. Poems, correspondence, OHFF’s notes. 1980s-2004, n.d. with gaps. Friend and in OHFF’s Poetry Group.

12 Dickinson, Emily, poet. Modern copies of poems and keepsakes with OHFF’s notes, photograph of poet’s grave. n.d. OHFF considered illustrating her poems. OHFF created image (photo) for the “Mother Tongue” Project, 1993. See Also: Projects: Mother Tongue.

13 Dodge, Mabel, poet. Note from Tricia Everett with copy of “Change of Life” by Dodge. n.d.

14 Doolittle, Hilda (H.D.), poet. Poems with OHFF’s notes, photograph of “Cygnus.” 1997, n.d. Poem “Leda” inspired OHFF’s work “Cygnus.” OHFF’s current project inspired by H.D. poems. (Project papers expected.).

15 Dove, Rita, poet. Poems and criticism with OHFF’s notes; permission correspondence with publishers. 1995, n.d.

16 Gilbert, Julie, poet. Poems and note. 2009.

17 Greenbaum, Jessica, poet. Letters, photographs of work, permission letter, artist statement. 1997-2000. Poem “Conversation About Life, After Life,” inspired several OHFF’s works including: “My fingers fit the constellations;” “She stretched out against the sky;” “A lake reflecting the sky in endless conversation;” and “In endless conversation.”

18 Greenbaum, Jessica, poet. Letters, photographs of work, permission letter, artist statement. 1997-2000. Poem “Conversation About Life, After Life,” inspired several OHFF’s works including: “My fingers fit the constellations;” “She stretched out against the sky;” “A lake reflecting the sky in endless conversation;” and “In endless conversation.”

19 Inez, Colette, poet. Poems, announcements of works, notes and letters. 1992- 2011, n.d. with gaps. Poem “In Praise of Outlines” in Parallels: Artists/Poets. See Also: Parallels: Artists/Poets.

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20 Keyishian, Marge, poet. Poems, letter. 1991-2008, with gaps. Poem “Slow Runner” in Parallels: Artists/Poets. See Also: Parallels: Artists/Poets.

18 21 Moore, Marianne, poet. Copy of “Sea Mouse” with OHFF’s notes. n.d.

22 Niedecker, Lorine, poet. Poems, articles about poet, research and process work (notes, sketches, cutouts) for OHFF’s work “Subliminal,” permissions letter. 1995, n.d. “Subliminal” used in Parallels: Artists/Poets exhibitions but not in book. See Also: Artwork: “Subliminal.”

23 Noguere, Suzanne, poet. Letters with enclosures. 1996, 1998.

24 Ostriker, Alicia, poet. Poems, process work for OHFF pastel “Mother & Daughter.” 1995-1996, n.d. Poem “Moon and Earth: inspired OHFF’s work “Mother & Daughter,” 1995.

25 Plath, Sylvia, poet. Poems, photograph of OHFF’s work “The Moon and the Yew Tree,” inspired by Plath poetry. 1990s, n.d. OHFF’s work hangs in Poets House in New York City.

26 Rich, Adrienne, poet. Correspondence re: permission to use poems for exhibitions, poems, notes, information on Emily Carr and Rich poem, photographs of artwork, process sketches for “Darklight.” 1995-1998, n.d. Poem “Darklight” inspired OHFF’s work “Darklight.” Poem “Planetarium” inspired OHFF’s work “Eight Comets/Cassiopeia.” See Also: Artwork: “Darklight” and Cassiopeia/Caroline’s Custer”

27 Sarton, May, poet. Poems, articles about poet, celebration ceremony program, photograph of poet’s gravestone. 1995-1997, n.d. Poem “The Phoenix Again” inspired OHFF’s works “Phoenix: Constellation,” 1996 and “The Phoenix,” 1997.

28 Sexton, Anne, poet. Poem, “The Starry Night,” permission to exhibit poem from daughter. 1995, n.d. Poem: “The Starry Night” inspired OHFF’s watercolor work showing the constellation Draco.

29 Stein, Gertrude, writer. Research work, images of the writer; process work to create image for Mina Loy’s poem “Gertrude Stein” in Parallels: Artists/Poets. n.d. See Also: Parallels: Artists/Poets.

30 Weiner, Estha. Copy of poem “Flight Song.” n.d.

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18 31 Zarvin, Cynthia, poet. Poems, research and process material, photographs and negatives about white violets. Poems being considered for illustration. 1989, n.d.

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SERIES VII: Artists

19 1 Artists. Recollections by OHFF about women artists important in her life. 2015. “Feminism and Related Women’s Work,” 2015 Feb 13. “Feminism 2: Connections from the Past Forward,” 2015 Mar 1. “Audrey Flack,” 2015 Oct 11.

2 Asher, Elise: artist and poet; c. 1970s-2000, 2015 with gaps Correspondence and photographs and negatives; includes photos of OHFF’s artwork. OHFF friend. Wife of poet Stanley Kuntiz. Subject of OHFF’s pencil sketch 1976. Folder 1 of 3. See Also: Series 5: Correspondence: Stanley Kunitz See Also: Series 11: Artwork for pencil sketch of Asher. See Also: Series 18: Photographs: Artwork. See Also: Series 19: Photographs: Models.

3 Asher, Elise: artist and poet; c. 1970s-2000, with gaps. Holiday cards and Asher’s original artwork and collage prints; 10 items. Cards addressed to OHFF and first husband Peter Farb and OHFF and second husband Sid Feshbach. Folder 2 of 3.

4 Asher, Elise: artist and poet; c. 1970-2000, with gaps. This folder: 1952, 1977, 1992,1994, 2000. Volume including Asher poetry; catalogues of Asher’s artwork, some inscribed. Folder 3 of 3.

5 Becker, Jean Morrison: painter; 1978-2004, 2015 with gaps Correspondence and notes; memorial service and obituary; documents relating to her art; photographs of the artist and her art. “Feminism and Related Women’s Work,” recollections by OHFF includes Becker, 2015 Feb 13.

6 Caparn, Rhys: sculptor; 1977. Note and exhibition announcement. OHFF gave her a show at the Riverside Museum in the 1960s.

7 Flack, Audrey: artist; 1969-2000s, with gaps, 4 folders. Correspondence, notes, and articles shared. Includes: “Audrey Flack,” recollections by OHFF, 2015 Oct 11. This folder 1993-2001, 2015. Flack was a feminist artist. OHFF showed her at the Riverside Museum and purchased pieces. Folder 1 of 4. See Also: Series 18: Photographs: Artwork for “Bob Marcus and Audrey Flack” drawing by OHFF, 1976. See Also: Series 19: Photographs: Models.

8 Flack, Audrey: artist; 1969-2000s, with gaps. This folder: 1976-2000. Articles about Flack and her work. Folder 2 of 4.

9 Flack, Audrey: artist; 1969-2000s, with gaps. This folder: 1972-2012 Announcement of exhibitions; 1983 catalogue for Meisel Gallery; postcards of artwork. Folder 3 of 4.

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19 10 Flack, Audrey: artist, and the “Farb Family Portrait”; 1969-2008, with gaps This folder: 1969-2008. OHFF commissioned Flack to paint a portrait of the Farb Family (OHFF, first husband Peter Farb, sons Mark and Daniel) in 1969-1970. Includes: notes on the “Portrait”; photographs of the painting; contact sheets of photographs Flack took of the Farb family; publicity and publications and exhibition material related to the “Portrait”. Folder 4 of 4.

11 Gabriel, Janice Rebecca: painter; 1976-2011, with gaps. Correspondence; photographs; documents relating to her art. Art name: Rebecca Gabriel OHFF attended University of Massachusetts M.F.A. program with her.

20 12 Heimarck, Claire: artist; 1983, 1989, 2014, 2015, n.d. Postcards; notes; “Notes on Parallels Project” Co-artist for Parallels: Artists/Poets. See Also: Series 15: Parallels: Artists/Poets.

13 Krugman, Irene: artist; 1971, 1973,1980-1981. Letter; photographs of her work; documents relating to her artwork and exhibitions. Riverside Museum owned her work and exhibited her work.

14 Nemser, Cindy: Curator and art editor; 1971-2010, 2015 with gaps Correspondence; includes an 1977 letter to OHFF’s mother Nettie Horch about The Feminist Art Journal. Curator of “Women’s Work: Homage to Feminist Art” at Tabla Rosa Gallery, Brooklyn, 2007. Editor of “The Feminist Art Journal” Includes: “Feminism 2: Connections from the Past Forward,” recollections by OHFF, includes Nemser, 2015 Mar 1. See Also: Series 2: Yearly Files See Also: Series 8: Scrapbooks.

15 Rosenfeld, Lucy: artist; 1989-2014, with gaps. Postcards and notes. Co-artist for Parallels: Artists/Poets.

16 Sperry, Ann Samols: artist and sculptor; 1975-2011, 2015 Correspondence; postcards; photographs; memorial service; documents related to her art “Feminism and Related Women’s Work,” 2015 Feb 13 and “Feminism 2: Connections from the Past Forward,” 2015 Mar 1, recollections by OHFF, include Sperry. See Also: Series 18: Photographs: Artwork. See Also: Series 19: Photographs: Models.

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SERIES VIII: Scrapbooks

21 1 1962-1970 Includes: 1969 interview for Views on Art radio program; Director of the Riverside Museum documents: “Eyewitness: Czechoslovakia 1938- August 1968,” “The Riverside Museum Collection of Tibetan Art” (1962/1963), “Environments/Permutations” (1967), including the controversial garbage-stuffed Simca street sculpture by Tosun Bayrak, “Young American Indian Artists” (1965- 66), the pioneering USCO “be-in” “psychedelic art” exhibition (1966), and the annual West Side Artists exhibitions; presentations at the Birch Wathan school (1968) and Sarah Lawrence College ( 1968).

2 1972-1978 Includes: “Tibetan Art from the Riverside Museum Collection” at Brandeis University, Rose Art Museum, 1972; Portfolio, introduction by Jerome Leibling and OHFF, 1974; published interview with realist artist Audrey Flack, 1974; articles about New York’s International Center of Photography and Cornell Capa, 1975, 1976; OHFF in “Nine Artists From UMass” exhibition at the Museum of Fine Arts, Springfield, Mass., 1975; OHFF Editorial Board role for The Massachusetts Review, 1975-; OHFF M.F.A. thesis exhibition, Herter Gallery, University of Massachusetts, Amherst, 1976; Past President’s Award for “Mark” at the 58th National Exhibition of the Springfield Art League, Springfield, Mass., 1977; article about OHFF’s mother Nettie Horch, 1977; Alice Collins Dunham Prize for the best portrait, “David Soyer” at the 67th Annual exhibition of the Connecticut Academy of Fine Arts, Wadsworth Atheneum, Hartford, Conn., 1977; Sunne Savage Gallery, Boston, Mass., show, 1977; International Women’s Day and Women in the Arts, 1977; exhibitions (Mount Holyoke College Art Museum, South Hadley, Mass., Jones Library, Amherst, Mass.); articles and more about offset lithography and related processes for exhibitions of A-R-T, Inc. (Artists-Research-Technology, Inc.), 1977; Women’s Caucus for Art Conference, 1978; Faculty Exhibition, University Gallery, University of Massachusetts, Amherst, Mass., 1977.

22 3 1978-1979 Includes: Teaching at Amherst College, 1978; writing about art and artists for The Massachusetts Review (Gregory Gillespie, 1978); “Oriole Farb: Recent Work,” Center Gallery, Bucknell University and related programs for the 2nd annual arts festival, 1978; “National Print Exhibition” at Holman Hall Gallery, Trenton (N.J.) State College, 1978; Boston Visual Artists Union “Sculpture at the Pru,” Prudential Lobby, 1978; “Contemporary Portraits,” Ely Gallery, Westfield State College, 1979; “Valley People: Portraits by Oriole Farb,” Mead Art Museum, Amherst College, Amherst, Mass., 1978-1979; “Offset Prints,” Hathorn Gallery, Skidmore College, Saratoga Springs, N.Y.,, 1978; “A- R-T, Inc.: The Offset Lithograph,” Ely Gallery, Westfield State College,

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Westfield, Mass., 1979; “Small is Beautiful,” Freedman Gallery, Albright College, Reading, Pa., 1979; “The Making of a Portfolio” and “Six Original Lithographs in Color” for The Massachusetts Review and Artists-Research- Technology, Inc., Herter Gallery, University of Massachusetts, Amherst, Mass., 1979; Print News and Hampshire Life articles about A-R-T, Inc., 1979; talk at The Quadrangle, Springfield, Mass., 1979.

22 4 1980-1984 “Directions in Realism: BOSTON,” Danforth Museum, Framingham, Mass., 1980; “Portrait of the Artist,” Pratt Gallery, Amherst, Mass.; 1980; “Works From A-R-T,” (Artists-Research-Technology, Inc.), Rose Art Museum, Brandeis University, 1980; “20th-Century Art From Area Collections,” Museum of Fine Arts, Springfield, Mass., 1980; “Who Am I?: A Self-Portrait Show,” New York State Office Building, New York City, 1980; news articles about OHFF and by and about A-R-T, Inc. (Artists-Research-Technology, Inc.); presentations; “Prints From: …,” Dibden Gallery, Johnson State College, Johnson, Vt., 1981; “Printed Portraits,” Greenfield Community College, Greenfield, Mass., 1981; “Faces,” Creiger Sesen Gallery, Boston, 1980; “Valley Women at Zone,” 1981; “Annual Self-Portrait Show,” Pratt Gallery, Amherst, Mass., 1981; “Views by Women Artists,” for the Women’s Caucus for Art, 1981; “Oriole Farb Feshbach: Selected Paintings, Prints & Drawings,” Institute for Contemporary Psychotherapy, New York City, 1982; “Eleven Alumni,” University Gallery, University of Massachusetts, Amherst, 1983; “Selected Prints,” Mary Ryan Gallery, New York City, 1983; “Art & Technology Offset Prints,” Ralph Wilson Gallery, Lehigh University, Bethlehem, Pa., 1983; Portraits, for The Massachusetts Review, 1982; The Print Club at American College, 1984; “Oriole Farb: New Portraits,” Freedman Gallery, Albright College, Reading, Pa., 1979; Berkshire Art Association Twenty-Eighth Annual Exhibition, “Harriet,” $100 Award, 1979; “The Art of the Print,” Mount Holyoke College Art Museum, South Hadley, Mass., 1979; “Valley Women Artists,” Hampshire Gallery, Hampshire College, Amherst, Mass., 1980; “Women Artists, 1600-1980: Selections from Five- College Collections,” Mead Art Museum, Amherst College, Amherst, Mass., 1980; “13th National Print Exhibition,” Silvermine Guild Center for the Arts, New Canaan, Conn., 1980; “National Print Exhibition 1980,” Holman Gallery, Trenton (N.J.) State College, 1980; “The Mood of New England,” part of Boston’s 350th Jubilee, The Federal Reserve Bank, 1980; “Another Look at the Figure,” Sunne Savage Gallery, 1980; “Potsdam Prints 1980: 15th National Print Show,” Brainerd Art Gallery, State University College, Potsdam, N.Y., 1980; “Oriole Farb Feshbach/Linda Horvitz Post,” Mary Ryan Gallery, New York City, 1984; A-R-T, Inc., exhibitions in Glasgow, Scotland and Rome, Italy; “60th Annual International Competition,” The Print Club, Philadelphia, Pa., 1984; Channel 13 Auction, 1984.

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23 5 1985-1988 Includes: “Holiday Invitational,” A.I.R. Gallery, New York City, 1984; “Many Voices/Many Visions,” Women’s Caucus For Art National Conference, 1985; article about the International Center of Photography, 1984; “Reflections of Self,” Lowenstein Library Center, Fordham University, and “Prints by Women,” Associated American Artists, New York City, in conjunction with the Women’s Caucus for Art, 1986; “Contemporary Prints Combined Processes,” University of Minnesota Studio Arts Gallery, Minneapolis, Minn., 1986; “Juried Show ’86,” Summit Art Center, Summit, N.J., 1986; Women’s Studio Workshop Award for “New Prints Northeast,” Binnewater Arts Center, Rosendale, N.Y., 1986; Bergen County (N.J.) Visual Art Fellowship Exhibitions, 1987; “Focus on Art,” exhibition and sale, YM-YWHA, West Orange, N.J., [1986]; “Oriole Feshbach/Offset Lithography Collages,” Courtney Gallery, Jersey City (N.J.) State College, 1988; Wood-Ridge Memorial Library, (N.J.), 1987; “The Boston Printmakers, 37th National Exhibition,” Rose Art Museum, Brandeis University, Waltham, Mass., 1985; “Women Artists Series 1987-1988,” Mabel Smith Douglass Library, Douglass College, New Brunswick, N.J., 1988; A Vanitas Self-Portrait Book, Goliard Bookshop, Amherst, Mass, 1988; articles about book, 1988, 1989; (See separate Vanitas series for comprehensive documentation); “New Jersey State Council on the Arts Fellowship Exhibition 1987-88,” Monmouth (N.J.) Museum, 1988; “Women of the Garden State,” Women’s Caucus for Art, Rabbet Gallery, New Brunswick, N.J., 1989; “Bridging the Gaps,” National Women’s Caucus for Art, Juried Exhibition of Photography, San Francisco Women Artist’s Gallery, 1989.

6 1988-1994 Includes: Drawing of Daniel Stern, for book jacket; A Vanitas Self- Portrait Book, 1988, reviews, publicity, articles, marketing, 1988-1989; Illuminations: for the Poem “Asphodel, That Greeny Flower” by William Carlos Williams, 1991, reviews, publicity, articles, marketing, exhibitions, readings, conference presentations, 1991-1993, (See separate Illuminations series for comprehensive documentation.); “20th Anniversary Celebration of the Mary H. Dana Women Artists Series,” Mabel Smith Douglass Library, Douglass College, N.J., 1992; Parallels: Artists/Poets, book launch at Gotham Book Mart, 1993, photocopy of drawing of Frances Steloff, Gotham Book Mart owner, 1989; Parallels exhibition, Newark (N.J.) Public Library, 1993; Parallels exhibition, Lobby Gallery, Interchurch Center, New York City, 1994; “Food For the Soul,” Valley Women Artists/Women’s Caucus for Art Member Show, Student Union Art Gallery, University of Massachusetts, Amherst, 1994; Parallels exhibition, Robert Frost Library, Amherst College, Amherst, Mass., 1994; , (See separate Parallels: Artists/Poets series for comprehensive documentation.)

24 7 1994-2005 Includes: Parallels: Artists/Poets, exhibitions at Schlesinger Library, Cambridge, Mass., 1995, Fairfield (Conn.) Public Library, 1995; “Herbert W.

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Plimpton Collection of Realistic Art,” Rose Art Museum, Brandeis University, Waltham, Mass., 1995; “Mother Tongue: A Visual Dialogue” exhibitions: Burnett Gallery, Jones Library, Amherst, Mass., 1995, Geissler Gallery, Stoneleigh Burnham School, Greenfield, Mass., 1996, Hunt Gallery, Webster University, St. Louis, Mo., 1998, Central Gallery, University of Massachusetts, Amherst, 2002; “Women Artists Series 25 Years,” Rutgers University, 1996; “Family Images,” Smith College Museum of Art, Northampton, Mass., 1997; “The Poetry of Painting,” R. Michelson Galleries, Amherst, Mass., 1998; “Demonstrosity: Deconstructing Monsters in Contemporary Society,” Tufts University Gallery, Medford, Mass., 2000; “Evidence of Feminism Exhibit C,” Wheeler Gallery, University of Massachusetts, Amherst, Mass., 2000; “Cosmic Connections,” Springfield (Mass.,) Science Museum, 2000-2001; “Poetry & Painting-East & West” exhibition, Fitchburg (Mass.,) Art Museum, 2001; Taber Art Gallery, Holyoke Community College, 2001; “Starfish Reversing Heaven,” (watercolor pastel) on cover of The Massachusetts Review, 2001; publications by Sidney Feshbach, OHFF cover art; “Menopause Second Spring,” Burnett Gallery, Jones Library, Amherst, Mass., 2001; “Oriole Farb Feshbach Omens in Nature,” Hampden Gallery, University of Massachusetts, Amherst, 2002; “Painting Poetry,” in UMASS Amherst magazine, Fall 2002; “Painting & Poetry,” Hosmer Art Gallery, Forbes Library, Northampton, Mass., 2005; Memorial for Anne Halley Chametzky, 2004; “75th Anniversary of the Master Building” (in New York City, Riverside Drive), 2005; “The Repatriation Collection,” exhibition and documentation of the return of the renowned Riverside Museum Collection of Tibetan art from the Rose Museum, Brandeis University to Tibet House US, (New York City), 2004.

24 8 2006-2010 Includes: “Mother Tongue: A Visual Dialogue,” Jamaica (N.Y.) Center for Arts & Learning, 2006; “Collabor8,” Nacul Center, Amherst Mass., 2006; “Solar Refractions: Auroras and Rainbows, R. Michelson Galleries, Northampton, Mass., 2006; “Women’s Work: Homage to Feminist Art,” Tabla Rasa Gallery, Brooklyn, N.Y., 2007; cover for Slow Runner, poems by Marjorie Deiter Keyishian, 2007; “Self Reflection,” Hosmer Gallery, Forbes Library, Northampton, Mass., 2007; “Little Women: Small Works by Big Talent(ed) Women,” Grubbs Gallery, Williston Northampton School, Easthampton, Mass., 2008; Luminations: For the Poem “The Auroras of Autumn” by Wallace Stevens, reviews, publicity, articles, marketing, exhibitions, readings, presentations, 2008 and includes exhibition at R. Michelson Galleries, Northampton, Mass., and article in Preview Massachusetts magazine (See separate Luminations series for comprehensive documentation.); notes about Roerich materials gift to the Amherst College Center for Russian Culture, 2008; “Echoes: Portraits of the Female Spirit,” D’Amour Museum of Fine Arts, Springfield, Massachusetts, 2009; “MR 50: Celebrating Fifty Years of Covers,” The Massachusetts Review

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celebration, 2009; “Pioneer Women,” Tabla Rasa Gallery, Brooklyn, N.Y., 2009; “Write a Painting, Paint a Poem,” Grubbs Gallery, Williston Northampton School, Easthampton, Mass., 2010; “Pioneer Women/Wonderland,” Paper City Project Space, Holyoke, Mass., 2010; A Vanitas Self-Portrait, 2010.

24 9 2011- .With Artist. Gift of volume expected.

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SERIES IX: Bibliography/Printed Material

25 1 Bibliographies prepared by OHFF; exhibitions curated; resume. Some printed from her website http://oriole-art.com on November 15, 2015; 1984, 2005, 2015.

2 Chapter on OHFF reflections of experience at college. Sarah Lawrence Years and Beyond, Sarah Lawrence College, Bronxville, New York, 1969.

3 Cover article, 2 pages, 4 photos, “Portrait of the Artist as Portraitist,” by Robin Karson, Hampshire Life-Daily Hampshire Gazette, Northampton, Mass., September 13, 1980.

4 Cover article about OHFF’s inspiration for work; article includes other artists; “Creative Spirit: Valley Artists Look to Religion for Inspiration,” by Christine Benvenuto, Hampshire Life-Daily Hampshire Gazette, Northampton, Mass., March 26, 1999.

5 Meeting notes for panel “Offset Printing: Technology, Aesthetics and Gender” for 1986 Women’s Caucus for Art Conference, in Hue Points, v. XIV, no. 1, 1986 spring.

6 Article, three color photos, “Painting Poetry,” by Faye Wolfe, UMass Magazine, Amherst, Mass., 2002 fall.

7 Statement, thumbnail photos, The Pioneer Women at Amherst College 1962-83, online exhibition, Amherst College, Amherst, Mass., 2011.

8 (empty folder) Frameworks, M.F.A. Thesis, University of Massachusetts Library, Amherst Mass., 1976. See: Series 1: Personal: Education, Family and Travel.

9 A Vanitas Self-Portrait Book, artist’s book, offset lithography, hand bound, 28 pages, 10" X 8", 1988. See Also: Series 13: A Vanitas Self-Portrait Book

10 Illuminations; Images for the Poem "Asphodel, That Greeny Flower” by William Carlos Williams, 86 pages, foreword by Stanley Kunitz, introduction by Amy Clampitt, Midmarch Arts Press, New York, 1991. See Also: Series 14: Illuminations

11 Parallels: Artists/Poets, co-artists Oriole Farb Feshbach, Claire Heimarck and Lucy D. Rosenfeld, foreword by Grace Glueck; introduction by Mary Ann Caws, images for poems, Midmarch Arts Press, New York, 1993. See Also: Series 15: Parallels: Artists/Poets

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25 12 Luminations, Images for the poem “The Auroras of Autumn” by Wallace Stevens, 50 pages, foreword by Paul Mariani, introduction by Martica Sawin, Midmarch Arts Press, New York, 2008. See Also: Series 16: Luminations

13 Catalogues (13-27): OHFF on Junior Council of the Museum of Modern Art that created exhibition, Art Lending Service Retrospective 1950-1960, Museum of Modern Art, New York, 1960.

` 14 Introduction, Tibetan Art, Riverside Museum, New York, 1962.

15 Introduction, West Side Artists, Riverside Museum, New York, 1964. 2 copies.

16 Foreword and catalogue, Young American Indian Artists, Riverside Museum, New York, 1965.

17 Introduction, Joseph Shannon, Corcoran Gallery of Art, Washington, D.C., 1969.

18 Introduction and catalogue, Paintings from the Photo, Riverside Museum, New York, 1970.

19 Curator’s note, checklist, MR50: Fifty Years of Covers-Celebration Fifty Years of the “Massachusetts Review,” University Gallery, Fine Arts Center, University of Massachusetts Amherst, 2009. 20 Statement, color photo, Offset Prints, Mount Holyoke College Art Museum, South Hadley, Mass., 1977.

21 Statement, New Sculpture Works, Boston Visual Artists Union, Prudential Lobby, Boston, Mass., 1978.

22 Catalogue with photo postcard, in Small is Beautiful, by Marilyn Sweedler Zeitlin, Freedman Gallery, Albright College, Reading, Penn., 1979.

23 Checklist, Women Artists 1600-1980: Selections from Five College Collections, by Judith Barter, Mead Art Museum, Amherst College, Amherst, Mass., 1980.

24 Photo, references, Art and Technology: Offset Prints, by Hanlyn Davies and Hiroshi Murata, Lehigh University, Bethlehem, Penn., 1983.

25 Chapter and photos, “Using an Offset Press,” in Lithography: A Complete Guide, by M.A. Wenniger, Prentice Hall, Englewood Cliffs, N.J., 1983, pp.150-155.

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25 26 Photo, statement, Eleven Alumni, University Gallery, University of Massachusetts, Amherst, Mass., 1983.

27 Review and checklist, Prints by Women, by Susan Larson, Associated American Artists Gallery, New York, 1986.

26 28 Photo (“Homage to Copley #4, 1986), statement, Bergen County Visual Arts Fellowship Exhibitions, Paramus, N.J., 1987.

29 Photo (“Homage to Eakins #3), Printmaking & Photography, New Jersey Arts Annual, Jersey City Museum, Jersey City, N.J., 1987.

30 Photo, article, Women Artists Series 1987-1988, Douglass College, New Brunswick, N.J., 1988.

31 Photo (“Symbol of Living on after Death: Art Photo Collage”), Fellowship Exhibition, New Jersey State Council on the Arts, Monmouth Museum, Lincroft, N.J., 1988.

32 Color photo, The Herbert W. Plimpton Collection of Realist Art, edited by Carl Belz, Rose Art Museum, Brandeis University, Waltham, Mass., 1995.

33 Illustration, statement, “25 Years of Feminism,” Women Artists Series 1971-1996, Rutgers University, New Brunswick, N.J., 1997. 34 Color photo in book, Return of the Goddess, edited by Burleigh Muten, Stewart Tabori & Chang, New York, 1997.

35 Catalog checklist, Language as Object, edited by Susan Danly, Mead Art Museum, Amherst College, Amherst, Mass., 1997.

36 Cover photo (detail), photo, The Amherst Biennial, Amherst Public Arts Commission, Amherst, Mass., 2012.

37 Original color print, statement, “Six Original Lithographs in Color,” The Massachusetts Review, v. XX, no. 2, 1979.

38 Editor, statement, photo, “Portraits,” The Massachusetts Review, v. XXIV, no. 2, 1983.

39 Five photos, description, William Carlos Williams Review, v.17, no. 1, 1991 spring.

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26 40 Photo, statement, The Journal of the Rutgers University Libraries, v. LIV, no. 1, 1992.

41 Statement, color photo, “Mother and Daughter,” "Mother Tongue,” The Massachusetts Review, v. XXXVIII, no. 3, 1997.

27 42 Articles by OHFF (most re: artists and art subjects. folders 42-44). Co-edited, “Foreword,” with Jerome Liebling, “Portfolio,” The Massachusetts Review, v. MCMLXXIV, 1974 summer.

43 Editor, article, “Mothers and Daughters: The Inner Landscape,” for “The Paintings of Frances Cohen Gillespie” in The Massachusetts Review, v. XVII, no. 2, 1976 summer. Offprint. 2 copies.

44 Editor, article, “Self-Portraits: Consistency and Contradictions,” for “Self- Portraits: Gregory Gillespie” in The Massachusetts Review, v. XXXX, 1978 spring. Offprint. 2 copies.

45 Articles and Reviews Related to OHFF Curated Exhibitions (OHFF was Curator folders 45,46)). Review and photos including cover, “Psychedelic Art,” Life, 1966 September, Riverside Museum exhibition, New York, 1966. See: Oversize Box for original.

46 Review, “The Concerned Photographer,” by Frank Horch, Print, v. XXI, no. V, 1967 September/October, Riverside Museum, New York, 1967.

47 Reviews of OHFF, Artwork and Exhibitions: folders 47-54) Article, photos, “Perspectives on Art,” by Anne Bartsch, Erin Seely, The New Current, v. 3, no. 1, 1977 November, Smith College, Northampton, Mass., 1977. 3 copies.

48 Article, photo, “Artists-Research-Technology, Inc.,” by Robert Henning, Jr., Print Review 10, 1979.

49 Survey, photo, “Exploring the Potentials of Offset Lithography,” by Ron Michaud, Print News , v. 1, no. 3, 1979 June/July.

50 Review of Pratt Gallery, Amherst, Mass., self-portrait show, “Artists Gaze into Mirror,” by Robin Karson, Springfield Daily News, Springfield, Mass., June 25, 1981.

51 Article, photo, “Katie’s Heritage Traces Ties between Six Women," by Robin Karson, The Sunday Republican, Springfield, Mass., January 24, 1982.

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27 52 Review of A Vanitas Self-Portrait Book, “Artists’ Books," by George Gessert, Northwest Review, v. XXVII, no. 2, 1989.

53 Review of A Vanitas Self-Portrait Book, “Book Reviews” by Vivien Leone, Women Artists News, v. 15, no. 4,1990.

54 Article about Luminations and exhibition at Michelson’s Gallery, Northampton, Mass., 5 color photos, “Form in Formlessness” by Laura Holland, Preview- Massachusetts, 2008 October. 2 copies.

55 Photographic Reproductions of OHFF Artwork in Published Material: folders 55-69. Image, “Sidney Kaplan” and “Megan DeMott” in A Review, v. VI, Amherst College, Amherst, Mass., 1978.

56 Image “Self Portrait in Mirror” in A Review, v. VII, Amherst College, Amherst, Mass., 1979.

57 Image “Henry Steele Commager” in A Review, v. VIII, Amherst College, Amherst, Mass., 1980.

58 Image of Daniel Stern for book jacket, Twice Told Tales by Daniel Stern, 1989. Book jacket only. 59 Cover (“The bomb is also a flower”), photo (“When I was a Boy”), Parnassus Poetry in Review, v. 16, no. 2, 1991.

60 Three photos from Illuminations, Old Crow 2, Amherst, Mass., 1993.

61 Four photos from Parallels: Artists/Poets, The Massachusetts Review, v. XXXIV, no. 2, 1993 summer. Photocopy only.

28 62 Photo (“Amherst), Parnassus Poetry in Review, v.18, no. 2 - v.19, no. 1, 1993- 1994.

63 Image “Homage to Virginia Woolf,” Virginia Woolf Miscellany, no. 41, 1994 spring.

64 Image (color) of portrait of “Robert B. von Mehren,” Annual Report Practicing Law Institute, 1995.

65 Image (color) “Piscis Austrinus,” Seafood Leader, v. 16, no. 5, 1996 Sept/Oct.

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28 66 Cover image of drawing “Miss Frances Steloff at the Gotham BookMart,” The Magic Lantern of Traditions, by Sidney Feshbach, 1997. Keepsake for the James Joyce Society, 1997. Hoon Publications No. 1.

67 Image “Megan Inspired By a Renaissance Portrait,” Return of the Goddess calendar for 1997, compiled and edited by Burleigh Muten, Stewart Tabori & Chang, New York, 1996.

68 Photo “There would have been no poem,” Parnassus Poetry in Review, v.23, nos. 1-2, 1998.

69 Image “Genesis” for September, Artist’s Calendar (1998 Sep-1999 Dec), Jewish Community of Amherst, Amherst, Mass., 1998.

29 70 Image “Kuan Yin,” Return of the Goddess calendar for 1999, compiled and edited by Burleigh Muten, Stewart Tabori & Chang, New York, 1998.

71 Cover art of a drawing “The Eyes of James Joyce,” Those Jehovial Oyeglances!, published by Sidney Feshbach, 1999. 2 copies. Keepsake for the James Joyce Society, 1999. Hoon Publications No. 2. See Also: Series 11: Artwork for the original drawing.

72 Cover art (color) “Starfish Reversing Heaven [#1],” The Massachusetts Review, v. XLII, no. 1, 2000 spring. Cover only.

73 Cover art, “Slow Runner” from Parallels, Slow Runner, poems by Marjorie Deiter Keyishian, Finishing Line Press, Georgetown, Kentucky, 2007. See Also: Series 15: Parallels: Artists/Poets

74 Photo (color), “The Auroras of Autumn,” Parnassus Poetry in Review, v.31, nos. 1-2, 2009.

75 Drawing (“juxtaposition of words for words’ sake”) and 2 color photos (“jottings of psychic numerical equations” and “how can you scratch out/indelible ink of the palimpsest”), Parnassus Poetry in Review, v.34, nos. 1-2, 2015.

76 Acknowledgements: folders 76-81.Acknowledgements. Environments/Permutations, catalogue for International Artists Seminar exhibition, Riverside Museum, New York, 1967. OHFF instrumental in creating the exhibition.

77 Quote, “Hoving at the Met,” by Ann Ray Martin, Newsweek, 1968 April 1.

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Page and cover only.

29 78 Acknowledgement, Objects & (8 Women Realists), exhibition catalogue, Herter Gallery, University of Massachusetts, Amherst, Mass., 1973.

79 Acknowledgement, Class of 1928 Photography Collection, exhibition catalogue, University Gallery, University of Massachusetts, Amherst, Mass., 1978.

80 Mention, The Canadian Painters Eleven (1953-1960), exhibition catalogue by Ross Fox, Mead Art Museum, Amherst College, Amherst, Mass., 1994.

81 Acknowledgment, donor, Picturing Enlightment, exhibition catalogue, Mead Art Museum, Amherst College, Amherst, Mass., 2013. Photocopies of pages only.

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SERIES X: Process and Research: Collecting Information and Materials

30 1 Poems and notes to consider for illustration or images: including swans, Leda, the Connecticut River, the Oxbow and butterflies. c. 1990s-2000s

2 Printmaking Process. Statements by OHFF re: portrait prints, offset technology and how she came to printmaking. Some statements were used for exhibitions or publications. c. 1970s-1980s.

3 Sketches, notes, photographs and related materials and information used for artwork for poems: stars, sky, fish, starfish, rivers, sea, moon, and meteors. n.d.

4 Arctic poems. n.d.

5 Arctic poems. n.d.

6 Clouds: poems and images. n.d.

7 Comets and meteor poems. n.d.

8 Constellation poems. n.d.

9 Cygnus and the Connecticut River: cutouts; slides of the Connecticut River (1983-1994) by John Manchester; copies of maps; sketches and notes. Used for Hilda Doolittle’s (H.D.) poem “Leda” and Wallace Stevens poem on the Connecticut River. n.d. See Also: Series 11: Artwork for “Cygnus”

10 Eyes and tears images. n.d.

11 Fish and river poems and articles. Includes “Sargasso” poem with a note from Peter Stansky. n.d.

12 Foster, Jerome Robert and Crane Mountain. Notes re: his book Adirondack Portraits. 1993, n.d.

13 Male poets: a selection of poems and “male poets illustrated” notes. n.d.

14 Meteor poems “to consider.” n.d.

15 Phoenix: for May Sarton’s poem “The Phoenix Again.” Includes sketches for “The Phoenix;” plans; photographs; pictures showing the phoenix in many cultures. 1997, n.d. Note: “The Phoenix” was used in Parallels exhibitions but

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not in the book. See Also: Series 6: Poets: May Sarton. See Also: Series 15: Parallels: Artists/Poets.

30 16 Pleiades poems, information and sketches. n.d. Note: “sketches for drawings/poems for several poets.”

17 Rainbows notes. n.d.

18 Salmon and fish poems and information; drawings; and photographs. Includes plans for a salmon and fish book. n.d.

19 Seahorses: sketches; notes; copies; and cutouts. n.d.

20 Silko, Leslie, writer. Articles about her work and controversy. Images of Native American art; photograph. All related to OHFF research on Native American Art. n.d.

31 21 Star poems and articles. n.d.

22 Sun and light poems. Includes H.D. (Hilda Doolittle). n.d.

23 Sun and light poems. Includes H.D. (Hilda Doolittle). n.d.

24 Walcott, Derek: articles and poems by and about Walcott. n.d.

25 Water poems. n.d.

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SERIES XI: Artwork

32 1 Asher, Elise (poet and artist). Pencil Sketch. 1976.Wife of poet Stanley Kunitz See Also: Series 7: Artists: Elise Asher- for correspondence, materials related to Asher’s art and her artwork. See Also: Series 5: Correspondence: Stanley Kunitz. See Also: Series 17: Slides: Artwork. See Also: Series 18: Photographs: Artwork. See Also: Series 19: Photographs: Models.

2 Darklight. Mixed media. Process work, stages and final painting. 1994. Done for the poem “Darklight” by Adrienne Rich. See Also: Series 6: Poets: Adrienne Rich for sketches, poems, ideas and correspondence. See Also: Series 11: Artwork Flat Box 2 in this series for “Cassiopeia/Caroline’s Cluster” also inspired by an Adrienne Rich poem.

3 Eel and Storm. Print 9/50. 2002. Poem by Jan Conn; artwork by OHFF Published by Delirium Press.

4 Experimental study of color. 2003.To explore the type of work OHFF was doing at the time.

5 The Eyes of James Joyce. Drawing. 1999. Done for the cover of Those Jehovial Oyeglances! pamphlet for the James Joyce Society See: Bibliography/Printed Material for the pamphlet.

6 Fragmentary Stars. Pastel. 1997. For the poem “The Pleiades” by Leonie Adams See Also: Seven Sisters artwork in this box. See Also: Series 6: Poets: Leonie Adams. See Also: Series 10: Process and Research: Pleiades poems.

7 New Prints Northeast. Print. 1986. 2 sets in portfolio covers. Published by the Women’s Studio Workshop, Rosendale, N.Y. Works by: Oriole Farb Feshbach; Florence Putterman; Ann Kresge; Patricia Bellan-Gillen; Tana Kellner.

8 Planets in his eyes. Mixed media. 1997. Process work, sketches, various states of the image and poems. From a poem “The Eternal” by Dilys Laing.

9 A Portfolio of Six Original Lithographs in Color. 1979. Aka “Portfolio of Six Offset Prints by Hanlyn Davies, Oriole Farb, Ron Michaud, Hiroshi Murata, John Roy, Dale Schleappi” All members of Artists-Research-Technology, Inc. Published by The Massachusetts Review. Includes color prints, statement and prospectus. See Also: Self Portrait below.

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32 10 Self Portrait. Lithograph. 1979.Final print: #50/300 and all states and separations of the printing process showing the progressions. OHFF 2015 note about the images and how she used it. Artist statements, 1982.Part of A Portfolio of Six Original Lithographs in Color published by The Massachusetts Review. (See above.) Also “My Heritage #5” photocollage showing one of the photographs used to make the lithograph.See Also: “My Heritage,”1984, in this series. See Also: Series 13: A Vanitas Self-Portrait Book.

11 Seven Sisters. Mixed media. 1996. For the poem “Fragmentary Stars” by Leonie Adams. Includes copy of poem. See Also: Fragmentary Stars artwork in this box See Also: Series 6: Poets: Leonie Adams.

12-14 “Garage Series.” Pastels. 1987 June 24 – November 1; one, 1985 Dec 30. This is a time study. OHFF’s months-long landscape study of one view from the garage of her home at 39 Pokeberry Ridge in Amherst, Mass.; pastels of the same view at different times of the day. Includes photographs of OHFF at work on the images. It also includes one earlier pastel of the same view from December 30, 1985.

15 See “Notes on the Garage Series” by OHFF, about her process, 2016.

33 16 Volans: Flying Fish/Water Birds. Final mixed media piece, 1995. Process work and sketches only.Fish is a Dolly Varden Trout.

17 Pisces: Water and Air. Mixed media. 1995.Process work, notes and sketches. For poem “Two Fish on a Piece of Yellow Paper” by Judith Berke See Also: Series 6: Poets: Judith Berke.

18 Subliminal. Final collage, 1995.Process work and sketches only; not final collage For the poem “Subliminal” by Lorine Niedecker. See Also: Series 6: Poets: Lorine Niedecker.

19 Sunne and Robert. Lithograph. 1979. Sunne Savage and Robert Newman. Sunne Savage owned a gallery and showed OHFF’s work. See Also: Series 17: Slides: Artwork. See Also: Series 18: Photographs: Artwork. See Also: Series 19: Photographs: Models.

20 Tingley Beach, Spring 1988. Lithograph. 1988. Final 4-color print and one black and white print. Final print and all states and separations of the printing process showing the progressions. Done at the Tamarind Institute Press, Albuquerque, N.M. Based on series of photographs and sketches by OHFF. See Also: Series 12:Projects: Tingley Beach for sketchbook and related materials. See Also: Series

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18: Photographs: Artwork for studies and photographs of nature and of the printing process.

33 21 Cygnus (Leda). Pastel. 1997. Artwork and poem. For the poem “Leda” by H.D. (Hilda Doolittle). See Also: Series 6: Poets: Doolittle, Hilda (H.D.). See Also: Series 10: Process and Research: Cygnus and the Connecticut River Note: OHFF’s current project files on H.D. are expected.

22 “My pattern fit the constellations in a general way, like fingers to a mitten.” Pastel. 1997. For the poem “Conversations About Life, After Life” by Jessica Greenbaum. See Also: I stretched out against the sky…” . Pastel. 1997. In this box. See Also: Series 6: Poets: Jessica Greenbaum.

23 “I stretched out against the sky…” . Pastel. 1997. For the poem “Conversations About Life, After Life” by Jessica Greenbaum. See Also: “My pattern fit the constellations in a general way, like fingers to a mitten.” Pastel. 1997. In this box. See Also: Series 6: Poets: Jessica Greenbaum.

24 Cassiopeia/Caroline’s Cluster. Mixed media. 1997.(“a women … in the snow”) For the poem “Planetarium” by Adrienne Rich 24 See Also: Series 6: Poets: Adrienne Rich- for sketches, poems, ideas and correspondence. See Also: Artwork Flat Box 1 (this series) for “Darklight” also inspired by an Adrienne Rich poem.

34 25 My Heritage. Offset lithograph. 1985. Framed image, 14 x 20 inches. Number 6/35. Five black and white and one color image of women in OHFF family. Identified, left to right; top to bottom . Jean, sister, 1919-1923 Nettie, mother, 1896. Oriole, sister, 1927-1929. Fanny, grandmother, 1866-1954 1978, Self-portrait, 1931 (color image). Shewa, grandmother, 1868-1920

26 Black and white photograph of My Heritage. 1984.

27 Slides of versions of My Heritage. 1984, 1986. Color images. My Heritage. My Heritage # 3. My Heritage #4B.

28 Self-Portrait in Mirror. Photographs, offset prints, negative. 1984, 1986. Various versions of Self-Portrait in Mirror used to create My Heritage. Includes an explanation of the Self-Portrait in Mirror also used in A Vanitas Self-Portrait Book by OHFF.

29 “Portrait of the Artist as Portraitist.” Hampshire Life. 1980 September. Article about OHFF, providing background to her portrait work.

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35 30 Artist statement, exhibition label, notes on portrait by OHFF, information related to the portrait, 2012, n.d.

31 Correspondence re: painting. 2010.

32 Publicity about painting. 1988-2010. Amherst Bulletin, Craig Harbison website, flyers for museums.

33 Process material. 1984. Photographs, studies, tools used to create the Vanitas Self-Portrait painting and A Vanitas Self-Portrait Book, including photographs by Sid Feshbach, 1984.

34 Photographs and slides of painting. 1989-2012.

35 Color photographs of painting by Steve Petegorsky. 2010. Four views, whole and part. “Good” images selected by OHFF. Folder 1 of 2

36 Color photographs and negatives of painting by Steve Petegorsky. 2010. “Mostly not good, parts only” per OHFF. Folder 2 of 2

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SERIES XII: Projects

36 1 Grandson Portraits; 1990s-2000s. Plans for creating single portraits of all grandsons together relating them to planet images. Only one portrait completed, “Aaron Feshbach Mercury.” Contains: OHFF’s notes, plans and lists for series; photographs of grandsons; zodiac and celestial poems; images of planets and celestial bodies. Also included are three portraits of her granddaughters, which were completed.

2 “Omens of Nature”; 2002. Volume of poems used for the exhibition in the Hampden Gallery at the University of Massachusetts, Amherst.

3 Mother Tongue; 1991-2014, with gaps. Folder 1 of 3. Project conception and planning documents; participation rules; publicity; news articles; participant’s newsletters; correspondence; photographs of the exhibitions. See Also: Series 2: Yearly Files. See Also: Series 8: Scrapbooks.

4 Mother Tongue; 1997. Folder 2 of 3. “Mother Tongue: Art in Community” Feature in The Massachusetts Review, 1997 autumn. Journal and offprint.

5 Mother Tongue; 1993. Folder 3 of 3. Process work for OHFF’s Mother Tongue panel “ Go thy Great White Way” Homage to Emily Dickinson, a collage. Includes: artist statement; photographs; poems; sketches; photocopies of flower information.

6 Return of the Salmon to Connecticut River. Photocopies of OHFF’s book done with A.R.T. (Artists-Research-Technology, Inc.) group, 1985. A.R.T., Inc. collection at the University of Massachusetts, Amherst, Library: http://scua.library.umass.edu/umarmot/artists-research-technology-inc/

7 Tingley Beach and Tamarind Press Institute, Albuquerque, N.M.; 1987-88 Folder 1 of 2. Sketchbook used to create “Tingley Beach” print. See Also: Series 18: Photographs: Artwork, for photographs slides of the process of making the print. See Also: Series 2: Yearly Files. See Also: Series 11: Artwork for the final print and series of color separations.

8 Tingley Beach and Tamarind Press Institute, Albuquerque, N.M.; 1988 Folder 2 of 2. “Making 7 Prints”. All documentation; printer information; method; cost.

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SERIES XIII: A Vanitas Self-Portrait Book

37 1 A Vanitas Self-Portrait Book. Final version. 1988. 2 copies. Only one in bag. Press: Four-color Miehle, Two-color Harris. Paper: Poseiden 65 lb. cover; Lustro Gloss Text 100 lb; Ultra U VII 30 lb. Container: Glad Lock Plastic Bag: “Yellow and Blue make Green”

2 A Vanitas Self-Portrait Book. 1988. “Good copy,” “Use top for photos,” OHFF notes. Unbound sheets.

3 A Vanitas Self-Portrait Book. 1988. Matte finish. Unbound copy in a non Glad Lock plastic bag.

4 A Vanitas Self-Portrait Book. 1988.“Ok but not perfect—see Tom,” OHFF note 2 bound copies in a non Glad Lock plastic bag.

5 A Vanitas Self-Portrait Book. 1988. Matte finish, bound. 5 copies in non Glad Lock plastic bag. 1 copy in a Glad Lock plastic bag. 1 copy in a Glad Lock plastic bag.

6 Correspondence, Grants, Research and Statements: folders 6-9. Book statements, notes, and information about A Vanitas Self-Portrait Book. 1986- 1988.

7 New Jersey Council on the Arts Fellowship Application for 1986-87. 1986.

8 Correspondence re: A Vanitas Self-Portrait Book. 1988-2008. List of correspondents in the folder.

9 Self-portrait research. c. 1980s. Articles, clippings and more from museum, art and other publications.

38 10 Photographs, Slides and Negatives: folders 10-17. OHFF working on A Vanitas Self-Portrait Book in the studio. [1988]. Photographs.

11 Friends in A Vanitas Self-Portrait Book. c. 1970s-1980s. Photographs used for the Friends section. Indentified on the back of each photograph.

12 Set of color slides of A Vanitas Self-Portrait Book pages. 1988. Missing pages 7 and 18.

13 Color slides of A Vanitas Self-Portrait Book. 1988.

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38 14 Images of things that influenced the creation of A Vanitas Self-Portrait Book. 1980s. Photographs, slides and printed items. Includes nature shots; historic and vintage cultural objects and art objects; OHFF homes in Amherst, Mass. and Leonia, N.J. Folder 1 of 2.

15 Images of things that influenced the creation of A Vanitas Self-Portrait Book. 1980s. Photographs, slides and printed items. Includes nature shots, historic and vintage cultural objects and art objects, OHFF homes in Amherst, Mass. and Leonia, N.J. Folder 2 of 2.

16 Self-portrait and other self images in A Vanitas Self-Portrait Book. c. 1984. Photographs, negatives and slides.

17 Self-portraits. 1984, 1986. Black and white and color slides of various self- portraits of OHFF in a variety of media. Some used for My Heritage, 1984 and 1986. Some used for A Vanitas Self-Portrait Book, 1988. See Also: Series 11: Artwork: My Heritage.

18 A Vanitas Self-Portrait Book Pages: folders 18-22. “Symbol of Living On After Death: Art,” p. 19. 1988. Negatives and contact sheet of details and art.

19 “Symbol of Living On After Death: Art,” p. 19. 1988. Black and white photographs.

20 “Symbols of Living On After Death: Friends,” pp. 22-23. 1988. Black and white photographs and contact sheet.

21 “Symbols of Living On After Death: Family,” p. 24. 1988. Black and white photographs, 2.

22 Contact sheets and negatives. c. 1988. Black and white contact sheets and negatives of various images in the book.

39 23 Creating A Vanitas Self-Portrait Book, 1988. Cover, front of book, p. 1. 1988. Design materials: drawings and lettering.

24 “Credits,” p. 2. 1988. Design materials: lettering.

25 “Contents/Black Print for Vanitas Self-Portrait,” p. 5. 1986-1988. Design materials: includes black and white and color photographs, lettering, design overlays, proof pages, images of symbols, working materials and more. Folder 1 of 2

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39 26 “Contents/Black Print for Vanitas Self-Portrait,” p. 5. 1986-1988. Design materials: includes black and white and color photographs, lettering, design overlays, proof pages, images of symbols, working materials and more. Folder 2 of 2

27 “Introduction,” p. 6. 1988. Design materials: lettering and shapes.

28 “Symbols of An Active Life: Artist’s Tools, Precious Objects,” p. 7. 1986-1988. Design materials: photographs and working materials.

29 “Symbols of An Active Life: Books,” p. 8. 1986-1988. Design materials: photographs of images on page and working materials.

30 “Symbols of An Active Life: Maps, Places Lived,” p. 9. 1944, 1986-1988. Design materials: includes photographs, masks, transparencies, contact sheets, negatives and working materials related to images on the page.

31 “Symbol of Passage of Time: Dates,” pp. 10-11. 1978, 1988. Design materials: black and white photographs of OHFF’s 1978 Self-Portrait.

32 “Symbols of Passage of Time: Dates on a Calendar, A Constellation,” pp. 12, 17. 1950s-1988.Design materials: includes photographs, masks, size plans and more, for images related to OHFF’s sons Daniel and Thomas and daughters Riva and Devra.

33 Scorpion in Star, center insert, pp. 13-14 and 15-16. 1987-1988. Design materials: tracings, photographs, drawings and working materials. “October birth sign of the 4 children,” note by OHFF

34 “Symbols of Passage of Time: Butterfly, Clock, Light, Skull,” p. 18. c. 1987- 1988.Design materials: photographs, tracings, masks, sizing plans and shapes.

35 “Symbol of Living On After Death: Art,” p. 19. c. 1986-1988. Design materials: working drawings, notes, sketches, photographs, and proof pages.

36 “Symbols of Living On After Death: Bird, Fish,” p. 20. c. 1986-1988. Design materials: photographs, tracings, masks, sizing plans and shapes. Symbols of OHFF and second husband Sid Feshbach.

37 “Symbol of Living On After Death: Colors of the Rainbow,” p. 21. 1987. Design materials: photographs.

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39 38 “Symbols of Living On After Death: Friends,” pp. 22-23. c. 1986-1988. Design materials: photographs and proof pages; includes copy of image from 1949.

39 Inside back cover and back cover, pp. 27-28. 1988. Design materials: lettering and shapes.

40 Words not used. n.d.Tracings of words not used.

41 Process stages of A Vanitas Self-Portrait Book. 1987-1988. Mock up versions of the book. Two hand colored and handmade with OHFF plans and directions. One blueline version.

40 42 Book Process: Printing, Binding, Technical and Administrative: Folders 42-48. “Some notes about A Vanitas Self-Portrait Book,” by OHFF. 2013.

43 Information about A Vanitas Self-Portrait Book. n.d. Includes notes from OHFF’s website and printing and distribution information.

44 Printing estimates and information. 1987.

45 Tangent Graphics, Inc., printers. 1988. Invoices, receipts, notes, cancelled check for payment. Photographs of Dan Canner printing the book using the four-color process.

46 Ocker & Trapp, binders. 1988. Bills, receipts, statements.

47 Copyright information and registration. 1988.

48 Color charts and samples. n.d. Includes photograph of shirt OHFF wore for self- portrait.

49 Book Publicity, Reviews and Exhibitions: folders 49-55. List of where A Vanitas Self-Portrait Book is in permanent collections. n.d.

50 Publicity. 1988-1990. Articles, reviews, and more re: A Vanitas Self-Portrait Book.

51 Book party at Goliard Bookshop, Amherst, Mass. 1988. Invitation to June 4, 1988 event. Each card was a different part of the “Friends” collage in the book.

52 Portrait related exhibitions, which included A Vanitas Self-Portrait Book.

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1987-2007. Documentation, notes, correspondence, invitations.

40 53 Portrait related exhibitions. 1979, 1988. Invitations, articles, catalogues.

54 Book Award: Women’s Studio Workshop Publishing Award winner. 1986. “Black-Print for Vanitas Self-Portrait.” Print and invitation. Image related to A Vanitas Self-Portrait Book, but not exactly the same.

55 Women’s Studio Workshop Publishing Award winner. 1986. Original drawing for “Black-Print for Vanitas Self-Portrait.” Image related to A Vanitas Self- Portrait Book, but not exactly the same.

41 56 “Contents/Black Print for Vanitas Self-Portrait,” p. 5. 1987-1988. Two artboards of stages in the evolution of this page, one an earlier unfinished image. One artboard of the calendar detail on this “Contents” page.

57 “Symbols of An Active Life: Artist’s Tools, Precious Objects,” p. 7. 1987-1988.Two artboards of Artists tools and objects important to OHFF. Notations of color dividing lines on one artboard. One image rejected on the other artboard. . 58 “Symbols of An Active Life: Books,” p. 8. 1987-1988. Artboard of black and white photographs of books. One image is rejected.

59 “Symbols of An Active Life: Maps, Places Lived,” p. 9. 1987-1988. Artboard of black and white photographs and images of place OHFF lived: The Master Building on Riverside Drive in New York City; a summer home in Moriah, New York; Pokeberry Ridge, Amherst, Mass., Leonia, N.J. And images of OHFF when she lived in those places.

60 “Symbol of Passage of Time: Dates,” p. 10. 1987-1988. Artboard with black and white photographs of OHFF’s deceased father, brother and first husband, with outline of the inverted triangle shape that would be printed on the final page in the book.

61 “Symbol of Passage of Time: Dates,” p. 11. 1987-1988. Artboard with black and white photographs of OHFF’s mother, aunt and self, with outline of the blue triangle shape that would be printed on the final page in the book.

62 “Symbols of Passage of Time: Dates on a Calendar, A Constellation,” pp. 12, 17. 1987-1988. Artboard with black and white photographs of OHFF’s children. Final image in book is black and white.

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41 63 “Symbols of Passage of Time: Butterfly, Clock, Light, Skull,” p. 18. 1987-1988. Artboard with black and white photographs. Final image in book is black and white with blue triangles.

64 “Symbol of Living On After Death: Art,” p. 19. 1987-1988. Color photograph collage of women depicted in artwork. Final image in book is black and white with yellow surround. Chart identifying the artists of each woman.

65 “Symbols of Living On After Death: Bird, Fish,” p. 20. 1987-1988. Artboard with black and white photographs. Lettering with color swatch. Transparency for black block.

66 “Symbol of Living On After Death: Colors of the Rainbow,” p. 21. 1987-1988. Color photograph collage. Final image in book is in color. Color transparencies of image. Photograph of ring in collage.

67 “Symbols of Living On After Death: Friends,” pp. 22-23. 1987-1988. Original color photograph collage. Final image in book is black and white. Folder 1 of 2

68 Symbols of Living On After Death: Friends,” pp. 22-23. 1987-1988. Three black and white shots of the page. Folder 2 of 2

69 “Symbols of Living On After Death: Family,” p. 24. 1987-1988. Color photograph collage. Final image in book is sepia toned.

70 Shapes, pp. 3-4 and 25-26. 1987-1988. Two copies of colored shapes on opaque paper.

71 “Oriole Farb Feshbach” printed on sheet of paper label/sign of some kind?

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SERIES XIV: Illuminations

42 1 “Comments on William Carlos Williams book, Illuminations and related exhibitions,” by OHFF, 2014 Sept 1

2 Illuminations: Printed book. 2 copies. 1991. One copy signed by authors.

3 Book and project proposal. [1989?]

4 Illuminations. Printed book with corrections noted. 1991. For a new edition, never published.

5 Slides: Complete set of artwork used in Illuminations (and some not used in the printed book). 1989-1991. Titles and dates of original artwork on individual slides.

6 Slides. Extra copies of artwork used in Illuminations (and some not used in the printed book). 1989-1991. Titles and dates of original artwork on individual slides. Folder 1 of 3.

7 6. Slides. Extra copies of artwork used in Illuminations (and some not used in the printed book). 1989-1991. Titles and dates of original artwork on individual slides. Folder 2 of 3.

8 Slides. Extra copies of artwork used in Illuminations (and some not used in the printed book). 1989-1991. Titles and dates of original artwork on individual slides. Folder 3 of 3.

9 Photographs. Black and white images of artwork as it appears in Illuminations. Most photographs have identifying information on the back. [c. 1989-1991]. Folder 1 of 3.

10 Photographs. Black and white images of artwork as it appears in Illuminations. Most photographs have identifying information on the back. [c. 1989-1991]. Folder 2 of 3.

11 Photographs. Black and white images of artwork as it appears in Illuminations. Most photographs have identifying information on the back. [c. 1989-1991]. Folder 3 of 3.

12 Negatives, Contact Sheets, and Transparencies. Used for creating and printing Illuminations. Most identified on the back or on the envelopes. [c. 1989-1991].

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43 13 Photographs, Negatives, Contact Sheets. Not Used. Draft of a book cover not used. “Poor quality” noted on envelopes. [c. 1989-1991].

14 Research material related to William Carlos Williams and his poetry for Illuminations. Photocopies and notes. [c. 1984-1991].

15 Process Material: photocopies of poems, notes, photographs, collage cutouts and more. Subjects include: earth, the atom bomb and space. [c. 1989-1991].

16 Process Material: sources for imagery used in Illuminations. Photographs, clippings, photocopies and more. Subjects include: starfish, poet Amy Clampitt, Patterson Falls, N.J., and Ogunquit, Maine. [c. 1989-1991].

17 Process Material: sources for flowers and related images. Photographs, photocopies, cutouts and transparencies. Subjects include: Phragmites and Asphodels. [c. 1989-1991].

18 Copyright and Permissions: correspondence with New Directions publishers for permissions, 1988. Copyright registration for Illuminations, 1991.

19 Correspondence seeking exhibition venues for Illuminations. 1988-1993, with gaps.

20 Exhibitions: Davison Art Center, Wesleyan University, Middletown, Conn. Dates of exhibition: 1992 March 24-June 7. Documentation includes invitations, photographs, inventory and price list. 1992.

21 Exhibitions: New Jersey State Museum, Trenton, N.J. Dates of exhibition: 1992 July 5-August 23. Documentation includes invitations, correspondence, publicity, photographs, inventory and price list. 1992.

22 Exhibitions: Williams Center for the Arts, Rutherford, N.J. Dates of exhibition: 1993 April 1-29. Documentation includes invitations, publicity, photographs, inventory and price list. 1993.

23 Exhibitions: University of Massachusetts Medical Center Gallery, Worcester, Mass. Dates of exhibition: 1994 Jan 4-30. Documentation includes invitations, photographs, inventory and price list. 1994.

24 Exhibitions: Hampden Gallery, University of Massachusetts, Amherst, Mass. “Omens In Nature.” Dates of exhibition: 2002 September 8-October Exhibition

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43 24 included artwork for images in Illuminations but was not an exhibition of the book. Catalogue of poems in the exhibition. 2002.

25 Clampitt, Amy, poet. Wrote “Introduction” to Illuminations. Correspondence. 1978-2002, with gaps. See Also: Series 6: Poets

26 Cooper, Jane. Correspondence. Photocopy of letter to OHFF. 1994 June 11.

27 Ginsberg, Allan, poet. Correspondence. Photocopy of a note declining invitation to write the “Forward” to Illuminations. Also a draft of OHFF’s request. 1991 June.

28 Kunitz, Stanley, poet. Correspondence. Wrote “Foreword” to Illuminations. Photocopies of letter and “Foreword.” 1991 Sept 12. See Also: Series 5: Correspondence.

29 Laughlin, James, poet. Correspondence. Draft of letters to Laughlin from OHFF. 1990-1996, with gaps. Book: Remembering William Carlos Williams (1994) by Laughlin, with a note to OHFF, 1996.

30 Quagliano, Tony, poet. Correspondence. Letters and poems related to William Carlos Williams. Drafts of OHFF’s notes to Quagliano. 1990-1993.

31 Williams, Mary. Correspondence. Notes and cards. 1995-2002. (Wife of William E. Williams, M.D., the son of William Carlos Williams.)

32 Williams, William E., M.D., son of William Carlos Williams. Draft of note by OHFF re: project to Williams, 1988. Letter from Williams to Sidney Feshbach, husband of OHFF, thanking him for sending a book, 1992, with an explanatory note by S. Feshbach, 2014. WEW provided access to WCW’s home, gardens and papers.

44 33 Miscellaneous correspondence related to Illuminations, the book, exhibitions and events. 1989-2005, with gaps.

34 Midmarch Arts Press: publicity for Illuminations. Includes correspondence with Cynthia Navaretta and press background material. 1983-1993.

35 Parnassus, vol. 16, no. 2., 1991. Photocopy of cover and p.108. Art images from Illuminations. Cover: “The bomb is also a flower” and p. 108, “When I as a Boy.”

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44 36 William Carlos Williams Review, vol. 17, no. 1, 1991 Spring. 2 copies. Images from Illuminations, p. 19, and pp. 45-48.

37 Publicity and reviews. Old Crow, 1993; Bucknell World, 1992 May; Museum Insights, n.d.; The Journal of the Rutgers University Libraries, n.d.; Women Artists News Book Review, 1995.

38 Events related to Illuminations and William Carlos Williams. Includes presentations at Skidmore College Sister Arts Conference, 1990 Oct.; the Englewood (N.J.) Public Library, 1990 Oct.; Friends of the Rutherford (N.J.) Library, 1991 Nov.; reception at Wootton’s Books, Amherst, 1992 Dec.; publication party in New York City, 1992 Jan.

39 Koehler, Stanley, poet. Two books of poetry: The Fact of Fall, 1969 and Things of Consequence, 2010. Koehler went to school with William Carlos Williams’ son.

40 Honest Simplicity in William Carlos Williams’ “Asphodel, That Greeny Flower” by Marilyn Kallet, Louisiana State University Press, 1985. OHFF annotations and notes.

41 Something Urgent I Have to Say: The Life and Works of William Carlos Williams by Herbert Leibowitz. Inscribed volume, book review and flyer for a reading. 2011. And, Asphodel, That Greeny Flower & Other Love Poems, by William Carlos Williams. Introduction by Herbert Leibowitz. 1994. Inscribed by Leibowitz.

42 William Carlos Williams and Autobiography: The Woods of His Own Nature by Ann W. Fisher, The Pennsylvania State University Press, 1989. OHFF annotations and notes.

43 Harry Ransom Humanities Research Center, University of Texas, Austin, Texas. [Materials related to creating Illuminations, including artwork, are at the HRC.] Correspondence, and lists related to gift of papers and artwork. 1994-2013 with gaps.

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SERIES XV: Parallels: Artists/Poets

45 1 “Background and Experiences in the making of the book Parallels: Artists/Poets,” by OHFF; 2015 Mar 2

2 “Notes on Parallels Project” by Claire Heimarck; 2015

3 Parallels: Artists/Poets. By Oriole Farb Feshbach, Claire Heimarck; Lucy Rosenfeld. New York: Midmarch Arts Press, 1993. Signed copy of book. Includes signatures of some poets.

4 Parallels: Artists/Poets. By Oriole Farb Feshbach, Claire Heimarck; Lucy Rosenfeld. New York: Midmarch Arts Press, 1993. Copy of book.

5 Project Summary and Resume Summaries, c. 1992-1993

6 Permissions For Publication of Poems; 1992. Working documents for pursuing permissions.

7 Search for a Publisher; 1991. Rejections letters; interest from Midmarch Arts Press; proposals.

8 Book Publicity; 1993-1995. Including book signings

9 Exhibitions Related to Parallels: Artists/Poets; 1993-1995. Publicity; lists; statements; invitations; posters; and more. Newark Public Library, New Jersey, 1993. Gotham Book Mart Gallery, New York City, 1993. Donnell Library (New York Public Library branch), New York City, 1993. Sarah Lawrence College Library, Bronxville, New York, 1994. Robert Frost Library, Amherst College, Amherst, Massachusetts, 1994. Interchurch Center, Riverside Church, New York City, 1994. Schlesinger Library, Radcliffe College Cambridge, Massachusetts, 1995. Fairfield Public Library, Fairfield, Connecticut, 1995. Philadelphia Art Alliance, Philadelphia, Pennsylvania, 1995

10 Exhibition Openings and Dinner: Photographs; 1993-1995

11 List of OHFF Images Used for Poems in Parallels: Artists/Poets; 1992-1993

12 Poems OHFF Used for Parallels: Artists/Poets; c. 1993-1993. Includes some process work with poems; copies of poems; photographs. See Also: Series 10: Process and Research

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45 13 Poems by Women Used in Exhibitions After Publication of the Book; 1998, n.d. Includes photographs of OHFF’s artwork for poems

14 Slides of Images Used to Create Art in Parallels: Artists/Poets and Related Exhibitions; c. 1991-1997. Work of OHFF and Claire Heimarck. Includes some images related to women but not in the book. Sleeves are labeled.

15 Black and White Photograph Negatives and Contact Sheets for OHFF’s Work in Parallels: Artists/Poets and Related Exhibitions; c. 1991-1993.

46 16 Prints of OHFF Artwork in Parallels: Artists/Poets; c. 1991-1993. 5 x 7 inch black and white prints for pages 5-43; missing pages 3, 11, 17, 33, 35, 39, 41, 43 See following folder of 8 x 10 inch prints for other pages

17 Prints of OHFF Artwork in Parallels: Artists/Poets; c. 1991-1993. 8 x 10 inch black and white prints for pages 3,17, 33, 39, 41, 43; missing pages 11 and 35 See previous folder of 5 x 7 inch prints for other pages.

18 Print from India Used by OHFF in Parallels: Artists/Poets; n.d. Gift from D. Nanavati, OHFF’s friend from Bucknell University

19 Photographs of book artists; 1992, 1993, n.d. OHFF; Claire Heimarck; Lucy Rosenfeld.

20 Radcliffe Institute For Advanced Study; 2001-2001. Documentation of gift of the records of creating Parallels: Artists/Poets to the Institute.

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SERIES XVI: Luminations

47 1 Luminations: Printed book. 2 copies. 2008.

2 “The Auroras of Autumn,” poem by Wallace Stevens. Process working copies. Poem with notes and sketches for making images. [2007-2008].

3 “The Auroras of Autumn,” poem by Wallace Stevens. Copies of the poem with notes and related research material about poet Wallace Stevens. [2000-2007].

4 Artwork: “House-Evening.” Pastel on sandpaper. Half-dissolved. 2003 Oct.

5 Slides of artwork for Luminations and related images and artwork. Dates of original artwork on individual slides. 2002-2007.

6 Photographs of artwork for Luminations and related images and artwork. Dates of original artwork on individual photographs. 2002-2006.

7 Photographs of artwork for Luminations taken by Stephen Petegorsky for book printing. On 1 disk. Dates of original artwork on individual items. List of images and dates of items in folder. 2007 Nov.

8 Photographs of artwork for Luminations. 2 disks. Dates of original artwork on individual items. List of images and dates of items in folder. [2006-2007].

9 Book Production. Preliminary proof pages for printing front and back covers of Luminations. Loose copies. 2008.

10 Book Production. Luminations. Folded and gathered copy. 2008.

11 Book Production. Luminations. Miscellaneous loose printed pages. 2008.

12 Sawin, Matica, art historian. Wrote “Introduction” to Luminations. Correspondence and drafts of Introduction called “From Word to Image, Earth to Sky.” 2006-2008. Folder 1 of 2.

13 Sawin, Matica, art historian. Wrote “Introduction” to Luminations. Correspondence and drafts of “Introduction” called “From Word to Image, Earth to Sky.” 2006-2008. Folder 2 of 2.

48 14 Mariani, Paul, poet, critic and biographer. Wrote “Foreword” to Luminations. Correspondence and drafts of “Foreword.” 2007-2009.

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48 15 Pasachoff, Jay M., scientist and astronomer at Williams College. Correspondence re: Luminations checking scientific accuracy and more. 2007-2008.

16 Correspondence requesting statements for Luminations to Harold Bloom, John Felstiner, Susan Howe and Marjorie Perloff. 2007. Navaretta, Cynthia, at Midmarch Arts Press. Correspondence, lists, notes and photographs re: the publication, printing, design and promotion of Luminations. 2006-2008.

17 Glaven, Pam, book designer at Impress, Inc. Correspondence re: the evolution and design of Luminations. 2006-2008.

18 Connecticut River. Wallace Stevens poem, “The River of Rivers in Connecticut,” research and creative material related to the poem and small sketch. [2007-2008]. Part of planning. Not used in book.

19 Publicity and reviews. Contact information. 2008-2009.

20 Publicity and reviews. Preview 2008 Oct., and American Book Review 2009 Jan/Feb. Multiple copies.

21 22. Publicity and reviews. Bucknell Magazine 2008 Fall, The Wallace Stevens Journal 2008 Fall, CAA News 2008 Fall, University of Massachusetts Alumni Magazine 2008.

23 Publicity and reviews. Midmarch Arts Press 2008, book readings, book fairs and book parties. 2008.

24 Publicity and reviews. Correspondence related to all aspects of promotion. 2008- 2009.

25 “Wallace Stevens Birthday Bash” for the Connecticut Center for the Book at Hartford Public Library and the Friends & Enemies of Wallace Stevens, 2010 Nov 6.

26 Parnassus, vol. 31, nos. 1-2. Artwork, “The Auroras of Autumn” from Luminations used in issue. 2009 Aug.

27 Correspondence seeking exhibition venues for Luminations. 2007-2008.

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49 28 Michelson Galleries. Book signing and exhibition of artwork for Luminations. Dates of exhibition: 2008 Sept 20-Oct 26. Artist statement, correspondence, lists, administrative documents, publicity, photographs. 2008.

29 Michelson Galleries. Exhibition—“ Solar Refractions: Auroras and Rainbows.” Dates of exhibition: 2006 Aug 11-Sept 6. Correspondence, notes, publicity and photographs on all aspects of the exhibition. Includes art used to create Luminations. 2004-2007.

30 Correspondence, miscellaneous. Re: Luminations. Most thank-you notes and other related correspondence. 2006-2012.

31 Photographs related to Luminations. Includes two photographs taken at the press during book production. Some sources for imagery. [2008].

32 Signed print of Susan Howe poem from Bed Hangings I, printed for the Hartford Friends & Enemies of Wallace Stevens and Connecticut Center for the Book, Hartford Public Library, 2003 Oct 4.

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SERIES XVII: Slides: Artwork

50 1 Yearly Work: Varied media-in loose chronological order. 1988-2008

2 Mixed Work by Type: Includes commissioned work. 1977-2004. Oil Portraits: 1978-2004; includes two 1998 drawings related to the commissioned Upton children’s portrait. Pastel Portraits: 1977-2003. Self-Portraits: 1978-1986; includes print process work. Photo Collages: 1983-1986. Portrait Photo/Pastel Collages (Cibachromes): 1983-1987. Offset Lithographs: 1977-1982.

3 Oil Paintings and Self-Portraits: Oils: 1974-1976; “some of these portraits destroyed” per OHFF. Self-Portraits: 1978-1986.

4 Mixed Work by Type: 1974-1987. Photo Collages: 1986-1987. Drawings: 1974- 1979. DeMott, Megan: 1977-1981; “all process for her varied images” per OHFF.

51 5 Offset Lithographs: 1977-1985

6 “Old Oils:” 1973-1975. “Done for and at graduate school” at the University of Massachusetts, Amherst, Mass., per OHFF

7 Objects: 1974-1975. “Objects, drawings for design, drawings, sculpture” for graduate school at the University of Massachusetts, Amherst, Mass, per OHFF.

8 Objects and Drawings: 1974-1977. Objects: 1974-1975. Drawings: 1974-1977 “Work made for courses” for graduate school at the University of Massachusetts, Amherst, Mass., per OHFF.

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SERIES XVIII: Photographs: Artwork

52 1 “Who’s Who in Prints” various dates; lists of models and “look a-likes” in OHFF’s work, particularly in offset and photo collages. Drawings: alphabetical by title of work folders 1- 54.

2 “Ann Gross” 1979; pencil; 2 poses. Gross, Ann

3 “Anita” 1977-78; pencil on charcoal paper. Page, Anita

4 “Bob Marcus and Audrey Flack” 1976; pencil on colored paper; artist; in collection of Mr. and Mrs. Bob Marcus. Flack, Audrey, Marcus, Bob

5 “Clarence Delisle and Sons” aka “Clarence, Jay and Dick” 1976; pencil; 3 builder family, built OHFF Amherst, Mass. studio. Delisle, Clarence. Delisle, Dick. Delisel, Jay

6 “Elise” 1976; pencil; artist and poet, wife of poet Stanley Kunitz Asher (Kunitz), Elise

7 “Ellen and Lew Sheppard” 1977; pencil. Sheppard, Ellen. Sheppard, Lewis

8 “Family Portrait” aka “Jerry, Sue, Jon and Marge” 1976; pencil; OHFF’s first husband Peter Farb’s sister’s family; in collection of Mr. and Mrs. Jerome Weinstein. Weinstein, Jerry. Weinstein, Jon. Weinstein, Marge. Weinstein, Sue

9 “Grass to Woods” 1977; pencil on watercolor paper; study for oil “Chandler and Ann (Kirwin),” 1977-1978

10 “Harriet” aka “H” 1978-1979; pencil; 3 poses, one used for oil portrait 1978 Gratwick, Harriet Saltonstall

11 “Janet Soyer” 1977; pencil on charcoal paper; harpist; wife of cellist David Soyer Soyer, Janet

12 “Jessica” 1979-1980; pencil. Berins, Jessica

13 “Judy Stein” 1979; pencil; art writer. Stein, Judy

14 “Kevin” 1980; pencil; son of University of Massachusetts, Amherst, athletic coach. Katch, Kevin

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52 15 “Marge Roy” 1977; pencil; 2 poses. Roy, Marge

16 “Mark” 1976; pencil; OHFF and first husband Peter Farb’s son. Farb, Mark Daniel

17 “Mary and Charles Chetham” 1976; pencil; done at Smith College Art Museum opening; C. Chetham, Director of the Smith College Art Museum. Chetham, Charles. Chetham, Mary

18 “Megan Kirwin” 1977; pencil on pink charcoal paper; in collection of Mr. and Mrs. Chandler Kirwin. Kirwin, Megan (daughter)

19 “Pete, Mark & Tom” pencil; 1977; OHFF first husband Peter Farb and their two sons. Farb, Mark Daniel. Farb, Peter. Farb, Tom

20 “Portrait of a Young Girl After Pollaiuolo” 1977; pencil. DeMott, Megan

21 “Robert Newman” 1979; pencil. Newman, Robert

22 “Sally” 1980, 1981; pencil; 2 poses. Yarde, Sally

23 “Sarah” 1977; pencil; in collection of Mr. and Mrs. George Wardlaw Wardlaw, Sarah (daughter)

24 “Sarah After Eakins” c. 1981; pencil; looking like “Weda Cook” by Eakins Callahan (Lennis), Sarah

25 “Self-Portrait” 1979; pencil on tracing paper. Feshbach, Oriole Horch Farb

26 “Sunne Savage” 1979; pencil; gallery owner. Savage, Sunne

27 “Sunne Savage and Robert Newman” 1979; pencil; Savage. Newman, Robert Savage, Sunne, (gallery owner)

28 “Tina After Eakins” 1979; pencil. Berins, Tina

29 “Tina and Mark” 1979; pencil. Berins, Tina. Farb, Mark Daniel (OHFF and first husband Peter Farb’s son)

30 “Wendy” 1977; pencil; Curator at Mount Holyoke College Museum of Art Watson, Wendy

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52 31 “Woods” 1977; pencil on dark charcoal paper; study for oil “Chandler and Ann (Kirwin),” 1977-1978

32 Offset Prints: alphabetical by title of work. All black and white prints of images that were printed in color.“David Soyer” 1976; offset; cellist Soyer, David

33 “Four Generations” 1980. (Harriet Saltonstall Gratwick and her daughters and mother) 1. Serkin, Lucy (HSG daughter) 2. Gratwick, Harriet Saltonstall 3. Mulligan, Lee (HSG daughter) 4. Gratwick, Harriet Saltonstall 5. Lewis, Emily (HSG daughter) 6. Gratwick, Harriet Saltonstall 7. Portrait of HSG’s mother

34 “Glances” 1979; offset 1. Farb, Mark Daniel (OHFF and first husband Peter Farb’s son) 2. Berins, Tina 3. Savage, Sunne, (gallery owner) 4. Newman, Bob

35 “Homage to Eakins” 1985; offset; process and final photographs 1. “Weda Cook” by Eakins 2. “Helen Parker” or “The Old Fashioned Dress” by Eakins 3. “Mrs. Thomas Eakins” by Eakins 4. “Elizabeth L. Burton” by Eakins 5. Callahan (Lennis), Sarah 6. Yarde, Sally 7. Gratwick, Harriet Saltonstall 8. Berins, Tina

36 “In Time I” 1982; offset 1. Katch, Kevin 2. “Niklas Rubens” by Rubens 3. Kirwin, Elizabeth 4. “Annie Lavelle” by Robert Henri 5. Schleappi, Zack 6. “La Petite Chatelaine” by Camille Claudel 7. Kirwin, Megan 8. “Laughing Boy” by Frans Hals

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52 37 “In Time II” 1983; offset 1. Buffington, James 2. “Ezra Stiles” by Samuel King (President of Yale) 3. Plimpton, Herbert (art dealer) 4. “Colonel Jacob Fowle” by Copley 5. Feshbach, Sid (OHFF’s second husband) 6. “Self-Portrait Drawing at Window” by Rembrandt 7. Shannon, Joseph 8. “Pedro Manach” by Pablo Picasso

38 “In Time III” 1984; offset 1. “Man With the Broken Nose” by Rodin 2. Kunitz, Stanley (poet) 3. “Mrs. Thomas Eakins” by Eakins 4. Commager, Henry Steele (historian) 5. “Dr. Paul Gachet” by Van Gogh 6. Gratwick, Harriet Saltonstall

39 “In Time IV” 1984; offset 1. “Mrs. John Winthrop” by Copley 2. Buffington, Ruth 3. “Jane Seymour Queen of England” by Holbein 4. DeMott, Peg 5. “Queen Elizabeth” (artist unknown) 6. Starr, Irene

40 “In Time V: From Photoplay to Photorealism” 1985; offset 1. Valentino, Rudolph (actor) 2. Wyman, Jane (actress) 3. Bridges, Lloyd (actor) 4. Shannon, Joseph 5. Holland, Patricia (in OHFF women’s group) 6. DeMott, Ben

41 “In Time VI” 1985; offset 1. Pratt (Casey), Nina 2. Karson, Robin 3. O’Keefe, Georgia (artist) by Stieglitz 4. Renaissance Profile 5. “Self-Portrait” by Cecilia Beaux 6. “Jeannie Dean Kershaw” by Eakins 7. Renaissance Profile

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8. “Self-Portrait” by Isabel Bishop

52 42 “Janet” 1977-1978; offset; harpist. Soyer, Janet

43 “Jessica’s Heritage” 1980; offset; for Jessica Berins 1. Jessica Berins’ great-grandmother 2. Berins, Tina (Jessica’s mother) 3. “Self-Portrait” by Sarah Peale 4. Jessica Berins’ grandmother 5. Berins, Jessica 6. “Mrs. Abbington” by Sir Joshua Reynolds

44 “Kathi” offset; 1977. ?, Kathi. See Also: Series 2: Yearly Files-1977 for photographs of printing process

45 “Katie’s Heritage” 1981; offset: for Katie Roiphe, writer

46 1. Dickinson, Emily, daguerreotype (poet) 2. Roiphe, Ann (Katie’s mother) 3. Rosenthal, Anna (Katie’s grandmother) 4. Phillips, Blanche (Katie’s grandmother; Ann’s mother) 5. Roiphe, Katie 6. “Self-Portrait in Red Blouse” by Gwen Johns

47 “Megan” 1977; offset. DeMott, Megan

48 “Megan After a Renaissance Portrait” aka “Megan Inspired by a Renaissance Portrait” 1977; offset. DeMott, Megan. “Portrait of a Lady” by Pollaiuolo

49 “My Heritage #3” 1986; offset; for Oriole Horch Farb Feshbach, artist 1. Horch, Jean (OHFF’s deceased sister, 1919-1923) 2. Horch, Nettie (OHFF’s mother, 1896-1991) 3. Horch, Oriole #1 (OHFF’s deceased sister, 1927-1929) 4. Horch, Fanny Lehman (OHFF’s grandmother, father’s mother, 1866-1954) 5. Feshbach, Oriole Horch Farb (1931- ) 6. Silverstein, Shewa (OHFF’s grandmother, mother Nettie Horch’s mother, 1868-1920)

50 “Renaissance I” 1983-1984; offset and pastel 1. Halperin, Carla 2. DeMott, Megan 3. “Princess de Medici” by Bronzino

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4. “Portrait of a Lady” by Pollaiuolo

52 51 “Renaissance II” 1986; offset and pastel 1. Belz, Barbara 2. Schleappi, Diane 3. “Portrait of a Lady” by Pollaiuolo 4. “A Sforza Princess” by Da Vinci

52 “Sally After Eakins” 1981; offset; posed with “Helen Parker” or “The Old Fashioned Dress” by Eakins. Yarde, Sally

53 “Self-Portrait” 1979; offset; artist. Feshbach, Oriole Horch Farb

54 “Self-Portrait in Mirror” 1978; color offset litho; artist. Feshbach, Oriole Horch Farb

54 “Sid” 1977; offset; historian and founder of The Massachusetts Review. Kaplan, Sidney

53 55 “Sid’s Heritage” aka “Teacher’s Heritage” 1983; for Sidney Feshbach, OHFF’s second husband; literary scholar and City College of New York faulty member, emeritus 1. Melville, Herman (writer) 2. Feshbach, Zeyoeh (SF grandfather) 3. Einstein, Albert (scientist) 4. “Self-Portrait in a Fur Hat” by Rembrandt (artist) 5. Feshbach, Sidney 6. “Sidney Kaplan” by OHFF (historian and founder of The Massachusetts Review)

56 “Tina After Eakins” 1981; offset; posed with “Elizabeth L. Burton” by Eakins Berins, Tina.

57 “Tina After Eakins” 1980; offset; head only. Berins, Tina.

58 “Tina and Sally After Eakins” 1981; offset. Top: Berins, Tina: posed with “Elizabeth L. Burton” by Eakins. Bottom: Yarde, Sally: posed with “Helen Parker” or “The Old Fashioned Dress” by Eakins

59 “Wendy” 1977

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53 60 Oils: alphabetical by title of work. Most are black and white photographs of color portraits. Color photographs where noted.“Ann” 1976; oil; in collection of Mr. and Mrs. Paul Sperry. Sperry, Ann

61 “Ben DeMott” 1981-1982; oil; English faculty member at Amherst College DeMott, Benjamin

62 “Chandler and Ann” 1977-1978; oil; Chandler an Amherst College art faculty member; in collection of Mr. and Mrs. Chandler Kirwin. Kirwin, Ann Kirwin, Chandler

63 “David” 1997; oil; cellist. Soyer, David

64 “Elizabeth” 1976-1977; oil; in collection of Mr. and Mrs. Chandler Kirwin Kirwin, Elizabeth (daughter)

65 “Ellen and Lew” 1976; oil; in collection of Mr. and Mrs. Lewis Sheppard Sheppard, Ellen. Sheppard, Lewis

66 “Frank” 1977, oil; director of the Herter Gallery at University of Massachusetts, Amherst, Mass. Caldwell, Frank

67 “Harriet” 1978; oil. Gratwick, Harriet Saltonstall

68 “Henry Steele Commager” 1979-1980; oil; historian; in collection of New Britain (Conn.) Art Museum. Commager, Henry Steele

69 “Inside/Outside: Reflections” 1975; oil

70 “Joseph Shannon” 1984; oil; artist. Shannon, Joseph

71 “Madaline George” 1979-1980; oil. George, Madaline

72 “Marian, Bruce and Darwin” 1978; oil. Brown, Bruce. Brown, Marian Darwin (dog)

73 “Mark” 1976-1977; oil; OHFF and first husband Peter Farb’s son. Farb, Mark Daniel

74 “Mark” (Detail-eye) 1976; oil; OHFF and first husband Peter Farb’s son Farb, Mark Daniel

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53 75 “Minute Man in Garden” 2003; oil; painting of statue in campus garden, commission from the University of Massachusetts, Amherst, Mass., on a disc. (Disc also includes 2 photographs of OHFF, one used in the UMASSMag article for fall, 2002.)

76 “Pat” 1979; oil; member of OHFF’s women’ group; in collection of Patricia Holland. Holland, Patricia

77 “Pat” (Detail-eye) 1978; oil; member of OHFF’s women’ group; in collection of Patricia Holland. Holland, Patricia

78 “Paul Siskind” 1980; oil; Dean, Boston University Law School; in collection of Boston University Law Library. Siskind, Paul

79 “Pete” (portrait with books) 1975-1976; oil; writer and photographer; OHFF’s first husband. Farb, Peter

80 “Pete” (eyes in black glasses) 1976; oil; writer and photographer; OHFF’s first husband; in collection of Mr. and Mrs. Paul Sperry. Farb, Peter

81 “Pete Reading” 1976; oil; photographs of portrait and details; writer and photographer; OHFF’s first husband. Farb, Peter

82 “Reflections: Father” aka “Louis Horch: Reflections” aka “Inside/Outside: Father” 1974-1975; oil; includes process photographs; OHFF’s father Horch, Louis

83 “Reflections: Mother” 1975; oil; includes process photographs; OHFF’s mother Horch, Nettie S.

84 “Robert B. von Mehren” 1995-1996; oil; includes color photographs by Jon Crispon; retired attorney with Debevoise & Plimpton; in the collection of the Practicing Law Institute, New York City. von Mehren, Robert B.

85 “Scott, Ashley and Ben Upton” 1998; oil; triple portrait; color photographs; includes detail photographs; in collection of Dr. and Mrs. Joseph Upton Upton, Ashley (center). Upton, Ben (right). Upton, Scott (left)

86 “Stanley Kunitz” 1982-83; oil; in worchester Museum

87 “Tom” 1976-1977; oil; OHFF and first husband Peter Farb’s son Farb, Tom

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53 88 “Wendy and John” 1977; oil; in collection of Mr. and Mrs. John Varriano Watson, Wendy (Curator, Mount Holyoke College Art Museum) Varriano, John (Art Historian, Mount Holyoke College faculty)

89 Pastels: alphabetical by title of work: “Aaron Feshbach Mercury” 2015; pastel and watercolor; OHFF and second husband Sidney Feshbach’s grandson; color photograph. Feshbach, Aaron

90 “Alice” (cat) 1979; pastel and crayon; gift to poet Michael Benedict, the cat’s owner. Benedict, Alice (cat)

91 “Andy” 1978; commissioned pastel; in collection of Norton and Irene Starr Starr, Andrew (son)

92 “Anghared Davies” 1977; pastel. Davies, Anghared

93 “Automobile Dealer” aka “Harlan Paige” 1985; pastel; owner of Paige’s Chevrolet, Amherst, Mass. Paige, Harlan

94 “Ethan” 1978; commissioned pastel; in collection of Norton and Irene Starr Starr, Ethan (son)

95 “Herbert Plimpton” 1986; pastel; art dealer; in collection of Rose Art Museum, Brandeis University, Waltham, Mass.Plimpton, Herbert

96 “Hillery Edwards” 1977; pastel; daughter of Lee Edwards. Edwards, Hillery

97 “James Rosen” 1985; pastel and colored photographs; in collection of Dr. and Mrs. R. Rosen. Rosen, James (son). “Titus” by Rembrandt. “Boy Offering Apple to Viewer” by Flinck

98 “Siana, Zorba, Meteors” 2002; pastel; includes contact sheet and negatives; OHFF and second husband Sidney Feshbach’s granddaughter; in collection of Siana Valhouli-Farb. Farb, Siana Valhouli

54 99 Photo Collages: alphabetical by title of work.“Goya/Mary” 1987; photo collage; historian. 1. “La Moue” by Goya. 2. Commager, Mary Powlesland

100 “Homage to Botticelli #1” 1986; photo collage and offset 1. Watson, Wendy (Curator, Mount Holyoke College Art Museum) 2. ? by Botticelli, painting 3. Soyer, Janet (harpist)

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4. ? by Botticelli, painting 5. “Kathi” 6. ? by Botticelli, painting

54 101 “Homage to Botticelli #2” 1986; photo collage 1. Soyer, Janet (harpist) 2. ? by Botticelli, painting 3. Franz, Karen 4. ? by Botticelli, painting

102 “Homage to Copley #4” 1986; photo collage and offset 1. Plimpton, Herbert (art dealer) 2. “Colonel Jacob Fowle” by Copley 3. “Mrs. John Winthrop” by Copley 4. DeMott, Peg

103 “”Homage to Eakins” 1986; photo collage 1. “Weda Cook” by Eakins, painting 2. “Helen Parker” or “The Old Fashioned Dress” by Eakins, painting 3. “Mrs. Thomas Eakins” by Eakins, painting 4. “Elizabeth L. Burton” by Eakins, painting 5. Callahan (Lennis), Sarah 6. Yarde, Sally 7. Gratwick, Harriet Saltonstall 8. Berins, Tina

104 “In Time I” 1986; photo collage 1. “Annie Lavelle” by Robert Henri, painting 2. “La Petite Chatelaine” by Camille Claudel, sculpture 3. “Niklas Rubens” by Rubens 4. “Laughing Boy” by Frans Hals, painting 5. Kirwin, Elizabeth 6. Schleappi, Zack 7. Katch, Kevin 8. Kirwin, Megan

105 “In Time IV #?” 1986; photo collage and offset 1. “Queen Elizabeth” (artist unknown) 2. Buffington, Ruth 3. “Mrs. John Winthrop” by Copley 4. DeMott, Peg 5. “Jane Seymour Queen of England” by Holbein

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6. Starr, Irene

54 106 “In Time V #3: From Photoplay to Photorealism” 1985 (photo 1986); photo collage and offset 1. Valentino, Rudolph (actor) 2. Wyman, Jane (actress) 3. Bridges, Lloyd (actor) 4. Shannon, Joseph (artist) 5. Holland, Patricia (in OHFF’s women’s group) 6. DeMott, Ben (English faculty, Amherst College, Amherst, Mass.)

107 “Jessica’s Heritage” 1986; photo collage 1. Jessica Berins’ great-grandmother 2. Berins, Tina (Jessica’s mother) 3. “Self-Portrait” by Sarah Peale, painting 4. Jessica Berins’ grandmother 5. Berins, Jessica 6. “Mrs. Abbington” by Sir Joshua Reynolds, painting

108 “Katie’s Heritage” 1986, 1987; photo collage 1. Dickinson, Emily, daguerreotype (poet) 2. Roiphe, Ann (Katie’s mother) 3. Rosenthal, Anna, (Katie’s grandmother) 4. Phillips, Blanche (Katie’s grandmother; Ann’s mother) 5. Roiphe, Katie 6. “Self-Portrait in Red Blouse” by Gwen Johns, painting

109 “My Heritage” 1986; photo collage; OHFF is the subject; artist 1. Horch, Jean (OHFF’ deceased sister, 1919-1923) 2. Horch, Nettie (OHFF’ mother, 1896-1991) 3. Horch, Oriole #1 (OHFF’ deceased sister, 1927-1929) 4. Horch, Fanny Lehman (OHFF’ grandmother, father Louis Horch’s mother, 1866-1954) 5. Feshbach, Oriole Horch Farb (1931- ) 6. Silverstein, Shewa (OHFF grandmother, mother Nettie Horch’s mother, 1868-1920)

110 “Renaissance I” 1986, photo collage 1. “Princess de Medici” by Bronzino 2. “Portrait of a Lady” by Pollaiuolo 3. Halperin, Carla 4. DeMott, Megan

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54 111 “Renaissance II” 1986, photo collage 1. Beltz, Barbara 2. Schleappi, Diane 3. “Portrait of a Lady” by Pollaiuolo 4. “A Sforza Princess” by Da Vinci

112 “Three Daughters” 1987; photo collage. (Harriet Saltonstall Gratwick and her daughters ) 1. Gratwick, Harriet Saltonstall 2. Mulligan, Lee (HSG daughter) 3. Serkin, Lucy (HSG daughter) 4. Gratwick, Harriet Saltonstall 5. Gratwick, Harriet Saltonstall 6. Lewis, Emily (HSG daughter)

113 “Women/Portraits” 1987; photo collage 1. Feshbach, Reva (OHFF’s daughter) 2. “Beatrice” by Marie Spartali Stillman 3. Couture, Christin (artist and writer) 4. “Lady of Baptist Corner” by E. R. Elmers 5. Model 6. “Self-Portrait on Her 6th Wedding Day” by Paula Moderson Becker 7. Commager, Mary Powlesland (historian) 8. “La Moue” by Goya

114 Other Work and Process:Bayer (Herbert and Joella) Portrait In Process 1984 OHFF working on portrait in studio in Amherst, Mass. See Also: Series 19: Photographs: Models

115 “Cosmic Connections” 2000. Exhibition at the Springfield (Massachusetts) Science Museum. Aka Hubble Exhibition. Contact sheets, negatives, and prints of comets, ice, icebergs. Folder 1 of 2. See Also: Series 2: Yearly Files See Also: Series 8: Scrapbooks See Also: Series 20: Photographs: Exhibitions

116 “Cosmic Connections” 2000 Exhibition at the Springfield (Massachusetts) Science Museum. Aka Hubble Exhibition. Contact sheets, negatives, and prints of comets, ice, icebergs Folder 2 of 2. See Also: Series 2: Yearly Files. See Also: Series 8: Scrapbooks See Also: Series 20: Photographs: Exhibitions

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54 117 Digital Images of Artwork on Disk. Various dates. “Images not identified; some excellent; some work I destroyed; some dated, some gifted—sold.” Per OHFF note.

118 “Double Shadow” 1975, object

119 “Grid-Loops” 4 Parts 1975-1977

120 Personal Collections 2001, n.d.Works in personal collections

121 Studio Photographs 2005. Works hanging in OHFF’s studio, Amherst, Mass.

122 Studio Photographs 2008. OHFF and her work in process and completed in studio in Hallandale Beach, Florida

123 Studio Photographs 2009, 2013. Works in process and completed works in OHFF studio, Amherst, Mass.

124 Tingley Beach and Tamarind Press Institute Albuquerque, New Mexico 1988 Photographs, process pictures, negatives, slides. See Also: Series 11: Artwork (for the print and color separations). See Also: Series 12: Projects (for sketchbook used at Tingley Beach).

125 Contact Sheets and Negatives. Black and white photographs-contact sheets and negatives of artwork most portraits and offsets and photo collages; identification and dates on most items. Folder 1 of 3

126 Black and white photographs-contact sheets and negatives of artwork most portraits and offsets and photo collages; identification and dates on most items Folder 3 of 3

127 Black and white photographs-contact sheets and negatives of artwork most portraits and offsets and photo collages; identification and dates on most items Folder 3 of 3

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SERIES XIX: Photographs: Models

55 1 Asher (Kunitz), Elise, artist and poet, 1975: for drawing 1976; wife of poet Stanley Kunitz See Also: Series 5: Correspondence See Also: Series 7: Artists See Also: Series 11: Artwork for sketch of Asher

2 -Bayer, Herbert and Joella, 1980: taken in Aspen, Colorado for oil; includes some “process” images; oil in Denver (Co.) Art Museum -Beltz, Barbara, 1980: for drawing, 1980 and collages “Renaissance II,” 1986 -Berins, Jessica, 1979: for drawing and “Jessica’s Heritage” offset and other collages, 1979,1980 -Berins, Tina, 1979: for drawing, 1986 and “Jessica’s Heritage” and Eakins collages, 1979 -Brown, Bruce and Marian, with Darwin, the dog, 1976: for oil, 1978 -Buffington, Ruth, 1979, 1983, 1986, 1995: for drawing 1983 and “In Time IV” collage, 1984; violinist -Buffington, James, 1983: for pencil drawing and “In Time II” collage, 1983; French horn player

3 -Caldwell, Frank, 1977: for oil; Director of the Herter Art Gallery, University of Massachusetts, Amherst, Mass. -Callahan, Sarah, 1980, 1986: for “Homage to Eakins #2” collage -Casey, Nina Pratt- see P folder -Commager, Mary Powsland, 1987: for collages; historian -Coutour, Cristin, 1985, 1986; artist and writer; portrait not done -Cruz, Emily, 1996: for pastel, 1996; in the collection of Mr. and Mrs. Will Hastings

4 -Commager, Henry Steele, 1979: for oil and collages, 1979, 1980 and more; historian; oil in New Britain (Conn.) Art Museum

5 -Delisle, Clarence, Dick and Jay, 1976: for drawings, 1976; builders of OHFF studio in Amherst, Mass. -DeMott, Ben, 1979, 1981, n.d.: for oil and offset prints; Amherst College faculty -DeMott, Megan, 1977, 1982, 1986: for drawings, 1977 and collages and offsets “Renaissance I,” 1977 and “Megan Inspired by a Renaissance Portrait,” 1977 -DeMott, Peg, 1977-1979, 1976: for “In Time IV” collage - Dobuler, Paul, 1991: for oil, 1993; OHFF grand-nephew, who passed away

6 -Edwards, Hillery, 1977: for pastel, 1977; daughter of Lee Edwards

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55 7 -Ferrari, Jaclyn, 1996: for pastel, 1996; in collection of Mr. and Mrs. Jack Portney -Flack, Audrey and Bob Marcus, 1976: for drawings; Flack is an artist -Friedman, Valerie, 1986: for oil, 1987

8 -Farb (family) -Farb, Mark Daniel, 1976: for oil “Mark,” 1977; includes some process photographs; OHFF’s son -Farb, Peter, Mark Daniel Farb and Tom Farb, 1976: for 1977 drawing; Peter Farb, writer and photographer, OHFF’s first husband, and two sons -Farb, Mark Daniel and Tom Farb, 1976: for drawing 1977; OHFF’s sons -Farb, Menucha, 2005: for pastel, 2005; includes process work and research; OHFF’s granddaughter

9 -Farb, Miriam, 2000: for watercolor and pastel “Miriam Star of the Sea,” watercolor and oil; includes process work, research, planning sketches and a photograph of the final portrait; OHFF and first husband Peter Farb’s granddaughter

10 -Farb, Siana Valhouli, c. 2002: for pastel “Siana, Zorba, Meteors,” 2002; OHFF and first husband Peter Farb’s granddaughter

11 -Feshbach, Aaron, c. 2003: for pastel and watercolor “Aaron Feshbach Mercury,” 2015; includes process work and research and sketches; OHFF’s grandson

12 -Feshbach, Oriole Horch Farb, 1977, 1978,1979, 1984: for self-portraits, photographs and “My Heritage” offset and photo collages and more, 1978, 1979, 1999

13 -Feshbach, Oriole Horch Farb, 1973; photographs and negatives taken by Peter Farb, photographer and OHFF’s first husband

56 14 -Feshbach, Sidney, 1982, 1986: for collages “Sid’s Heritage,” 1986; and other collages; OHFF’s second husband. Folder 1 of 2

15 -Feshbach, Sidney, 1980s; process work, plans, research and more for a “Studium” portrait over time that was not done; literary scholar, City College of New York faculty, OHFF’s second husband. Folder 2 of 2

16 -George, Madaline, 1978: for oil, 1979; Amherst College faculty Steve George’s daughter -Gillespie, Fran, 1980: for portrait not done; painter

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-Gross, Ann, 1979, 1987: for offset collage, “Two Generations #2,” 1987 and pencil drawings, 1979

56 17 -Gratwick, Harriet Saltonstall, 1978, 1979: for oil, 1978 and drawings, 1979 and “Four Generations” and other offset and photo collages

18 -Halperin, Carla, 1979, 1986: for collage “Renaissance I,” 1986; daughter of Professor Halperin -Holland, Patricia, 1978, 1979: for oil, 1979 and collages; some process photographs; in the collection of Patricia Holland; member of OHFF’s feminist women’s support group -Horch, Louis, 1973, 1974 taken in Florida: for oil “Inside/Outside Father” and others, 1974, 1975; OHFF’s father -Horch, Nettie, 1973, 1974 taken in Florida: for oil “Reflections Mother,” 1975; OHFF’s mother

19 empty folder

20 “In Time I,”1982 collage: 1. Katch, Kevin- see K folder 2. “Niklas Rubens” by Rubens, painting (no model) 3. Kirwin, Elizabeth- see K folder 4. “Annie Lavelle” by Robert Henri, painting 5. Schleappi, Zack- see S folder 6. “La Petite Chatelaine” by Camille Claudel (no model) 7. Kirwin, Megan- see K folder 8. “Laughing Boy” by Frans Hals, painting

21 -“In Time II,” 1983 collage: 1. Buffington, James- see B folder 2. “Ezra Stiles” by Samuel King, painting 3. Plimpton, Herbert- see also P-Plimpton, Herbert folder 4. “Colonel Jacob Fowle” by Copley (no model) 5. Feshbach, Sid- see also F-Feshbach, Sidney folder 6. “Self-Portrait Drawing at Window” by Rembrandt (no model) 7. Shannon, Joseph- see also S folder 8. “Petro Manach” by Pablo Picasso, painting

22 -“In Time III,” 1984 collage: 1. “Man With the Broken Nose” Rodin sculpture 2. Kunitz, Stanley- see also K-Kunitz, Stanley folder

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3. “Mrs. Thomas Eakins” by Eakins (See “Look Alike” Model folder) 4. Commager, Henry Steele- see also C-Commager, Henry Steele folder 5. “Dr. Paul Gachet” by Van Gogh (no model) 6. “Gratwick, Harriet Saltonstall- see G-Gratwick, Harriet Saltonstall folder

56 23 -“In Time V #3,” 1985 collage: 1. Valintino, Rudolph-actor (no model) 2. Wyman, Jane-actress 3. Bridges, Lloyd-actor 4. Shannon, Joseph- see S folder 5. Holland, Patricia- see H folder 6. DeMott, Ben- see D folder

24 empty folder

25 -“Jessica’s Heritage” 1980 collage: 1. Jessica Berins’ great-grandmother (no model) 2. Berins, Tina (Jessica’s mother)- see B folder 3. “Self-Portrait” by Sarah Peale, painting 4. Jessica Berins’ grandmother (no model) 5. Berins, Jessica- see B folder 6. “Mrs. Abbington” by Sir Joshua Reynolds, painting

26 -Kathi (no last name), 1977: for offset and “Homage To Botticelli I” photo collage, 1986 See Also: Series 2: Yearly Files, 1977 for photos of OHFF printing offset at Newell’s print shop -Kaplan, Sidney, 1977: for offset print, 1977; historian and founder of The Massachusetts Review -Karson, Robin, 1980, 1984: for “In Time VI” collage, 1985; writer -Katch, Kevin, 1979: for pencil drawing, 1980 and “In Time I” collage, 1982; son of University of Massachusetts, Amherst, Mass., Athletics coach -Kirwin, Elizabeth, 1976, 1982: for oil 1976 and “In Time I” collage, 1982 -Kirwin, Megan, 1976: for pencil drawing, 1977 and “In Time I” collage, 1982

27 1. Emily Dickinson daguerreotype photograph (no model) 2. Roiphe, Ann (Katie’s mother)- see R folder 3. Rosenthal, Anna (Katie grandmother) 4. Phillips, Blanche (Katie’s grandmother; Ann’s mother) (no model)

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5. Roiphe, Katie- see R folder 6. “Self-Portrait in Red Blouse” by Gwen Johns, painting (no model) 56 28 -Kirwin, Chandler and Ann, 1976: for oil, 1977; photographs taken in Canada; Chandler Amherst College faculty member

29 -Kunitz, Stanley, 1979, 1980, 1982: for oil, 1982 and “In Time III” collage, 1984; poet; oil in Worcester Art Museum

30 empty folder

31 -Marcus, Bob, 1976: see F folder-Flack, Audrey and Bob Marcus -McIntire, Ruth, 1980: see R-Rand, Margo folder -Meyersohn, Rolfe, 1996, 1997: for pastel, 1997; includes process and research material; husband of OHFF’s cousin Marylea

32 -Newman, Robert, 1979: see S folder; filed with Sunne Savage

33 empty folder

57 34 -Page, Alex and Anita, 1977, 1986: for drawings 1986 -Paige, Harlan, 1978, 1985: for pastel, 1985; Chevrolet dealer in Amherst -Pratt (Casey), Nina, 1978, 1979: for drawings, 1979 and “In Time VI” offset collage, 1985

35 -Plimpton, Herbert, 1980, 1981: for pastel, 1986, offset, 1986, pencil drawings 1980, 1981, 1983 and “In Time II” collage, 1983; art collector; “oil never done;” 5 envelopes in folder; see also I “In Time II” folder

36 empty folder

37 -Roiphe, Ann, 1972: for “Katie’s Heritage” collages, 1981; photograph by Jill Krementz; and 1986, n.d.; photographed by OHFF -Roiphe, Katie, 1981: for “Katie’s Heritage” collages, 1981 and drawing; writer -Rosen, James, n.d.: for pastel 1985; son of Dr. Rosen -Roy, Marge, 1977: for drawing and offset, 1977; also photograph with OHFF, n.d.

38 -Rand, Margo and Ruth McIntire, 1980: portrait not done; includes sketch and negatives; Rand was OHFF’s neighbor and related to the Rand Theater, University of Massachusetts, Amherst, Mass.

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57 39 -“Renaissance I,” 1977 collage: 1. Renaissance Portrait (no model) 2. Halperin, Carla-see H folder 3. “Portrait of a Lady” by Pollaiuolo 4. DeMott, Megan- see D folder Includes process work and background material.

40 -Renaissance II,” [1980] collage: 1. Beltz, Barbara- see B folder 2. “A Sforza Princess” by Da Vinci 3. “Portrait of a Lady” by Pollaiuolo 4. Schleappi, Diane- see S folder Includes process work.

41 -Savage, Sunne and Robert Newman, 1979: for pencil drawings, 1979 and offsets, 1979; See Also: Series 11: Artwork, for print -Schleappi, Diane, 1980: for pastel and collages “Renaissance II,” 1986 -Schleappi, Zack, 1981: for “In Time I,” 1982 -Shannon, Joe, 1983, 1986, n.d.: for oil, 1983 and “In Time II,” 1983, and “In Time V#3,” 1985 collages; friend of OHFF’s first husband, Peter Farb -Sheppard, Ellen and Lewis, 1976: for oil, 1976 and pencil drawing; includes process work and sketches; Lewis, Amherst College faculty; oil in collection of Ellen and Lewis Sheppard -Starr, Andy, 1977: for pastel, 1978; son of Norton and Irene Starr; Norton, Amherst College faculty -Starr, Ethan, 1979: for pastel, 1979; son of Norton and Irene Starr; Norton, Amherst College faculty -Starr, Irene, 1983: for “In Time IV” collage; Slide Curator, University of Massachusetts, Amherst -Stein, Judy, 1978: for drawings, 1979 and offsets 1979; art writer -Stern, Daniel, n.d.: used for drawing for his book cover, 1989; writer -Sperry, Ann, 1974: for oil, 1976; sculptor and feminist -Sperry, Ethan, 1977: for oil, n.d.; son of Ann Sperry

42 -Siskind, Paul, 1980, 1981: for commissioned oil, 1980; Dean of Boston University Law School

43 -Soyer, David and Janet. Soyer, David, 1976, 1991: for oil, 1976 and offset, 1977; cellist. Soyer, Janet, 1976, 1986, 1991, n.d.: for offset, 1975, pencil drawing, 1996; harpist Includes some photographs of Soyers taken together.

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58 44 -Stansky, Peter, 2003: for oil 2004; portrait in Green Library, Stanford University; historian

45 -Trapp, Frank, 1977: for portrait not done; faculty member and Director, Mead Art Museum, Amherst College, Amherst, Mass.

46 -Upton Family Children, 1998: for commissioned triple portrait oil and drawings, 1998; includes photographs, process work, slides, negatives sketches and commission information; in collection of Dr. and Mrs. Joseph Upton; Folder 1 of 2 1. Scott 2. Ashley 3. Ben

47 -Upton Family Children, 1998: for commissioned triple portrait oil and drawings, 1998; includes photographs, process work, slides, negatives sketches and commission information; in collection of Dr. and Mrs. Joseph Upton Folder 2 of 2 1. Scott 2. Ashley 3. Ben

48 -Valhouli-Farb, Siana: see F Farb, Siana Valhouli folder -Varriano, John, 1976: see W Watson, Wendy and John Varriano folder -von Mehren, Robert B., 1995, 1996: for commissioned oil, 1996; retired attorney with DeBevoise & Plimpton; includes annotated photographs; oil at the Practicing Law Institute, New York City

49 -Wardlaw, George and Judy, 1977: for portrait not done -Wardlaw, Sarah, 1977: for drawing, 1977, 1981; daughter of George and Judy Wardlaw -Weinstein Family, 1976: for drawing, “Family Portrait,” 1976; OHFF’s first husband Peter Farb’s sister’s family

50 -Watson, Wendy and John Varriano -Watson, Wendy, 1976, 1986: for photo collage “Homage to Botticelli #1,” n.d. - Watson, Wendy and John Varriano, 1976: for double portrait oil, 1977; includes details -Watson, Curator at Mount Holyoke College Art Museum; Varriano, art faculty, Mount Holyoke College

51 empty folder

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58 52 -Yarde, Sally, 1979, 1980, 1986: for pencil drawings, 1980, 1981 and “Sally After Eakins,” 1981, “Tina and Sally After Eakins,” 1981 and “Homage to Eakins,” 1985 collages

53 “Look Alike” Models -used for offset “homage” and heritage prints and photo collages -photographs and slide image reproductions of famous artist’s portraits and others

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Box Folder No. No.

SERIES XX: Photographs: Exhibitions

59 1 1978-1979 Mead Art Museum, Amherst College, Amherst, Mass. “Valley People: Portraits by Oriole Farb” Video recording, December 1978 Also Included on this video: A.R.T. (Artists-Research-Technology, Inc.) and OHFF on the evening news, September 5, 1979.

2 1979 Freeman Gallery, Albright College, Reading, Penn. “Small is Beautiful” Includes slides of exhibition.

3 1980 Rose Art Museum, Brandeis University, Waltham, Mass. “Works from A.R.T. (Artists-Research-Technology, Inc.) Slides. See Also: video recording filed with 1978-1979 Mead Art Museum, “Valley People” exhibition, this series.

4 1987 Wood Ridge Memorial Library, Wood Ridge, N.J.

5 1988 Courtney Gallery, Jersey City State College, Jersey City, N.J. “Oriole Feshbach/Offset Lithography Collages”

6 1994 Robert Frost Library, Amherst College, Amherst, Mass. “Parallels: Artist/Poets” exhibition dinner photographs.

7 1998 Michelson Galleries, Amherst, Mass. “The Poetry of Painting”

8 1999 Cambridge Art Association, Cambridge, Mass. “Word & Image”

9 2000 Tufts University Gallery, Medford, Mass. “Demonstrosity: Deconstructing Monsters in Contemporary Society”

10 2000 Discovery Museum, Bridgeport, Conn.

11 2001 Fitchburg Art Museum, Fitchburg, Mass. “Poetry & Painting/ East & West”

12 2001 Taber Art Gallery, Holyoke Community College, Holyoke, Mass. “Poetry & Painting/ East & West”

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60 13 2001 Burnett Gallery, Jones Library, Amherst, Mass. “Menopause, Second Spring”

14 2002 Hampden Gallery, University of Massachusetts, Amherst, Mass. “Rapid Response” for the September 11, 2001 tragedy.

15 2002 Hampden Gallery, University of Massachusetts, Amherst, Mass. “Omens in Nature” Folder 1 of 2

16 2002 Hampden Gallery, University of Massachusetts, Amherst, Mass. “Omens in Nature” Video recording of the opening events, October 2, 2002 by Susan R. Sheridan. Folder 2 of 2

17 2004 Fine Arts Center, University of Massachusetts, Amherst, Mass. “Recent Gifts and Acquisitions”

18 2005 Hosmer Gallery, Forbes Library, Northampton, Mass. “Painting & Poetry”

19 2006 Michelson Galleries, Northampton, Mass. “Solar Refractions: Auroras and Rainbows” Includes photographs of the exhibition in Northampton Gallery and window in the Amherst, Mass. gallery. Folder 1 of 3

20 2006 Michelson Galleries, Northampton, Mass. “Solar Refractions: Auroras and Rainbows” Folder 2 of 3

21 2006 Michelson Galleries, Northampton, Mass. “Solar Refractions: Auroras and Rainbows” Photographs of artwork on display for sale after exhibition. Also includes a small videotape of the exhibition and negatives. Folder 3 of 3

22 2007 Tabla Rasa Gallery, Brooklyn, N.Y. “Women’s Work: Homage to Feminist Art”

61 23 2008 Michelson Galleries, Northampton, Mass. “The Auroras of Autumn”

24 2009 D’Amour Museum of Fine Arts, Springfield, Mass.

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Box Folder No. No.

“Echoes: Portraits of Female Spirit”

61 25 2010 Grubbs Gallery, Williston Northampton School, Easthampton, Mass. “Write a Painting, Paint a Poem” Includes photographs and a disk of images in the exhibition.

26 2010 Amherst (Mass.) Biennial Exhibition, Amherst Town Hall and Hope & Feathers Gallery, Amherst, Mass.

27 2013 Hall Gallery, Jewish Community of Amherst, Mass. “Write a Painting, Paint a Poem” Disk of images in the exhibitions and text of labels.

28 2013 Michelson Galleries, Northampton, Mass. “Oriole Farb Feshbach: H.D.’s Trilogy” [Hilda Doolittle] Folder 1 of 2

29 2013 Michelson Galleries, Northampton, Mass. “Oriole Farb Feshbach: H.D.’s Trilogy” [Hilda Doolittle] Photographs artwork on display for sale after exhibition. Folder 2 of 2

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Box Folder No. No.

SERIES XXI: Media

62 1 1985 Artists Today series “The Exploring Portrait Painter- Oriole Farb” Video recording created by a non-profit organizations “creating programs designed to increase awareness of the skills, techniques and philosophies of contemporary artists.” 1 videotape

2 1994 December 2 OHFF radio interview with Helga Sitkin, in Los Angeles 1 audiocassette

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Box Folder No. No.

SERIES XXII: A Dozen Humpty Dumpty Egg Tales

63 1 Notebook (bound, black) with ideas and storyboard for children’s Egg Tales book. By Oriole Horch Farb Feshbach. 1985-1987.

2 Process material and illustrated letter for Egg Tales children’s book. Includes notes, sketches, lists, instructions, drafts of text and letters. Also 14 illustrated letters to grandson, Avi, with “Egg” and other stories. From a folder that was labeled: “Property Avi Farb, Oriole and Sid’s process leading to children’s book.” 1985-1987 and n.d.

64 3 Process material for Egg Tales children’s book. Includes notes, planning document, sketches, lists, drafts of text, color selection, and instructions for printing. c. 2001, n.d.

4 Typed draft and handwritten corrections and working notes for text for Egg Tales children’s book. c. 2001.

5 Miscellaneous notes, receipts and clippings related to two copies of Egg Tales printed in 2012. 2012.

6 Drafts of title pages (photocopies) for Egg Tales for editions published in 2001 and 2012. The 2012 edition adds grandson Isaac to title page. 2001, 2012.

7 Special illustrated pages (colored photocopies) for each grandchild for their individualized copies of Egg Tales. 10 grandchildren: Peter, Shmuel, Siana, Aaron, Miriam, Andreas, Nathan, Menucha, Julian, and Simcha for 2001 edition. Avi is missing. Isaac was added in 2012 (included original collage and photocopy). Created with stickers and OHFF sketches. 2001, 2012.

8 Original colored drawings, hand-lettered title page (2001), revised title page (2012), and color photocopies of photograph collage for back cover for 2001 and 2012 editions of Egg Tales. From a Crane’s stationary box labeled: “Original drawings & photo montage; Feshbach 549-6470; Children’s book; add name, dedication, edition of 12; year, the end and sketch of a small rectangle divided into 12 parts and numbered 1 to 12.” 2001.

9 Black and white photocopy of 2001 edition of Egg Tale including color photocopy of photograph collage for back cover. 2001.

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Box Folder No. No.

64 10 A Dozen Humpty Dumpty Egg Tales by Oriole and Sidney Feshbach, 2001 and 2012. Dedication: For Our Grandchildren in Order of Appearance: Avi, Peter, Shmuel, Siana, Aaron, Miriam, Andreas, Nathan, Menucha, Julian, Simcha, Isaac. Celebrating Our Twentieth Anniversary in an Edition of Twelve. Spiral bound, color photocopied volume. 2012.

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Box Folder No. No.

SERIES XXIII: Oversize Flat Boxes

65 1 For Series 1: Personal: Education, Family and Travel Painting of Summer House in Moriah, N.Y., by Arno Sternglass 1940

2 Sternglass was a renowned American artist and illustrator. (Box includes an obituary and an obituary of his brother.) The house in Moriah is related to OHFF’s childhood. See: Series 1: Personal: Education, Family and Travel, Recollections for OHFF’s memories and notes for context.

66 3 For Series 1: Personal: Education, Family and Travel -Birch Wathen School 1949 Diploma

4 -Bucknell University Phi Alpha Pi Sorority photograph, 1951

5 -Sarah Lawrence College Kurt Roesch’s prospectus for Rilke’s “The Sonnets to Orpheus” with Roesch’s engravings, n.d. Roesch was OHFF’s painting teacher at SLC

6 For Series 9: Bibliography/Printed Materials -“Psychedelic Art,” photographed by Yale Joel, in Life, September 9, 1966, pp. 60-69 and cover Article and review of the groundbreaking exhibition at the Riverside Museum, OHFF Curator and Director

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SUBJECT HEADINGS

ADDED ENTRIES

{Use only for persons who have significant amount of their own papers in the collection (e.g. family members in family papers), not for correspondents.}

Mortimer Rare Book Room Smith College Northampton, Massachusetts