Escribiente Library Books
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
SDC Books Jun2010 Updated Jan2012
Société des calligraphes de Montréal Livres - Books Livres qui appartiennent à la Société des calligraphes de Montréal. La majorité a été donnée à la Société par Mme Fred Felsky et Mme Eddie Prévost en mémoire de leurs époux. Les commentaires ont été rédigés par d’anciens membres de la Société (anglophones). Books belonging to the Société des Calligraphes de Montréal. Most were given to the Société by Mrs. Fred Fesky and Mrs. Eddie Prévost, in memory of their husbands. All comments were written by past members of the Society. Note: Vivien Lappa et Saskia Latendresse ont révisé la liste en 2010; les titres en rouge sont ceux dont la Société pourrait se départir. Les livres achetés par la Société en 2011 ont été ajoutés. Auteur / Author Titre / Title Éditeur, ville / Publisher, City Année de publication / Nombre de pages / Description Langue / Publication year Number of pages Language - Calligrapher's Handbook, New Burlington Books, London 1987 English The AARON, W.M. Italic Writing: A Concise Alec Tiranti, London 1971 110 pages A complete guide to learning Italic from materials through English Guide letterforms to cursive. Good-looking calligraphy examples throughout with some interesting letter-combination exercises. A useful alternative for learning or improving your Italic. (K. Poulsen) ALEXANDER, J.J.G. Decorated letter, The Thames & Hudson, London 1978 The Decorated Letter is a sketchy but scholarly discussion English of some of the decorated letters to be found in European manuscripts from the 4th to 15th Centuries. There are forty excellent coloured reproductions of initial letters from the Lindesfarne Gospels to Miroir de la Salvation Humaine by Jean Mielot (1448-49). -
Scribes and Scholars (3Rd Ed. 1991)
SCRIBES AND SCHOLARS A Guide to the Transmission of Greek and Latin Literature BY L. D. REYNOLDS Fellow and Tutor of Brasenose College, Oxford AND N. G. WILSON Fellow and Tutor of Lincoln College, Oxford THIRD EDITION CLARENDON PRESS • OXFORD Oxford University Press, Walton Street, Oxford 0x2 6DP Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto and associated companies in Berlin Ibadan Oxford is a trade mark of Oxford University Press Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1968, 1974, 1991 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Scribes and scholars: a guide to the transmission of Greek and Latin literature/by L. -
Spring 2011 Supplying Calligraphers, Lettering Artists, Illuminators
spring 2011 Supplying calligraphers, lettering artists, illuminators, bookbinders and papercraft enthusiasts worldwide with books, tools, and materials since 1981. 61 5 64 50 61 61 ORDER NOW! toll free: 800-369-9598 v web: www.JohnNealBooks.com Julie Eastman. B&L 8.2 “...an informative, engaging, Bill Waddington. B&L 8.2 and valued resource.” Need something new to inspire you? –Ed Hutchins Subscribe to Bound & Lettered and have each issue – filled with practical information on artists’ books, bookbinding, calligraphy and papercraft – delivered to your mailbox. Bound & Lettered features: how-to articles with helpful step-by-step instructions and illustrations, artist galleries featuring the works of accomplished calligraphers & book artists, useful articles on tools & materials, and book & exhibit reviews. You will find each issue filled with wonderful ideas and projects. Subscribe today! Annie Cicale. B&L 8.3 Every issue of Bound & Lettered has articles full of practical information for calligraphers, bookbinders and book artists. Fran Watson. B&L 8.3 Founded by Shereen LaPlantz, Bound & Lettered is a quarterly magazine of calligraphy, bookbinding and papercraft. Published by John Neal, Bookseller. Now with 18 color pages! Subscription prices: USA Canada Others Four issues (1 year) $26 $34 USD $40 USD Eight issues (2 years) $47 $63 USD $75 USD 12 issues (3 years) $63 $87 USD $105 USD mail to: Bound & Lettered, 1833 Spring Garden St., First Floor, Sue Bleiwess. B&L 8.2 Greensboro, NC 27403 b SUBSCRIBE ONLINE AT WWW .JOHNNEALBOOKS .COM B3310. Alphabeasties and Other Amazing Types by Sharon Werner and Sarah Forss. 2009. 56pp. 9"x11.5". -
Orthographies in Early Modern Europe
Orthographies in Early Modern Europe Orthographies in Early Modern Europe Edited by Susan Baddeley Anja Voeste De Gruyter Mouton An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 ThisISBN work 978-3-11-021808-4 is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, ase-ISBN of February (PDF) 978-3-11-021809-1 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. e-ISBN (EPUB) 978-3-11-021806-2 LibraryISSN 0179-0986 of Congress Cataloging-in-Publication Data Ae-ISSN CIP catalog 0179-3256 record for this book has been applied for at the Library of Congress. ISBN 978-3-11-028812-4 e-ISBNBibliografische 978-3-11-028817-9 Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- fie;This detaillierte work is licensed bibliografische under the DatenCreative sind Commons im Internet Attribution-NonCommercial-NoDerivs über 3.0 License, Libraryhttp://dnb.dnb.deas of February of Congress 23, 2017.abrufbar. -
Latin Palaeography in Central Europe
Hana Patkova — Latin Palaeography in Central Europe Latin Palaeography in Central Europe Contributed by Hana Patkova Foreword: Concerning Czech Palaeography The earliest advanced palaeographical research in Bohemia dates from the late 19th century. In 1898, the first modern palaeographical handbook was published by Gustav Friedrich. Czech membership of the Comité international de paleographie latine since 1957 has ensured that research by Czech scholars has been never fully separated from the development of western palaeography. All the main topics of the Comité’s pro- jects, i.e. nomenclature of writing, catalogue of dated manuscripts (cf. http://www.palaeographia.org/cipl/ cmd.htm), and vocabulary of codicological (http://www.palaeographia.org/cipl/gloss.htm) and palaeograph- ical terms, have been engaged with by Czech researchers. As for the nomenclature project, Jiří Pražák of the Czechoslovak Academy of Sciences prepared a large study concerning the book-hands in the Czech Provinces from 11th to the 16th centuries. He and Pavel Spunar (of the same institution) discussed some more specialised terms, like “bastarda”. Pražák also began to work on a catalogue of dated manuscripts preserved in bohemian Libraries, but it did not progress beyond the preparatory stage. Jidřich Šebánek, professor of the University of Brno, wrote a new handbook at the end of the fifties , which took into account new discoveries and new research into bohemian palaeography. As for the vocabulary of palaeographical and codicological terms, this project was finished until the year 2008. Since 1990, Czech palaeographers have been able to regularly participate in the Congresses of the Comité. The membership has extended, and there are now two members from the Czech Republic, and one member from Slovakia. -
George Bickhams Penmanship Made Easy Or the Young Clerks Assistant Pdf, Epub, Ebook
GEORGE BICKHAMS PENMANSHIP MADE EASY OR THE YOUNG CLERKS ASSISTANT PDF, EPUB, EBOOK George Bickham | 64 pages | 21 Jan 1998 | Dover Publications Inc. | 9780486297798 | English | New York, United States George Bickhams Penmanship Made Easy or the Young Clerks Assistant PDF Book Illustration Art. Add links. Learning to write Spencerian script. George Bickham the Elder was born near the end of the seventeenth century. July 13, at am. For what was meant to be a practical form of business handwriting, the round-hand scripts displayed in The Universal Penman feature a surprising number of flamboyant flourishes and decorative extensions. A complete volume of The Universal Penman published in London in might cost a few thousand dollars or more. Folio , detail. Prints and Multiples. American Fine Art. This was the work of George Bickham, a calligrapher and engraver who in took on the task of inviting the best scribes of his day to contribute examples of their finest handwriting, which would be engraved, published, and sold to subscribers as a series of 52 parts over a period of eight years. Collecting The specimen illustrates the beautiful flowing shaded letterforms based on ovals that typify this style of script. In the 18th century, writing masters taught handwriting to educated men and women, especially to men who would be expected to use it on a daily basis in commerce. Kelchner, He is Director of the Scripta Typographic Institute. A wonderful example of this script, penned by master penman HP Behrensmeyer is shown in Sample 4. Studio handbook : lettering : over pages, lettering, design and layouts, new alphabets. -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
MDST 300: Basic Terms for Understanding Medieval Manuscripts
MDST 300: Basic Terms for Understanding Medieval Manuscripts (Note: this is cobbled together from a number of sources without attribution, so please don’t quote it verbatim; look the terms up in Parkes, Preston & Yandle, Bischoff/Ganz, or some equally good book I can point you to if needed. A good introductory bibliography of paleography and codicology can be found at http://www8.georgetown.edu/departments/medieval/labyrinth/subjects/mss/pale obib.html. ) codicology – the study of books, especially their construction and binding, as physical objects. paleography – the study and interpretation of handwriting, especially pre-modern handwriting. diplomatic - study of the formal qualities of a document, including standardised forms of wording and layout I. The Physical Object manuscript- a text that has been copied by hand as opposed to printed. Term first appears about 1594; in Old English the term is ‘handgewrit’ and in Middle English, simply ‘bok.’ It is abbreviated MS; the plural is MSS. codex - The modern book form, comprised of pages pasted or bound together, usually with an outside binding. This is opposed to the roll or scroll, the more common form in pre-medieval European societies and used for institutional record keeping well into the fifteenth century. quire or gathering - An assemblage of folia which have been folded once and stitched together to make a booklet or signature. Several gatherings are put together to make a codex or book. Sometimes a group of quires may be gathered together in a pamphlet, and then those pamphlets are bound together as a larger book; this can be a paleographic nightmare. -
English Lute Manuscripts and Scribes 1530-1630
ENGLISH LUTE MANUSCRIPTS AND SCRIBES 1530-1630 An examination of the place of the lute in 16th- and 17th-century English Society through a study of the English Lute Manuscripts of the so-called 'Golden Age', including a comprehensive catalogue of the sources. JULIA CRAIG-MCFEELY Oxford, 2000 A major part of this book was originally submitted to the University of Oxford in 1993 as a Doctoral thesis ENGLISH LUTE MANUSCRIPTS AND SCRIBES 1530-1630 All text reproduced under this title is © 2000 JULIA CRAIG-McFEELY The following chapters are available as downloadable pdf files. Click in the link boxes to access the files. README......................................................................................................................i EDITORIAL POLICY.......................................................................................................iii ABBREVIATIONS: ........................................................................................................iv General...................................................................................iv Library sigla.............................................................................v Manuscripts ............................................................................vi Sixteenth- and seventeenth-century printed sources............................ix GLOSSARY OF TERMS: ................................................................................................XII Palaeographical: letters..............................................................xii -
Escribiente Library Master V19 Nov-2019
Escribiente Library Books Escribiente Library Books * updated November 2019 GENRE Author/Publisher Title Date # of Copies Deposit Color description Required Calligraphy Tutorials General A Quill Book Calligrapher’s Handbook, The 1985 1 heavily illustrated, introduction to various styles, some history History of Calligraphy Anderson, Donald Art of Written Letters, The 1969 1 Classic: From Romans to 20th Century + Greek/Arabic/Chinese Art & Exhibitions Angel, Marie The Twentythird Palm: King James Version 1970 1 HC Illustrations of nature, with text in Roman Caps Illumination Angel, Marie Painting for Calligraphers 1984 1 includes color theory, design, botanical, heraldry, painting on vellum Calligraphy - Copperplate/PP Antonio, Paul Copperplate Script - A Yin & Yang Approach 2018 1 History of Calligraphy Arrighi, Tagliente, Palatino Three Classics of Italian Calligraphy 1953 1 PB Dover. All images with exception of Introduction by Oscar Ogg. quotes from an artist/calligrapher’s collection on Philosophy, Art, Family Creativity Ayers, Gay Unlocking The Words - A Book of Quotes 2016 1 PB and Friendship, Travel, Creativity, Poetry, Nature, and more Illumination Backhouse, Janet Illuminated Manuscript, The 1979 HC 1 70 manuscripts represented (color and b&w), covering 900 years. Illumination Backhouse, Janet Lindisfarne Gospels 1992 1 Illumination Bain, George Celtic Art - The Methods of Construction (Dover) 1973 1 Art & Exhibitions Baker, Arthur Calligraphic Alphabets 1974 1 plates of various alphabets (no instruction) Art & Exhibitions Baker, -
Reed Elizabeth Final Thesis Redacted.Pdf
Writing by Hand - A Journey of Creative Self Discovery Author Reed, Elizabeth M Published 2021-05-06 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/4189 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/404466 Griffith Research Online https://research-repository.griffith.edu.au WRITING BY HAND—A JOURNEY OF CREATIVE SELF DISCOVERY Elizabeth (Libbi) Reed Bachelor of Digital Media with Honours Submitted in fulfilment of the requirements for the degree of Doctor of Visual Arts Queensland College of Art Arts Education Law Griffith University Submitted: November 2020 KEYWORDS Calligraphy, creative block, creative identity, daily habit, decision making, hand lettering, journaling, memory, motor skills, self-development, self-talk, sensemaking, sketchnotes, typography. i ABSTRACT This research addresses the core objectives surrounding the action of writing by hand. It responds to the overuse of digital technologies which have led to a lack of everyday handwriting. The introduction of sketchnotes introduces an opportunity to explore and build handwriting skills as an everyday practice. Sketchnotes create the hand-to-brain connection. This exegesis outlines how the problem of deteriorating fine motor skills is addressed through a series of creative projects in which methodical and strategic exercises including repetition, play, and experimentation centre on the actions of writing by hand. The practice-based research consists of a multi-faceted creative exploration, experimenting with long-established traditional calligraphic study, and with newer technologies such as Virtual Reality (VR). I argue that building writing by hand skills strengthens creative expression, resulting in increased confidence. -
From Scribes to Types Peter Van Der Weij.Indd
FROM SCRIBES TO TYPES THE INSPIRATIONS AND INFLUENCES FOR THE FIRST MOVABLE TYPES Research by: PETER VAN DER WEIJ Tutored by: ALBERT CORBETO Course: MÁSTER DE TIPOGRAFÍA AVANZADA (EINA Center de Disseny i Art de Barcelona) ABSTRACT This research is about exploring the period before and after the invention of the printing press. The journey that the first scripts made to be turned into movable type. The research consists of investigating and mapping the scripts that were chosen. The thesis has an analyti- cal view on each journey. Historical background, æsthetical influences, models, characteristics and comparison are criteria that have been investigated for each of these scripts. This research shed light on the aspects of the transition from script to moveable type and proves that the cul- tural and historical context, aesthetically choices play as important role as technical reasons for movable type to come to life. Knowing that as a type designer will help me to first under- stand and second revitalize the unexplored ideas in old scripts and typefaces. KEYWORDS: Printing press, Movable type, Scripts, History, Type design, Europe, Analytical, Adjustments, Transition. ii TABLE OF CONTENT INTRODUCTION 1 METHODOLOGY 3 THE GUTENBERG B42 5 THE FIRST PRINTED TYPE IN ITALY 8 THE FIRST ROMAN 12 ROMAN CAPITALS 12 PERFECTING THE SCRIPT 15 THE ITALIAN ROTUNDA 17 CAXTON TYPE 2 20 ITALIC 1 23 CONCLUSION 26 BIBLIOGRAPHY 27 INTRODUCTION This is a research about the first movable types in Europe and how they came to be. When I started my research about the transitional period from handwriting to printed books in Europe the focus was more on the technical challenges that the movable type makers ran into in order to create the first types.