Universal Penman Rollerball Nib the J-Form Dip Pen Allography Cursive

Total Page:16

File Type:pdf, Size:1020Kb

Universal Penman Rollerball Nib the J-Form Dip Pen Allography Cursive eraser An eraser or rubber is an article of stationery that is used for removing pencil and sometimes pen writings. Erasers have a rubbery consistency and are often white or pink, although modern materials allow them to be made in any cursive allography colour. Many pencils are equipped with an eraser on one Cursive is any style end. Typical erasers are made from synthetic rubber, but The letter a is depicted of handwriting that is dip pen more expensive or specialized erasers can also contain vi- fountain pen with two common glyphs nyl, plastic, or gum-like materials. Other, cheaper erasers ballpoint designed for writing A dip or nib pen consists of a metal nib A fountain pen is a nib pen that, unlike its predecessor the dip pen, contains an internal reservoir which differ between can be made out of synthetic soy-based gum. notes and letters quickly with capillary channels mounted on a of water-based liquid ink. From the reservoir, the ink is drawn through a feed to the nib and then typefaces and handwrit- A ballpoint pen has an internal chamber filled with a vis- by hand. In the Arabic, to the paper via a combination of gravity and capillary action. As a result, the typical fountain pen ing styles. Allography cous ink that is dispensed at tip during use by the rolling handle or holder, often made of wood. Latin, and Cyrillic writing Other materials can be used for the requires little or no pressure to write. is this variation in how action of a small metal sphere made of brass, steel or systems, the letters in letters are formed. tungsten carbide. holder, including bone, metal and plastic, while some pens a word are connected, are made entirely of glass. Dip pens have no ink reservoir; making a word one single therefore the user has to recharge the ink from an ink bowl the j-form complex stroke. In fact, or bottle in order to continue drawing or writing. the word comes from the The J-form is graphite Latin cursivus, meaning one of the basic “flowing”. shapes in script kurrent The mineral graphite is one drawing: the J is drawn on An old form of the allotropes of carbon. the right side of the small of German It is used in pencils, where it i to form the y, it is drawn hand-writing is commonly called lead, as on the right side of the based on late distinguished from the actu- small o to form the g, the medieval cursive al metallic element lead. handwriting J inverted and protracted writing. It is Handwriting or penman- forms the straight f and known in full as ship is the art of writing the J surmounted by Kurrentschrift or with the hand and a uppercasemagazine.com the inverted J forms a Alte Deutsche writing instrument. Styles running f. Schrift. In English, of handwriting are also its name has called hands or scripts. ink been seen short- ened to Schrift. quill A quill pen is a writing implement made nib India ink (or Indian ink in British English), or less commonly called Chinese ink since it may have been first from a flight feather (preferably a primary ligature TYPEFACE: MRS. EAVES LIGATURES A nib is the part of a quill, dip pen or developed in either India or China, is a simple black ink once widely used for writing and printing, and now wing-feather) of a large bird. In handwriting, a ligature is made by joining two or more characters in a fountain pen which comes into con- more commonly used for drawing, especially when inking comics and comic strips. Indian ink tends to way they wouldn’t usually be, either by merging their parts, writing one tact with the writing surface in order to clog fountain pens if not used for long time; it then becomes necessary to use water to unclog it. An excep- above another or one inside another. In printing, a ligature is a group of deposit ink. They vary in their purpose, tion to this is Pelikan Fount India, which does not contain shellac, the substance which causes clogging. characters that is typeset as a unit. shape, size, as well as the material they are made from. marker oblique penholder pounce rollerball A felt-tip pen, Designed so that the pen Before the invention LETTER SCRIPT THE WIKIPEDIA, IAMPETH.COM, SOURCES: Using ballpoint mechanisms with water-based or marker, is a pen which point is headed in the direc- of blotting paper, fine liquid or gelled ink, as opposed to the oil-based has its own ink-source, tion of the stroke and pitched at the right powder was sprinkled viscous inks found in ballpoint pens, these less viscous inks and usually a tip made of angle necessary for left handed lettering over wet ink to hasten tend to saturate more deeply and more widely into paper. a porous material, such as tip or for accomplishing Copperplate/Spen- drying. It was prepared felt or nylon. Sharpen your universal cerian Script and scroll work. from finely ground salt, pencil points! penman fine sand, or powdered soft minerals such as talc or soapstone. George Bickham the Elder (1684–1758) was zanerian an English writing master and engraver best known Charles Paxton Zaner (1864–1918) founded spencerian script for his engraving work in the Zanerian College of Penmanship in Co- Platt Rogers Spencer was impressed with the idea that America needed Before the development of dedicated pencil sharpeners, The Universal Penman, lumbus, Ohio. Students trained for careers as a penmanship style that could be written quickly, legibly, and elegantly pencils were sharpened by shaving with a knife. Mechan- a collection from twen- vellum penmen, illustrators, engravers and engross- to aid in matters of business correspondence as well as personal let- ical sharpeners made this task much easier and gave a ty-six London penman- A mammal skin prepared ers (specialists in the kind of ornamental ter-writing. This style flourished in the United States from 1850 to 1925. more uniform result. ship masters in 1733. for writing or printing. TYPEFACE: COMPENDIUM writing used for diplomas and certificates). .
Recommended publications
  • Ballpoint Basics 2017, Ballpoint Pen with Watercolor Wash, 3 X 10
    Getting the most out of drawing media MATERIAL WORLD BY SHERRY CAMHY Israel Sketch From Bus by Angela Barbalance, Ballpoint Basics 2017, ballpoint pen with watercolor wash, 3 x 10. allpoint pens may have been in- vented for writing, but why not draw with them? These days, more and more artists are decid- Odyssey’s Cyclops by Charles Winthrop ing to do so. Norton, 2014, ballpoint BBallpoint is a fairly young medium, pen, 19½ x 16. dating back only to the 1880s, when John J. Loud, an American tanner, Ballpoint pens offer some serious patented a crude pen with a rotat- advantages to artists who work with ing ball at its tip that could only make them. To start, many artists and collec- marks on rough surfaces such as tors disagree entirely with Koschatzky’s leather. Some 50 years later László disparaging view of ballpoint’s line, Bíró, a Hungarian journalist, improved finding the consistent width and tone Loud’s invention using quick-drying of ballpoint lines to be aesthetically newspaper ink and a better ball at pleasing. Ballpoint drawings can be its tip. When held perpendicular to composed of dense dashes, slow con- its surface, Bíró’s pen could write tour lines, crosshatches or rambling smoothly on paper. In the 1950s the scribbles. Placing marks adjacent to one Frenchman Baron Marcel Bich pur- another can create carefully modu- chased Bíró’s patent and devised a lated areas of tone. And if you desire leak-proof capillary tube to hold the some variation in line width, you can ink, and the Bic Cristal pen was born.
    [Show full text]
  • A Ruse Secluded Character Set for the Source
    Mukt Shabd Journal Issn No : 2347-3150 A Ruse Secluded character set for the Source Mr. J Purna Prakash1, Assistant Professor Mr. M. Rama Raju 2, Assistant Professor Christu Jyothi Institute of Technology & Science Abstract We are rich in data, but information is poor, typically world wide web and data streams. The effective and efficient analysis of data in which is different forms becomes a challenging task. Searching for knowledge to match the exact keyword is big task in Internet such as search engine. Now a days using Unicode Transform Format (UTF) is extended to UTF-16 and UTF-32. With helps to create more special characters how we want. China has GB 18030-character set. Less number of website are using ASCII format in china, recently. While searching some keyword we are unable get the exact webpage in search engine in top place. Issues in certain we face this problem in results announcement, notifications, latest news, latest products released. Mainly on government websites are not shown in the front page. To avoid this trap from common people, we require special character set to match the exact unique keyword. Most of the keywords are encoded with the ASCII format. While searching keyword called cbse net results thousands of websites will have the common keyword as cbse net results. Matching the keyword, it is already encoded in all website as ASCII format. Most of the government websites will not offer search engine optimization. Match a unique keyword in government, banking, Institutes, Online exam purpose. Proposals is to create a character set from A to Z and a to z, for the purpose of data cleaning.
    [Show full text]
  • Kiraz 2019 a Functional Approach to Garshunography
    Intellectual History of the Islamicate World 7 (2019) 264–277 brill.com/ihiw A Functional Approach to Garshunography A Case Study of Syro-X and X-Syriac Writing Systems George A. Kiraz Institute for Advanced Study, Princeton and Beth Mardutho: The Syriac Institute, Piscataway gkiraz@bethmardutho.org Abstract It is argued here that functionalism lies at the heart of garshunographic writing systems (where one language is written in a script that is sociolinguistically associated with another language). Giving historical accounts of such systems that began as early as the eighth century, it will be demonstrated that garshunographic systems grew organ- ically because of necessity and that they offered a certain degree of simplicity rather than complexity.While the paper discusses mostly Syriac-based systems, its arguments can probably be expanded to other garshunographic systems. Keywords Garshuni – garshunography – allography – writing systems It has long been suggested that cultural identity may have been the cause for the emergence of Garshuni systems. (In the strictest sense of the term, ‘Garshuni’ refers to Arabic texts written in the Syriac script but the term’s semantics were drastically extended to other systems, sometimes ones that have little to do with Syriac—for which see below.) This paper argues for an alterna- tive origin, one that is rooted in functional theory. At its most fundamental level, Garshuni—as a system—is nothing but a tool and as such it ought to be understood with respect to the function it performs. To achieve this, one must take into consideration the social contexts—plural, as there are many—under which each Garshuni system appeared.
    [Show full text]
  • The Unicode Cookbook for Linguists: Managing Writing Systems Using Orthography Profiles
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2017 The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles Moran, Steven ; Cysouw, Michael DOI: https://doi.org/10.5281/zenodo.290662 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-135400 Monograph The following work is licensed under a Creative Commons: Attribution 4.0 International (CC BY 4.0) License. Originally published at: Moran, Steven; Cysouw, Michael (2017). The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles. CERN Data Centre: Zenodo. DOI: https://doi.org/10.5281/zenodo.290662 The Unicode Cookbook for Linguists Managing writing systems using orthography profiles Steven Moran & Michael Cysouw Change dedication in localmetadata.tex Preface This text is meant as a practical guide for linguists, and programmers, whowork with data in multilingual computational environments. We introduce the basic concepts needed to understand how writing systems and character encodings function, and how they work together. The intersection of the Unicode Standard and the International Phonetic Al- phabet is often not met without frustration by users. Nevertheless, thetwo standards have provided language researchers with a consistent computational architecture needed to process, publish and analyze data from many different languages. We bring to light common, but not always transparent, pitfalls that researchers face when working with Unicode and IPA. Our research uses quantitative methods to compare languages and uncover and clarify their phylogenetic relations. However, the majority of lexical data available from the world’s languages is in author- or document-specific orthogra- phies.
    [Show full text]
  • 19Th Century Writing Activity: Pen &
    Lesson Plan: #NoyesArtatHome 19th Century Writing Activity: Pen & Ink Activity based on letters on display in the Noyes Museum’s Estell Empire Exhibition For ages 12 & up Experience with cursive* writing not necessary Assistance from an adult would be helpful. Overview: Round Hand Script: This was the dominant cursive* writing style among 19th century writing “masters,” whose An account book from John Estell’s general store models were engraved on metal. Letters Circa 1836 – 1837 sloped to the right, and thick lines were © Collection of Stockton University produced on the downstrokes using a flexible, straight-edged (not pointed) pen nib (tip). Thin lines were made by using the corner of the nib. Round hand included decorative swirls referred to as “command of hand.” Copperplate: This type of writing was made with a flexible, pointed metal pen. Copperplate script differs from round hand in the gradual swelling of the broad strokes on curved forms and the narrowness of the backstrokes of b, e, and o. Definitions from Britannica.com: https://www.britannica.com/topic/black-letter Project Description: This lesson provides a brief overview of handwriting in the 19th century and a hands-on writing activity. First, paint with a teabag to make “old” looking paper. To write, use a quill** pen with black ink or watered-down paint, or a marker. Try to read and copy the example of 19th century writing. Can you write your own name, or a whole letter to a friend? Supplies: 8.5 x 11” piece of paper A tea bag; preferably a darker tea such as black tea (Lipton, Red Rose) A watercolor brush Your choice of: a quill** pen and black ink, watered-down black paint with a fine-tipped brush, or a black marker (for example: Crayola – “broad line” or Sharpie – “fine point,” the newer, the better) *Cursive writing is a style of writing in which all of the letters in a word are connected.
    [Show full text]
  • C:Documents and Settingsgarymy Documentswordperfect User
    Gary & Myrna Lehrer’s Quarterly Illustrated Vintage Pen Catalog garylehrer@aol.com Issue #54 - March 2010 See the Catalog in full color on the web site. For about a week you’ll need a password for access (be sure to also see what’s remaining from previous Catalogs). WEB SITE PAS SWORD FOR CATALOG #54: (www.gopens.com): BLUE Catalog #54 Feature: Incredible “Extraordinary Pens” Over 260 Items 35+ Manufacturers Represented Some Great Italian Pens Sheaffer, Wahl, Waterman, Parker & more A great group of Montblancs Contact Information: Tel: (203) 389-5295 email: garylehrer@aol.com Fax: (859) 909-1882 Call until 10:30 PM Eastern Time; Fax anytime We check our email often Subscription Expired: A (1) on your mailing label means your subscription has expired. “Internet Only” renewal is $10. “Hard Copy” Renewal is $25 US and $35 Foreign (see website for details). Received a sample copy? Don’t forget to subscribe ! Please see inside front page for abbreviations and other important information! Gary & Myrna Lehrer 16 Mulberry Road Woodbridge, CT 06525-1717 March 2010 - CATALOG #54 Here’s Some Other Important Information : GIFT CERTIFICATES : Available in any denomination. No extra cost! No expiration! Always fully refundable! REPAIRS - CONSIGNMENT - PEN PURCHASES : We do the full array of pen repairs - very competitively priced. Ask about consignment rates for the Catalog (we reserve the right to turn down consignments), or see the web site for details. We are also always looking to purchase one pen or entire collections. ABBREVIATIONS : Mint - No sign of use Fine - Used, parts show wear Near Mint - Slightest signs of use Good - Well used, imprints may be almost Excellent - Imprints good, writes well, looks great gone, plating wear Fine+ - One of the following: some brassing, Fair - A parts pen some darkening, or some wear ---------------------------------------------------------------------------------------------------------------------------------------- LF - Lever Filler HR - Hard Rubber PF - Plunger Filler (ie.
    [Show full text]
  • KAWECO PENS Page 10
    Pen Chalet Contact +877.509.0378 Website www.penchalet.com Spring 2014 PEN CHALET Pen Chalet offers a wide selection of fine writing instruments, inks and accessories. Browse our catalog or visit our store online for an even larger selection. Please contact our customer service team if you have any questions or can’t find an item you are looking for. TABLE OF CONTENTS SAILOR PENS page 02 MONTEVERDE PENS pages 03 - 04 PELIKAN PENS pages 05 - 06 PILOT/NAMIKI PENS pages 07 - 08 AURORA PENS page 09 KAWECO PENS page 10 TACCIA PENS page 10 STIPULA PENS page 11 DELTA PENS page 11 CONKLIN PENS page 12 SHEAFFER PENS page 12 01 www.penchalet.com SAILOR PENS 1911 STANDARD fountain pen This Sailor original comes with a gold nib and looks sharp. Choose from a wide selection of color and nib sizes. $ 156 PRO GEAR SLIM fountain pen Simple, yet elegant. $ 156 PIGMENTED bottled ink Sailor pigmented inks offer a darker, richer ink that is quick drying and water resistant. available in black or blue/black as well as cartridges $ 21.60 www.penchalet.com 02 Choose from fountain pen, inkball pen, ballpoint pen or mechanical pencil! ONE TOUCH TOOL from $ 27 The Monteverde Impressa offers a glossy metallic barrel and cap. This pen is sure to impress! MONTEVERDE PENS A world of luxury and innovation Monteverde has just come out with several new pen designs including the one touch tool pens/ pencils or the stylish Impressa pens. IMPRESSA fountain pen $ 40 03 www.penchalet.com REGATTA fountain pen This popular pen just a got a face lift! Choose from the new popular sport colors including black, red, and yellow! also available as a rollerball and a ballpoint $ 100 PRIMA fountain pen Monteverde just introduced 2 new colors to this line for 2014! also available as a rollerball and a ballpoint $ 56 POQUITO fountain pen This compact pen is ideal for carrying in your pocket or purse.
    [Show full text]
  • Writing Instruments 1.800.877.8908 93
    92 Russell-Hampton Company WRITING INSTRUMENTS www.ruh.com 1.800.877.8908 93 Waterman Pens Detail 92 Russell-Hampton Company www.ruh.com 1.800.877.8908 93 Serving Rotarians Since 1920 A. R66032 Quill® Heritage Roller Ball Pen Features include: newly designed teardrop clip & inlaid feather band, high gloss black lacquer cap, gold accents, fine-point black Roller Ball refill, with full-color slant top Rotary International logo, & handsome display box. Lifetime guarantee. Unit Price $34.95 • Buy 3 $32.95 ea. • Buy 6 $30.95 ea. • Buy 12+ $29.95 ea. B. R66040 Quill® Heritage Roller Ball Pen Elegant teardrop clip and inlaid feather band highlight this beautiful brushed chrome, smooth writing Quill® rollerball pen. Rotary International emblem in crown. Lifetime guarantee. Gift Boxed. Unit Price $34.95 • Buy 3 $33.20 ea. • Buy 6 $31.45 ea. • Buy 12+ $29.70 ea. C. R66012 Waterman® Hemisphere Black Pen & Pencil Set • Classic high gloss black lacquer finish complimented with 23.3-karat gold electroplated clip & trim. Die-struck Rotary emblems affixed to the crowns. Ball pen is fitted with a black ink, medium point refill. Pencil is fitted with 0.5mm lead. Waterman Signature Presentation Blue Box with satin lining. Unit Price $107.95 • Buy 2 $102.50 ea. • Buy 3+ $97.25 ea. D. R66011 Waterman® Hemisphere Black Ball Pen • Same ball pen as sold in above set. Water- man Signature Presentation Blue Box with satin lining. Unit Price $51.95 • Buy 3 $49.35 ea. • Buy 6 $46.85 ea. • Buy 12+ $44.55 ea.
    [Show full text]
  • Certified Products List
    THE ART & CREATIVE MATERIALS INSTITUTE, INC. Street Address: 1280 Main St., 2nd Floor Mailing Address: P.O. Box 479 Hanson, MA 02341 USA Tel. (781) 293-4100 Fax (781) 294-0808 www.acminet.org Certified Products List March 28, 2007 & ANSI Performance Standard Z356._X BUY PRODUCTS THAT BEAR THE ACMI SEALS Products Authorized to Bear the Seals of The Certification Program of THE ART & CREATIVE MATERIALS INSTITUTE, INC. Since 1940, The Art & Creative Materials Institute, Inc. (“ACMI”) has been evaluating and certifying art, craft, and other creative materials to ensure that they are properly labeled. This certification program is reviewed by ACMI’s Toxicological Advisory Board. Over the years, three certification seals had been developed: The CP (Certified Product) Seal, the AP (Approved Product) Seal, and the HL (Health Label) Seal. In 1998, ACMI made the decision to simplify its Seals and scale the number of Seals used down to two. Descriptions of these new Seals and the Seals they replace follow: New AP Seal: (replaces CP Non-Toxic, CP, AP Non-Toxic, AP, and HL (No Health Labeling Required). Products bearing the new AP (Approved Product) Seal of the Art & Creative Materials Institute, Inc. (ACMI) are certified in a program of toxicological evaluation by a medical expert to contain no materials in sufficient quantities to be toxic or injurious to humans or to cause acute or chronic health problems. These products are certified by ACMI to be labeled in accordance with the chronic hazard labeling standard, ASTM D 4236 and the U.S. Labeling of Hazardous NO HEALTH LABELING REQUIRED Art Materials Act (LHAMA) and there is no physical hazard as defined with 29 CFR Part 1910.1200 (c).
    [Show full text]
  • Stylos Writing Instruments Since 1981 a Fountain Pen Is One of Those Rare Objects Which Connects with Us on So Many Levels
    stylos writing instruments since 1981 A fountain pen is one of those rare objects which connects with us on so many levels. In our most creative mode, it is an extension of our mind which through gestures of our hand convert random thoughts into intelligible concepts, ideas or expressions. Every time we use a writing instrument - we write code. Sometimes people understand it. Sometimes there are layers in the meaning of the words we write. Often, we give away more in the style and stroke of our writing than in the actual words themselves. In many cultures, the written letter and word is considered “art”. I take every opportunity to infuse art into everyday objects. With pens it’s even more tactile sensual and very personal. STYLOS is sculpture. It’s a little “kiss of art” you can carry with you. kostas metaxas the heart of a great pen is the nib... Introducing the world’s first universal nib system - change from a premium German “BOCK” , “SCHMIDT” [YOWO] steel, titanium, gold or palladium nib, or rollerball, fineliner in a few seconds. stylos titanium stylos titanium stylos titanium set stylos titanium set - red capsule stylos titanium a precious nib housed in a sensual sculpture STYLOS TITANIUM is about simplicity and movement. There is a French saying which best explains it: “Faire vivre le trait.” - Make a line come alive. STYLOS TITANIUM is the sublime “body” of a fine writing instrument. The heart of a fine writing instrument is the nib. Made from different noble materials, it has the ability to influence your relationship between mind, hand and paper.
    [Show full text]
  • Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
    # Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co.
    [Show full text]
  • New Summary Report - 26 June 2015
    New Summary Report - 26 June 2015 1. How did you find out about this survey? Other 17% Email from Renaissance Art 83.1% Email from Renaissance Art 83.1% 539 Other 17.0% 110 Total 649 1 2. Where are you from? Australia/New Zealand 3.2% Asia 3.7% Europe 7.9% North America 85.2% North America 85.2% 553 Europe 7.9% 51 Asia 3.7% 24 Australia/New Zealand 3.2% 21 Total 649 2 3. What is your age range? old fart like me 15.4% 21-30 22% 51-60 23.3% 31-40 16.8% 41-50 22.5% Statistics 21-30 22.0% 143 Sum 20,069.0 31-40 16.8% 109 Average 36.6 41-50 22.5% 146 StdDev 11.5 51-60 23.3% 151 Max 51.0 old fart like me 15.4% 100 Total 649 3 4. How many fountain pens are in your collection? 1-5 23.3% over 20 35.8% 6-10 23.9% 11-20 17.1% Statistics 1-5 23.3% 151 Sum 2,302.0 6-10 23.9% 155 Average 5.5 11-20 17.1% 111 StdDev 3.9 over 20 35.8% 232 Max 11.0 Total 649 4 5. How many pens do you usually keep inked? over 10 10.3% 7-10 12.6% 1-3 40.7% 4-6 36.4% Statistics 1-3 40.7% 264 Sum 1,782.0 4-6 36.4% 236 Average 3.1 7-10 12.6% 82 StdDev 2.1 over 10 10.3% 67 Max 7.0 Total 649 5 6.
    [Show full text]