(Paper) -- Hunting Power Through Witch Hunts in Early Modern Scotland
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3 Die Materialität Des Teufels Und Ihre Wir- Kung Auf Hexenverfolgung Und Hexenprozeß in Ausgewählten Europäischen Ländern Und in Den Neuenglischen Kolonien
3 Die Materialität des Teufels und ihre Wir- kung auf Hexenverfolgung und Hexenprozeß in ausgewählten europäischen Ländern und in den neuenglischen Kolonien Kernpunkt vieler Hexenprozesse der frühen Neuzeit in Europa und in den neuenglischen Kolonien war die Frage nach der materiellen Existenz des Teu- fels und ihr Nachweis. Teufelspakt, Teufelsbuhlschaft und Hexenflug - alles Elemente des Volks- aberglaubens - waren für einen großen Teil der Hexenprozesse zentrale An- klagepunkte in den Gerichtsverfahren und trugen sowohl in Europa als auch in den neuenglischen Kolonien zu einer Intensivierung der Hexenverfolgung in der frühen Neuzeit bei. Martin Pott bezeichnet diese Elemente des Volksaberglaubens als „Penta- gramm des Hexenwahns“. Er sieht den Hexenglauben als ausgefeilte Theorie, deren Inhalte im Begriff des Teufelspaktes kulminieren.196 Seit Menschengedenken gehörte die Vorstellung einer den Menschen nicht immer freundlich gesinnten, real existenten Parallelwelt zum alltäglichen Le- ben. Einerseits war sie in vorchristlicher Zeit eine durchaus wertfreie Möglich- keit, unerklärliche Erlebnisse verständlich zu machen, andererseits diente sie später dem Christentum als spirituelles Gegengewicht zum göttlichen Wir- ken. Vor allem in kontinentaleuropäischen Ländern, wie zum Beispiel in Deutschland, gewann das Übernatürliche in der frühneuzeitlichen Hexen- verfolgung an Bedeutung. Die Verhandlung von Hexenanklagen vor Gericht mußte dieser Entwicklung Rechnung tragen. Zeugenaussagen und Geständ- nisse der Angeklagten, welche die Existenz des -
Witch, Warlock, and Magician, by 1
Witch, Warlock, and Magician, by 1 Witch, Warlock, and Magician, by William Henry Davenport Adams This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Witch, Warlock, and Magician Historical Sketches of Magic and Witchcraft in England and Scotland Author: William Henry Davenport Adams Release Date: February 4, 2012 [EBook #38763] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WITCH, WARLOCK, AND MAGICIAN *** Produced by Irma äpehar, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note Greek text has been transliterated and is surrounded with + signs, e.g. +biblos+. Characters with a macron (straight line) above are indicated as [=x], where x is the letter. Witch, Warlock, and Magician, by 2 Characters with a caron (v shaped symbol) above are indicated as [vx], where x is the letter. Superscripted characters are surrounded with braces, e.g. D{ni}. There is one instance of a symbol, indicated with {+++}, which in the original text appeared as three + signs arranged in an inverted triangle. WITCH, WARLOCK, AND MAGICIAN Historical Sketches of Magic and Witchcraft in England and Scotland BY W. H. DAVENPORT ADAMS 'Dreams and the light imaginings of men' Shelley J. W. BOUTON 706 & 1152 BROADWAY NEW YORK 1889 PREFACE. -
Pope Innocent VIII (1484-1492) and the Summis Desiderantes Affectibus
Portland State University PDXScholar Malleus Maleficarum and asciculusF Malleus Maleficarum Temporum (1490) 2020 Pope Innocent VIII (1484-1492) and the Summis desiderantes affectibus Maral Deyrmenjian Follow this and additional works at: https://pdxscholar.library.pdx.edu/mmft_malleus Part of the European History Commons, History of Christianity Commons, Medieval History Commons, and the Medieval Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Deyrmenjian, Maral, "Pope Innocent VIII (1484-1492) and the Summis desiderantes affectibus" (2020). Malleus Maleficarum. 1. https://pdxscholar.library.pdx.edu/mmft_malleus/1 This Book is brought to you for free and open access. It has been accepted for inclusion in Malleus Maleficarum by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Maral Deyrmenjian Spring, 2020 Pope Innocent VIII (1484-1492) and the Summis desiderantes affectibus At the end of the fifteenth century, Dominican friars were authorized to persecute practitioners of certain local customs which were perceived to be witchcraft in the mountains of Northern Italy.1 A landmark in the chronology of these witch-hunts was the papal bull of 1484, or the Summis desiderantes affectibus, and its inclusion in Heinrich Kramer’s witch-hunting codex, the Malleus Maleficarum. While neither the pope nor the papal bull were significantly influential on their own, the extraordinary popularity of Kramer’s Malleus draws attention to them. Pope Innocent VIII, born Giovanni Battista Cibó, was born in Genoa in 1432 into a Roman senatorial family.2 Cibó did not intend to become a member of the clergy and, in fact, fathered two illegitimate children: Franceschetto and Teodorina. -
The Witch-Cult in Western Europe, by 1
The Witch-cult in Western Europe, by 1 The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma Špehar and the Online Distributed Proofreading Team at http://www.pgdp.net THE WITCH-CULT IN WESTERN EUROPE A Study in Anthropology BY MARGARET ALICE MURRAY The Witch-cult in Western Europe, by 2 OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published in extenso; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices. -
Scepticism and Belief in English Witchcraft Drama, 1538–1681
SCEPTICISM AND BELIEF IN ENGLISH WITCHCRAFT DRAMA, 1538–1681 Scepticism and belief in English witchcraft drama, 1538–1681 ERIC PUDNEY Lund University Press Copyright © Eric Pudney 2019 The right of Eric Pudney to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Lund University Press The Joint Faculties of Humanities and Theology P.O. Box 117 SE-221 00 LUND Sweden http://lunduniversitypress.lu.se Lund University Press books are published in collaboration with Manchester University Press. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978 9 1983 7686 9 hardback ISBN 978 9 1983 7687 6 open access First published 2019 This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of Lund University, which permits non-commercial use, distribution and reproduction provided the author(s) and Lund University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/ licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Lund University Press gratefully acknowledges publication assistance from the Thora Ohlsson Foundation (Thora Ohlssons -
Witches' Reel Gelie Duncan's Song 1591 Image
Witches’ Reel Gelie Duncan’s Song 1591 Image: Newes from Scotland. Declaring the damnable Life of Doctor Fian a notable Sorcerer, who was burned at Edenbrough in Ianuarie last. 1591. Gellie Duncan was a servant of deputy bailiff of Tranant, North Berwick, David Seton, who is said to have had great capacities to help the sick. Seton became highly suspicious of the success of her cures and accused her of witchcraft, torturing her with the ‘pinniewinks’ (thumbscrews) and wrenching her head with a cord, but she would not confess. After further torture and interrogation in prison, she was found to have ‘the mark of the devil’ on her neck and was said to have confessed to witchcraft, naming many others. In May 1590 James VI had sailed to Leith with his newly wedded bride from Denmark during which the bridal boat was subjected to terrible winds whilst the rest of the fleet remained intact. This incidence was attributed to the witches who were accused of stirring up a storm on Halloween led by the devil, dancing and singing The Witches’ Reel in front of the Auld Kirk. The words of the reel were taken down in transcript in an Edinburgh court and Gellie was summonsed to sing it at Holyrood infront of the King before being sentenced and burned. Others included Agnes Simpson who was fastened to the wall with sharp iron prongs and deprived of sleep, John Fian, a learned schoolmaster was tortured with ‘bootikins’ (leg crushers) and the Earl of Bothwell – rival of King James VI – who was later tried in 1593 but found not guilty. -
King James's Daemonologie: the Evolution of the Concept Of
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea King James’s Daemonologie: the evolution of the concept of witchcraft in Scotland Relatore Laureando Prof. Alessandra Petrina Stefano Melta n° matr.1038982 / LMLCC Anno Accademico 2018 / 2019 1 Table of Contents FOREWORD ...................................................................................................................... 5 CHAPTER I: The Scottish social and political situation in the second half of the sixteenth century............................................................................................................................... 13 I.I. A social geography of the Reformation in Scotland .......................................... 13 I.II. Witchcraft as an enemy of the State ................................................................... 17 I.III. The shaping of the new Kirk and the concept of authority ................................ 21 CHAPTER II: Biographical background .......................................................................... 25 II.I The political situation in the 70s and 80s ........................................................... 28 II.II Marriage and witches ......................................................................................... 35 CHAPTER III: The books behind Daemonologie ............................................................ 41 CHAPTER IV: Daemonologie -
The Witches' Sabbath in Scotland
Proc Soc Antiq Scot 142 (2012), 371–412 THE WITches’ SABBATH IN SCOTLAND | 371 The Witches’ Sabbath in Scotland Laura Paterson* ABSTRACT There are ample surviving references in the witchcraft trial material to indicate that the witches’ sabbath became an important feature of the crime of witchcraft in Scotland. Comparison of the trial material has revealed numerous discrepancies between individual and group accounts of the witches’ sabbath. The frequent inability of the witches to agree upon a time, date or place that the witches’ sabbath took place have indicated that, in the cases studied, the witches’ sabbath was not a genuine historical event. Elite beliefs and ideas about the witches’ sabbath were frequently introduced during interrogations, and certainly left their mark upon the witchcraft records. However, the examination process was often a negotiation between witches and their interrogators, and as such, allowed many witches to incorporate their own beliefs and ideas into their descriptions of the witches’ sabbath. Close reading of the trial material, combined with an analysis of contemporary presbytery records and popular ballads, provides evidence that many witches were drawing upon popular beliefs about fairies, magic and the supernatural, as well as their experiences at real life celebrations and festivities, to compose their descriptions of the witches’ sabbath. The majority of confessions that contain descriptions of the witches’ sabbath are the product of this interrogation and negotiation process, but this research has also explored the possibility that the witches’ sabbath might have been a real visionary experience for some witches, and that these visionary experiences were fantasies induced by psychological trauma, or a waking or sleeping vision similar to those experienced by tribal shamans. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit “Fairies, Witches, and the Devil: The Interface between Elite Demonology and Folk Belief in Early Modern Scottish Witchcraft Trials” Verfasserin Ruth Egger, BA angestrebter akademischer Grad Magistra (Mag.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 057 327 Studienrichtung lt. Studienblatt: Individuelles Diplomstudium Keltologie Betreuerin: Dr Lizanne Henderson BA (Guelph) MA (Memorial) PhD (Strathclyde) 1 Acknowledgements First of all, I want to thank all my lecturers in history who introduced me to the basic theories and methods of historiography, but also to those providing lessons for Celtic Studies who made me aware of the importance of looking beyond the boundaries of one’s own discipline. Their interdisciplinary approach of including archaeology, linguistics, literature studies, cultural studies, and anthropology among other disciplines into historical research has inspired me ever since. Regarding this current study, I specially want to thank Dr. Lizanne Henderson who not only introduced me into the basic theories of methods of studying witchcraft and the supernatural during my time as Erasmus-student at the University of Glasgow, but also guided me during the writing process of this dissertation. Furthermore, I would like to thank the University of Vienna for giving me the chance to study abroad as Erasmus-student and also for providing me with a scholarship so that I could do the literature research for this dissertation at the University of Glasgow library and the National Archives of Scotland. Also, I thank Univ.-Prof. Mag. Dr. Melanie Malzahn for supporting me in acquiring this scholarship and helping me finding a viable topic for the dissertation, as well as Univ.-Doz. -
Magic Language: the Transmission of an Idea Over Geographical Distance and Linguistic Barriers
Magic Language: The Transmission of an Idea over Geographical Distance and Linguistic Barriers Arne Kruse, Liv Helene Willumsen Magic, Ritual, and Witchcraft, Volume 15, Number 1, Spring 2020, pp. 1-32 (Article) Published by University of Pennsylvania Press DOI: https://doi.org/10.1353/mrw.2020.0012 For additional information about this article https://muse.jhu.edu/article/760679 [ Access provided at 15 Aug 2020 12:10 GMT from UIT Norges Arktiske Universitet ] Magic Language: The Transmission of an Idea over Geographical Distance and Linguistic Barriers ARNE KRUSE University of Edinburgh LIV HELENE WILLUMSEN University of Tromsø The aim of this article is to map out a fascinating transnational path regarding the transfer of ideas concerning witchcraft. Our objective is to demonstrate how language has the ability to carry and transport an ideological doctrine across national and linguistic borders—in this case, knowledge directly related to the learned European doctrine of demonology, which influenced witch- craft persecution all over Europe. The areas investigated are two locations in northern Europe, namely Scot- land and Finnmark, the northernmost district of Norway. The latter was called Vardøhus in the seventeenth century, and had a district governor as the highest authority. The district of Vardøhus covered the approximate area of Finnmark county in 2019, an expanse of 48,649 square kilometers and comparable to the area of Denmark. In the following, the modern name Finnmark will be used both for the district of Vardøhus and for the modern county.1 However, the choice of these two areas is not based on their geographical positions but rather on the exceptional intensity of the witchcraft persecution and the ideological content of the witchcraft trials that took place there in 1. -
Witches, Saints, and Heretics: Heinrich Kramer's Ties with Italian
Witches, Saints, and Heretics: Heinrich Kramer’s Ties with Italian Women Mystics Tamar Herzig Magic, Ritual, and Witchcraft, Volume 1, Number 1, Summer 2006, pp. 24-55 (Article) Published by University of Pennsylvania Press DOI: https://doi.org/10.1353/mrw.0.0038 For additional information about this article https://muse.jhu.edu/article/236417 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Witches, Saints, and Heretics Heinrich Kramer’s Ties with Italian Women Mystics TAMAR HERZIG Hebrew University of Jerusalem In the late Middle Ages, mystical sainthood was often defined as antithetical to diabolic witchcraft. Whereas the saintly female mystic was revered as an emblem of piety, her mirror-image, the witch, was believed to be the em- bodiment of evil, who deliberately inverted orthodox religion by engaging in diabolic rites. Historians exploring the relationship between the category of ‘‘saint’’ and that of ‘‘witch’’ have pointed to the very fine line that usually separated the two in the premodern era.1 Several studies have also lately un- Earlier versions were presented at the 2005 Sixteenth Century Studies Conference and at the Institute for Research in the Humanities, University of Wisconsin– Madison. I thank Jodi Bilinkoff, Lawrence Buck, Caroline Bynum, Miri Eliav- Feldon, Yaacov Herzig, Michael Heyd, Maiju Lehmijoki-Gardner, Erik Midelfort, Saskia Polackova, Diane Purkiss, Anne Schutte, Martha Skeeters, Moshe Sluhovsky, Gary Waite, and Charles Zika for their comments and suggestions. I am particularly grateful to E. Ann Matter and the Yad Hanadiv Foundation for enabling me to com- plete the research for this essay as a Visiting Scholar at the University of Pennsylvania. -
Lawrence Normand
EnterText 3.1 LAWRENCE NORMAND Modernising Scottish Witchcraft Texts The process of turning sixteenth-century texts into twenty-first-century printed books that can be readily understood by present-day readers is one that is fraught with the possibilities of error, distortion and falsification. While an editor’s aim is ideally to present early modern texts in an authentic way, the editing process shows the impossibility of achieving that. The more remote the sixteenth-century text is from any recognisably modern form of textuality, the more difficult the process of presenting it to the modern reader while maintaining its specific historical identity. The postmodern idea that literary editors now readily embrace is that an edition of, say, a Renaissance play is one more instance of the play’s reproduction in history which has several forms: theatrical production, critical discussion, canonical location, reproduction in film or television. But that idea is not one that is embraced by historians when they seek to edit historical documents for the modern reader. Historical documents are deemed to be significant and useful to the modern reader in trying to understand the past inasmuch as they still carry upon them the signs of their initial production and context. Literary texts, on the other hand, are usually reproduced in new editions with blithe disregard for their original material form (even if this survives, which in many cases it does not). This essay discusses a case of Normand: Modernising Scottish Witchcraft Texts 227 EnterText 3.1 editing sixteenth-century texts which posed challenges of this sort for the editors.