Scottish Witch-Hunts Book List
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3 Die Materialität Des Teufels Und Ihre Wir- Kung Auf Hexenverfolgung Und Hexenprozeß in Ausgewählten Europäischen Ländern Und in Den Neuenglischen Kolonien
3 Die Materialität des Teufels und ihre Wir- kung auf Hexenverfolgung und Hexenprozeß in ausgewählten europäischen Ländern und in den neuenglischen Kolonien Kernpunkt vieler Hexenprozesse der frühen Neuzeit in Europa und in den neuenglischen Kolonien war die Frage nach der materiellen Existenz des Teu- fels und ihr Nachweis. Teufelspakt, Teufelsbuhlschaft und Hexenflug - alles Elemente des Volks- aberglaubens - waren für einen großen Teil der Hexenprozesse zentrale An- klagepunkte in den Gerichtsverfahren und trugen sowohl in Europa als auch in den neuenglischen Kolonien zu einer Intensivierung der Hexenverfolgung in der frühen Neuzeit bei. Martin Pott bezeichnet diese Elemente des Volksaberglaubens als „Penta- gramm des Hexenwahns“. Er sieht den Hexenglauben als ausgefeilte Theorie, deren Inhalte im Begriff des Teufelspaktes kulminieren.196 Seit Menschengedenken gehörte die Vorstellung einer den Menschen nicht immer freundlich gesinnten, real existenten Parallelwelt zum alltäglichen Le- ben. Einerseits war sie in vorchristlicher Zeit eine durchaus wertfreie Möglich- keit, unerklärliche Erlebnisse verständlich zu machen, andererseits diente sie später dem Christentum als spirituelles Gegengewicht zum göttlichen Wir- ken. Vor allem in kontinentaleuropäischen Ländern, wie zum Beispiel in Deutschland, gewann das Übernatürliche in der frühneuzeitlichen Hexen- verfolgung an Bedeutung. Die Verhandlung von Hexenanklagen vor Gericht mußte dieser Entwicklung Rechnung tragen. Zeugenaussagen und Geständ- nisse der Angeklagten, welche die Existenz des -
The Witch-Cult in Western Europe, by 1
The Witch-cult in Western Europe, by 1 The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma Špehar and the Online Distributed Proofreading Team at http://www.pgdp.net THE WITCH-CULT IN WESTERN EUROPE A Study in Anthropology BY MARGARET ALICE MURRAY The Witch-cult in Western Europe, by 2 OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published in extenso; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices. -
Episode #032 – a Deed Without a Name
“The Infinite and the Beyond” hosted by Chris Orapello Episode #032 – A Deed Without A Name 1 Episode #032 – A Deed Without A Name The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Show Introduction. ➢ MM, BB, 93, Hello and Welcome to the 32nd Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. ➢ In this episode… • We speak with Author, Lee Morgan about her new book A Deed Without A Name: Unearthing the Legacy of Traditional Witchcraft. We hear some awesome music by our featured artist Swallows from their latest album “Witching and Divining.” In A Corner in the Occult we learn about Scottish witch Isobel Gowdie who was tried for witchcraft back in the 17th century. And in the Essence of Magick we consider the values and issues surrounding Authenticity, but before all that, here is “Witching and Divining” by the band Swallows. Enjoy. ▪ http://swallows.bandcamp.com/album/witching-divining ▪ http://swallowthemusic.com/ Featured Artist “Witching and Diving” by Swallows Interview Part 1 : Lee Morgan Segment: A Corner in the Occult: (approx. 1300-1500 words): Isobel Gowdie (Background Music: “Piano Quartet in g 3rd Movement by Mozart” performed by Linda Holzer) Hello and welcome to “A Corner in the Occult” Where we focus on one part or person from the history of occultism. -
Scepticism and Belief in English Witchcraft Drama, 1538–1681
SCEPTICISM AND BELIEF IN ENGLISH WITCHCRAFT DRAMA, 1538–1681 Scepticism and belief in English witchcraft drama, 1538–1681 ERIC PUDNEY Lund University Press Copyright © Eric Pudney 2019 The right of Eric Pudney to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Lund University Press The Joint Faculties of Humanities and Theology P.O. Box 117 SE-221 00 LUND Sweden http://lunduniversitypress.lu.se Lund University Press books are published in collaboration with Manchester University Press. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978 9 1983 7686 9 hardback ISBN 978 9 1983 7687 6 open access First published 2019 This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of Lund University, which permits non-commercial use, distribution and reproduction provided the author(s) and Lund University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/ licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Lund University Press gratefully acknowledges publication assistance from the Thora Ohlsson Foundation (Thora Ohlssons -
Witches' Reel Gelie Duncan's Song 1591 Image
Witches’ Reel Gelie Duncan’s Song 1591 Image: Newes from Scotland. Declaring the damnable Life of Doctor Fian a notable Sorcerer, who was burned at Edenbrough in Ianuarie last. 1591. Gellie Duncan was a servant of deputy bailiff of Tranant, North Berwick, David Seton, who is said to have had great capacities to help the sick. Seton became highly suspicious of the success of her cures and accused her of witchcraft, torturing her with the ‘pinniewinks’ (thumbscrews) and wrenching her head with a cord, but she would not confess. After further torture and interrogation in prison, she was found to have ‘the mark of the devil’ on her neck and was said to have confessed to witchcraft, naming many others. In May 1590 James VI had sailed to Leith with his newly wedded bride from Denmark during which the bridal boat was subjected to terrible winds whilst the rest of the fleet remained intact. This incidence was attributed to the witches who were accused of stirring up a storm on Halloween led by the devil, dancing and singing The Witches’ Reel in front of the Auld Kirk. The words of the reel were taken down in transcript in an Edinburgh court and Gellie was summonsed to sing it at Holyrood infront of the King before being sentenced and burned. Others included Agnes Simpson who was fastened to the wall with sharp iron prongs and deprived of sleep, John Fian, a learned schoolmaster was tortured with ‘bootikins’ (leg crushers) and the Earl of Bothwell – rival of King James VI – who was later tried in 1593 but found not guilty. -
Witch, Fairy and Folktale Narratives in the Trial of Bessie Dunlop. In: Henderson, L
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten ,nn Henderson, L. (2009) Witch, fairy and folktale narratives in the trial of Bessie Dunlop. In: Henderson, L. (ed.) Fantastical Imaginations: The Supernatural in Scottish History and Culture. John Donald: Edinburgh, pp. 141-166. ISBN 9781906566029 Copyright © 2009 John Donald A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) http://eprints.gla.ac.uk/45389/ Deposited on: 11 March 2015 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 7 Witch, Fairy and Folktale Narratives in the Trial of Bessie Dunlop 1 Lizanne Henderson Once Upon A Time, there lived a witch named Bessie. She hadn’t always been a witch but since becoming one she found that her neighbours thought her very powerful and they began to visit her in search of cures and advice. A terrible plague and famine was sweeping across the land and Bessie, who was expecting a child, was afraid. Her husband, and her animals, were suffering from the pestilence. Bessie was in labour when a stranger came in through her cottage door. She was a stout woman and she asked Bessie for a drink, and she obliged. The woman then said “Bessie, your bairn will die, but your husband will mend of his sickness”. With that, she left. -
King James's Daemonologie: the Evolution of the Concept Of
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea King James’s Daemonologie: the evolution of the concept of witchcraft in Scotland Relatore Laureando Prof. Alessandra Petrina Stefano Melta n° matr.1038982 / LMLCC Anno Accademico 2018 / 2019 1 Table of Contents FOREWORD ...................................................................................................................... 5 CHAPTER I: The Scottish social and political situation in the second half of the sixteenth century............................................................................................................................... 13 I.I. A social geography of the Reformation in Scotland .......................................... 13 I.II. Witchcraft as an enemy of the State ................................................................... 17 I.III. The shaping of the new Kirk and the concept of authority ................................ 21 CHAPTER II: Biographical background .......................................................................... 25 II.I The political situation in the 70s and 80s ........................................................... 28 II.II Marriage and witches ......................................................................................... 35 CHAPTER III: The books behind Daemonologie ............................................................ 41 CHAPTER IV: Daemonologie -
The Witches' Sabbath in Scotland
Proc Soc Antiq Scot 142 (2012), 371–412 THE WITches’ SABBATH IN SCOTLAND | 371 The Witches’ Sabbath in Scotland Laura Paterson* ABSTRACT There are ample surviving references in the witchcraft trial material to indicate that the witches’ sabbath became an important feature of the crime of witchcraft in Scotland. Comparison of the trial material has revealed numerous discrepancies between individual and group accounts of the witches’ sabbath. The frequent inability of the witches to agree upon a time, date or place that the witches’ sabbath took place have indicated that, in the cases studied, the witches’ sabbath was not a genuine historical event. Elite beliefs and ideas about the witches’ sabbath were frequently introduced during interrogations, and certainly left their mark upon the witchcraft records. However, the examination process was often a negotiation between witches and their interrogators, and as such, allowed many witches to incorporate their own beliefs and ideas into their descriptions of the witches’ sabbath. Close reading of the trial material, combined with an analysis of contemporary presbytery records and popular ballads, provides evidence that many witches were drawing upon popular beliefs about fairies, magic and the supernatural, as well as their experiences at real life celebrations and festivities, to compose their descriptions of the witches’ sabbath. The majority of confessions that contain descriptions of the witches’ sabbath are the product of this interrogation and negotiation process, but this research has also explored the possibility that the witches’ sabbath might have been a real visionary experience for some witches, and that these visionary experiences were fantasies induced by psychological trauma, or a waking or sleeping vision similar to those experienced by tribal shamans. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit “Fairies, Witches, and the Devil: The Interface between Elite Demonology and Folk Belief in Early Modern Scottish Witchcraft Trials” Verfasserin Ruth Egger, BA angestrebter akademischer Grad Magistra (Mag.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 057 327 Studienrichtung lt. Studienblatt: Individuelles Diplomstudium Keltologie Betreuerin: Dr Lizanne Henderson BA (Guelph) MA (Memorial) PhD (Strathclyde) 1 Acknowledgements First of all, I want to thank all my lecturers in history who introduced me to the basic theories and methods of historiography, but also to those providing lessons for Celtic Studies who made me aware of the importance of looking beyond the boundaries of one’s own discipline. Their interdisciplinary approach of including archaeology, linguistics, literature studies, cultural studies, and anthropology among other disciplines into historical research has inspired me ever since. Regarding this current study, I specially want to thank Dr. Lizanne Henderson who not only introduced me into the basic theories of methods of studying witchcraft and the supernatural during my time as Erasmus-student at the University of Glasgow, but also guided me during the writing process of this dissertation. Furthermore, I would like to thank the University of Vienna for giving me the chance to study abroad as Erasmus-student and also for providing me with a scholarship so that I could do the literature research for this dissertation at the University of Glasgow library and the National Archives of Scotland. Also, I thank Univ.-Prof. Mag. Dr. Melanie Malzahn for supporting me in acquiring this scholarship and helping me finding a viable topic for the dissertation, as well as Univ.-Doz. -
(Paper) -- Hunting Power Through Witch Hunts in Early Modern Scotland
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2021 May 19th, 2:45 PM - 4:00 PM Session 2: Panel 1: Presenter 3 (Paper) -- Hunting Power through Witch Hunts in Early Modern Scotland Devika D. Narendra Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the History Commons Let us know how access to this document benefits ou.y Narendra, Devika D., "Session 2: Panel 1: Presenter 3 (Paper) -- Hunting Power through Witch Hunts in Early Modern Scotland" (2021). Young Historians Conference. 16. https://pdxscholar.library.pdx.edu/younghistorians/2021/papers/16 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Narendra 2 “Be ane great storme: it wes feared that the Queine wes in danger upone the seas,”1 read King James VI of Scotland in a letter from Lord Dingwal. 2 The festivities celebrating his recent marriage would have to wait, King James VI needed to ensure his new wife, Queen Anne, would arrive safely in Scotland. King James VI stayed at the Seton House, watching the sea every day for approximately seventeen days, but the Queen did not come. 3 The king would have to retrieve her himself. The sea threw the king’s boat back and forth and rendered him fully powerless against the waves. The King and Queen were lucky to have survived their journey, one of Queen Anne’s gentlewomen, Jean Kennedy, having drowned in the same storm.4 Upon returning to Scotland, King James VI immediately ordered all of the accused witches of the North Berwick witch hunt to be brought to him, believing that the witches caused the dangerous sailing conditions, intending to kill him.5 To protect himself, he tortured and executed witches, prosecuting them for both witchcraft and conspiring against the King. -
Finding the Witch's Mark
Hamline University DigitalCommons@Hamline Departmental Honors Projects College of Liberal Arts Spring 2014 Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47 Shannon M. Lundquist Hamline University Follow this and additional works at: https://digitalcommons.hamline.edu/dhp Part of the Cultural History Commons, European History Commons, History of Gender Commons, History of Religion Commons, Social History Commons, and the Women's History Commons Recommended Citation Lundquist, Shannon M., "Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47" (2014). Departmental Honors Projects. 18. https://digitalcommons.hamline.edu/dhp/18 This Honors Project is brought to you for free and open access by the College of Liberal Arts at DigitalCommons@Hamline. It has been accepted for inclusion in Departmental Honors Projects by an authorized administrator of DigitalCommons@Hamline. For more information, please contact [email protected], [email protected]. Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47. Shannon Lundquist An Honors Thesis Submitted for partial fulfillment of the requirements for graduation with honors in History from Hamline University March 31, 2014 1 Table of Contents Introduction ........................................................................................................................ 2 The Hopkins Trials ............................................................................................................. -
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD the Waning Sword Conversion Imagery and EDWARD PETTIT P
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology.