AS-2013-14-Brochure-3.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

AS-2013-14-Brochure-3.Pdf 2013 2014 Welcome to ArtSpring’s 2013-14 season of great music, theatre, dance and spoken word programming. What’s new this year? • For the first time in several years we are offering a Theatre series, with the ArtsClub’s production of Driving Miss Daisy as a centrepiece, bracketed by two excellent one-actor plays. • After two successful years, we will take a break from our Gallery Cabaret series in 2013-14. “From the moment she sat down at the piano, Rana sent chills through What hasn’t changed? the room. Throughout the recital, • Ticket pricing for all our events remains unchanged she demonstrated her power, from comparable shows last season. However, with the consistency, subtlety and remarkable reintroduction of GST, the effective price of our tickets has range of musical textures.” decreased by 7%, so you will see lower total amounts when - LA SCENA MUSICALE you buy either subscriptions or single tickets. • We continue to offer $5 admission for all youth because we believe it important for young people to become exposed to fine and varied live performances. • The basic subscription packages you have become accustomed to (Great Performers, On Stage, ArtSwings and Dance) continue as before. This brochure is colour coded to Photo: Julien Faugere make it easier for you to identify which performances are part of these series. • We again offer the opportunity to create your own subscription package (Make Your Own Meal) since this has Beatrice Rana, piano proved very popular. • The Metropolitan Opera broadcasts will continue, though there wasn’t enough room in this brochure to list next season’s operas. Please ask at the Box Office or check our Thursday, September 26 – 7:30pm website for a separate schedule. Tickets will go on sale Adults: $28, Youth $5 August 21. • We have kept the organization of this brochure identical to At barely 20 years old, Beatrice Rana has shaken the last year, especially keeping the chronological organization st international classical music world first by winning 1 Prize that many of you have said you found both clear and useful. and all special prizes at the Montréal International Piano competition in 2011, and then by winning Silver (2nd Prize) and SERIES LEGEND the Audience Award a few months ago at the highly prestigious Van Cliburn competition. She brings us an exciting recital of Great Performers Schumann and Ravel, including Gaspard de la nuit which La On Stage Scena Musciale called “devastatingly hard” and which Rana played ArtSwings in Montréal “with remarkable fluidity – breathing, fluttering, never falling into rhythmic imprecision.” Dance Theatre The cover image is a detail from a painting created for ArtSpring by students Uma McIninch, Sophie Gold, Calla Wilkie, Zama Szakacs, Casey Gillis, Layla GREAT PERFORMERS Anderson, Sebastian Niedziela & Sam Holmes Proudly supported by Joan Farlinger, Mouats Clothing Co. 3 “Mabern’s piano style is aggressive, very positive, crashing out chords that drop like pile drivers, and warming up and down the keyboard with huge, whooping bursts of action.” JOHN WILSON, NEW YORK TIMES Harold Mabern Adi Braun Quartet with Cory Weeds Trio Monday, September 30 – 7:30pm Saturday, October 12 – 7:30pm Adults: $23 Youth: $5 Adults: $23 Youth: $5 Harold Mabern is one of jazz’s most enduring and Trained classically at the Royal Conservatory and the University dazzlingly skilled pianists. Born in Memphis, he was of Toronto’s Faculty of Music, Adi Braun began her singing an unsung hero of the 1960s hardbop scene, but only in career in operas and operettas alongside her brother, baritone recent years has he begun to garner appreciation for his Russell Braun. In the late ‘90’s she returned to the music she long-running legacy in jazz and the understated power loved, which she calls “cabarazz”, drawing on aspects from of his talent. During his over half-century on the scene both cabaret and jazz. She was soon recognized internationally as sideman and leader, he has played and recorded with as one of Canada’s leading jazz vocalists, nominated in 2007 such greats as Lee Morgan, Sonny Rollins, Hank Mobley, as “Best Major Jazz Vocalist of the Year” by the Manhattan Freddie Hubbard and Miles Davis, just to name a few. Association of Cabarets and Clubs. Mabern joins up with Vancouver’s Cory Weeds Trio for what promises to be one of the finest evenings of jazz “Her performance was terrific, her stage presence ArtSpring has heard in years. commanding, her singing sheer delight.” – GEOFF CHAPMAN, TORONTO STAR 4 ARTSWINGS ARTSWINGS 5 “As she celebrates a 40-year career, Gillis’ timing, her gestures, and her focus are fine-tuned to a perfect pitch. She performs as if the stage were her home, and there is no place she’d rather be.” DEBORAH JOWITT, VILLAGE VOICE Till Death Do We Part Friday, October 25 – 7:30pm Bulletins from Immortality Adults: $20 Youth: $5 Margie Gillis with actress Elizabeth Parrish Tara Travis (The Shakespeare Show) returns to ArtSpring Post-concert reception hosted by Country Grocer with a hilarious solo play in which Henry VIII’s six wives Saturday, October 19 – 7:30pm meet in heaven to compare notes about their ill-fated Adults: $28 Youth: $5 marriages. Travis plays all six wives (simultaneously) in a feat of theatrical dexterity that defies belief till you see it done on stage to rip-roaring effect. The play is nothing short of stunning. For forty years, Margie Gillis has been one of Canada’s best known and most original dancers and choreographers. This new creation was born from a collaboration with the Stella “Wildly funny, wonderfully crafted and brilliantly acted. Adler Studio in New York City with Gillis combining forces Flawless!” with American acting icon Elizabeth Parrish to reveal the – CBC revolutionary, innovative, and modern in the work of poet Emily Dickinson. A prisoner of the straight jacket imposed on women of her era, Dickinson broke free of her bindings with atypical verses, unbridled punctuation, and approximate rhymes. Parrish narrates, bringing life to the interior world of the poetess, while Gillis reveals her psyche through movement. DANCE THEATRE 6 Proudly supported by Joan Farlinger Proudly supported by Victoria Olchowecki 7 Italy Invades Poland ¡Sacabuche! Sunday, November 3 – 2:30pm Pre-concert chat – 1:30pm Adults: $28 Youth: $5 ¡Sacabuche! is North America’s premiere sackbut ensemble (no kidding). Based at Indiana University’s Early Music Institute, Linden String Quartet they perform the beautiful and lesser-known repertoire of baroque trombones, organ and voice. At ArtSpring they bring us a programme of 17th Century court music from Poland, highlighting the early-Baroque influences of Italian music Sunday, November 10 – 2:30pm throughout Europe. This is early music at its best. Adults: $28 Youth: $5 “¡Sacabuche!’s opening night performance set the One of the most exciting young quartets in the US (though standard for all that followed. The program was beautifully two of the musicians are Canadian), the Linden String arranged, the playing inspired, and the sound glorious. Quartet was the Graduate Quartet at Yale from 2010 to This gifted young ensemble will go far.” 2012 working under the tutelage of the Tokyo Quartet. BERKELEY EARLY MUSIC FESTIVAL At ArtSpring they will play quartets by Schubert (D 57), Bartok (Quartet #3) and Beethoven (Op. 132). In the crowded world of string quartets, the Linden stands out as fresh, exciting and hugely talented. “…polished, radiant and incisive…” THE STRAD ON STAGE GREAT PERFORMERS 8 Proudly supported by Mouats The Housewares Store Proudly supported by Joan Farlinger, Mouats Clothing Co. 9 Linda Tillery Raphael Wallfisch, cello & the Cultural Heritage Choir Rena Sharon, piano Thursday, November 14 – 7:30pm Tuesday, December 3 – 7:30pm Adults: $23 Youth: $5 Adults: $28 Youth: $5 Linda Tillery and the Cultural Heritage Choir is a One of the leading cellists of our times, Raphael Wallfisch Grammy nominated, percussion driven vocal ensemble is celebrated for his vast repertoire and peerless, expressive whose mission is to preserve and share the rich musical performance technique. He is much in demand around the traditions of African-American roots music. Through stick, world as an orchestral and recital soloist. We are fortunate song, dance and story, they transport us to a place in time that he will be performing with the Vancouver Symphony when the foundations of American popular music were just on November 30 and were thus able to invite him to being laid by the “involuntary immigrants” from Africa’s ArtSpring a few days later. western regions. Linda Tillery and the Cultural Heritage Choir have become world renowned for their breathtaking Rena Sharon, professor of Collaborative Piano Studies at performances and commitment to the authenticity of UBC, ranks among Canada’s foremost chamber musicians African-American roots music. and soloists. She has collaborated in recital with many renowned artists including Ben Heppner, Steven Isserlis, “Consisting primarily of a bunch of amazing voices and James Somerville and James Ehnes, and is a favourite slew of eclectic African and South American percussion, performer with CBC Radio audiences. it’d be easiest to lump them in with Ladysmith Black Mambazo and Zap Mama, but that would be selling “… glorious tone, finely gelled musicianship and a them short.” beautiful combination of sparkiness, sensuality and JOHN BUTLAND, EARTHBEAT! intelligence.” JESSICA DUCHEN BLOGSPOT ARTSWINGS ON STAGE 10 Proudly supported by Kate Merry Proudly supported by Mouats
Recommended publications
  • „Nowhere to Go but Up“? Die Gattungsmerkmale Des Musicals
    „Nowhere to Go But Up“? Die Gattungsmerkmale des Musicals Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Historische Musikwissenschaft vorgelegt von Sarah Baumhof Hamburg, 2021 Tag der Disputation: 21.1.2021 Vorsitzende der Prüfungskommission: Prof. Dr. Ivana Rentsch Erstgutachterin: Prof. Dr. Ivana Rentsch Zweitgutachter: Prof. Dr. Oliver Huck Anmerkungen zu Begrifflichkeiten, Schreibweisen und Quellenangaben ............................................ IV 1 Einleitung .......................................................................................................................... 1 1.1 Ziel und Titel der Dissertation .................................................................................... 1 1.2 Aktueller Forschungsstand ......................................................................................... 2 1.2.1 Sekundärliteratur: Umfang und Publikationsart ..................................................... 2 1.2.2 Subjektivität und qualitative Mängel ...................................................................... 6 1.2.3 Geographische Zentrierung .................................................................................. 11 1.2.4 Fehlende Musikanalyse ........................................................................................ 13 1.2.5 Determiniertheit .................................................................................................... 15 1.3 Fragestellung und
    [Show full text]
  • A Opera Catalogue Sectio#42336
    Opera Operetta Music Theatre Supplement 2009 www.boosey.com/opera Opera Operetta Music Theatre Chamber Opera Musicals Stageworks for Young Audiences Stageworks for Young Performers from Boosey & Hawkes Bote & Bock Anton J. Benjamin Supplement 2009 Edited by David Allenby Cover illustrations: John Adams: Doctor Atomic Penny Woolcock’s production for the Metropolitan Opera and English National Opera (2008) with Gerald Finley as Oppenheimer Photo: © 2008 Ken Howard/Metropolitan Opera Detlev Glanert: Caligula Christian Pade’s world premiere production for Oper Frankfurt (2006) with Ashley Holland (Caligula) Photo: Monika Rittershaus Unsuk Chin: Alice in Wonderland Achim Freyer’s world premiere production for the Bavarian State Opera (2007) with Sally Matthews (Alice) Photo: Wilfried Hösl Jacques Offenbach: Les Fées du Rhin Vocal score in the Offenbach Edition Keck (OEK) published by Boosey & Hawkes / Bote & Bock Harrison Birtwistle: The Minotaur Stephen Langridge’s world premiere production for The Royal Opera in London (2008) with John Tomlinson (The Minotaur) and Johan Reuter (Theseus) Photo: Bill Cooper Michel van der Aa: The Book of Disquiet Still from the composer’s video for his world premiere production for Linz 2009 European Capital of Culture (2009) with Klaus Maria Brandauer Photo: Michel van der Aa Published by Boosey & Hawkes Music Publishers Limited Aldwych House 71–91 Aldwych London WC2B 4HN www.boosey.com an company © Copyright 2009 Boosey & Hawkes Music Publishers Ltd Printed in England by Halstan & Co Ltd, Amersham, Bucks Designed and typeset by David J Plumb ARCA PPSTD ISBN 978-0-85162-599-7 Contents 4 Introduction 5 Abbreviations 6 Catalogue 52 Addenda 55 Title Index 56 Boosey & Hawkes Addresses Introduction This 2009 Supplement contains works added since the publication of the 2004 Boosey & Hawkes Opera Catalogue.
    [Show full text]
  • Lsm11-6 Ayout
    sm20-7_EN_p01_coverV2_sm20-1_BI_pXX 15-06-03 12:55 PM Page 1 RCM_LaScenaMusicale_4c_fp_June+Aug15.qxp_Layoutsm20-7_EN_p02_rcmAD_sm20-1_BI_pXX 15-06-03 12:56 1 2015-05-27PM Page 2 9:33 AM Page 1 2015.16 Terence CONCERT Blanchard SEASON More than 85 classical, jazz, pop, world music, and family concerts to choose from! Koerner Hall / Mazzoleni Concert Hall / Conservatory Theatre Igudesman & Joo Daniel Hope Vilde Frang Jan Lisiecki SUBSCRIPTIONS ON SALE 10AM FRIDAY JUNE 12 SINGLE TICKETS ON SALE 10AM FRIDAY JUNE 19 416.408.0208 www.performance.rcmusic.ca 273 BLOOR STREET WEST (BLOOR ST. & AVENUE RD.) TORONTO sm20-7_EN_p03_torontosummerAD_sm20-1_BI_pXX 15-06-03 12:57 PM Page 3 CELEBRATING 10 YEARS JUL 16-AUG 9 DANISH STRING KARITA MATTILA QUARTET GARRICK AMERICAN OHLSSON AVANT-GARDE DANILO YOA ORCHESTRA OF THE AMERICAS PÉREZ WITH INGRID FLITER AND MUCH MORE! UNDER 35 YEARS OLD? TICKETS ONLY $20! TORONTOSUMMERMUSIC.COM 416-408-0208 an Ontario government agency un organisme du gouvernement de l’Ontario sm20-7_EN_p04_TOC_sm20-1_BI_pXX 15-06-03 12:58 PM Page 4 VOL 20-7 JUNE/JULY/AUGUST 2015 CONTENTS 10 INDUSTRY NEWS 11 Orchestre National de Jazz - Montréal 12 Jazz Festival Picks 14 Classical Festival Picks 19 Arts Festival Picks 21 Summer Listening GUIDES 22 Canadian Summer Festivals 37 REGIONAL CALENDAR 38 CONCERT PREVIEWS YOA ORCHESTRA OF THE AMERICAS 6 FOUNDING EDITORS PUBLISHER OFFICE MANAGER TRANSLATORS SUBSCRIPTIONS Wah Keung Chan, Philip Anson Wah Keung Chan Brigitte Objois Michèle Duguay, Véronique Frenette, Surface mail subscriptions (Canada) cost EDITOR-IN-CHIEF SUBSCRIPTIONS & DISTRIBUTION Cecilia Grayson, Eric Legault, $33/ yr (taxes included) to cover postage and La Scena Musicale VOL.
    [Show full text]
  • February 2012
    A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • FEBRUARY 2012 THE GRAND TOUR A day in Birmingham - 30 June, 2012 to see Joe Layton’s ballet on Noël Coward’s music ‘The Grand Tour’ AND visit the Coward Special Collection at Birmingham University. HAY FEVER A confirmed date is now Thursday 16th February, 2012 for an evening performance at The Noël Coward Theatre. Our special discount offers 35 seats reduced to £32.50 each. Noël Coward in the garden at Goldenhurst PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net EDITORIAL hat a day to remember! In the UK celebrating the Master’s birthday on the actual day still allowed some 75 members and guests to join in the celebrations and importantly allowed us to use the wonderful facilities of The Grand Saloon at the Theatre Royal, Drury Lane. Our thanks to our special guests, Robert and Pirjo Gardiner and Alan Farley, to everyone who came, personal thanks to Denys Robinson and Stephen Greenman who ensured the smoothest of sailings through the day. The theatre provided a first rate service for drinks and lunch with the numerous ‘Red Butlers’ and bar staff proving to be both efficient and involved in the occasion, ensuring we enjoyed their company as well as the quality of their service. A special thank you to Richard Briers and his wife Anne who were our honoured guests for the flower-laying. His rendition of the Coward verse, ‘When I have Fears’ will be appearing on the website soon. In New York on Sunday 18th December members witnessed the talented actor and singer Christine Ebersole lay flowers on Noël’s statue at the Gershwin Theater and join cabaret artist Richard Holbrook, both accompanied by Christopher Denny on the piano, at the Manhattan Club in Rosie O’Grady’s, New York.
    [Show full text]
  • Breaking Into Song No Other Type of Theatre Brings on Such Complex Emotions
    EQUITY QUARTERLY WINTER 2010 KEEPING THE SHOW GOING CANCELLED DUE TO LACK OF FUNDS EQ WHY WE LOVE MUSICALS Breaking into song No other type of theatre brings on such complex emotions SOME PEOPLE GIVE THEMSELVES OVER COMPLETELY TO MUSICALS AND GET LOST IN THE MUSIC AND DANCing – while others just Can’t maKE THE LEAP WHEN CHARACTERS BREAK INTO SONG. The same goes for performers – some relish THE JOY THAT COMES WHEN THE AUDIENCE CONNECTS WITH A SONG, WHILE OTHERS THINK THE FORM HAS BECOME TOO COMMERCIAL. ONE FACT REMAINS: MUSICALS ARE SOME OF THE MOST WILDLY SUCCESSFUL PRODUCtions to hit Canadian stages – and their popularity CONTINUES TO GROW. IT LOOKS LIKe Canada’s love affair with the musiCAL HAS ONLY JUST BEGUN. President’s message Hello again! My name is Allan Teichman, I work as a stage manager, and at the first meeting of the new Coun- cil I had the honour of being re-elected President. I feel privileged that I should continue to be entrusted with the task of assisting Council in its work. And of course, I don’t do it alone – Council will also count on Kerry Davidson (B.C./Yukon) as First VP and Advisory Liaison, Kerry-Ann Doherty (Ontario) as Second VP and Member Liaison, and Virginia Reh (Ontario) as Secretary-Treasurer. As with last term, Council begins with an enormous agenda ahead of it, however much of that work is already well under way. Our first meeting consisted of three solid days of learning and review to bring us up to speed, so you now have a board of 22 dedicated and energized Councillors just itching to get to work.
    [Show full text]
  • Obama Budget Short on AIDS Funding
    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 May 13, 2009 • vol 24 no 33 www.WindyCityMediaGroup.com Obama budget short on AIDS funding NEWS ANALYSIS BY BOB ROEHR Design President Barack Obama has proposed a trickle for a Cure page 9 of new money for HIV in his fiscal year 2010 budget released May 7. That is far short of keep- ing pace with the growing demand for already inadequate services. AIDS advocates praised some changes in poli- cy from the Bush administration but are increas- ingly frustrated and vocal in expressing the need to change additional policies and substantially increase funding for both domestic and interna- tional programs. “AIDS advocates can’t keep giving Obama a pass on his lack of movement in fighting the AIDS epidemic,” said Charles King, president of ‘Garden of Housing Works, a major service provider in New Eve’ Set York City. page 7 The brightest spot in the president’s budget was an end to the $99 million abstinence-only program and the creation of a new $110 million Having program to prevent teen pregnancy. But there was no inclusion of HIV prevention in the new program. Joseph DiNorcia, Jr., president of the Sexual- ity Information and Education Council of the a Ball United States, a leading sex-ed group, praised page 17 the decision to drop funding for abstinence-only programs but questioned the focus of the new Stylish attendees made their way to Salvage one, 1840 W. Hubbard, May 7 as about Face ‘Every program. Theatre held its annual Wonka Ball.
    [Show full text]
  • MUSICAL THEATRE a History
    MUSICAL THEATRE A History John Kenrick This book is dedicated to Mary Pinizzotto Kenrick Marotta and Frank Crosio. Neither my life nor this book would be possible without their unfailing support. CONTENTS Acknowledgments 9 Introduction “Let’s Start at the Very Beginning . .” 11 1 Ancient Times to 1850—“Playgoers, I Bid You Welcome!” 18 2 Continental Operetta (1840–1900)— “Typical of France” 35 3 American Explorations (1624–1880)— “The Music of Something Beginning” 50 4 Gilbert and Sullivan (1880–1900)— “Object All Sublime” 75 5 The Birth of Musical Comedy (1880–1899)— “It Belong’d to My Father Before I Was Born” 95 6 A New Century (1900–1913)—“Whisper of How I’m Yearning” 111 7 American Ascendance (1914–1919)—“In a Class Beyond Compare” 134 8 Al Jolson—“The World’s Greatest Entertainer” 156 9 The Jazz Age (1920–1929)—“I Want to Be Happy” 168 10 Depression Era Miracles (1930–1940)— “Trouble’s Just a Bubble” 207 11 A New Beginning (1940–1950)—“They Couldn’t Pick a Better Time” 238 8 CONTENTS 12 Broadway Takes Stage (1950–1963)— “The Street Where You Live” 265 13 Rock Rolls In (1960–1970)—“Soon It’s Gonna Rain” 298 14 New Directions (1970–1979)—“Vary My Days” 318 15 Spectacles and Boardrooms—“As If We Never Said Goodbye” 342 16 Musical Comedy Returns (The 2000s)— “Where Did We Go Right?” 370 Suggested Reading: An Annotated Bibliography 383 Recommended Web Resources 394 Index 395 ACKNOWLEDGMENTS It would be impossible for me to thank all the people who have inspired, assisted, and cajoled me in the process of creating this book, but a few curtain calls are in order.
    [Show full text]
  • Tony Locantro Programmes – Musicals
    Tony Locantro Programmes – Musicals MSS 792 T3743.L Theatre Date Performance Details Adelphi 1982 American Dancemachine Lee Theodore Dir: Lee Theodore Zan Charisse, Barry Preston 1982 Annie Thomas Meehan Dir: Martin Charnin Charles West, Lynne Breare, Glenda Meeson 1962 Blitz! Lionel Bart Dir: Lionel Bart Amelia Bayntun 1997 First Chicago Performance Fred Ebb & Bob Fosse Dir: Walter Bobbie Ruthie Henshall, Nigel Planer 2002 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Anita Louise Combe, Anna-Jane Casy, Marti Pellow 2004 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Frances Ruffelle, Marti Pellow 2005 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Sally Ann Triplett, Darius Danesh 1983 Marilyn! Jacques Wilson Dir: Larry Fuller Stephanie Lawrence, John Christie 1992 (6th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: MikeOckrent Gary Wilmot, Jessica Martin, Bernard Bresslaw 1994 (8th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: Mike Ockrent Les Dennis, Louise English, Alfred Marks 1979 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Liz Robertson 1981 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Jill Martin Show Boat Jerome Kern & Oscar Hammerstein Dir: Wendy Toye Cleo Laine, Andre Jobin Show Boat Jerome Kern & Oscar Hammerstain Dir: Wendy Toye Andre Jobin, Jan Waters Undated Poppy Peter Nichols Dir: Terry Hands (RSC Production) 1959 When in Rome….. Garinei & Giovannini Dir: Harold French Dickie Henderson, June Laverick 1986 Young England Walter Reynolds Dir:
    [Show full text]
  • News and Events
    Volume 22 Number 2 topical Weill Fall 2004 A supplement to the Kurt Weill Newsletter news &news events Venus Lands In Leeds 2004–2005 Season Overview on 4 December, when Opera North pre- The cultural season starts off with a bang with a new production of Die mieres One Touch of Venus (James Dreigroschenoper at Vienna’s historic Theater in der Josefstadt (premiere 16 Holmes, conductor; Tim Albery, director). September), closely followed by Opera Omaha’s production of The Threepenny Featuring Karen Coker as Venus, Opera on 1 October (six performances through 10 October; conducted by Hal Christianne Tisdale, Ron Li-Paz, and Loren France and directed by Dorothy Danner). Two days later, on 3 October Aufstieg Geeting, the production will also tour to und Fall der Stadt Mahagonny returns to Nuremberg, in a production that pre- Sheffield, Hull, Salford Quays, Newcastle, miered in July (review on page 20). HK Gruber leads the Ensemble Modern in the Nottingham, and Norwich (through 19 celebrated concert version of Dreigroschenoper which has been recorded by BMG, April 2005). on tour to Turin and Rimini (15 and 17 September), continuing in November to Gütersloh, Hanover, Essen, and Vienna (3, 5, 6, and 7 November). With Kurt Weill’s Berlin, the New York Festival of Song begins its season on 14 October (Constance Hauman, soprano; Kimberly Barber, mezzo-soprano; Peter Kazaras, tenor; and Steven Blier, piano). Darmstadt premieres its Aufstieg (Raoul Grüneis, conductor; Philipp Kochheim, director) on 22 October. Last season’s all-star Dreigroschenoper at Hamburg’s St. Pauli Theater is televised by the NDR on 19 December.
    [Show full text]
  • School of Continuing and Non-Resident Education
    Special Collections and University Archives Manuscript Group 241 L'dor v' Dor: The Leidman, Golub, and Shapo Family Collection For Scholarly Use Only Last Modified March 12, 2021 Indiana University of Pennsylvania 302 Stapleton Library Indiana, PA 15705-1096 Voice: (724) 357-3039 Fax: (724) 357-4891 Website: www.iup.edu/archives Manuscript Group 241 2 L'dor v' Dor: The Leidman, Golub, and Shapo Family; Manuscript Group 241 Indiana University of Pennsylvania, Special Collection and University Archives 25 Boxes; 25 Linear Feet Scope and Content This collection includes performance programs, reviews, and promotion material from theater, opera and ballet performances, mostly in New York City, which were collected by Dr. Mary Beth Leidman and her family. This collection also includes the professional papers of Dr. Leidman, who was a Professor in the IUP Communications Media Department from 1982-2020. Her collection includes reviews and critiques, documentation from her career at IUP and in broadcasting, and video and audio recordings of interviews. Series List Series I: Programs (12 boxes) Series I: Subseries A: Programs of the John F. Kennedy Center of Performing Arts (4 boxes) Series I: Subseries B: Programs of Specified Theaters (3 boxes) Series I: Subseries C: Miscellaneous Programs (5 boxes) Series II: Publications/ Miscellaneous Publicity (2 boxes) Series III: Photographs (1 box) Series IV: Newspapers and Magazines (1 box) Series V: Mary Beth Leidman Professional Collection (9 boxes) Series V: Subseries A – Office Files (1 box) Series V: Subseries B – Audio and Visual Media (7 boxes) Series V: Subseries B1 – Audio Cassette Tapes (4 boxes) Series V: Subseries B2 – CD/DVD (1 box) Series V: Subseries B3 – VHS Video Cassette Tapes (1 box) Series V: Subseries B4 – Miscellaneous Format (1 box) Series V: Subseries C – Awards and Plaques (3-D Objects) 1 box Series VI: Oversized Materials (1 framed object) Provenance This collection was donated by Mary Beth Leidman in 2019 and 2020.
    [Show full text]
  • Turnage from All Sides
    Boosey & Hawkes Music Publishers Limited June 2007 2007/2 Turnage From All Sides Rouse Included in this issue: MacMillan the ballet to Washington and Pittsburgh in Requiem Interview about his new February and showcased it during its home opera, The Sacrifice Chicago season in April. The dance critic of the Chicago Tribune in LA noted how the new dancework was “arrestingly fast and busy… As music for Christopher Rouse’s dancing, its nervous explosions of Requiem, a true obstreperous energy, its crafty fusion of jazz magnum opus and the and classical impulses, serve the manic summation of his moods of Elo’s choreographic suite just fine.” creative work across two decades, was premiered on 25 “an impressive addition March at Disney Hall in to the repertory” Chicago Tribune Los Angeles by the LA Master Chorale with The dance impulse is transmuted back into pure baritone Sanford Photo: Christian Steiner Dean rhythmic exhilaration in the large, colourful Sylvan. The work was Violin concerto toured by orchestra. Turnage’s airy, edgy rhythms move commissioned for the Berlioz bicentenary by Frank Peter Zimmermann with the crisp elegance of Stravinsky combined Solo Deo Gloria, a Chicago-based with the sassy exuberance of jazz. That sound organisation dedicated to “preserving, has become Turnage’s musical fingerprint. His promoting and enhancing the classical scoring always feels light even when it enlists a hefty complement of brass and percussion… plus sacred music repertoire”. Completed in antiphonal trumpets and trombones stationed 2002, this full-evening work had to wait five throughout the auditorium. The audience is literally years for performers with the vision and surrounded by instruments – hence the title From resources to embrace its scale and technical All Sides.” Chicago Tribune demands.
    [Show full text]
  • Healthy Belting for the Classically Trained Singer by Samantha Serrano Bassig Treatise Presented to the Faculty of the Graduat
    Healthy Belting for the Classically Trained Singer by Samantha Serrano Bassig Treatise Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2020 The Treatise Committee for Samantha Serrano Bassig certifies that this is the approved version of the following treatise: Healthy Belting for the Classically Trained Singer Committee: Darlene Wiley, Supervisor Guido Olivieri, Co-Supervisor David Small Rick Rowley Hannah Lewis John Nix Healthy Belting for the Classically Trained Singer by Samantha Serrano Bassig, DMA The University of Texas at Austin, 2020 SUPERVISOR: Darlene Wiley, CO-SUPERVISOR: Guido Olivieri This treatise explores the history of belting, the differences in types of belting, belting registers, exploring a methodology of healthy, and stylistically correct belt. The ability to sing musical theatre style has become high in demand from both Broadway and Opera companies. About more than half of Young Artist Programs, pay to sings, and apprenticeships put on at least one musical theater show a season. Those on the audition panel now ask in the audition requirements for at least one musical theatre piece to perform for them. Having the knowledge of how to properly belt will help the performer have more opportunities than other singers who only know how to sing bel canto style. This treatise will include a new methodology that will address a belting technique through the lens of a classically trained singer and how to transfer elements from bel canto technique into a belting technique.
    [Show full text]