(David) Coll. Papers 359 Collection of Material Relating to Canadian
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12. What We Talk About When We Talk About Indian
12. What we talk about when we talk about Indian Yvette Nolan here are many Shakespearean plays I could see in a native setting, from A Midsummer Night’s Dream to Coriolanus, but Julius Caesar isn’t one of them’, wrote Richard Ouzounian in the Toronto Star ‘Tin 2008. He was reviewing Native Earth Performing Arts’ adaptation of Julius Caesar, entitled Death of a Chief, staged at Buddies in Bad Times Theatre, Toronto. Ouzounian’s pronouncement raises a number of questions about how Indigenous creators are mediated, and by whom, and how the arbiter shapes the idea of Indigenous.1 On the one hand, white people seem to desire a Native Shakespeare; on the other, they appear to have a notion already of what constitutes an authentic Native Shakespeare. From 2003 to 2011, I served as the artistic director of Native Earth Performing Arts, Canada’s oldest professional Aboriginal theatre company. During my tenure there, we premiered nine new plays and a trilingual opera, produced six extant scripts (four of which we toured regionally, nationally or internationally), copresented an interdisciplinary piece by an Inuit/Québecois company, and created half a dozen short, made-to-order works, community- commissioned pieces to address specific events or issues. One of the new plays was actually an old one, the aforementioned Death of a Chief, which we coproduced in 2008 with Canada’s National Arts Centre (NAC). Death, an adaptation of Shakespeare’s Julius Caesar, took three years to develop. Shortly after I started at Native Earth, Aboriginal artists approached me about not being considered for roles in Shakespeare (unless producers were doing Midsummer Night’s Dream, because apparently fairies can be Aboriginal, or Coriolanus, because its hero struggles to adapt to a consensus-based community). -
EQ Magazine } Winter 2014
2 EQUITY QUARTERLY 0 1 DUES REFERENDUM 4 EQ Child’s Play Please detach this special supplement from your copy of EQ for easier reading. Please detach this special supplement for easier reading. DUES 2 0 1 REFERENDUM 4 Why the “torn” cover? After 14 years without an increase in dues, current rates are no longer sufficient to cover everything you want us to do for you. In order to respond to this financial shortfall, Council will be conducting a member referendum on an increase in both working and basic dues this coming February. Some history on Equity’s dues Dues were last adjusted in 1999, when basic $170 dues went from $50 per year to $135 per Basic Dues Compared with Costs Over Time year. Equity has successfully operated on a 160 breakeven basis since then. Until recently, that is. Nothing catastrophic Costs 150 occurred; it’s just that inflation eventually Dues caught up with us. Paying for 2013 expenses with a 1999 dues rate is no longer possible, 140 and we have experienced growing deficits for the past two years. 130 The dues proposal Council proposes to increase basic dues to 120 $180, coupled with an increase in working 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 dues to 2.25%. These rates will then hold steady for at least six years. Where does the money go? We went with a combined basic and working dues format based on All the operational costs of Equity are paid for by its members. Dues member feedback, which suggested that a modest increase to basic cover several rounds of negotiation and ratification each year, review dues, coupled with a small increase to working dues, would be an and data entry of all engagement contracts, advocacy, administration appropriately balanced approach. -
Colm Feore Essais Et Bonheurs Marie-Claude Fortin
Document generated on 09/28/2021 4:56 a.m. Entre les lignes Le magazine sur le plaisir de lire au Québec Colm Feore Essais et bonheurs Marie-Claude Fortin Traduire Volume 5, Number 2, Winter 2009 URI: https://id.erudit.org/iderudit/682ac See table of contents Publisher(s) Les éditions Entre les lignes ISSN 1710-8004 (print) 1923-211X (digital) Explore this journal Cite this article Fortin, M.-C. (2009). Colm Feore : essais et bonheurs. Entre les lignes, 5(2), 14–17. Tous droits réservés © Les éditions Entre les lignes, 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ENTRE LES LIGNES Colm Feore Essais et bonheurs Il a incarné tour à tour, et toujours avec autant de talent, Glenn Gould, Pierre Elliott Trudeau, Macbeth et le stoïque Martin Ward, le «bon» de Bon Cop, Bad Cop. L'été prochain, à Stratford, Ontario, où il habite, il jouera Cyrano de Bergerac dans une production dirigée par son épouse, Donna Feore. Entre deux épisodes du tournage de la série « 24 », à L.A., et le tour nage à Montréal du film The Trotsky, de Jacos Tierney, Colm Feore nous parle des livres de sa vie. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Bchn 1990 Summer.Pdf
MEMBER***** ********SOCIETIES Member Societies and their secretaries are responsible for seeing that the correct address for their society is up-to-date. Please send any change to both the Treasurer and the Editor at the addresses inside the back cover. The Annual Return as at October 31st should include telephone numbers for contact. Members dues for the year 1988/89 were paid by the following Members Societies: Alberni District Historical Society, Box 284, Port Alberni, B.C. V9Y 7M7 Atlin Historical Society, PC. Box 111, Atlin, B.C. VOW lAO BCHF - Gulf Island Branch, c/o Marian Worrall, Mayne Island, VON 2JO Burnaby Historical Society, 4521 Watling Street, Burnaby, B.C. V5J 1V7 Chemainus Valley Historical Society, P0. Box 172, Chemainus, B.C. VOR 1KO Cowichan Historical Society, P0. Box 1014, Duncan, B.C. V9L 3Y2 District 69 Historical Society, PC. Box 3014, Parksville, B.C. VOR 2SO East Kootenay Historical Association, P0. Box 74, Cranbrook, B.C. V1C 4H6 Golden & District Historical Society, Box 992, Golden, B.C. VOA 1 HO Kootenay Lake Historical Society, Box 537, Kaslo, B.C. VOG 1 MO Kootenay Museum & Historical Society, 402 Anderson Street, Nelson, B.C. Vi L 3Y3 Ladysmith Historical Society, Box 11, Ladysmith, B.C. VOR 2EO Lantzville Historical Society, Box 501, Lantzville, B.C. VOR 2HO M.S.A. Museum Society, 2313 Ware Street, Abbotsford, B.C. V2S 3C6 Nanaimo Historical Society, P0. Box 933, Station A, Nanaimo, B.C. V9R 5N2 North Shore Historical Society, 623 East 10th Street, North Vancouver, B.C. V7L 2E9 North Shuswap Historical Society, P0. -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
Reader's Digest Canada
MOST READ MOST TRUSTED SEPTEMBER 2015 A ROYAL RECORD PAGE 56 HOW TO GREEK BOOST FERRY LEARNING DISASTER PAGE 70 PAGE 78 TIPS FOR A HEALTHY BEDROOM PAGE 102 WORRY: IT’S GOOD FOR YOU! PAGE 27 WHEN TO BUY ORGANIC PAGE 40 BE NICE TO YOUR KNEES .................................. 30 MIND-BENDING PUZZLES ................................ 129 LAUGHTER, THE BEST MEDICINE ..................... 68 ALL THE CRITICS SAY “YEAH!” THE REVIEWS ARE IN... “ SPECTACULAR CELEBRATION!” Richard Ouzounian, Toronto Star “FABULOUS, FUNNY “ONE OF THE BEST & FANTASTIC! MUSICALS I’VE EVER SEEN. DON’T MISS THIS ONE!” KINKYs crazy BOOTSgood.” i Jennifer Valentyne, Breakfast Television Steve Paikin, TVO A NEW MUSICAL BASED ON A TRUE STORY Tiedemann Von Cylla “A FEEL GOOD SHOW. by YOU LEAVE THE THEATRE WITH A BIG SMILE ON YOUR FACE Photos and a bounce in your high-heeled step!” Carolyn MacKenzie, Global TV NOWN STAGE O ROYAL ALEXANDRA THEATRE 260 KING STREET WEST, TORONTO 1-800-461-3333 MIRVISH.COM ALAN MINGO JR. AJ BRIDEL & GRAHAM SCOTT FLEMING Contents SEPTEMBER 2015 Cover Story 56 Mighty Monarch On September 9, Queen Elizabeth II becomes the longest-reigning ruler in British history. A Canadian look back. STÉPHANIE VERGE Society 62 Cash-Strapped Payday loans are a lifeline for low-income Canadians—but at what cost? CHRISTOPHER POLLON FROM THE WALRUS Science 70 Know Better New ways to improve your ability to learn. DANIELLE GROEN AND KATIE UNDERWOOD Drama in Real Life 78 Ship Down P. A Greek family fight to survive when their ferry | 70 goes up in flames. KATHERINE LAIDLAW Humour 86 The Endless Steps David Sedaris on becoming obsessed with Fitbit. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Due to Popular Demand Mame Has Been Extended!
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: May 2, 2012 Due to popular demand Mame has been Extended! - Unprecedented attendance spurs one week extension- - Star of Broadway’s Mamma Mia! Louise Pitre, draws fans from across the U.S. and Canada - EAST HADDAM, CONN., MAY 2, 2012: Goodspeed Musicals, the first two time Tony Award-winning theatre in the country, announced today that the tremendously popular Mame will now to play to enthusiastic audiences for 8 additional performances. This joyful and spirited musical comedy has been extended through July 7, 2012. Mame is sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. “Audiences are falling in love with Auntie Mame and are even coming back a second time with family and friends. We wish we could extend further, but we cannot. Our message to potential visitors? Get your tickets now!” exclaimed Executive Director Michael Price. Performances are Wednesdays at 2 and 7:30 p.m.; Thursdays at 2 and 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 3 and 8 p.m.; and Sundays at 2 p.m. Added performances are: Tuesday, July 3 at 2 and 7:30 p.m.; Wednesday, July 4 at 2 p.m.; Thursday, July 5, at 2 and 7:30 p.m.; Friday, July 6, at 8 p.m.; and Saturday, July 7, at 2 and 6:30 p.m. For a complete schedule and tickets call the Box Office at 860.873.8668, open seven days a week or visit us online at www.goodspeed.org. -
UMVERSITY of ALBERTA from the Early 1920S to 1965 Mary Ross Glenfield a Thesis Submitted to the Faculty of Graduate Smdies and R
UMVERSITY OF ALBERTA The Growth of Theatre 'In Edmonton: From the early 1920s to 1965 '@? Mary Ross Glenfield A thesis submitted to the Faculty of Graduate Smdies and Research in partial fulfilment of the requirements for the degree of Master of Arts Department of Dnma Edmonton, Alberta Spriag, 2001 National Libtary Bibriithèque nationale I*I ofCanada du Canada Acquisitions and Acquisitions et BiMiographic Setvices seMces bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive permettant a la National Library of Canada to Bibliothèque nabonale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. La forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenuise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Dedicatiou To aii the people, known and unknown, who worked to make Edmonton theatre the vibrant entity that it is toâay. Abstract The city of Edmonton has an unusually large number of theatres, dy profession& for its size. By examining the theatricd history of the city, the aim of this thesis is to show the way in which this theatre environment grew, £tom the early nineteen- twenties to nineteen-sixty-five.