1850-EQ Spring 15 MAG.Indd

Total Page:16

File Type:pdf, Size:1020Kb

1850-EQ Spring 15 MAG.Indd EQUITY QUARTERLY SPRING 2015 PERSPECTIVES ON DIVERSITY STAGING THE FUTURE EQ ENDING HARASSMENT NOW The Equity Census THE EQUITYCENSUS STAGING THE FUTURE CULTURE & ETHNICITY | DIVERSE ABILITY | GENDER & SEXUAL IDENTITY Be a part of the biggest and boldest project ever undertaken by Equity – and all you need to do is tell us about yourself. The Equity Census is a ground-breaking demographic survey designed to better understand and serve all Equity members. It will examine the diverse composition of Equity’s The Equity Census opens membership specifically focusing on diversity of culture and ethnicity, diverse ability and Friday, April 24. gender and sexual identity. The survey seeks to identify potential barriers to employment within the Association’s jurisdiction. Data gathered will be a powerful tool in collective bargaining for equitable representation of diversity onstage and in related hiring. The Equity Census Members will be given the option of providing their member number at the conclusion of the closes Friday, May 22. survey so that, for the first time, Equity will be able to analyze how diversity impacts members’ work opportunities and income-earned. The Equity Census is completely confidential A report on the survey and will be conducted by an independent research firm. Its findings will strengthen Equity’s advocacy efforts promoting live performance and inform recommendations for legislative will be published in the change promoting the vibrancy and continued relevance of the performing arts in Canada. Summer EQ. What else do I need to know? + Check and update Regular and Life Your privacy is Eligible members Any member your contact info at members in good important to us. without an email wanting to receive EQUITYONLINE standing, and with All responses address will receive a paper-version (www.caea.com) an email address provided are a paper survey by survey should ASAP. on file, will be completely Friday, May 1. contact Equity emailed a survey confidential and The completed 1-800-387-1856 invitation between will be reviewed paper copy should (416-867-9165) Friday, April 24, and only in aggregate be mailed back to as soon as Tuesday, April 28. format. Equity ASAP. possible. Help Equity turn words into action. Your participation is essential for a successful result. Everyone Counts! EQUITY QUARTERLY SPRING 2015 VOLUME 9 NUMBER 1 (L to R) Jani Lauzon, Keith Barker, Tantoo Cardinal, Jeremy Proulx, Billy Merasty, August Schellenberg, Lorne Cardinal and Monique Mojica in the all-Aboriginal EQ cast of King Lear at the National Arts Centre in Ottawa in 2012 8 Diversity on 2 PRESIDENT’S MESSAGE Canadian stages 3 NOTES FROM ARDEN R. RYSHPAN 4 LETTERS TO THE EDITOR 5 EQ MOVES 13 The Equity Census 6 EQ VOICES 20 Keeping 17 EQUITY IN THEATRE workplaces safe 18 FONDLY REMEMBERED Equity members can submit letters to the editor via email at [email protected]. The deadline for Coming issue: SUMMER 2015 EQ submissions is Monday, May 25, 2015. EQ reserves the right to edit for length, style and content. Subscriptions are available at an annual rate of $35, including GST. EQ Equity Quarterly (ISSN 1913-2190) is a forum to discuss issues of interest to members concerning their Publications Mail Agreement No. 40038615 SPRING 2015 – Volume 9, Number 1 craft, developments in the industry, Equity’s role in the workplace, and the important position live performance Each volume of EQ is published annually by Canadian Actors’ Equity association. EXECUTIVE EDITOR Lynn McQueen holds in the cultural and social fabric of Canada. It is also used as an advocacy tool to educate others about National Offi ce the industry, promote live performance in Canada, and celebrate the achievements of Equity members. 44 Victoria Street, 12th Floor, Toronto, ON M5C 3C4 EDITOR Barb Farwell Tel: 416-867-9165 | Fax: 416-867-9246 | Toll-free: 1-800-387-1856 (members only) Canadian Actors’ Equity Association (Equity) is the voice of professional artists working in live [email protected] | www.caea.com DESIGN & LAYOUT Chris Simeon, performance in English Canada. We represent almost 6,000 performers, directors, choreographers, fi ght September Creative Western Offi ce directors and stage managers working in theatre, opera and dance, and support their creative efforts 736 Granville Street, Suite 510, Vancouver, BC V6Z 1G3 by seeking to improve their working conditions and opportunities by negotiating and administering Tel: 604-682-6173 | 604-682-6174 | Toll free: 1-877-682-6173 (members only) collective agreements, providing benefi t plans, information and support and acting as an advocate. woffi [email protected] ON THE COVER: The Wild Party, based on Joseph Moncure March’s scandalous narrative poem, tells the story of a party to end all parties thrown by a couple of bored Manhattan vaudevillians and attended by guests of every conceivable class and sexual inclination. The musical (book by Michael John LaChiusa, music and lyrics by George C. Wolfe) does not specify culturally diverse casting. A recent production by Acting Up Stage Company in association with Obsidian Theatre cast Cara Ricketts and Daren A. Herbert as the profligate party hosts, deepening the examination of racial tension, sexuality, discrimination and traditional sex and race barriers President’s message It’s spring, or at least that is what the calendar would have me believe. (As I write this, I’m still dodging black ice on cold, dark evenings as I bike home from work.) More importantly, it’s spring and it’s 2015, and that can mean only one thing: Council elections are just six months away. That’s probably not what you thought I was going to write, but it’s true, and Council is in full election-planning mode. Nomination forms will be going out soon, and you will also shortly see communications winding up toward an October vote. Backing up a bit, members will recall that in the last EQ we asked you to weigh in with your thoughts on implementing a system of rotating elections. The idea was that, rather than replacing Council all at once, we would stagger elections over a few years to promote greater continuity and momentum on Council. While those we heard from were largely supportive, at our meeting in February, Council decided to stay the course, and upcoming elections will remain country-wide for three-year terms. Concerns about possible cost increases and confusion for members were among the considerations that went into the decision. However, before we get to elections, we still have a lot to accomplish in the term. We recently completed a national survey on safe and respectful workplaces. In broad summary, I’ll say that the results were by turns illuminating, saddening, maddening and inspiring, and you can find the full report included a little further along in these pages. We’ve also published a comprehensive data breakdown online. The survey is, of course, hardly the last step to be taken on the topic, and our report also details some of the improvements we hope to make. The plan is to have them complete by the end of the year. Next up for a major initiative is a diversity research project, already under way by the time you read this magazine. This massive exploration of member demographics will provide us with the data we need to foster and track ongoing progress in this area. The action coming out of that research work will keep us busy for the rest of the term and well beyond. And, as always, there are numerous, smaller things on the go; for a rundown of those, I refer you to the online version of my report from the recent National Annual General Meeting in Toronto. And now back to elections… Equity is an organization proudly run by and for its members, and Council is the body that takes on that work. If you have an interest in seeing your professional association move with the times; if you have the energy and commitment to tackle complex subjects; and if you are the kind of person who looks beyond me to we, you would make the ideal Councillor. Drop a note to your regional Councillor – contact information is available at EQUITYONLINE – and find out more about running for Council. I’m not going to sugarcoat it – there are times when being responsible for the well-being of a national professional association is extraordinarily challenging. But, if you’re up for a good challenge (and if you work in live performance, you’d better be!), then you have what it takes. Run for Council in 2015, and help Equity help its members! Allan Teichman President SPRING 2015 2 EQUITY QUARTERLY Notes from Arden R. Ryshpan The country we celebrated on its 100th birthday is radically different from the one whose 150th we are on the verge of acknowledging. In the few years after the Centennial, we instituted Canadian content requirements, redressed the imbalance in foreign ownership of many of our natural resources, and struggled to define a “Canadian identity.” Changes to immigration policies and the Employment Equity, Canadian Human Rights and Canadian Multiculturalism Acts have all been a result of public pressure on policy makers to redefine our values and ideals and ensure that they continue to adapt to our changing demographics. As much as we have grown as a country, some things – stubbornly – do not seem to be changing with nearly the same alacrity as others. Two of those things – harassment in the workplace and diversity – are two of the most important issues facing our industry and they are the subjects of this issue of EQ. In the magazine, you will find additional results from our harassment survey. Perhaps as a result of the spate of recent stories in the North American press, or perhaps because people have just had enough, it seems as though the time has come to truly tackle this canker in our midst.
Recommended publications
  • Corner Gas Star Live in Chilliwack!
    FROM: CHILLIWACK ARTS & CULTURAL CENTRE SOCIETY 9201 Corbould Street, Chilliwack BC V2P 4A6 Contact: Ann Goudswaard, Marketing Manager T: 604.392.8000, ext.103 E: [email protected] W: www.chilliwackculturalcentre.com February 21, 2013 High Resolution photo: Where the Blood Mixes_arm wrestle.jpg Photo Description: Where the Blood Mixes, Craig Lauzon & Lorne Cardinal arm wrestling. Photo Credit: Barbara Zimonick FOR IMMEDIATE RELEASE CORNER GAS STAR LIVE IN CHILLIWACK! CHILLIWACK, BC — Where the Blood Mixes is an amazing, powerful piece of theatre that everyone should see. Bitingly funny and brutally honest, the story is a deeply personal accounting about loss and redemption as it goes beyond the headlines in an emotional story about humanity and survival, tackling our nations darkest secret — residential schools. Winner of the Governor General’s Literary Award for Drama this extremely moving masterpiece stars Lorne Cardinal, known as the loveable Officer Davis on Corner Gas, and Craig Lauzon of Royal Canadian Air Farce fame. This stunning cast takes us on an emotional journey capturing one of the most-tragic and heinous chapters in Canadian history. Don’t miss the opportunity to see this powerful piece of theatre when Where the Blood Mixes is presented by The Chilliwack Arts & Cultural Centre Society with assistance from the Stó:lō Nation, comes to The Cultural Centre on March 9. Written by Kevin Loring, Where The Blood Mixes is set in Lytton, British Columbia which is located where the mighty Fraser and Thompson Rivers meet. Loring says he wrote the play to expose the shadows below the surface of the community, and to celebrate its survivors.
    [Show full text]
  • Ryga, Miss Donohue, and Me: Forty Years of the Ecstasy of Rita Joe in the University
    TRiC38#1x12.qxp_TRiC'16 2017-05-30 11:03 AM Page 11 ARTICLES Ryga, Miss Donohue, and Me: Forty Years of The Ecstasy of Rita Joe in the University MOIRA DAY This article is dedicated to the memory of Frank Bueckert (1922-2017), a valued friend, mentor, and teacher. While the seminal role that George Ryga’s 1967 classic, The Ecstasy of Rita Joe, played in igniting the modern Canadian theatre has often been acknowledged, the extent to which its success also constituted a concentrated attack on what Ryga termed the “complacent educator” in 1977, and helped revolution- ize the publication and teaching of Canadian plays at the post-secondary level, may have been less well acknowledged. This article, which documents Moira Day’s own forty-year odyssey with the play in the (largely) prairie university classroom as both a student and an instructor, investigates the play’s initial impact on scholarship, publication, curriculum at the post-secondary level, and some of its ramifications on school and university production and actor training over the 1970 and 1980s. It also deals with the challenges of continuing to teach and interpret the play from the 1990s onward, as new practices and theories have continued to alter its meaning, and considers why this odd, iconoclastic text, despite its flaws, continues to fascinate us fifty years after its initial production. On a souvent souligné le rôle essentiel qu’a joué The Ecstasy of Rita Joe, une pièce qu’a écrite George Ryga en 1967, dans la mouvance du théâtre canadien. Or, on a peut-être moins insisté sur la mesure dans laquelle son succès aura constitué une attaque concentrée sur ce que Ryga appelait en 1977 l’« éducateur complaisant », ni même sur le fait que la pièce aura servi à révolutionner la publication et l’enseignement de la dramaturgie canadienne au niveau post-secondaire.
    [Show full text]
  • BOARD of GOVERNORS March 30, 2021 2:00 Pm to 4:00 Pm Video And
    BOARD OF GOVERNORS March 30, 2021 2:00 p.m. to 4:00 p.m. Video and Teleconference Time Item Presenter(s) Action 2:00 1. IN-CAMERA DISCUSSION (Board Members Only) Tony Staffieri Information 2:05 2. IN-CAMERA DISCUSSION (Executive Group Invited) END OF IN-CAMERA SESSION 2:35 3. INTRODUCTION 3.1 Chair’s Remarks Tony Staffieri Information 3.2 Approval of the March 30, 2021 Agenda Tony Staffieri Approval 2:40 4. REPORT FROM THE PRESIDENT Mohamed Lachemi Information 2:50 4.1 Opportunities Working Group: Agile Workforce Jenny O’Donnell Information 3:10 5. REPORT FROM THE SECRETARY Julia Shin Doi Information 5.1 2021 Board Elections Report Julia Shin Doi Information 3:15 6. REPORT FROM THE INTERIM-PROVOST AND VICE Saeed Zolfaghari Information PRESIDENT ACADEMIC 3:30 7. DISCUSSION ITEMS 7.1 REPORT FROM THE CHAIR OF THE EXECUTIVE Jack Cockwell Information COMMITTEE 7.2 REPORT FROM THE CHAIR OF THE FINANCE David Porter Information COMMITTEE 7.2.1 Fiera Capital Report – December 31, 2020 Joanne McKee Information 7.2.2 2021-22 Budget: Government Funding Update and Mohamed Lachemi Information Budget Strategy Saeed Zolfaghari Glenn Craney 3:35 7.3 REPORT FROM THE VICE-PRESIDENT RESEARCH Steven Liss Information AND INNOVATION 7.3.1 Scholarly, Research and Creative (SRC) Activities at Steven Liss Information Ryerson: Scaling SRC Through Partnership and Collaboration 8. CONSENT AGENDA 8.1 Approval of the January 29, 2021 Minutes Tony Staffieri Approval 8.2 Authorization to Conduct Business with the Joanne McKee Approval Canadian Revenue Agency Jennifer MacInnis 9.
    [Show full text]
  • Corner Gas: the Movie
    TABLE OF CONTENTS 3 ABOUT CORNER GAS: THE MOVIE 4 SHORT SYNOPSIS 5 CORNER GAS: THE LEGACY 8 Q&A: ON-SET WITH THE CAST AND PRODUCERS 14 CORNER GAS: THE MOVIE: FUN FACTS 18 CHARACTER DESCRIPTIONS 20 CAST BIOGRAPHIES 35 CREATIVE TEAM BIOGRAPHIES 41 ABOUT THE FUNDERS CORNER GAS: THE MOVIE 3 ABOUT CORNER GAS: THE MOVIE Just as it did when it began more than 10 years ago, the smash hit Canadian television franchise CORNER GAS continues to blaze new trails. Corner Gas: The Movie, a 90-minute feature film, is being distributed on multiple screens across Canada this holiday season. Beginning with an exclusive Cineplex Front Row Centre Events theatrical debut for five days only, the film is in select Cineplex and independent theatres across the country from Dec. 3 to 7, 2014. Tickets are on sale now at cornergasthemovie. com, or check local theatre listings. Following its theatrical release, Corner Gas: The Movie makes its super- simulcast network premiere on Wednesday, Dec. 17 at 8 p.m. ET/PT on CTV, CTV Two, and CTV GO. The movie debuts Monday, Dec. 22 at 8 p.m.ET/PT on The Comedy Network and a special sneak peek airs on The Movie Network Monday, Dec. 8 at 9 p.m. ET in advance of its CTV premiere. Corner Gas: The Movie will also be the first Canadian program to receive a first-look screening on Bell Media’s CraveTV when the premium subscription TV streaming service launches Thursday, Dec. 11. Headlined by creator and comedian Brent Butt, Corner Gas: The Movie stars the original award-winning ensemble cast including Gabrielle Miller, Eric Peterson, Fred Ewanuick, Janet Wright, Lorne Cardinal, Tara Spencer-Nairn, and Nancy Robertson.
    [Show full text]
  • Falls Around Her
    Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen.
    [Show full text]
  • Northern Review 43 Fall 2016.Indd
    Exploring human experience in the North research arƟ cle “Indigenizing” the Bush Pilot in CBC’s ArcƟ c Air Renée Hulan Saint Mary’s University, Halifax Abstract When the Canadian BroadcasƟ ng CorporaƟ on (CBC) cut original programming in 2014, it cancelled the drama that had earned the network’s highest raƟ ngs in over a decade. Arc c Air, based on Omni Films’ reality TV show Buff alo Air, created a diverse cast of characters around a Dene bush pilot and airline co-owner played by Adam Beach. Despite its cancellaƟ on, episodes can sƟ ll be viewed on the CBC website, and the Aboriginal Peoples Television Network (APTN) has conƟ nued broadcasƟ ng the popular show. Through a content analysis of Arc c Air and its associated paratext, read in relaƟ on to the stock Canadian literary fi gure of the heroic bush pilot, this arƟ cle argues that when viewed on the CBC, the program visually “Indigenizes” the bush pilot character, but suggests only one way forward for Indigenous people. On the “naƟ onal broadcaster,” the imagined urban, mulƟ cultural North of Arc c Air—in which Indigenous people are one cultural group among others parƟ cipaƟ ng in commercial ventures—serves to normalize resource development and extracƟ on. Broadcast on APTN, however, where the show appears in the context of programming that represents Indigenous people in a wide range of roles, genres, and scenarios, Arc c Air takes on new meaning. Keywords: media; television; Canadian North; content analysis The Northern Review 43 (2016): 139–162 Published by Yukon College, Whitehorse, Canada yukoncollege.yk.ca/review 139 In 2013, the CBC (Canadian Broadcasting Corporation) lost the broadcast rights to Hockey Night in Canada, a contract that the private broadcaster Rogers Media secured for $5.2 billion.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details ..................................................................................................................
    [Show full text]
  • Indigenous Women from Alberta You Should Know About
    Edmonton Vital Signs is an annual checkup conducted by Indigenous Edmonton Community Foundation, in partnership with Edmonton Social Planning Council, to measure how the community is doing. Vital Topics are a quick look at a single issue and are timely and important to Edmonton. W MEN Unless otherwise stated, “Edmonton” refers to Census Metropolitan Area and not solely the City of Edmonton. in ALBERTA The Indigenous population in Alberta is INCREASING1.5 X MORE QUICKLY than the rest of the population. MEDIAN AGE of women • If thIs rate contInues THE POPULATION WILL 36.8 DOUBLE BY 2038 .2% .7% non-IndIgenous 53 43 • IndIgenous women ARE FIRST NATION ARE MÉTIS COMPRISE 6.7% OF THE 28.0 FEMALE POPULATION IndIgenous .9% 48.2% 18 HAVE REGISTERED LIVE ON RESERVE OR TREATY STATUS 10.3% HAVE AN INDIGENOUS MOTHER TONGUE Did you know? Canada still discriminates on the basis of sex when it comes to the Indian Act. Early in 2019 the United Nations called on Canada to remove the sections that do not give First Nations women the same rights as First Nations men. While consultations have begun with the First Nations, the UN says there needs to be an end date. CONTEXTUAL TERMS For the purpose of this report, references to “Indigenous” people should be understood as including First Nations, Métis and Inuit, non-status and status, on and off-reserve, recognizing that the term refers to distinct people, cultures and each with their own histories. In some cases where the research uses the word “Aboriginal,” we have chosen to substitute “Indigenous.” Resilience is a dynamic process of social/psychological adaptation and Intergenerational trauma is the transmission of historical oppression and transformation that occurs in individuals, families, communities or larger its negative consequences across generations.
    [Show full text]
  • Media Release Soulpepper’S 2019 Summer-Fall Season – Classics Re-Imagined Through New Lenses
    MEDIA RELEASE SOULPEPPER’S 2019 SUMMER-FALL SEASON – CLASSICS RE-IMAGINED THROUGH NEW LENSES Toronto, ON – February 20, 2019: Soulpepper Theatre Company today announced the Summer-Fall season, with new artistic programming from July to November 2019. The full line-up of the season, programmed under the leadership of former Acting Artistic Director Alan Dilworth, includes a collection of five exceptional plays about identity, friendship, love, and belonging, as well as two Soulpepper Concerts. The season welcomes three directors making their Soulpepper debuts. All programming and casting details can be found at Soulpepper.ca. “What makes a classic? What is a modern classic? In our hyper-connected, hyper-speed moment how does a work from another time and place speak to us now? These are the questions our season is built on. Our concerts celebrate and re-invent classics. I feel that every play in our season is a modern classic. And in celebration of the multiplicity of truths explored in our modern classical offerings we have brought together a remarkable group of artists to breathe life into these extraordinary works,” said Alan Dilworth. “In my outgoing role as Soulpepper’s Acting Artistic Director, I am thrilled to welcome directors Philip Akin, Jani Lauzon, Andrea Donaldson in their Soulpepper debuts, and I welcome back the multi-talented, multi-disciplinary Frank Cox- O’Connell, and Soulpepper’s celebrated and beloved powerhouse Artistic Director Weyni Mengesha.” “This season offers familiar stories that resonate with our times, but told through new lenses and by new voices. Welcoming artists into our company always opens up new opportunities for collaboration and creative growth, and I’m excited to see what we create together” said Weyni Mengesha, Artistic Director.
    [Show full text]
  • Indian Residential Schools Resolution Canada Media Clips Résolution
    Indian Residential Schools Resolution Canada Media Clips Résolution des questions des pensionnats indiens Canada Actualité Tuesday, February 27, 2007 ™ mardi, 27 février 2007 Media Clips - 2 7 F eb ru ary 2 0 0 7 A c tu alité du 2 7 fé v rier 2 0 0 7 Table of Contents/ Table des matières IRS COVERAGE: Lost Spirits: Official records non-existant?…………………………...……………….p.3 Letters: Rez School story needs to be told……………….…………………….……...p.6 OTHER COVERAGE: Reaching out to others through art……….…………………………….……………….p.7 2 Media Clips - 2 7 F eb ru ary 2 0 0 7 A c tu alité du 2 7 fé v rier 2 0 0 7 February 27, 2007 Lost Spirits: Official records non-existant? Grassroots News (Part two in a four-part special investigative report) by Len Kruzenga There are some estimates floating around Indian Country which suggest that anywhere from 5,000 to 10 graves continue to be situated on the sites of Canada’s over 130 former Indian Residential Schools and that many of them remain unmarked, unrecorded—nationally—at INAC and unprotected. Although the Aboriginal Healing Foundation has doled out over $300 million dollars in grants and funding to a staggering array of survivor driven programs and services intended to assist Residential School Survivors and their families, officials there admit not a dime has gone towards commemorating the graves of the dead or in chronicling the locations of the actual cemeteries, the names of those buried there or creating a national register of the dead. Aboriginal Healing Fund Communications Director Wayne Spear says that of the thousands of projects the AHF has approved thus far, none have dealt with the issue of cemeteries or graves on the former Residential Schools sites.
    [Show full text]
  • Tamara Marie Kucheran
    Tamara Marie Kucheran Set and Costume Designer | 1995-to present Continuous work as a set and costume designer for a variety of professional theatres and universities across Canada including: The Shaw Festival, Belfry Theatre, Royal Manitoba Theatre Centre, the Stratford Festival, Prairie Theatre Exchange, The Citadel Theatre, Obsidian Theatre Company, Young People’s Theatre, The University of Victoria, and Ryerson University. Awards 2017 Virginia and Myrtle Cooper Award in Costume Design, Dora Mavor Moore Award for Outstanding Costume Design, multiple Dora nominations for Outstanding Set and Costume Design, Tyrone Guthrie Award (Stratford Festival), and the 2006 Ian and Molly Lindsay Young Design Fellow (Stratford Festival). YEAR POSITION PLAY | AUTHOR THEATRE / COMPANY DIRECTOR 2019 Set & Costume Design The Color Purple | A. Walker, Neptune Theatre Kimberley Norman, Russell, Willis, Bray Rampersad 2018 Costume Design How He Lied to Her Husband Shaw Festival Philip Akin Man of Destiny | J.B. Shaw Set & Costume Design Salt Baby | Falen Johnson Belfry Theatre Falen Johnson 2017 Set & Costume Design She Stoops to Conquer | Goldsmith Guild Festival Theatre Jamie Robinson 2016 Set, Costume & Puppet Design Le Devil’s Canoe| Roger Shank DOT Theatre Jamie Robinson 2015 Set & Costume Design Macbeth | Shakespeare Blue Bridge Repertory Co. Brian Richmond Set & Costume Design Cabaret | John Kander and Fred Ebb Royal Manitoba Theatre Centre Tracey Flye 2013 Set & Costume Design Penelopiad | Margaret Atwood Royal Manitoba Theatre Centre Tracey Flye
    [Show full text]
  • Public Hearings Edmonton Inn, Courtyard Ballroom Edmonton, Alberta
    National Inquiry into Enquête nationale Missing and Murdered sur les femmes et les filles Indigenous Women and Girls autochtones disparues et assassinées National Inquiry into Missing and Murdered Indigenous Women and Girls Truth-Gathering Process Part 1 Public Hearings Edmonton Inn, Courtyard Ballroom Edmonton, Alberta PUBLIC Tuesday November 7, 2017 Public Volume 20 Paul Tuccaro & Judy Cardinal, In relation to Amber Tuccaro; Carol Bear, In relation to Mary Emily Bear; Stephanie Harpe, In relation to Ruby Anne McDonald INTERNATIONAL REPORTING INC. 41-5450 Canotek Road, Ottawa, Ontario, K1J 9G2 E-mail: [email protected] – Phone: 613-748-6043 – Fax: 613-748-8246 II APPEARANCES Assembly of First Nations Non-appearance Government of Canada Anne McConville (Legal counsel) Christine Ashcroft (Legal counsel) Tania Tooke (Paralegal) Government of Alberta Ashley Gelinas (Student-at-Law) Laura MacLean (Student-at-Law) Institute for the Advancement Non-Appearance of Aboriginal Women: Pauktuutit Inuit Women of Non-Appearance Canada, Saturviit Inuit Women’s Association of Nunavik, AnânauKatiget Tumingit Regional Inuit Women’s Association Inc., Ottawa Inuit Children’s Centre, Manitoba Inuit Association Women of Metis Nation / Les Alexandria Winterburn Femmes Michif Otipemisiwak (Legal counsel) Melanie Omeniho (Representative) Note: For the purpose of establishing this record of attendance, counsel and representatives are considered present whether they attended one or all of the public hearings held over the course of the day at the Edmonton Inn Courtyard
    [Show full text]