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Classical Music Listening Suggestions by Nature Topic
Classical Music Listening Suggestions by Nature Topic FAUNA Primary Topic Secondary Topic Composer Work Period / Style Form Instrumentation Fauna Animals Rutter All Creatures of Our God and King Romantic - 20th Century Song/Lied Choral Fauna Bears Haydn Symphony #82: L'Ours The Bear - Finale Classical Symphony Orchestral Fauna Bees Bridge The Bee Romantic - 20th Century Song/Lied Male Vocalists Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Song/Lied Balalaika Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Solo Piano Fauna Birds Canteloube Chants D'auvergne, Series I, The Quail Romantic - 20th Century Song/Lied Soprano Fauna Birds Dvorak The Wood Dove Romantic Overture Orchestral Fauna Birds Glazunov Spring: Birds Romantic Ballet Orchestral Fauna Birds Handel Concerto for Organ & Orchestra #13 in F, Cuckoo and the Nightengale Baroque Concerto Organ Fauna Birds Handel L’allegro, il Penseroso ed il Moderato: “Sweet Bird” Baroque Aria Soprano Fauna Birds Hanson Birds of Paradise, Op. 34 Romantic - 20th Century Solo Piano Fauna Birds Liszt St. Francis of Assisi Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Liszt St. Francis Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Messiaen Illumination of the Beyond: Plusieurs Oiseaux des arbres de Vie Modern Suite Orchestral Fauna Birds Messiaen Le Reveil des oiseaux Modern Overture Piano/Concerto Fauna Birds Messiaen Quartet for the End of Time: Abime des oiseaux Modern Suite Quartet Fauna Birds Mussorgsky Pictures at an Exhibition: Ballet of the -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
RIMSKY-KORSAKOV Orchestral Works Including SHEHERAZADE
Kees Bakels RIMSKY-KORSAKOV Orchestral works including SHEHERAZADE BIS-CD-1667/68 MALAYSIAN PHILHARMONIC ORCHESTRA / KEES BAKELS BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 2 RIMSKY-KORSAKOV, Nikolai (1844–1908) Disc 1 [74'34] Sheherazade 43'28 Symphonic Suite after the ‘Thousand and One Nights’, Op. 35 (1888) 1 I. The Sea and Sinbad’s Ship 9'02 2 II. The Tale of the Kalender Prince 12'00 3 III. The Young Prince and the Young Princess 10'22 4 IV. Festival in Baghdad – The Sea – The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior – Conclusion 11'50 Markus Gundermann violin solo Symphony No. 2 (Symphonic Suite), ‘Antar’ 30'01 Op. 9 (1868/75/97) 5 I. Largo – Allegro – Allegretto – Largo 11'29 6 II. Allegro 4'38 7 III. Allegro risoluto 5'22 8 IV. Allegretto – Adagio 8'09 2 BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 3 Disc 2 [76'42] Capriccio espagnol, Op. 34 (1887) 15'00 1 I. Alborada. Vivo e strepitoso 1'12 2 II. Variazioni. Andante con moto 4'38 3 III. Alborada. Vivo e strepitoso 1'14 4 IV. Scena e canto gitano. Allegretto 4'39 5 V. Fandango asturiano – Coda. Vivace assai – Presto 3'15 6 Piano Concerto in C sharp minor, Op.30 (1882–83) 14'06 Noriko Ogawa piano The Tale of Tsar Saltan, Suite, Op. 57 (1899–1900) 19'49 7 I. The Tsar’s Farewell and Departure. Allegro – Allegretto alla Marcia 4'44 8 II. -
RIMSKY-KORSAKOV: Pan Voyevoda • Sadko 8.553858
NAXOS NAXOS Rimsky-Korsakov: Rimsky-Korsakov, a naval officer, became a member of the group of Russian nationalist composers known as The Mighty Handful. His mastery of orchestration led to a strong influence on succeeding generations of composers such as Glazunov and Ravel. Orchestral Works: Though best known abroad for his orchestral music, Rimsky-Korsakov made a significant contribution to Russian opera. In the opera Pan Voyevoda he paid tribute to Chopin, with a DDD plot set in Poland, while the orchestral Sadko deals with a Russian legend. May Night treats a comic tale by Gogol and the opera Boyarïnya Vera Sheloga with its lullaby Hush Now, Hushaby, serves as a curtain- 8.553858 RIMSKY-KORSAKOV raiser to The Maid of Pskov. The music throughout is colourful and compelling. RIMSKY-KORSAKOV Playing Time 69:19 Nikolay Andreyevich 7 RIMSKY-KORSAKOV 30099 (1844–1908) 48582 Pan Voyevoda (Suite) 24:32 7 Overture on Russian 1 : : Introduction 3:11 Themes, Op. 28 13:42 Pan Voyevoda • Sadko Voyevoda Pan 2 Krakowiak 3:49 • Sadko Voyevoda Pan 3 8 1 Nocturne: Clair de lune 4:23 May Night (Overture) 10:11 www.naxos.com Made in Germany Booklet notes in English ℗ 4 Mazurka 6:18 1999 & 5 Polonaise 6:53 Boyarïnya Vera Sheloga, Op. 54 9:09 © 6 Musical Picture – 9 Overture 5:26 2018 Naxos Rights US, Inc. Sadko, Op. 5 11:43 0 Lullaby: Bayu, bayushki, bayu* 3:43 Elena Okolysheva, Mezzo-soprano* Moscow Symphony Orchestra • Igor Golovschin 8.553858 8.553858 Recorded: March 1996 at the Mosfilm Studio, Moscow, Russia Producer: Betta Inc. -
BIS-CD-1141 Rautavaara
BIS-CD-1577 f/b 3/27/06 10:04 AM Page 1 Rimsky-Korsakov The Snow Maiden Overtures and Orchestral Suites Kees Bakels Malaysian Philharmonic Orchestra BIS-CD-1577 Kees Bakels BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 2 RIMSKY-KORSAKOV, Nikolai (1844-1908) 1 The Tsar’s Bride, Overture (1898) 6'32 Pan Voyevoda, Suite (1904) 23'11 2 I. Introduction. Allegretto 3'33 3 II. Krakowiak. Allegro 3'28 4 III. Nocturne – Claire de Lune. Lento 4'29 5 IV. Mazurka. Tempo di Mazurka – Scherzando 5'06 6 V. Polonaise. Allegretto 6'22 Christmas Eve, Suite (1895) 27'11 7 I. Introduction to Scene 1 3'15 8 II. Introduction to Scene 6 2'20 9 III. Games and Dances of Stars 1'45 10 IV. Procession of the Comet – Round Dance 2'06 11 V. Csárdás and the Rain of Shooting Stars 0'38 12 VI. Devil’s Kolyadka 5'07 13 VII. Polonaise from Scene 7 5'09 14 VIII. [Introduction to Scene 8] 2'55 15 IX. Ovsyen and Kolyada Procession 3'53 2 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 3 16 Overture on Russian Themes, Op. 28 (1866, rev. 1879-80) 11'53 The Snow Maiden, Suite (1881) 13'08 17 I. Prologue. Andante sostenuto 4'24 18 II. Dance of the Birds. Allegro 3'07 19 III. The Procession. Allegro alla Marcia 1'58 20 IV. Dance of the Clowns. Vivace 3'35 TT: 82'27 Malaysian Philharmonic Orchestra Markus Gundermann leader Kees Bakels conductor 3 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 4 he present release is far from being a series of disconnected overtures and suites; it celebrates the endless imagination of Rimsky-Korsakov’s Tgenius, while acting as a reminder that Rimsky-Korsakov was an im- portant operatic composer whose works in that genre have still to receive full recognition. -
The Negotiation of Nationalism in Nineteenth-Century Russian Opera
Not Russian Enough The Negotiation of Nationalism in Nineteenth-Century Russian Opera R H ©?=>> Rutger Helmers Print production by F&N Boekservice Typeset using: LATEX ?" Typeface: Linux Libertine Music typesetting: LilyPond Not Russian Enough: The Negotiation of Nationalism in Nineteenth-Century Russian Opera Niet Russisch genoeg: nationalisme en de negentiende-eeuwse Russische operapraktijk (met een samenvatting in het Nederlands) P ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magniVcus, prof. dr. G. J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op donderdag ? februari ?=>? des ochtends te >=.@= uur door Rutger Milo Helmers geboren op E november >FE= te Amersfoort Promotor: Prof. dr. E. G. J. Wennekes Co-promotor: Dr. M. V. Frolova-Walker Contents Preface · vii Acknowledgements · viii Preliminary Notes · x List of Abbreviations · xiii Introduction: The Part and the Whole · > Russia and the West · C The Russian Opera World · >= The Historiographical Legacy · >B Russianness RedeVned · ?> The Four Case Studies · ?A > A Life for the Tsar · ?F Glinka’s Changing Attitude to Italian Music · @@ The Italianisms of A Life for the Tsar · @F Liberties · BA Reminiscences · C> Conclusion · CB v vi CON TEN TS ? Judith · CD Serov the Cosmopolitan · D= Long-Buried Nationalities · E> Judith and Russianness · FE Conclusion · >=D @ The Maid of Orléans · >>> The Requirements of the Operatic Stage · >>C Schiller, The Maid, and Grand Opera Dramaturgy · >?> -
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite. -
RECORDINGS by NICOLAI GOLOVANOV Compiled by Brendan Wehrung
RECORDINGS BY NICOLAI GOLOVANOV Compiled by Brendan Wehrung The "Russian Furtwaengler" remains almost entirely unknown to record collectors of the West. Vagaries of sound reproduction, political climate and record distribution confined his admirers to a relative handful until the advent of the compact disc. This listing is offered as partial remedy for his neglect; it is by no means complete, but consists of recordings discovered in a close reading of The World's Encyclopedia of Recorded Music, and what has appeared in digital format (researched on the Internet). Others exist in Russian catalogs and radio archives. 78RPM Microgroove Compact disc BALAKIREV: Thamar Moscow Radio Orch. D 0703 MWL 307 281 BEETHOVEN: Concerto for Violin, Piano and 'Cello in C, Op. 56 D. Oistrakh (vl), . Knusevitzky (vc), L. Oborin (pf) SPL 590 306 USSR Radio Symphony Orch. CRLP 10200 LP 9001 BEETHOVEN: Egmont, Op. 84: Overture Moscow Radio Orch. 020885/6 D 437 BORODIN: Prince Igor (excerpts) A. Pirogov (BS), I. Kozlovsky (T), M. Mikhailov (BS) CRLP 122 Bolshoi Theatre Corus and Orchestra BORODIN: Symphony No. 2 Moscow Radio Orch. CRLP 10030 31 0188-2 LDA 8050 D 0383/4 GLAZOUNOV: From the Middle Ages, Suite, Op. 79 Moscow Radio Orch. D 640/1 GLAZOUNOV: March on a Russian Theme, Op. 76 Moscow Radio Orch. D 00188 LDA 8041 GLAZOUNOV: Serenade in A, Op. 7 Moscow Radio Orch. D 00705 GLAZOUNOV: Stenka Razin, Op. 13 Moscow Radio Orch. D 516/7 GLAZOUNOV: Symphony No. 5 in B-flat, Op. 55 Moscow Radio Orch. 018396/403 D 0387/8 CHS 1302 GLAZOUNOV: Symphony No. -
19, 2021 - the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Mon, Apr 19, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:52 Grieg Two Norwegian Dances, Op. Moscow 01115 RCA Red 60368 090266036820 63 Soloists/Bashmet Seal 00:14:2226:57 Mendelssohn Violin Concerto in E minor, Op. Hudson/Hanover 02366 Nimbus 5158 083603515829 64 Band/Goodman 00:42:19 17:02 Mozart Piano Sonata No. 10 in C, K. Vladimir Horowitz 13005 DG 289 479 028947946496 330 4649 01:00:5122:21 Haydn Piano Concerto in G Evrov/Sofia 01614 Fidelio 1832 N/A Philharmonic/Dafov 01:24:12 12:55 McEwen Scottish Rhapsody "Prince Pine/Scottish Chamber 04789 Cedille 083 735131908320 Charlie" Orchestra/Platt 01:38:0721:18 Glazunov Chopiniana, Op. 46 German Symphony 03067 Decca 460 019 028946001929 Berlin/Ashkenazy 02:00:55 18:35 Boccherini Cello Concerto No. 4 in C Hugh/Scottish 05581 Naxos 8.553571 n/a Chamber Orchestra/Halstead 02:20:3022:19 Bach English Suite No. 1 in A, BWV Murray Perahia 04963 Sony 60276 074646027622 806 Classical 02:43:4915:36 Mozart Flute Quartet No. 3 in C, K. Mannheim Quartet 01883 Titanic 172 045591017228 285b 03:00:5510:49 Barber Second Essay for Orchestra, Saint Louis 00178 EMI 49463 077774946322 Op. 17 Symphony/Slatkin 03:12:4437:06 Beethoven String Quartet No. 12 in E flat, Academy SMF/Perahia 05304 Sony 93043 827969304327 Op. 127 (transcribed for string orchestra) 03:50:50 08:35 Marais Tombeau de M. Meliton Smithsonian Chamber 01077 DHM 77146 054727714627 Players 04:00:5513:31 Chausson A Holiday Evening, Symphonic BBC 06917 Chandos 9650 095115965023 Poem Op. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wifi indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 AN ANTHOLOGY OF NINETEENTH-CENTURY RUSSIAN ARIAS FOR TENOR: A GUIDE TO PERFORMANCE D. M. A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University by Larry Wayne Fralick, Jr., B.M., M.M. -
The Celestial City Brought Down to Earth: Dmitry Tcherniakov's Interpretation Of
The celestial city brought down to earth: Dmitry Tcherniakov’s interpretation of Rimsky-Korsakov’s opera The Invisible city of Kitezh and the Maiden Fevroniya Francis Maes The great cultural flowering of fin de siècle Russia has been justifiably termed a Silver Age. Why a Silver and not a Golden Age? From the perspective of literature, the period may have lacked writers of the stature of Pushkin, Tolstoy or Dostoyevsky. From the broader perspective of the cultural field in its entirety, however, the Silver Age had no rival in any period of Russian cultural history. It has been compared to the great flowerings of Periclean Athens and Renaissance England.1 All artistic disciplines flourished; painting, sculpture, architecture, design, as well as literature, theater, dance and music. The Silver Age was also a period par excellence in which the artists, scientists, and scholars consciously endeavored to dispel all shadows of provincialism. Artists did not necessarily abandon their specifically Russian subject matter or stylistic peculiarities. On the contrary, they reveled in their world filled with the heroes of Russian legends, ethnographic customs and virtuosic folk ornamentation. However, they chose to incorporate these themes into cosmopolitan trends, such as l’art pour l’art aestheticism or symbolism. These cosmopolitan developments offered Russian artists new ways to incorporate Russian material into an international field of reference. Nikolay Rimsky-Korsakov’s penultimate opera, The legend of the invisible city of Kitezh and the Maiden Fevroniya counts among the most precious manifestations of this development. Rimsky-Korsakov composed The legend of the invisible city of Kitezh and the Maiden Fevroniya in 1903-1904 after several unsuccessful attempts to shed his folkloristic and nationalistic profile. -
UNIVERSITY of CALIFORNIA Los Angeles Nikolai Rimsky-Korsakov the Antiquarian
UNIVERSITY OF CALIFORNIA Los Angeles Nikolai Rimsky-Korsakov the Antiquarian: The Narrativity of Diegetic Song in the Opera Sadko A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Jeffrey T. Riggs 2019 © Copyright by Jeffrey T. Riggs 2019 ABSTRACT OF THE DISSERTATION Nikolai Rimsky-Korsakov the Antiquarian: The Narrativity of Diegetic Song in the Opera Sadko by Jeffrey T. Riggs Doctor of Philosophy in Musicology University of California, Los Angeles, 2019 Professor Mitchell Bryan Morris, Chair Nikolai Rimsky-Korsakov subtitled Sadko “an Opera-Bylina,” a gesture which both reveals his compositional approach, and gives the piece a sui generis designation as an operatic and folk-epic hybrid. The composer drew from an extraordinary range of textual and musical material to fashion Sadko, a work that is thoroughly imbued with references to Russian folk culture. His primary source texts were the Russian byliny: folk-epic poetry that had circulated orally for some seven centuries before being collected and transcribed in the nineteenth century. While Rimsky-Korsakov’s preoccupation with folklore represents a thematic continuation of his prior operas, his approach to his source material takes a decidedly antiquarian and philological turn in Sadko. ii Rimsky-Korsakov’s transmutation of the byliny into operatic form involved his development of a set of narrative strategies that approximate the storytelling conventions of the source texts. Rimsky-Korsakov includes multiple narrators in the opera who present Sadko’s tale through different narrative frames, chronotopes, and musical idioms. The arias of each narrator constitute moments of heightened narrativity, in which the events of the plot are condensed, refracted, retold, and foretold through the prism of diegetic song.