SOCIETE D'opera DE LA CAPITALE NATIONALE Bulletin Fevrier 1993
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Classical Music Listening Suggestions by Nature Topic
Classical Music Listening Suggestions by Nature Topic FAUNA Primary Topic Secondary Topic Composer Work Period / Style Form Instrumentation Fauna Animals Rutter All Creatures of Our God and King Romantic - 20th Century Song/Lied Choral Fauna Bears Haydn Symphony #82: L'Ours The Bear - Finale Classical Symphony Orchestral Fauna Bees Bridge The Bee Romantic - 20th Century Song/Lied Male Vocalists Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Song/Lied Balalaika Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Solo Piano Fauna Birds Canteloube Chants D'auvergne, Series I, The Quail Romantic - 20th Century Song/Lied Soprano Fauna Birds Dvorak The Wood Dove Romantic Overture Orchestral Fauna Birds Glazunov Spring: Birds Romantic Ballet Orchestral Fauna Birds Handel Concerto for Organ & Orchestra #13 in F, Cuckoo and the Nightengale Baroque Concerto Organ Fauna Birds Handel L’allegro, il Penseroso ed il Moderato: “Sweet Bird” Baroque Aria Soprano Fauna Birds Hanson Birds of Paradise, Op. 34 Romantic - 20th Century Solo Piano Fauna Birds Liszt St. Francis of Assisi Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Liszt St. Francis Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Messiaen Illumination of the Beyond: Plusieurs Oiseaux des arbres de Vie Modern Suite Orchestral Fauna Birds Messiaen Le Reveil des oiseaux Modern Overture Piano/Concerto Fauna Birds Messiaen Quartet for the End of Time: Abime des oiseaux Modern Suite Quartet Fauna Birds Mussorgsky Pictures at an Exhibition: Ballet of the -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
Finley Is Falstaff by Ute Davis Those of Us Who Know the Slim, Handsome, Modest Dic Movement and Timing That Set Her Apart
é é é Soci t d' Op ra NATIONAL CAPITAL de la CAPITALE NATIONALE Opera Society Winter 2015 NEWSLETTER : BULLETIN Hiver 2015 Transformation!! Finley is Falstaff by Ute Davis Those of us who know the slim, handsome, modest dic movement and timing that set her apart. Her inter- Gerald Finley, simply stopped and gaped when he action with Sir John added vastly to my enjoyment. I un- appeared on the COC stage as the obese, overbear- derstand it even was her idea to give her coat, worn at the ing, pompous Sir John! The transformation was so Garter Inn encounter with Gerald Finley, the same lining complete and dramatic that it took the opening several material as was that of her dress. This would only be funny bars of music for me to realize that it really was Gerald to those of you who actually saw the COC production. Finley inside the masses of body padding and plastic Colin Ainsworth as Bardolfo and Robert face, neck and leg prostheses. Then he began to sing Gleadow as Pistola were appropriately disreputable and the Falstaff character truly came to life. in dress and behaviour, an excellent foil for Falstaff Indeed Finley’s Falstaff is, under the direc- whose dapper appearance whether in tweeds or hunt- tion of Robert Carsen, larger ing pink demonstrated the value than life, supremely funny and of a skilled tailor, no matter what superb entertainment. The your body shape.Lyne Fortin balance of comedy, some and Lauren Segal supplied the subtle and some obvious, with required charm and colour as moments of pathos was finely well as fine singing. -
RIMSKY-KORSAKOV Orchestral Works Including SHEHERAZADE
Kees Bakels RIMSKY-KORSAKOV Orchestral works including SHEHERAZADE BIS-CD-1667/68 MALAYSIAN PHILHARMONIC ORCHESTRA / KEES BAKELS BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 2 RIMSKY-KORSAKOV, Nikolai (1844–1908) Disc 1 [74'34] Sheherazade 43'28 Symphonic Suite after the ‘Thousand and One Nights’, Op. 35 (1888) 1 I. The Sea and Sinbad’s Ship 9'02 2 II. The Tale of the Kalender Prince 12'00 3 III. The Young Prince and the Young Princess 10'22 4 IV. Festival in Baghdad – The Sea – The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior – Conclusion 11'50 Markus Gundermann violin solo Symphony No. 2 (Symphonic Suite), ‘Antar’ 30'01 Op. 9 (1868/75/97) 5 I. Largo – Allegro – Allegretto – Largo 11'29 6 II. Allegro 4'38 7 III. Allegro risoluto 5'22 8 IV. Allegretto – Adagio 8'09 2 BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 3 Disc 2 [76'42] Capriccio espagnol, Op. 34 (1887) 15'00 1 I. Alborada. Vivo e strepitoso 1'12 2 II. Variazioni. Andante con moto 4'38 3 III. Alborada. Vivo e strepitoso 1'14 4 IV. Scena e canto gitano. Allegretto 4'39 5 V. Fandango asturiano – Coda. Vivace assai – Presto 3'15 6 Piano Concerto in C sharp minor, Op.30 (1882–83) 14'06 Noriko Ogawa piano The Tale of Tsar Saltan, Suite, Op. 57 (1899–1900) 19'49 7 I. The Tsar’s Farewell and Departure. Allegro – Allegretto alla Marcia 4'44 8 II. -
RIMSKY-KORSAKOV: Pan Voyevoda • Sadko 8.553858
NAXOS NAXOS Rimsky-Korsakov: Rimsky-Korsakov, a naval officer, became a member of the group of Russian nationalist composers known as The Mighty Handful. His mastery of orchestration led to a strong influence on succeeding generations of composers such as Glazunov and Ravel. Orchestral Works: Though best known abroad for his orchestral music, Rimsky-Korsakov made a significant contribution to Russian opera. In the opera Pan Voyevoda he paid tribute to Chopin, with a DDD plot set in Poland, while the orchestral Sadko deals with a Russian legend. May Night treats a comic tale by Gogol and the opera Boyarïnya Vera Sheloga with its lullaby Hush Now, Hushaby, serves as a curtain- 8.553858 RIMSKY-KORSAKOV raiser to The Maid of Pskov. The music throughout is colourful and compelling. RIMSKY-KORSAKOV Playing Time 69:19 Nikolay Andreyevich 7 RIMSKY-KORSAKOV 30099 (1844–1908) 48582 Pan Voyevoda (Suite) 24:32 7 Overture on Russian 1 : : Introduction 3:11 Themes, Op. 28 13:42 Pan Voyevoda • Sadko Voyevoda Pan 2 Krakowiak 3:49 • Sadko Voyevoda Pan 3 8 1 Nocturne: Clair de lune 4:23 May Night (Overture) 10:11 www.naxos.com Made in Germany Booklet notes in English ℗ 4 Mazurka 6:18 1999 & 5 Polonaise 6:53 Boyarïnya Vera Sheloga, Op. 54 9:09 © 6 Musical Picture – 9 Overture 5:26 2018 Naxos Rights US, Inc. Sadko, Op. 5 11:43 0 Lullaby: Bayu, bayushki, bayu* 3:43 Elena Okolysheva, Mezzo-soprano* Moscow Symphony Orchestra • Igor Golovschin 8.553858 8.553858 Recorded: March 1996 at the Mosfilm Studio, Moscow, Russia Producer: Betta Inc. -
BIS-CD-1141 Rautavaara
BIS-CD-1577 f/b 3/27/06 10:04 AM Page 1 Rimsky-Korsakov The Snow Maiden Overtures and Orchestral Suites Kees Bakels Malaysian Philharmonic Orchestra BIS-CD-1577 Kees Bakels BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 2 RIMSKY-KORSAKOV, Nikolai (1844-1908) 1 The Tsar’s Bride, Overture (1898) 6'32 Pan Voyevoda, Suite (1904) 23'11 2 I. Introduction. Allegretto 3'33 3 II. Krakowiak. Allegro 3'28 4 III. Nocturne – Claire de Lune. Lento 4'29 5 IV. Mazurka. Tempo di Mazurka – Scherzando 5'06 6 V. Polonaise. Allegretto 6'22 Christmas Eve, Suite (1895) 27'11 7 I. Introduction to Scene 1 3'15 8 II. Introduction to Scene 6 2'20 9 III. Games and Dances of Stars 1'45 10 IV. Procession of the Comet – Round Dance 2'06 11 V. Csárdás and the Rain of Shooting Stars 0'38 12 VI. Devil’s Kolyadka 5'07 13 VII. Polonaise from Scene 7 5'09 14 VIII. [Introduction to Scene 8] 2'55 15 IX. Ovsyen and Kolyada Procession 3'53 2 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 3 16 Overture on Russian Themes, Op. 28 (1866, rev. 1879-80) 11'53 The Snow Maiden, Suite (1881) 13'08 17 I. Prologue. Andante sostenuto 4'24 18 II. Dance of the Birds. Allegro 3'07 19 III. The Procession. Allegro alla Marcia 1'58 20 IV. Dance of the Clowns. Vivace 3'35 TT: 82'27 Malaysian Philharmonic Orchestra Markus Gundermann leader Kees Bakels conductor 3 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 4 he present release is far from being a series of disconnected overtures and suites; it celebrates the endless imagination of Rimsky-Korsakov’s Tgenius, while acting as a reminder that Rimsky-Korsakov was an im- portant operatic composer whose works in that genre have still to receive full recognition. -
The Negotiation of Nationalism in Nineteenth-Century Russian Opera
Not Russian Enough The Negotiation of Nationalism in Nineteenth-Century Russian Opera R H ©?=>> Rutger Helmers Print production by F&N Boekservice Typeset using: LATEX ?" Typeface: Linux Libertine Music typesetting: LilyPond Not Russian Enough: The Negotiation of Nationalism in Nineteenth-Century Russian Opera Niet Russisch genoeg: nationalisme en de negentiende-eeuwse Russische operapraktijk (met een samenvatting in het Nederlands) P ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magniVcus, prof. dr. G. J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op donderdag ? februari ?=>? des ochtends te >=.@= uur door Rutger Milo Helmers geboren op E november >FE= te Amersfoort Promotor: Prof. dr. E. G. J. Wennekes Co-promotor: Dr. M. V. Frolova-Walker Contents Preface · vii Acknowledgements · viii Preliminary Notes · x List of Abbreviations · xiii Introduction: The Part and the Whole · > Russia and the West · C The Russian Opera World · >= The Historiographical Legacy · >B Russianness RedeVned · ?> The Four Case Studies · ?A > A Life for the Tsar · ?F Glinka’s Changing Attitude to Italian Music · @@ The Italianisms of A Life for the Tsar · @F Liberties · BA Reminiscences · C> Conclusion · CB v vi CON TEN TS ? Judith · CD Serov the Cosmopolitan · D= Long-Buried Nationalities · E> Judith and Russianness · FE Conclusion · >=D @ The Maid of Orléans · >>> The Requirements of the Operatic Stage · >>C Schiller, The Maid, and Grand Opera Dramaturgy · >?> -
Wednesday Playlist
March 18, 2020: (Full-page version) Close Window “The only love affair I have ever had was with music.” —Maurice Ravel Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! German Overture ~ Richard III RTE Concert Orchestra/Penny Marco Polo 8.223695 730099369527 Awake! 00:11 Buy Now! Haydn Symphony No. 082 in C, "The Bear" Berlin Philharmonic/Karajan DG 419 741 028941974129 00:39 Buy Now! Diepenbrock Elektra (Symphonic Suite) Hague Philharmonic/Vonk Chandos 8821 095115882122 01:00 Buy Now! Vivaldi Concerto in B minor for 4 Violins and Cello, Op. 3 No. 10 I Musici Philips 412 128 02894121282 01:11 Buy Now! Janacek Lachian Dances Rotterdam Philharmonic/Conlon Erato 88095 3269658809527 01:35 Buy Now! Strauss, R. Metamorphosen, for 23 Solo Strings Academy of St. Martin-in-the-Fields/Marriner Decca 478 2759 028947827597 02:02 Buy Now! Bruch Concerto in E minor for Clarinet & Viola, Op. 88 King/Imai/London Symphony/Francis Hyperion 22017 034571120171 02:23 Buy Now! Bach Flute Sonata in G minor, BWV 1020 Galway/Moll/Cunningham RCA 62555 090266255528 02:37 Buy Now! Parry Symphony No. 5 in B minor London Philharmonic/Boult EMI 49022 07777490222 03:01 Buy Now! Brahms Tragic Overture, Op. 81 Boston Symphony/Munch RCA Gold Seal 60682 090266068227 03:15 Buy Now! Haydn String Quartet in D, Op. 50 No. 6 Kodaly Quartet Naxos 8.553984 730099498425 03:39 Buy Now! Sibelius Tapiola, Op. 112 Berlin Philharmonic/Karajan DG 413 755 28941375520 04:01 Buy Now! Strauss Jr. -
Brian Law Opera Competition Program
The National Capital Opera Society presents The 11th Brian Law Opera Competition Gerald Finley, Honorary Patron Frédérique Drolet Nathan Haller Ania Hejnar Erinne-Colleen Laurin Alexandra LeBlanc Meghan Lindsay Arminè Kassabian, guest recitalist Rob Clipperton, host 9 November 2013 First Unitarian Congregation 30 Cleary Avenue, Ottawa The National Capital Opera Society The National Capital Opera Society was founded by volunteer opera lovers in 1983, following the cancellation of the summer opera festival at the National Arts Centre. Today, to aid young, gifted singers of the National Capital Region, the Society holds the biennial Brian Law Opera Competition supported by the Brian Law Fund. We foster interest in opera with DVD showings, newsletters and social events for members. The Society also helps young singers striving to gain experience and recognition in opera by its financial contributions to the Opera Lyra Ottawa Young Artists Program and Pellegrini Opera as well as general support for operatic events in the National Capital Region. We always welcome new members who share our passion for opera and wish to join us in our activities. Gerald Finley, Honorary Patron The National Capital Opera Society is very proud to have as its patron the world- renowned bass-baritone Gerald Finley. Gerald began singing as a chorister at St. Matthew’s Church in Ottawa under the guidance of Brian Law and completed his musical studies at the Royal College of Music, King’s College, Cambridge, and the National Opera Studio. He was a winner of Glyndebourne’s John Christie Award. He is a Visiting Professor and Fellow of the Royal College of Music in London. -
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite. -
RECORDINGS by NICOLAI GOLOVANOV Compiled by Brendan Wehrung
RECORDINGS BY NICOLAI GOLOVANOV Compiled by Brendan Wehrung The "Russian Furtwaengler" remains almost entirely unknown to record collectors of the West. Vagaries of sound reproduction, political climate and record distribution confined his admirers to a relative handful until the advent of the compact disc. This listing is offered as partial remedy for his neglect; it is by no means complete, but consists of recordings discovered in a close reading of The World's Encyclopedia of Recorded Music, and what has appeared in digital format (researched on the Internet). Others exist in Russian catalogs and radio archives. 78RPM Microgroove Compact disc BALAKIREV: Thamar Moscow Radio Orch. D 0703 MWL 307 281 BEETHOVEN: Concerto for Violin, Piano and 'Cello in C, Op. 56 D. Oistrakh (vl), . Knusevitzky (vc), L. Oborin (pf) SPL 590 306 USSR Radio Symphony Orch. CRLP 10200 LP 9001 BEETHOVEN: Egmont, Op. 84: Overture Moscow Radio Orch. 020885/6 D 437 BORODIN: Prince Igor (excerpts) A. Pirogov (BS), I. Kozlovsky (T), M. Mikhailov (BS) CRLP 122 Bolshoi Theatre Corus and Orchestra BORODIN: Symphony No. 2 Moscow Radio Orch. CRLP 10030 31 0188-2 LDA 8050 D 0383/4 GLAZOUNOV: From the Middle Ages, Suite, Op. 79 Moscow Radio Orch. D 640/1 GLAZOUNOV: March on a Russian Theme, Op. 76 Moscow Radio Orch. D 00188 LDA 8041 GLAZOUNOV: Serenade in A, Op. 7 Moscow Radio Orch. D 00705 GLAZOUNOV: Stenka Razin, Op. 13 Moscow Radio Orch. D 516/7 GLAZOUNOV: Symphony No. 5 in B-flat, Op. 55 Moscow Radio Orch. 018396/403 D 0387/8 CHS 1302 GLAZOUNOV: Symphony No. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.