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Osmo Vänskä, Conductor Augustin Hadelich, Violin
Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition. -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
RIMSKY-KORSAKOV Orchestral Works Including SHEHERAZADE
Kees Bakels RIMSKY-KORSAKOV Orchestral works including SHEHERAZADE BIS-CD-1667/68 MALAYSIAN PHILHARMONIC ORCHESTRA / KEES BAKELS BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 2 RIMSKY-KORSAKOV, Nikolai (1844–1908) Disc 1 [74'34] Sheherazade 43'28 Symphonic Suite after the ‘Thousand and One Nights’, Op. 35 (1888) 1 I. The Sea and Sinbad’s Ship 9'02 2 II. The Tale of the Kalender Prince 12'00 3 III. The Young Prince and the Young Princess 10'22 4 IV. Festival in Baghdad – The Sea – The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior – Conclusion 11'50 Markus Gundermann violin solo Symphony No. 2 (Symphonic Suite), ‘Antar’ 30'01 Op. 9 (1868/75/97) 5 I. Largo – Allegro – Allegretto – Largo 11'29 6 II. Allegro 4'38 7 III. Allegro risoluto 5'22 8 IV. Allegretto – Adagio 8'09 2 BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 3 Disc 2 [76'42] Capriccio espagnol, Op. 34 (1887) 15'00 1 I. Alborada. Vivo e strepitoso 1'12 2 II. Variazioni. Andante con moto 4'38 3 III. Alborada. Vivo e strepitoso 1'14 4 IV. Scena e canto gitano. Allegretto 4'39 5 V. Fandango asturiano – Coda. Vivace assai – Presto 3'15 6 Piano Concerto in C sharp minor, Op.30 (1882–83) 14'06 Noriko Ogawa piano The Tale of Tsar Saltan, Suite, Op. 57 (1899–1900) 19'49 7 I. The Tsar’s Farewell and Departure. Allegro – Allegretto alla Marcia 4'44 8 II. -
RIMSKY-KORSAKOV: Pan Voyevoda • Sadko 8.553858
NAXOS NAXOS Rimsky-Korsakov: Rimsky-Korsakov, a naval officer, became a member of the group of Russian nationalist composers known as The Mighty Handful. His mastery of orchestration led to a strong influence on succeeding generations of composers such as Glazunov and Ravel. Orchestral Works: Though best known abroad for his orchestral music, Rimsky-Korsakov made a significant contribution to Russian opera. In the opera Pan Voyevoda he paid tribute to Chopin, with a DDD plot set in Poland, while the orchestral Sadko deals with a Russian legend. May Night treats a comic tale by Gogol and the opera Boyarïnya Vera Sheloga with its lullaby Hush Now, Hushaby, serves as a curtain- 8.553858 RIMSKY-KORSAKOV raiser to The Maid of Pskov. The music throughout is colourful and compelling. RIMSKY-KORSAKOV Playing Time 69:19 Nikolay Andreyevich 7 RIMSKY-KORSAKOV 30099 (1844–1908) 48582 Pan Voyevoda (Suite) 24:32 7 Overture on Russian 1 : : Introduction 3:11 Themes, Op. 28 13:42 Pan Voyevoda • Sadko Voyevoda Pan 2 Krakowiak 3:49 • Sadko Voyevoda Pan 3 8 1 Nocturne: Clair de lune 4:23 May Night (Overture) 10:11 www.naxos.com Made in Germany Booklet notes in English ℗ 4 Mazurka 6:18 1999 & 5 Polonaise 6:53 Boyarïnya Vera Sheloga, Op. 54 9:09 © 6 Musical Picture – 9 Overture 5:26 2018 Naxos Rights US, Inc. Sadko, Op. 5 11:43 0 Lullaby: Bayu, bayushki, bayu* 3:43 Elena Okolysheva, Mezzo-soprano* Moscow Symphony Orchestra • Igor Golovschin 8.553858 8.553858 Recorded: March 1996 at the Mosfilm Studio, Moscow, Russia Producer: Betta Inc. -
Senior Recital
Kennesaw State University College of the Arts School of Music presents Senior Recital Alexander Sifuentes, oboe Brenda Brent, piano Thursday, May 8, 2014 8:00 p.m. Music Building Recital Hall One Hundred Forty-fourth Concert of the 2013-14 Concert Season Program RICHARD STRAUSS (1864-1949) Concerto in D Major for Oboe and Small Orchestra I. Allegro moderato II. Andante III. Vivace- Allegro CARL NIELSEN (1865-1931) Wind Quintet I. Allegro ben moderato II. Menuetto III. Praeludium: Adagio. Tema con variazioni: Un poco andantino Dirk Stanfield, flute Alex Sifuentes, oboe Tyler Eisenbarth, clarinet Kristen Arvold, French horn FRANCIS POULENC (1899-1963) Trio for Oboe, Bassoon and Piano I. Presto II. Andante III. Rondo Jordan Alfredson, bassoon This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Mr. Sifuentes studies oboe with Elizabeth Koch Tiscione. Program Notes Concerto in D Major for Oboe and Small Orchestra RICHARD STRAUSS Richard Georg Strauss was born in Munich, Bavaria, on June 11, 1864, and died in Garmisch, Germany, on September 8, 1949. He completed his Oboe Concerto on October 25, 1945, slightly revising the end on February 1, 1948. American oboist John de Lancie was in the U.S. Army unit which secured the area round the Bavarian town of Garmisch where Strauss's was living in April 1945, following WWII. As principal oboist of the Pittsburgh Orchestra in civilian life, he knew Strauss's orchestral writing for oboe thoroughly, visited the composer in his home, and in the course of a long conversation asked him if he had ever consid- ered writing an oboe concerto. -
BIS-CD-1141 Rautavaara
BIS-CD-1577 f/b 3/27/06 10:04 AM Page 1 Rimsky-Korsakov The Snow Maiden Overtures and Orchestral Suites Kees Bakels Malaysian Philharmonic Orchestra BIS-CD-1577 Kees Bakels BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 2 RIMSKY-KORSAKOV, Nikolai (1844-1908) 1 The Tsar’s Bride, Overture (1898) 6'32 Pan Voyevoda, Suite (1904) 23'11 2 I. Introduction. Allegretto 3'33 3 II. Krakowiak. Allegro 3'28 4 III. Nocturne – Claire de Lune. Lento 4'29 5 IV. Mazurka. Tempo di Mazurka – Scherzando 5'06 6 V. Polonaise. Allegretto 6'22 Christmas Eve, Suite (1895) 27'11 7 I. Introduction to Scene 1 3'15 8 II. Introduction to Scene 6 2'20 9 III. Games and Dances of Stars 1'45 10 IV. Procession of the Comet – Round Dance 2'06 11 V. Csárdás and the Rain of Shooting Stars 0'38 12 VI. Devil’s Kolyadka 5'07 13 VII. Polonaise from Scene 7 5'09 14 VIII. [Introduction to Scene 8] 2'55 15 IX. Ovsyen and Kolyada Procession 3'53 2 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 3 16 Overture on Russian Themes, Op. 28 (1866, rev. 1879-80) 11'53 The Snow Maiden, Suite (1881) 13'08 17 I. Prologue. Andante sostenuto 4'24 18 II. Dance of the Birds. Allegro 3'07 19 III. The Procession. Allegro alla Marcia 1'58 20 IV. Dance of the Clowns. Vivace 3'35 TT: 82'27 Malaysian Philharmonic Orchestra Markus Gundermann leader Kees Bakels conductor 3 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 4 he present release is far from being a series of disconnected overtures and suites; it celebrates the endless imagination of Rimsky-Korsakov’s Tgenius, while acting as a reminder that Rimsky-Korsakov was an im- portant operatic composer whose works in that genre have still to receive full recognition. -
The Negotiation of Nationalism in Nineteenth-Century Russian Opera
Not Russian Enough The Negotiation of Nationalism in Nineteenth-Century Russian Opera R H ©?=>> Rutger Helmers Print production by F&N Boekservice Typeset using: LATEX ?" Typeface: Linux Libertine Music typesetting: LilyPond Not Russian Enough: The Negotiation of Nationalism in Nineteenth-Century Russian Opera Niet Russisch genoeg: nationalisme en de negentiende-eeuwse Russische operapraktijk (met een samenvatting in het Nederlands) P ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magniVcus, prof. dr. G. J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op donderdag ? februari ?=>? des ochtends te >=.@= uur door Rutger Milo Helmers geboren op E november >FE= te Amersfoort Promotor: Prof. dr. E. G. J. Wennekes Co-promotor: Dr. M. V. Frolova-Walker Contents Preface · vii Acknowledgements · viii Preliminary Notes · x List of Abbreviations · xiii Introduction: The Part and the Whole · > Russia and the West · C The Russian Opera World · >= The Historiographical Legacy · >B Russianness RedeVned · ?> The Four Case Studies · ?A > A Life for the Tsar · ?F Glinka’s Changing Attitude to Italian Music · @@ The Italianisms of A Life for the Tsar · @F Liberties · BA Reminiscences · C> Conclusion · CB v vi CON TEN TS ? Judith · CD Serov the Cosmopolitan · D= Long-Buried Nationalities · E> Judith and Russianness · FE Conclusion · >=D @ The Maid of Orléans · >>> The Requirements of the Operatic Stage · >>C Schiller, The Maid, and Grand Opera Dramaturgy · >?> -
Wednesday Playlist
March 18, 2020: (Full-page version) Close Window “The only love affair I have ever had was with music.” —Maurice Ravel Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! German Overture ~ Richard III RTE Concert Orchestra/Penny Marco Polo 8.223695 730099369527 Awake! 00:11 Buy Now! Haydn Symphony No. 082 in C, "The Bear" Berlin Philharmonic/Karajan DG 419 741 028941974129 00:39 Buy Now! Diepenbrock Elektra (Symphonic Suite) Hague Philharmonic/Vonk Chandos 8821 095115882122 01:00 Buy Now! Vivaldi Concerto in B minor for 4 Violins and Cello, Op. 3 No. 10 I Musici Philips 412 128 02894121282 01:11 Buy Now! Janacek Lachian Dances Rotterdam Philharmonic/Conlon Erato 88095 3269658809527 01:35 Buy Now! Strauss, R. Metamorphosen, for 23 Solo Strings Academy of St. Martin-in-the-Fields/Marriner Decca 478 2759 028947827597 02:02 Buy Now! Bruch Concerto in E minor for Clarinet & Viola, Op. 88 King/Imai/London Symphony/Francis Hyperion 22017 034571120171 02:23 Buy Now! Bach Flute Sonata in G minor, BWV 1020 Galway/Moll/Cunningham RCA 62555 090266255528 02:37 Buy Now! Parry Symphony No. 5 in B minor London Philharmonic/Boult EMI 49022 07777490222 03:01 Buy Now! Brahms Tragic Overture, Op. 81 Boston Symphony/Munch RCA Gold Seal 60682 090266068227 03:15 Buy Now! Haydn String Quartet in D, Op. 50 No. 6 Kodaly Quartet Naxos 8.553984 730099498425 03:39 Buy Now! Sibelius Tapiola, Op. 112 Berlin Philharmonic/Karajan DG 413 755 28941375520 04:01 Buy Now! Strauss Jr. -
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite. -
RECORDINGS by NICOLAI GOLOVANOV Compiled by Brendan Wehrung
RECORDINGS BY NICOLAI GOLOVANOV Compiled by Brendan Wehrung The "Russian Furtwaengler" remains almost entirely unknown to record collectors of the West. Vagaries of sound reproduction, political climate and record distribution confined his admirers to a relative handful until the advent of the compact disc. This listing is offered as partial remedy for his neglect; it is by no means complete, but consists of recordings discovered in a close reading of The World's Encyclopedia of Recorded Music, and what has appeared in digital format (researched on the Internet). Others exist in Russian catalogs and radio archives. 78RPM Microgroove Compact disc BALAKIREV: Thamar Moscow Radio Orch. D 0703 MWL 307 281 BEETHOVEN: Concerto for Violin, Piano and 'Cello in C, Op. 56 D. Oistrakh (vl), . Knusevitzky (vc), L. Oborin (pf) SPL 590 306 USSR Radio Symphony Orch. CRLP 10200 LP 9001 BEETHOVEN: Egmont, Op. 84: Overture Moscow Radio Orch. 020885/6 D 437 BORODIN: Prince Igor (excerpts) A. Pirogov (BS), I. Kozlovsky (T), M. Mikhailov (BS) CRLP 122 Bolshoi Theatre Corus and Orchestra BORODIN: Symphony No. 2 Moscow Radio Orch. CRLP 10030 31 0188-2 LDA 8050 D 0383/4 GLAZOUNOV: From the Middle Ages, Suite, Op. 79 Moscow Radio Orch. D 640/1 GLAZOUNOV: March on a Russian Theme, Op. 76 Moscow Radio Orch. D 00188 LDA 8041 GLAZOUNOV: Serenade in A, Op. 7 Moscow Radio Orch. D 00705 GLAZOUNOV: Stenka Razin, Op. 13 Moscow Radio Orch. D 516/7 GLAZOUNOV: Symphony No. 5 in B-flat, Op. 55 Moscow Radio Orch. 018396/403 D 0387/8 CHS 1302 GLAZOUNOV: Symphony No. -
C a R L N I E L S E N S T U D I
CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 CARL NIELSEN STUDIES V O L U M E V I • 2 0 2 0 Edited by Michelle Assay, David Fanning (editor-in-chief), Daniel Grimley, Niels Krabbe (consultant), and Christopher Tarrant Copenhagen 2020 The Royal Library Honorary board John Bergsagel, prof.emer., Copenhagen Jean Christensen, prof., University of Louisville, Kentucky Ludwig Finscher, prof.emer., Wolfenbüttel Jim Samson, prof., Royal Holloway, London Arnold Whittall, prof.emer., King’s College, London Editorial board Michelle Assay David Fanning (editor-in-chief) Daniel Grimley Niels Krabbe (consultant) Christopher Tarrant Translation or linguistic amendment of texts by Eskildsen, Røllum-Larsen, and Caron has been carried out by David Fanning, Marie-Louise Zervides, and Michelle Assay. Graphic design Kontrapunkt A/S, Copenhagen Layout and formatting Hans Mathiasen Text set in Swift ISSN 1603-3663 Sponsored by The Carl Nielsen and Anne Marie Carl-Nielsen Foundation © 2020 The authors and Carl Nielsen Studies, The Royal Library All rights reserved 2020 Permission for the use of quotations from the Carl Nielsen Edition has been kindly given by The Royal Library. NIELSEN AND GADE Landmarks of Musical Denmarks By Karsten Eskildsen Where did it all come from? This is a fair question not only in relation to Nielsen but also to most artists. So where did Nielsen collect all his skills, ideas and ambitions? For decades, Danish musical tradition has had it that young Nielsen was a country lad who through his own will, professional musicianship at the military band in Odense, and three years at Copenhagen Conservatoire was able in his maturity to transform the folk music experience of his childhood into mastery and universal art. -
Flute: Late Style in Carl Nielsen’S Works for Flute
THE “ARCADIAN” FLUTE: LATE STYLE IN CARL NIELSEN’S WORKS FOR FLUTE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2004 by Beth E. Chandler B.M., Baylor University, 1993 M.M., New England Conservatory, 1996 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Revered as Denmark’s most celebrated musical figure and regarded as one of the finest, albeit under recognized composers, Carl Nielsen (1865–1931) holds a place as one of the most individual and creative artists of his time. Straddling the nineteenth and twentieth centuries and with consideration to the dramatically changing musical climate of that time, Nielsen’s vast output is stylistically complex. His music spans an array of styles, with elements of Romanticism in his early works, to an outright rejection of these same principles and an adoption of extensive progressivism in later works, all the while maintaining features of neoclassicism. There are six known works by Carl Nielsen that include flute in a solo or chamber role. These works date from his late, mature compositional period and include a short piece for solo flute from the incidental music to Aladdin, Op. 34 (1918–19); three pieces from the incidental music to Moderen (The mother), Op. 41 (1920): “Taagen letter” (The fog is lifting) for flute and piano or harp, “Børnene spiller” (The children are playing) for solo flute, and “Tro og håb spiller” (Faith and hope are playing) for flute and viola; the Wind Quintet, Op.