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COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
Capriccio Espagnol Legal Use Requires Purchase
GRADE LEVEL— MEDIUM EASY Alfred’s Growing Band Series Capriccio Espagnol Nicolai Kimsky-Korsakov / Arr. by Mark Williams Rimsky-Korsakov’s Capriccio Espagnol is known worldwide as one of the master- works of orchestration. It has been admired and studied by many composers including Tchaikovsky. It was written in 1887 at about the same time as his famous Scheherazade and Russian Easter Overture. This arrangement of the final sections of the work capture its exciting Spanish flavor and rhythms in a format that is very accessible to young bands. This piece can be conducted in one beat to the measure, or in three, or in a combination of the two. It is important that the tempo remain steady and not be allowed to bog down. The optimum tempo will be determined by how well the ensemble can play the fast eighth-note sec- tions at measures 44 and 103 . Generally, a faster tempo will contribute more to the energy and drive of the music. INSTRUMENTATION 1 — Conductor Score 3 — 1st Bb Cornet 5 — 1st Flute 3 — 2nd Bb Cornet 5 — 2nd Flute 3 — 3rd Bb Cornet 2 — Oboe 2 — 1st Trombone 2 — Bassoon 2 — 2nd Trombone 4 — 1st Bb Clarinet 2 — Baritone T.C. 4 — 2nd Bb Clarinet 2 — Baritone B.C. 4 — 3rd Bb Clarinet 4 — Tuba 1 — Eb Alto Clarinet 1 — Mallets (Xylophone, Bells) 2 — Bb Bass Clarinet 2 — Percussion 1 (Snare Drum, Bass 2 — 1st Eb Alto Saxophone Drum, Crash Cymbals) 2 — 2nd Eb Alto Saxophone 2 — Percussion 2 (Tambourine, Suspended 2 — Bb Tenor Saxophone Cymbal, Triangle, Castanets) 1 — Eb Baritone Saxophone 1 — Timpani 2 — 1st F Horn 2 — 2nd F Horn Preview Only Legal Use Requires Purchase Alfred Publishing Co., Inc. -
Wolfgang Amadeus Mozart
Saturday, September 8 1979 Arts Guild Fair, Central Park, Northfield Overture to the Magic Flute (Wolfgang Amadeus Mozart) Finlandia (Jean Sibelius) London Suite (Eric Coates) Country Gardens (Percy Grainger) Berceuse and FInale- Firebird (Igor Stravinsky) Dance Rhythms (Wallingford Riegger) Simple Gifts (Aaron Copland) Hoedown (Aaron Copland) August 23, 1986 Carleton College Concert Hall Carneval Overture (Antonin Dvorak) Valse Triste (Jan Sibelius) Konzertstuck for Four Horns and Orchestra Wedding Day at Troldhaugen (Edvard Grieg) Highlights from Showboat (Jerome Kern/Oscar Hammerstein) Why Do I Love You? Can’t Help Lovin Dat Man You Are Love - soloist- Myrna Johnson The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) August 28, 1986 Fairbault Junior High Auditorium- 7:30 pm Carneval Overture (Antonin Dvorak) Valse Triste (jan Sibelius) Konzertstuck for Four Horns and Orchestra Prelude to Act III of Lohengrin First Movement from Violin Concerto no. 3 in G, K216 (W.A. mozart) The Moldau from Ma Vlast (Bedrich Smetana) American Salute (Morton Gould) Saturday, May 14, 1994 United Methodist Church, Northfield- 2:30pm Northfield Cello Choir (Directed by Stephen Peckley): Pilgrim’s Chorus (Richard Wagner) Sarabande and Two Gavottes (J.S. Bach) Red Rose Rag (Traditional) Suite for Strings in Olden Style from Holberg’s Time, Op.40 (Edvard Grieg) Prelude: Allegro Vivace Sarabande: Andante Rigaudon: Allegro Con Brio Geraldine Casper- violin solo Paul Tarabek- viola solo Concerto in D Major for Cello and Orchestra (Josef Haydn) -
Classical Music Listening Suggestions by Nature Topic
Classical Music Listening Suggestions by Nature Topic FAUNA Primary Topic Secondary Topic Composer Work Period / Style Form Instrumentation Fauna Animals Rutter All Creatures of Our God and King Romantic - 20th Century Song/Lied Choral Fauna Bears Haydn Symphony #82: L'Ours The Bear - Finale Classical Symphony Orchestral Fauna Bees Bridge The Bee Romantic - 20th Century Song/Lied Male Vocalists Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Song/Lied Balalaika Fauna Bees Rimsky-Korsakov Flight of the Bumblebee Romantic Solo Piano Fauna Birds Canteloube Chants D'auvergne, Series I, The Quail Romantic - 20th Century Song/Lied Soprano Fauna Birds Dvorak The Wood Dove Romantic Overture Orchestral Fauna Birds Glazunov Spring: Birds Romantic Ballet Orchestral Fauna Birds Handel Concerto for Organ & Orchestra #13 in F, Cuckoo and the Nightengale Baroque Concerto Organ Fauna Birds Handel L’allegro, il Penseroso ed il Moderato: “Sweet Bird” Baroque Aria Soprano Fauna Birds Hanson Birds of Paradise, Op. 34 Romantic - 20th Century Solo Piano Fauna Birds Liszt St. Francis of Assisi Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Liszt St. Francis Preaching to the Birds Romantic Tone Poem Piano Fauna Birds Messiaen Illumination of the Beyond: Plusieurs Oiseaux des arbres de Vie Modern Suite Orchestral Fauna Birds Messiaen Le Reveil des oiseaux Modern Overture Piano/Concerto Fauna Birds Messiaen Quartet for the End of Time: Abime des oiseaux Modern Suite Quartet Fauna Birds Mussorgsky Pictures at an Exhibition: Ballet of the -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
Unc Symphony Orchestra Library
UNC ORCHESTRA LIBRARY HOLDINGS Anderson Fiddle-Faddle Anderson The Penny-Whistle Song Anderson Plink, Plank, Plunk! Anderson A Trumpeter’s Lullaby Arensky Silhouettes, Op. 23 Arensky Variations on a Theme by Tchaikovsky, Op. 35a Bach, J.C. Domine ad adjuvandum Bach, J.C. Laudate pueri Bach Cantata No. 106, “Gottes Zeit ist die allerbeste Zeit” Bach Cantata No. 140, “Wachet auf, ruft uns die Stimme” Bach Cantata No. 209, “Non sa che sia dolore” Bach Brandenburg Concerto No. 1 in F major, BWV 1046 Bach Brandenburg Concerto No. 2 in F major, BWV 1047 Bach Brandenburg Concerto No. 3 in G major, BWV 1048 Bach Brandenburg Concerto No. 4 in G major, BWV 1049 Bach Brandenburg Concerto No. 5 in D major, BWV 1050 Bach Clavier Concerto No. 4 in A major, BWV 1055 Bach Clavier Concerto No. 7 in G minor, BWV 1058 Bach Concerto No. 1 in C minor for Two Claviers, BWV 1060 Bach Concerto No. 2 in C major for Three Claviers, BWV 1064 Bach Violin Concerto No. 1 in A minor, BWV 1041 Bach Concerto in D minor for Two Violins, BWV 1043 Bach Komm, süsser Tod Bach Magnificat in D major, BWV 243 Bach A Mighty Fortress Is Our God Bach O Mensch, bewein dein Sünde gross, BWV 622 Bach Prelude, Choral and Fugue Bach Suite No. 3 in D major, BWV 1068 Bach Suite in B minor Bach Adagio from Toccata, Adagio and Fugue in C major, BWV 564 Bach Toccata and Fugue in D minor, BWV 565 Barber Adagio for Strings, Op. -
RIMSKY-KORSAKOV Orchestral Works Including SHEHERAZADE
Kees Bakels RIMSKY-KORSAKOV Orchestral works including SHEHERAZADE BIS-CD-1667/68 MALAYSIAN PHILHARMONIC ORCHESTRA / KEES BAKELS BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 2 RIMSKY-KORSAKOV, Nikolai (1844–1908) Disc 1 [74'34] Sheherazade 43'28 Symphonic Suite after the ‘Thousand and One Nights’, Op. 35 (1888) 1 I. The Sea and Sinbad’s Ship 9'02 2 II. The Tale of the Kalender Prince 12'00 3 III. The Young Prince and the Young Princess 10'22 4 IV. Festival in Baghdad – The Sea – The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior – Conclusion 11'50 Markus Gundermann violin solo Symphony No. 2 (Symphonic Suite), ‘Antar’ 30'01 Op. 9 (1868/75/97) 5 I. Largo – Allegro – Allegretto – Largo 11'29 6 II. Allegro 4'38 7 III. Allegro risoluto 5'22 8 IV. Allegretto – Adagio 8'09 2 BIS-CD-1667/68 RK:booklet 15/6/07 11:48 Page 3 Disc 2 [76'42] Capriccio espagnol, Op. 34 (1887) 15'00 1 I. Alborada. Vivo e strepitoso 1'12 2 II. Variazioni. Andante con moto 4'38 3 III. Alborada. Vivo e strepitoso 1'14 4 IV. Scena e canto gitano. Allegretto 4'39 5 V. Fandango asturiano – Coda. Vivace assai – Presto 3'15 6 Piano Concerto in C sharp minor, Op.30 (1882–83) 14'06 Noriko Ogawa piano The Tale of Tsar Saltan, Suite, Op. 57 (1899–1900) 19'49 7 I. The Tsar’s Farewell and Departure. Allegro – Allegretto alla Marcia 4'44 8 II. -
Rimsky-Korsakov and His World
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press. -
RIMSKY-KORSAKOV: Pan Voyevoda • Sadko 8.553858
NAXOS NAXOS Rimsky-Korsakov: Rimsky-Korsakov, a naval officer, became a member of the group of Russian nationalist composers known as The Mighty Handful. His mastery of orchestration led to a strong influence on succeeding generations of composers such as Glazunov and Ravel. Orchestral Works: Though best known abroad for his orchestral music, Rimsky-Korsakov made a significant contribution to Russian opera. In the opera Pan Voyevoda he paid tribute to Chopin, with a DDD plot set in Poland, while the orchestral Sadko deals with a Russian legend. May Night treats a comic tale by Gogol and the opera Boyarïnya Vera Sheloga with its lullaby Hush Now, Hushaby, serves as a curtain- 8.553858 RIMSKY-KORSAKOV raiser to The Maid of Pskov. The music throughout is colourful and compelling. RIMSKY-KORSAKOV Playing Time 69:19 Nikolay Andreyevich 7 RIMSKY-KORSAKOV 30099 (1844–1908) 48582 Pan Voyevoda (Suite) 24:32 7 Overture on Russian 1 : : Introduction 3:11 Themes, Op. 28 13:42 Pan Voyevoda • Sadko Voyevoda Pan 2 Krakowiak 3:49 • Sadko Voyevoda Pan 3 8 1 Nocturne: Clair de lune 4:23 May Night (Overture) 10:11 www.naxos.com Made in Germany Booklet notes in English ℗ 4 Mazurka 6:18 1999 & 5 Polonaise 6:53 Boyarïnya Vera Sheloga, Op. 54 9:09 © 6 Musical Picture – 9 Overture 5:26 2018 Naxos Rights US, Inc. Sadko, Op. 5 11:43 0 Lullaby: Bayu, bayushki, bayu* 3:43 Elena Okolysheva, Mezzo-soprano* Moscow Symphony Orchestra • Igor Golovschin 8.553858 8.553858 Recorded: March 1996 at the Mosfilm Studio, Moscow, Russia Producer: Betta Inc. -
BIS-CD-1141 Rautavaara
BIS-CD-1577 f/b 3/27/06 10:04 AM Page 1 Rimsky-Korsakov The Snow Maiden Overtures and Orchestral Suites Kees Bakels Malaysian Philharmonic Orchestra BIS-CD-1577 Kees Bakels BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 2 RIMSKY-KORSAKOV, Nikolai (1844-1908) 1 The Tsar’s Bride, Overture (1898) 6'32 Pan Voyevoda, Suite (1904) 23'11 2 I. Introduction. Allegretto 3'33 3 II. Krakowiak. Allegro 3'28 4 III. Nocturne – Claire de Lune. Lento 4'29 5 IV. Mazurka. Tempo di Mazurka – Scherzando 5'06 6 V. Polonaise. Allegretto 6'22 Christmas Eve, Suite (1895) 27'11 7 I. Introduction to Scene 1 3'15 8 II. Introduction to Scene 6 2'20 9 III. Games and Dances of Stars 1'45 10 IV. Procession of the Comet – Round Dance 2'06 11 V. Csárdás and the Rain of Shooting Stars 0'38 12 VI. Devil’s Kolyadka 5'07 13 VII. Polonaise from Scene 7 5'09 14 VIII. [Introduction to Scene 8] 2'55 15 IX. Ovsyen and Kolyada Procession 3'53 2 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 3 16 Overture on Russian Themes, Op. 28 (1866, rev. 1879-80) 11'53 The Snow Maiden, Suite (1881) 13'08 17 I. Prologue. Andante sostenuto 4'24 18 II. Dance of the Birds. Allegro 3'07 19 III. The Procession. Allegro alla Marcia 1'58 20 IV. Dance of the Clowns. Vivace 3'35 TT: 82'27 Malaysian Philharmonic Orchestra Markus Gundermann leader Kees Bakels conductor 3 BIS-CD-1577 R-K test 3/22/06 1:29 PM Page 4 he present release is far from being a series of disconnected overtures and suites; it celebrates the endless imagination of Rimsky-Korsakov’s Tgenius, while acting as a reminder that Rimsky-Korsakov was an im- portant operatic composer whose works in that genre have still to receive full recognition. -
The Negotiation of Nationalism in Nineteenth-Century Russian Opera
Not Russian Enough The Negotiation of Nationalism in Nineteenth-Century Russian Opera R H ©?=>> Rutger Helmers Print production by F&N Boekservice Typeset using: LATEX ?" Typeface: Linux Libertine Music typesetting: LilyPond Not Russian Enough: The Negotiation of Nationalism in Nineteenth-Century Russian Opera Niet Russisch genoeg: nationalisme en de negentiende-eeuwse Russische operapraktijk (met een samenvatting in het Nederlands) P ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magniVcus, prof. dr. G. J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op donderdag ? februari ?=>? des ochtends te >=.@= uur door Rutger Milo Helmers geboren op E november >FE= te Amersfoort Promotor: Prof. dr. E. G. J. Wennekes Co-promotor: Dr. M. V. Frolova-Walker Contents Preface · vii Acknowledgements · viii Preliminary Notes · x List of Abbreviations · xiii Introduction: The Part and the Whole · > Russia and the West · C The Russian Opera World · >= The Historiographical Legacy · >B Russianness RedeVned · ?> The Four Case Studies · ?A > A Life for the Tsar · ?F Glinka’s Changing Attitude to Italian Music · @@ The Italianisms of A Life for the Tsar · @F Liberties · BA Reminiscences · C> Conclusion · CB v vi CON TEN TS ? Judith · CD Serov the Cosmopolitan · D= Long-Buried Nationalities · E> Judith and Russianness · FE Conclusion · >=D @ The Maid of Orléans · >>> The Requirements of the Operatic Stage · >>C Schiller, The Maid, and Grand Opera Dramaturgy · >?> -
The Ukrainian Weekly 1984, No.21
www.ukrweekly.com (ГОС Published by the Ukrainian National Association Inc., a fraternal non-profit association! > 3 w ax XJO– oo z -no - -n о OO-D о z m cua 33- м mo О ИО rainian Weekly tn СД — Vol. Lll No. 21 THE UKRAINIAN WEEKLY SUNDAY, MAY 20, 1984 25c^t? Stepson fears Sakharov and wife Soviets to terminate contracts could die from hunger strikes with Western parcel companies WASHINGTON - The son of Ye– by George B. Zarycky the owner of the company never paid Іапа Bonner, wife of Andrei Sakharov, the Soviets millions of dollars in duties said on May 15 that the couple could JERSEY CITY, N.J. - The Soviet and other fees, forcing them to ship die soon unless the Soviet authorities Union has recently -implemented a back many parcels at their own expense. allowed his mother to leave the country, change in its policy on the shipment of But others see the Soviet decision in reported the Associated Press. parcels to the USSR that will make it political terms. According to spokes Dr. Sakharov has been on a hunger impossible, effective August 1, to send men from several small, Ukrainian strike for some 14 days to back his packages from the United States parcel companies, the Soviets made demand that she be allowed to leave. through private companies. their move to cut off material aid from Ms. Bonner's son. Alexei Semyonov, Currently, many parcels are shipped the West, aid that often finds its way to said his mother had begun her own. through private firms that contract persecuted human-rights activists, the hunger strike and was in her fourth day.