DOCSLIB.ORG

May 4 to June 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
May 4 to June 2 EDITION 2012 - MAY 4 TO JUNE 2 PROGRAM Theaters May 44----5555 MC93, Bobigny May 99----1010 La Dynamo de Banlieues Bleues, Pantin May 1212----13131313 Maison du Théâtre et de la Danse, Épinay-sur-Seine La Chaufferie, Saint-Denis May 1515----16161616 Le Forum, Blanc-Mesnil May 1919----20202020 Espace 1789, Saint-Ouen May 22 Espace Michel-Simon, Noisy-le-Grand May 2323----24242424----25252525 Centre national de la danse, Pantin May 2929----30303030----31313131 Le Colombier, Bagnolet June 11----2222 Nouveau Théâtre, Montreuil The association Centre international de Bagnolet pour les œuvres chorégraphiques Seine-Saint-Denis was founded at the initiative of the Ville de Bagnolet and the Département de la Seine-Saint-Denis, with the support of the Direction régionale des affaires culturelles d’Ile-de-France – Ministère de la Culture et de la Communication. 1 2 THE CHOREOGRAPHERS CREATIONS CATHERINE DIVERRÈS DD DORVILLIER JULIE DOSSAVI MATIJA FERLIN CLARA FUREY / BENOÎT LACHAMBRE EMMANUELLE HUYNH ARTISTS INVITED ELLI MEDEIROS / SIMONE AUGHTERLONY MICKAËL PHELIPPEAU AURELIE GANDIT (Duo) PERRINE VALLI PAUL-ANDRÉ FORTIER AURELIE GANDIT (Solo) AN KALER FRANK MICHELETTI JANET NOVÁS LIAT WAYSBORT MARJANA KRAJA Ć TÂNIA CARVALHO JAN MARTENS IRIS EREZ LISBETH GRUWEZ 3 CALENDAR MC 93 May, Friday 4, Saturday 5 BOBIGNY 19:30 Hall Christian Bourgois Perrine Valli, Si dans cette chambre un ami attend… (60 min) CREATION 21:00 Salle Oleg Efremov Emmanuelle Huynh, Augures (60 min) CREATION LA DYNAMO DE May, Wednesday 9, Thursday 10 BANLIEUES BLEUES 20:30 Aurélie Gandit, Histoires de peintures (30 min) CREATION PANTIN + La Variété française est un monstre gluant (60 min) MAISON DUDUDU THÉÂTRE May, Saturday 12 ETETET DEDEDE LALALA DANSE 20:30 Julie Dossavi, Cross & Share (60 min) CREATION ÉPINAY-SUR-SEINE May, Sunday 13 16:00 Julie Dossavi, Cross & Share (60 min) CREATION LA CHAUFFERIE May, Saturday 12 SAINT-DENIS 17:00 An Kaler, Insignificant Others (learning to look sideways) (60 min) Lisbeth Gruwez, It’s going to get worse and worse and worse, my friend. (45 min) May, Sunday 13 18:00 An Kaler, Insignificant Others (learning to look sideways) (60 min) Lisbeth Gruwez, It’s going to get worse and worse and worse, my friend. (45 min) LE FORUM May, Tuesday 15, Wednesday 16 BLANC-MESNIL 19:30 Hall Betsy Jolas Elli Medeiros / Mickaël Phelippeau, Sueños (60 min) CREATION 21:00 Hall Barbara DD Dorvillier, Danza Permanente (60 min) CREATION ESPACE 1789 May, Saturday 19 SAINT-OUEN 17:30 Patricia Brignone, La Danse à l’heure de la performance (90 min) CONFÉRENCE 19:30 PaulPaul----AndréAndré Fortier, Bras de plomb (60 min) 21:00 Tânia Carvalho, 27 os (27 bones) (50 min) May, Sunday 20 16:30 PaulPaul----AndréAndré Fortier, Bras de plomb (60 min) 18h:00 Tânia Carvalho, 27 os (27 bones) (50 min) 4 CALENDAR ESPACE MICHELMICHEL----SIMONSIMON May, Tuesday 22 NOISY-LE-GRAND 20:30 Frank Micheletti, Tiger Tiger Burning Bright (60 min) CENTRE NATIONAL May, Wednesday 23, Thursday 24, Friday 25 DEDEDE LALALA DANSE 19:00 Studio 3 PANTIN Matija Ferlin, SAD SAM Lucky (60 min) CREATION 20:30 Grand Studio Catherine Diverrès, S tance II (25 min) + O Senseï… (34 min) CREATION LE COLOMBIER May, Tuesday 29, Wednesday 30, Thursday 31 BAGNOLET 20:00 Marjana Kraja ć, Short Fantasy about Reclaiming the Ownership over my Own Body (25 min) Iris Erez , Temporary (17 min) Janet Novás, Cara Pintada (53 min) NOUVEAU THÉÂTRE June, Friday 1, Saturday 2 MONTREUIL 19:00 Hall Maria Casarès Simone Aughterlony, We need to talk (75 min) 21:00 Hall Jean-Pierre Vernant Liat Waysbort Male Version (22 min) Jan Martens A small guide on how to treat you lifetime companion (30 min) Clara Furey / Benoît Lachambre, Chutes Incandescentes (60 min) CREATION Shuttles from Paris will be available to the public for performances in Blanc-Mesnil, Épinay-sur-Seine, Noisy-le-Grand and Saint-Denis and for transfers between Saint-Denis and Épinay-sur-Seine . 5 MC93, Bobigny (hall Christian Bourgois) May, Friday 4 - May, Saturday 5 - 19:30 PERRINE VALLI (Switzerland/ France) Si dans cette chambre un ami attend... 60 min. solo CREATION Conception and choreography Perrine Valli Interpretation Perrine Valli Sound Eric Linder Lights Laurent Schaer Scenography and costumes Thibault Vancraenenbroeck Drawing inspiration from the feminine figure of Emily Dickinson, If in that room a friend await… uses the bedroom as a metaphor of identity and intimacy. The play centers around what this special place shelters: from love to tears, from sexuality to introspection, from dreams to nightmares and real or metaphorical mourning. Perrine © Akatre Valli takes us through an imaginary journey of the mind, marked by mystery and ambiguity. Production ・・・Compagnie Sam-Hester Coproduction ・ADC / Geneve, Rencontres chorégraphiques internationales de Seine-Saint-Denis Support ・・・Ville de Genève, Loterie romande genèvoise, Pro Helvetia Partners ・・・Micadanses / Paris, Berlin Tanz Wagt Perrine Valli was born in Aix en Provence in 1980. She studied ballet and contemporary dance at the Conservatory of Aix en Provence. She continued her education at the Hallet Eghayan School, at the same time studying Arts at the University of Lyon. A year later, she was accepted at the National Conservatory of Lyon and in 2001, she entered the CDC (Choreographic Development Center) of Toulouse. After that, she obtained a scholarship to join the London Contemporary Dance School, where she graduated in 2002. After her graduation, she went to America for three months, doing workshops on improvisation with Julyen Hamilton, Nancy Stark Smith, Kirstie Simson, Daniel Lepkoff, Olivier Besson and Andrew de L.Hardwood. Back in Europe, she went to Switzerland to work with Estelle Heritier at the Arsenic Theatre, on a piece called A5 . She also did a project entitled Temps Morts with the Collective de la Dernière Tangente at the Theatre of Vidy in Lausanne and at the National Theatre of Sénart in Paris. She than met the choreographer Cindy Van Acker with whom she worked on several projects: Corps 00:00 at the Biennale of Venezia and Teatro Comandini in Cesena (directed by Roméo Castelluci) , Pneuma and Puits with Vincent Barras and Jacques Demierre. She has also performed in Van Acker’s last creation Kernel , showed at the Grütli theatre of Geneva, with the musician Mika Vainio, Pan Sonic. In 2005, she started her own company called Association Sam-Hester. Her first piece Ma cabane au Canada played at the Usine Theatre in Geneva and at Mains d’Oeuvres, in Paris. In april 2006, she obtained a three year residence at Mains d’Oeuvres in Paris where she created her second piece called Série . This piece wins the first prize at the Masdanza international choreography contest in Spain, and is also chosen for the Swiss platform Tanz > Faktor>Interregio 2008. Perrine Valli presents a third piece Je pense comme une fille enlève sa robe in January 2009, at the festival Faits d'Hiver in Paris and at the theatre l'Usine in Geneva. She receives a research stipendium from Cultures France "Hors les murs" which will take place in Japan in 2009. In may, she has been rewarded with the second prize of the Premio contest in Zurich. At the moment she works on a new piece called Je ne vois pas la femme cachée dans la forêt (« I don't see the woman hidden in the forest »). 6 MC93, Bobigny (hall Oleg Efremov) May, Friday 4 - May, Saturday 5 - 21:00 EMMANUELLE HUYNH (France) Augures 60 min. 7 interpreters CREATION Conception et choreography Emmanuelle Huynh Artistic collaborator Pascal Queneau Interpretationnterpretation Nuno Bizarro, Talia De Vries, Yoann Demichelis, Corinne Garcia, Fragan Gelkher, Christophe Ives, Betty Tchomanga Interpreters associated to the work Madeleine Fournier, Johann Nohles, Marie Orts, Aline Landreau Scenography and costumes Nadia Lauro Lights Yannick Fouassier © Marc Domage Sound Olivier Renouf Advisor Alexandre Del Perugia Costumes production Michele Amet A variation channeling the perpetual tensions affecting an individual’s destiny, Emmanuelle Huynh’s new work takes on the myth of the uniqueness of the being. She bases her piece on the constantly evolving, repeating changes affecting the individual from childhood to adulthood, the different faces appearing and disappearing in succession, the resonantly mobile moments of our existence. Accentuated by the rhythm of an unending fall, the performance space becomes a character in its own right, a special point of contact for the seven dancers experiencing mass solitude. Production ・Centre national de danse contemporaine Angers Coproduction ・Rencontres chorégraphiques internationales de Seine-Saint-Denis 7 LA DYNAMO DE BANLIEUES BLEUES, Pantin May, Wednesday 9 - May, Thursday 10 - 20:30 AURELIE GANDIT (France) Histoires de Peintures 30 min. solo CREATION Conception et choreography Aurélie Gandit Dance Aurélie Gandit Sound accompaniment Yvain Von Stebut Advisor Marie Cambois Histoires de peintures is a choreographic interpretation of art historian Daniel Arasse’s work. By associating recorded voices and dancing, this solo seeks to embody the exhilarating texts of a man who “with joy shared an artist’s approach to art history” © Aurélie Gandit and to arouse the audience’s desire to look at paintings in a new way. This solo is based on an excerpt from the book Histoires de peintures (Ed. Denoel) which brings together a written transcription of 25 radio programs recorded by Daniel Arasse for Radio France Culture during the summer of 2003. Coproduction ・・・Rencontres chorégraphiques internationales de Seine-Saint-Denis, Compagnie La Brèche - Aurelie Gandit Accueil studio ・・・Centre chorégraphique national du Havre Support ・・・CCN-Ballet de Lorraine et Arsenal de Metz - EPCC Metz en scènes Financial partner ・・・Conseil regional de Lorraine - Aide a la creation Project initiated as part of Transform / Royaumont Foundation in collaboration with Noëlle Simonet AURELIE GANDIT (France) La variété française est un monstre gluant 60 min.
Load more

Recommended publications
  • Terpsichorean Sonics
    TERPSICHOREAN SONICS by Ivan Mijačević, with Alexandra Baybutt This document accompanies the recorded presentation, created for the ‘Music Pours Over Sense’ symposium, May 2020 1 INDEX TERPSICHOREAN SONICS (p. 1) INDEX (p. 2) ABOUT TERPSICHOREAN SONICS (p. 3) ABPOUT THE PRESENTATION (p. 3) PART 1 (p. 4) AIMS AND STRUCTURE (p. 4) BRIEF BIOGRAPHIES OF THE AUTHORS AND GENESIS OF THE SYSTEM (p. 5) PART 2 (p. 6) THE TOPICS (p. 6) Overview (p. 6) What are the topics? (p. 7) (1) Identifying individual habits and perceptions of sound and movement (p.7) (2) Articulation: Part 1 (p. 8) (3) Articulation: Part 2 (p. 9) (4) Dynamics (p. 10) (5) Melody (p. 11) (6) Harmony (p. 12) (7) Instrumentation (p. 13) (8) Rhythm: Part 1 (pp. 14-15) (9) Rhythm: Part 2 (p. 16) (10) Texture (p. 17) (11) Poetry (p. 18) (12) Ambiance (p. 19) (13) Introduction to Form (p. 20) PART 3 (p. 21) LISTENING AND MOVING FOR UNITS (pp. 21-23) Contact (p. 24) GLOSSARY (p. 25) BIBLIOGRAPHY (p. 25) ABOUT THE AUTHORS (pp. 26-28) 2 ABOUT TERPSICHOREAN SONICS Terpsichorean Sonics is a system of education for training dance artists in the fundamentals of music theory through somatic movement improvisation and composition. ABOUT THE PRESENTATION This presentation is in three parts. We first outline the aims and structure. Then we introduce ourselves briefly and share the genesis of this system. In the second part, we explain the topics that are given specific focus, ideally over three years. These topics, many of which concern the elements of music, are nothing new to musicians.
    [Show full text]
  • ENG.Dossier Tranç
    GELABERT AZZOPARDI companyia de dansa i Present TRANÇ Tranç is a show directed by Cesc Gelabert and filmmaker Isaki Lacuesta. Gelabert himself is in charge of the stage performance, together with dancers Roser López Espinosa and Lorena Nogal. A group of young dance students are to take part in this production and complete the cast. Metamorphosis, transfigurations, and time machines: a dancer starts to turn centuries ago and the turning ends up in a present-day body. A choreographic phrase that crosses time, connecting dancers of different generations. Tranç aims to show dance as a continual gesture transmitted by the maestros of the past and inherited by today’s choreographers, who embody it and transform it to obtain a new variation every time. A play of ever-distorting mirrors. Tranç combines echoes from the past and splits from the present onstage; live dancers with images projected onto transparent acrylic glass sheets: evocations of figures from our history (Carmen Amaya, Vicente Escudero, Joan Magriñá, La Maña, Rosita Mauri, Tórtola Valencia), living maestros (Yiya Diaz, Anna Maleras, Albert Sans), and fleeting projections of flashes of movement from some of our contemporaries (Marta Carrasco, Andres Corchero, Àngels Margarit, Maria Muñoz, Thomas Noone and Sol Picó). Phantasmagorias that will serve as a preamble to the bodies of the dancers who will give a live performance of this game of translations and betrayals, of gestures transmitted from creator to creator. Artistic direction Cesc Gelabert / Isaki Lacuesta Coreography direction
    [Show full text]
  • Wednesday Evening, March 18, 2020 at 7:30 Thursday Evening, March
    Wednesday Evening, March 18, 2020 at 7:30 Thursday Evening, March 19, 2020 at 7:30 Friday Evening, March 20, 2020 at 8:00 Saturday Evening, March 21, 2020 at 8:00 The Jam Handy Detroit ANTHEM Milka Djordjevich Choreographer 81st, 82nd, 83rd, and 84th Performances of the 141st Annual Season 29th Annual Dance Series This week’s performances are supported by The Renegade Venture Fund, established by the Maxine and Stuart Frankel Foundation. This week’s performances are funded in part by the William Davidson Foundation and the Doris Duke Charitable Foundation Endowment Fund. Media partnership provided by WEMU 89.1 FM and Metro Times. Special thanks to Liza Bielby, Richard Newman, and The Hinterlands for their collaboration on this week’s performances. Special thanks to Shannon Nulf, Grace Lehman, and the Ann Arbor Y, for their participation in events surrounding this week’s performances. ANTHEM is managed by Los Angeles Performance Practice/PerformancePractice.org. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. CREATIVE TEAM Choreography / Milka Djordjevich Performance / Laurel Atwell, Dorothy Dubrule, Allie Hankins, and devika wickremesinghe Music / Chris Peck Lighting / Madeline Best Lighting Assistant / Katelan Braymer Audio Engineer / Duncan Woodbury Costume Design / Naomi Luppescu This evening’s performance is approximately one hour in duration and is performed without intermission. ANTHEM premiered in October 2017 at the Los Angeles Exchange [LAX] Festival and is commissioned by the Chocolate Factory Theater and Los Angeles Performance Practice. ANTHEM was made possible in part by the Lewis Center for the Arts at Princeton University, a Pennington Dance Group SPACE GRANT @ ARC Pasadena, and the Z.
    [Show full text]
  • JADE DEWI TYAS TUNGGAL Is an Australian Javanese Dance Artist, Performance Maker, Creative Collaborator and Teacher. She Studie
    JADE DEWI TYAS TUNGGAL is an Australian Javanese dance artist, performance maker, creative collaborator and teacher. She studied classical ballet, modern dance, improvisation, yoga and martial arts in Sydney, Miami and New York City. Jade Dewi has a Bachelor of Dance Honours from NWSA at Florida University, a Masters of Choreography with High Distinction from VCA at Melbourne University and was a Darmasiwsa scholar studying Indonesian Dance at University of the Arts Yogakarta, Java. Her experience making works during international choreographic residencies and global interarts research projects influences her youth dance company choreographic commissions and intensive cultural exchanges in remote communities. She has collaborated with many dance companies, choreographers, directors, composers, music ensembles and independent artists. Her solo performance work has toured Australia and recieved numerous awards. ARTIST STATEMENT My performance making is concerned with the voice of the dancing body intersecting art ritual with ecology, identity, spirituality and collective memory. Exploring the sonic and motion biorhythms of cognitive embodiment - the brain in the body in nature - my performances and their traces evoke themes of power, transformation, shadow, reflection and energetic exchange. www.jadedewi.com AWARDS / GRANTS 2016 Individual Artist Grant Arts NSW 2015 Arts projects Grant Australia Council for the Arts 2013 ArtStart Grant Australia Council for the Arts 2013 Shortlisted for Outstanding Independent Dance Australian Dance Awards
    [Show full text]
  • Helsingin Kaupunginteatteri
    HELSINGIN KAUPUNGINTEATTERI Luettelo esityksistä on ensi-iltajärjestyksessä. Tiedot perustuvat esitysten käsiohjelmiin. Voit etsiä yksittäisen esityksen nimeä lukuohjelmasi hakutoiminnolla (yleensä ctrl-F) Walentin Chorell: Sopulit (Lemlarna) Suomennos: Marja Rankkala Ensi-ilta 9.9.1965 Vallila Esityskertoja: 13 Ohjaus: Sakari Puurunen & Kalle Holmberg Ohjaajan assistentti: Ritva Siikala Lavastus: Lassi Salovaara Puvut: Elsa Pättiniemi Musiikki: Ilkka Kuusisto Valokuvaaja: Pentti Auer HENKILÖT: Käthi: Elsa Turakainen/ Lise: Eila Rinne/ Tabitha: Hillevi Lagerstam/ Paula: Pirkko Peltomäki/ Muukalainen: Hannes Häyrinen/ Johann: EskoMannermaa/ Peter: Eero Keskitalo/ Äiti: Tiina Rinne/ Ilse: Heidi Krohn/ Wilhelm: Veikko Uusimäki/ Pappi: Uljas Kandolin/ Günther: Kalevi Kahra/ Tauno Kajander/ Leo Jokela/ Arto Tuominen/ Sakari Halonen/ Stig Fransman/ Elina Pohjanpää/ Marjatta Kallio/ Marja Rankkala: Rakkain rakastaja Ensi-ilta:23.9.1965 YO-talo Esityskertoja: 20 Ohjaus: Ritva Arvelo Apulaisohjaaja: Kurt Nuotio Lavastus ja puvut: Leo Lehto Musiikki: Arthur Fuhrmann Valokuvaaja: Pentti Auer HENKILÖT: Magdalena Desiria: Anneli Haahdenmaa/ Magdalena nuorena: Anja Haahdenmaa/ Ella: Martta Kontula/ Jolanda: Enni Rekola/ David: Oiva Sala/ Alfred: Aarre Karén/ “Karibian Konsuli”: Leo Lähteenmäki/ Rikhard: Kullervo Kalske/ Rafael: Sasu Haapanen/ Ramon: Viktor Klimenko/ Daniel: Jarno Hiilloskorpi/ Pepe: Helmer Salmi/ Anne: Eira Karén/ Marietta: Marjatta Raita/ Tuomari: Veikko Linna/ Tanssiryhmä: Marjukka Halttunen, Liisa Huuskonen, Rauni Jakobsson, Ritva
    [Show full text]
  • L'a Ctu a Lité Dan Se De L'a U Tom Ne
    NDD P.B - P.P. L’actualité danse de l’automne L'ACTUALITÉ B - 802 Trimestriel d’information et de réflexion sur la danse Bureau de dépôt Charleroi X DE LA DANSE Édité par CONTREDANSE DOSSIERS : À la découverte de l’Ideokinesis Autorisation de fermeture AUTOMNE 12 • N°55 B - 802 Éditeur responsable: Isabelle Meurrens Les subventions de l’Europe à la danse P401064 55 ° N . 12 UTOMNE A . NDD éditO SOMMAIRE Dans La Libre Belgique du 16 septembre, un P. 03 CRÉATIONS entretien de la ministre de la Culture titré « Fadila Laanan : "Un ministre doit avoir des P. 06 PAYSAGE couilles" ». Quel est donc ce courage poli- L’Europe pour exister tique qui nécessite de se greffer des testi- cules ? À l’instar de la Flandre, la Fédéra- P. 11 BRÈVES tion Wallonie-Bruxelles aimerait mettre à plat l’ensemble des subventions allouées à P. 12 PUBLICATIONS la Culture, pour débusquer les redondances et les manques. Rationalisation, « bonne P 14 AGENDA gouvernance », sus au gaspillage, fin du . saupoudrage, voilà des concepts qui font P 18 F E S T I VA L S l’unanimité. Les compagnies et les théâtres . font le pari que cette mise à plat leur don- P 21 À L ENTOUR nera enfin des moyens décents pour travail- . ’ ler. Peu envisagent de se retrouver dans la P 22 PRATIQUES situation de Thomas Hauert hier ou du . DansCentrumJette aujourd’hui. Pour les L’Ideokinesis : imaginer le mouvement acteurs de la Culture, s’opposer aux désirs de « bonne gouvernance » reviendrait à faire P. 27 CONTREDANSE aveu de mauvaise gestion.
    [Show full text]
  • Diplomarbeit
    Diplomarbeit Titel der Diplomarbeit „Just imagine a pony“ Eine kultur- und sozialanthropologische Studie zu dancescape am Beispiel des live-Bollywood-Tanzes/ImPulsTanz – Vienna International Dance Festival Verfasserin Gordana Jovetić angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Oktober 2012 Studienkennzahl lt. Studienblatt: A 307 Studienrichtung lt. Studienblatt: Kultur- und Sozialanthropologie Betreuerin: Mag.a Dr.in Evelyne Puchegger-Ebner 2 Für Mara 3 4 Danksagung Ich möchte mich bei allen Personen herzlich bedanken, die mich während meines Studiums und beim Verfassen dieser Arbeit emotional und inhaltlich unterstützten und begleiteten. Ohne Euch alle wäre die Verschriftlichung meiner Forschung nicht möglich gewesen. Mein besonderer Dank gilt: Meinen Eltern und meinem Bruder, die stets zu mir gehalten haben und mich bedingungslos unterstützten, wo sie nur konnten. Meiner Tochter Mara, die eine unerschöpfliche Quelle der Freude und Inspiration ist. Willi D. Wende und seiner Familie, die mir Raum, Zeit und Geduld einräumten, um den Schreibprozess zu ermöglichen. Mag.a Dr.in Evelyne Puchegger-Ebner für die intensive und äußerst konstruktive Betreuung dieser Arbeit sowie auch für ihren großen persönlichen Einsatz. Für ihr Verständnis, Geduld und Hilfsbereitschaft und für ihre allgemeine Bemühungen um die wissenschaftliche Lehre. Mag. Dr. Wittigo Keller für seine hilfreichen Impulse und Tipps. Univ. Prof. Dr. Elke Mader, die seit Jahren meine Ansprechperson auf dem Institut für Kultur- und Sozialanthropologie ist und mir immer wieder neue Wege und Voraussetzungen erschuf. Danke für die zahlreichen Ratschläge und die Literaturhinweise. Mag.a Dr.in Jelena Tošić für ihren engagierten Einsatz, ihre Ausdauer, Hilfe und Kompetenz in methodischer und inhaltlicher Hinsicht. Dr. Ass. Prof. Nicole Haitzinger für konstruktive inhaltliche Inputs und freundschaftliches Verständnis.
    [Show full text]
  • Riella Greil Performance II Networker II Research
    [ma]riella greil performance II networker II research CV Mariella Greil „The subjectivity of my body becomes public in the performative context. – Still or therefore I don´t escape my self-reflection. – The tool of my artistic work is oscillating between subjectivity and objection.” Mariella Greil (born 3.6.1976) lives and works in Vienna/ A and Chester/ UK: performances, tableau vivantes, installations as well as collaborations with artists of differing media. Currently lecturing at the Department of Performing Arts, Faculty of Arts and Media at the University of Chester/ UK. She is in the board of directors for the festival moves: movement on screen in Manchester and an active member of the steering group for the SoundNetwork (UK) and the Center for Practice as Research. Studies: BC Hogeschool voor de kunsten Arnhem/European Dance Development Center (EDDC/NL); BA, MA University of Music and Performing Arts Vienna Since 2002 she worked out various initatives to do research-/ lab- and networking projects. She is significantly involved in the intermedia discourse. Besides concepts for trans-disciplinary works she is a sucessful protagonist of synergies of cross-media content – concerning analog and digital tools. Radical form, digging for the components of structure without decoration and a reductive working method are common criteria of her intermedia context works. Physical precision and clarity, consequence and proximity to conceptual art are significant for her performances. „For my work was or is it important to use differing expression languages, picture languages, meaning languages, to sensitise new interrelations, to consider the fractures of images as transformations, but mainly to open up the borderlands of actual and potential, artistic and artless reality.
    [Show full text]
  • 2010 Next Wave Festival NOV 2010
    2010 Next Wave Festival NOV 2010 Elliott Puckette, Untitled, 2008 Published by: BAM 2010 Next Wave Festival is part of Diverse Voices at BAM sponsored by: 2010 Next Wave Festival Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer presents Gezeiten Approximate BAM Howard Gilman Opera House running time: Nov 3, 5 & 6, 2010 at 7:30pm one hour and 50 minutes, no Sasha Waltz & Guests intermission Directed and choreographed by Sasha Waltz Music by Jonathan Bepler and Johann Sebastian Bach Stage design by Thomas Schenk and Sasha Waltz Costume design by Beate Borrmann Lighting design by Martin Hauk BAM 2010 Next Wave Festival is part of Diverse Voices at BAM sponsored by Time Warner Inc. Leadership support for the Next Wave Festival provided by The Ford Foundation. Leadership support for Gezeiten provided by brigitte nyc. Major support for dance at BAM provided by The Harkness Foundation for Dance and The SHS Foundation. Gezeiten DANCE & CHOREOGRAPHY Liza Alpízar Aguilar Koen De Preter Davide Camplani Virgis Puodziunas Juan Kruz Diaz de Garaio Esnaola Sasa Queliz Matija Ferlin Maria Eugenia Rivas Medina Gabriel Galindez Cruz Mata Sakka Maria Öhman Claudia de Serpa Soares Pinar Ömerbeyoglu Xuan Shi Friederike Plafki Davide Sportelli MUSIC Baroque cello Martin Seemann Suites for Violoncello Johann Sebastian Bach No 1 in G major, BWV 1007: Sarabande No 2 in D minor, BWV 1008:
    [Show full text]
  • Nina Kurtela CV Born 1981, Zagreb, Croatia [email protected] +385989827563
    Nina Kurtela CV Born 1981, Zagreb, Croatia www.ninakurtela.com [email protected] +385989827563 Nina Kurtela is a visual artist and a dance maker who works with choreographic and site-specific practices. While questioning notions of immaterial labor, identity, belonging and home, trough her performance and time-based art practice, she is interested in duration, dedication, daily practice, presence and matter of chance. She creates works across wide range of forms; namely video, installation, performance, choreography and dance. Her work is presented internationally in a variety of contexts – in museums and galleries, theater and dance festivals, and in public space. She is a founder of Zagreb based art organization Jagoda – practice and research based platform for opening up new fields of communication and exchange through innovative art practices. Education 2007 - 2010 Contemporary Dance, Context, Choreography – Pilot project at UdK and HZT Berlin, DE 2001 - 2007 Diploma (equivalent to MFA) in Visual Arts of Academy of Fine Arts Zagreb, HR Residencies 2020 Amant Sienna Residency, Chiusure, Sienna, IT 2018 Q21 Artist-in-Residency, MuseumsQuartier, Vienna, AT 2018 Cite internationale des arts, Paris, FR 2016 THAV, Artist in Residence Program, Taipei, TW 2013 HIAP, Artist in Residence Program, Helsinki, FI 2013 GeoAIR, Artist in Residence Program, Tbilisi, GE 2012 CEC ArtsLink, Artist in Residence Program, Portland, Oregon, US 2011 KulturKontakt Austria, Artist in Residence Program, Vienna, AT 2010 ARL Lazareti, Artist in Residence Program,
    [Show full text]
  • AB TOH BADEGA INDIA! with the Partition of India Into the 15Th August 1947
    Breathe in the Air of AETHER Freedom! India became independent However, independence came from British colonization on AB TOH BADEGA INDIA! with the partition of India into the 15th August 1947. This day dominions of India and Pakistan. is celebrated with great fervor across On 15 August 1947, Jawaharlal Nehru, the country, while the capital, Delhi, India’s first prime minister, raised the becomes the hub of all celebrations. Indian national flag. This tradition This year, India celebrated its 70th has been continued till date with our Independence Day. current Prime Minister Narendra Modi This day is given a lot of importance doing the same at the Red Fort, Delhi. in our country, but do we truly know Parvatibai Chowgule College celebrates the weight that this day carries?. The this day with great enthusiasm, history of India’s independence is laced promoting the growth of youth through with the struggles and sacrifices of walkathons and a grand flag hoisting at many revolutionaries that the country the college premises. The NCC Cadets bred. The alien company’s sudden play a special role to make this day take over filled the country with memorable. As the future of this rich resentment and its unfair rule over the and diverse nation, we should take it local populace began to grow widely, Indians, with a promise of self-governance upon ourselves to not let the struggle of creating mayhem. The Sepoy Mutiny by June 1948. Nonviolent resistance and our ancestors go to waste and to be a vital and Jallianwala Bagh Massacre sprouted civil disobedience led by leaders like element of the growth and development bloodshed in the nation.
    [Show full text]
  • Arts Management Newsletter Content Overview
    Arts Management Newsletter No. 63 (October 2006) ARTS MANAGEMENT NEWSLETTER Monthly information service by Arts Management Network ISSN 1610-238X | Issue No. 63 - October 2006 CONTENT OVERVIEW Special Topic: Dance 1. Interview: Janet Archer, CEO/Artistic Director of Dance City (UK) 2. Background: The Current Perspectives of Contemporary Dance in Finland 3. Portrait: National Ballet School of Canada 4. Study: The IS Framework for Preservation Dance Heritage 5. Background: Dance in Australia 6. Study: Shall We Dance. Dancing and Copyright Law 7. Call for Papers: The Congress on Research in Dance 8. Book: Managing Dance. Current Issues and Future Strategies 9. Education: Dance Management at the Oklahoma City University 10. Web Resources for Dance General Topics 11. The Cultural Influence of Pierre de Coubertin. A Contemporary Context 12. Canadian Association of Arts Administration Educators Graduate Survey 13. Mentorship Strategy for Managers and Administrators of Cultural Organizations 14. Performing Arts Management in a Climate of Adjustment 15. Book: Performers' Rights (3rd Edition) 16. Education: Training of cultural managers in Guatemala 17. Magazine: International Journal of Arts Management (IJAM) 18. Magazine: Journal of Cultural Economics 19. Review: International Creative Cities Conference, Berlin 20. Preview: Cultural Management in Changing Environment, Tartu 21. Preview: The 10th World Conference of Historical Cities Network on Tour • October 20-22 Expert Meeting for Cultural Portal Providers, Dubrovnik (Croatia) • October 26 3rd Conference for German Cultural Industries, Berlin (Germany) • November 2-3 Arts Sponsoring Congress, Cologne (Germany) • November 4-5 Arts Management Correspondent Meeting, Basel (Switzerland) • November 16 Viaduct Job Fair, University Viadrina Frankfurt/Oder (Germany) • December 7-9 Arts Management Expert Meeting, Rendsburg (Germany) Tours planned for 2007: London, Hong Kong and Taiwan 1 Arts Management Newsletter No.
    [Show full text]