The Little Review, Vol. 3, No. 6
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Lenin Is Dead but His Work Lives
4 Page Four THE DAILY WORKER DISTRICT EIGHT Meetings | Workers (Communist) Party | Resolutions SCHOOL MEETS Opportunities for Shop Nuclei Work WITH SUCCESS MiNEYtitiCYmSCONDUCTED - »V WORKERS LEAGUE shop to shop in the same industry. to the workers on that basis the class slstance for the greatest possibility pro- Circuit Classes Are Com- By ARNE SWABECK. Furthermore, arbitration or adjust- nature of the present system of of success. Naturally, this problem ment boards are very frequently cre- duction. differs widely organized in un- POLITICAL BANKRUPTCY OF YIPSELS ARTICLE 11. in and ing to End ated by interference of governmental Shop nuclei members should gather organized shops. In case of the for- Violations of Working Argeements. authorities and a fight for the elimin- the necessary statistics to explain the mer the measures must be proposed The Milwaukee class in the first SEEN AT FINNISH BRANCH MEET system helps only rates by is mainly a problem of organ- ation of this not difference in brot about both thru the unions while in case of the term of Elements of Communism con- to expose the nature of the capitalist open and veiled wage cuts, make a latter the ability the Communists Friday evening 1 attended a meeting of the Y. S. L. Finnish branch, THISized enterprises. Bosses as a rule of tinues its sessions every Thursday P. government but also organize the comparison with the neces- will be put a test. Spontane- York, an make no agreements with unorgan- to amount to real evening. The question of Imperialism, New where informal debate was scheduled to be held In the club workers politically. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
Orpheu Et Al. Modernism, Women, and the War
Orpheu et al. Modernism, Women, and the War M. Irene Ramalho-Santos* Keywords Little magazines, Poetry, Modernism, The Great War, Society, Sexual mores. Abstract The article takes off from Orpheu, the little magazine at the origin of Portuguese modernism, to reflect, from a comparative perspective, on the development of modernist poetry in the context of the Great War and the social changes evolving during the first decades of the twentieth century on both sides of the Atlantic. Palavras-chave “Little magazines,” Poesia, Modernismo, A Grande Guerra, Sociedade, Costumes sexuais. Resumo O artigo parte de Orpheu, a revista que dá origem ao modernismo português, para reflectir, numa perspectiva comparada, soBre o desenvolvimento da poesia modernista no contexto da Grande Guerra e das mudanças sociais emergentes nas primeiras décadas do século XX dos dois lados do Atlântico. * Universidade de CoimBra; University of Wisconsin-Madison. Ramalho Santos Orpheu et al. It is frequently repeated in the relevant scholarship that Western literary and artistic modernism started in little magazines.1 The useful online Modernist Journals Project (Brown University / Tulsa University), dealing so far only with American and British magazines, uses as its epigraph the much quoted phrase: “modernism began in the magazines”, see SCHOLES and WULFMAN (2010) and BROOKER and THACKER (2009-2013). With two issues published in 1915 and a third one stopped that same year in the galley proofs for lack of funding, the Portuguese little magazine Orpheu inaugurated modernism in Portugal pretty much at the same time as all the other major little magazines in Europe and the United States. This is interesting, given the proverbial belatedness of Portuguese accomplishments, and no less interesting the fact that, like everywhere else, Orpheu was followed, in Portugal as well, By a number of other little magazines. -
Theodore Draper Papers, 1912-1966
http://oac.cdlib.org/findaid/ark:/13030/tf0z09n45f No online items Preliminary Inventory to the Theodore Draper Papers, 1912-1966 Processed by ; machine-readable finding aid created by Xiuzhi Zhou Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] © 1998 Hoover Institution Archives. All rights reserved. Preliminary Inventory to the 67001 1 Theodore Draper Papers, 1912-1966 Preliminary Inventory to the Theodore Draper Papers, 1912-1966 Hoover Institution Archives Stanford University Stanford, California Contact Information Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] Encoded by: Xiuzhi Zhou © 1998 Hoover Institution Archives. All rights reserved. Descriptive Summary Title: Theodore Draper Papers, Date (inclusive): 1912-1966 Collection number: 67001 Creator: Draper, Theodore, 1912- Collection Size: 37 manuscript boxes, 1 phonotape reel(15.5 linear feet) Repository: Hoover Institution Archives Stanford, California 94305-6010 Abstract: Correspondence, clippings, pamphlets, newspaper issues, and congressional hearings, relating to the revolution led by Fidel Castro in Cuba, political, social, and economic conditions in Cuba, the 1965 crisis and American intervention in the Dominican Republic, and the Communist Party of the United States. Physical Location: Hoover Institution Archives Language: English. Access Collection open for research. The Hoover Institution Archives only allows access to copies of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. -
"A Road to Peace and Freedom": the International Workers Order and The
“ A ROAD TO PEACE AND FREEDOM ” Robert M. Zecker “ A ROAD TO PEACE AND FREEDOM ” The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954 TEMPLE UNIVERSITY PRESS Philadelphia • Rome • Tokyo TEMPLE UNIVERSITY PRESS Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2018 by Temple University—Of The Commonwealth System of Higher Education All rights reserved Published 2018 All reasonable attempts were made to locate the copyright holders for the materials published in this book. If you believe you may be one of them, please contact Temple University Press, and the publisher will include appropriate acknowledgment in subsequent editions of the book. Library of Congress Cataloging-in-Publication Data Names: Zecker, Robert, 1962- author. Title: A road to peace and freedom : the International Workers Order and the struggle for economic justice and civil rights, 1930-1954 / Robert M. Zecker. Description: Philadelphia : Temple University Press, 2018. | Includes index. Identifiers: LCCN 2017035619| ISBN 9781439915158 (cloth : alk. paper) | ISBN 9781439915165 (paper : alk. paper) Subjects: LCSH: International Workers Order. | International labor activities—History—20th century. | Labor unions—United States—History—20th century. | Working class—Societies, etc.—History—20th century. | Working class—United States—Societies, etc.—History—20th century. | Labor movement—United States—History—20th century. | Civil rights and socialism—United States—History—20th century. Classification: LCC HD6475.A2 -
Anarchist Modernism and Yiddish Literature
i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term. -
Shelved Off-Site N.,N3 of COLLECTION I Robert Minor Papers ^^
COLLECTlOWo OF CORRESPONDENCE AND : L-LWIJSCRIPT Shelved off-site N.,n3 OF COLLECTION i Robert Minor Papers ^^ SOURCE: Purchase;.-- 05112T SUBJECT: American Communist Party DATES COVERED; 1907-1952 NUMBER OF ITEMS: ca.15,000 STATUS: (check appropriate description) Cataloged? Listed; X Arrangedt X Wot organized; CCWDITION: (give number of vols«, boxes, or shelves) Bound: Boxad: S5 Stored: LOCATION: (Library) Special Collections CALL-WMCTt. sPec ITs Co11 * '' Minor" iJ RESTRICTIONS 0.?' 'tJSE DESCRIPTION: " • The papers of Robert Minor (1884-1952), journalist, cartoonist, and one of the'founders of the Communist movement in the United States, The manuscripts, comprising notes, speeches, and articles, cover a wide range of social and political subjects, and give an extensive history of the Communist Party. Many of the manuscripts relate to his work as a theoretical writer for the Communist Party and the Daily Worker (New vorkj. The subjects covered include the following: the Garvey movement in 1924 and the"Lea rue of Strur^le for Negro Rights in the early 1930's; the re-orientation of the Communist Party in 1945-1947 with respect to the South and the ITegro question generally (Minor became the^Party's •Southern representative in that period) 5 the Party's s^ieral policies in the ear>r 1930*s and 1941-1942 when Minor was acting secretary in the absence" of Earl Browder, and relating to the Party's policy toward the war following the German attack on the Soviet Union; postwar changes jn the Party5 the "Agrarian Movement"; the Communist trials of 1949- 1953, The extensive"clipping file covers the entire domestic political «cene and reflect the whole of Minor's career. -
The Little Review and Modernist Salon Culture
MA MAJOR RESEARCH PAPER "Conversations That Fly": The Little Review and Modernist Salon Culture RON LEVY -, Supervisor: Dr. Irene Gammel Reader: Dr. Elizabeth Podnieks The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada January 2010 Levy 3 Acknowledgements First and foremost, I would like to thank Dr. Irene Gammel for introducing me, through her course CC8938: Modernist Literary Circles: A Cultural Approach, to the Little Review. The personalities that populated the pages of this historically important literary journal practically leapt off the page and attracted me to learn more. Dr. Gammel's enthusiastic and patient guidance made it possible for me to learn about a subject that greatly interests me- the power oftalk - and to challenge myself to reach new levels of research and writing. Unexpectedly, this project also helped me to learn about myself. I found many similarities between my experiences communicating and debating sometimes unpopular beliefs and those of Margaret Anderson, one of the central subjects of this paper. I would also like to thank Dr. Elizabeth Podnieks for providing helpful and detailed feedback at short notice, all of which have found their way into this MRP and have further improved this project, as well as for introducing me, through her course CC30: Writing the Self, Reading the Lifo, to theories that relate to the autobiographical genre. Finally, I would like to thank the Joint Graduate Program in Communication and Culture for giving me this incredible experience to step into so many new worlds of thinking. -
Rare Books and Manuscripts Robert Minor Editorial Cartoons Collection
Rare Books and Manuscripts Robert Minor Editorial Cartoons Collection Accession Number: SC U:48 Location: Map Cabinet A, Drawer 5 Dates: c. 1900 – c. 1920 Size: 1 oversized folder; 8 items Creator/Collector: Unknown Acquisition info: Unknown Accruals: No accruals expected Custodial history: Unknown Language: English Processed by: Sarah Cain, December 2014 Conservation notes: All items encapsulated in mylar sleeves and housed in an oversized acid-free folder. Scope and Content: The collection contains eight (8) original artworks by Robert “Bob” Minor (1884-1952) who was an editorial cartoonist for the St. Louis Post-Dispatch. He also earned international fame as one of leading political activists for the Socialist Party of America and later the American Communist Party, where he became the party’s secretary. Minor was born July 15, 1884, in San Antonio, Texas. In 1904, Robert Minor was hired on at the San Antonio Gazette as an assistant stereotypist and handyman at the age of twenty. In his spare time while at the paper, Minor developed his artistic talent. Soon after, he emerged as an accomplished political cartoonist. Minor was hired as a cartoonist for the St. Louis Post-Dispatch and made the move to St. Louis. Minor's work, initially very conventional in form using pen-and-ink, was transformed by his move to the use of grease crayon on paper. Over his career Minor gained recognition as a cartoonist, considered to be one of the best in the country. He worked at the Post-Dispatch from 1907 to 1912 where he became the chief cartoonist at the Post-Dispatch before he left to take a position at the New York World and the Daily Worker. -
Published Essays and Pamphlets "The Trial and Conviction of Emma Goldman and Alexander Berkman" by Leonard D. Abbott
Published Essays and Pamphlets "The Trial and Conviction of Emma Goldman and Alexander Berkman" by Leonard D. Abbott When Emma Goldman and Alexander Berkman, charged with conspiracy to defeat military registration under the conscription law, were sentenced by Judge Julius M. Mayer, on July 9, 1917, to serve two years in prison, to pay fines of $10,000 each, and to be probably deported to Russia at the expiration of their prison terms, United States Marshal McCarthy said: "This marks the beginning of the end of Anarchism in New York." But Mr. McCarthy is mistaken. The end of Anarchism will only be in sight when Liberty itself is dead or dying, and Liberty, as Walt Whitman wrote in one of his greatest poems, is not the first to go, nor the second or third to go,--"it waits for all the rest to go, it is the last." When there are no more memories of heroes and martyrs, And when all life and all the souls of men and women are discharged from any part of the earth, Then only shall liberty or the idea of liberty be discharged from that part of the earth, And the infidel come into full possession. THE ARREST Emma Goldman and Alexander Berkman were arrested on June 15, at 20 East 125th Street, New York. At the time of the arrival of the Marshal and of his minions, late in the afternoon, Miss Goldman was in the room which served as the office of the No-Conscription League and of MOTHER EARTH. Berkman was upstairs in the office of THE BLAST. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
Modernism and the Periodical Scene in 1915 and Today
Modernism and the Periodical Scene in 1915 and Today Andrew Thacker* Keywords Pessoa, Modernism, Magazines, Orpheu, Periodization. Abstract This article considers the Portuguese magazine Orpheu (1915) within the wider context of periodicals within modernism, drawing upon work carried out by the Modernist Magazines Project. It does this by considering such crucial features of the modernist magazine as its chronology and its geographical reach, and also points to new methods of analysing the materiality of magazines. By understanding the broader milieu of the modernist magazine we gain a clearer sense of how Orpheu can begin to be placed within the cultural field of the modernism. Palavras-chave Pessoa, Modernismo, Revistas, Orpheu, Periodização. Resumo Este artigo considera a revista portuguesa Orpheu (1915) no contexto mais alargado dos periódicos no âmbito do modernismo, baseando-se em trabalho desenvolvido ao abrigo do projeto de investigação Modernist Magazines Project. Fá-lo, considerando aspetos cruciais da revista modernista tais como a sua cronologia e a sua abrangência geográfica, propondo além disso novos métodos de análise da materialidade da revista. Ao compreendermos o meio mais alargado da revista modernista, ganhamos uma visão mais clara do posicionamento de Orpheu no campo cultural do modernismo. * Department of English, Nottingham Trent University Thacker Modernism and the Periodical Scene Orpheu is a significant example of the modernist “little magazine,” a phenomenon with a complex history and multiple iterations across