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Family, Relationships, and Connections
FAMILY, RELATIONSHIPS, AND CONNECTIONS June 2021 Edition Three CONTENTS 3 LETTER FROM THE EDITOR 16 EAST AND WEST GERMANY: REJOINED BUT Jenny Speakman NOT UNITED 4 TEACHING HISTORY IN 2020-21 Alfie Coulstock-Cockeram Dr Alex Bamji 17 AN AMERICAN DYNASTY: THE KENNEDYS 5 ALL IN THE FAMILY: THE CRUSADES AND Esmee Fitton KINSHIP 18 AN AMERICAN DYNASTY: THE BUSHES Harriet Purbrick Esmee Fitton 6 THE DECAMERON: WOMEN’S LOOKS AND 19 HOUSES IN NEW YORK’S LGBTQ+ CHARACTER IN BOCCACCIO’S BALLROOM CULTURE FOURTEENTH-CENTURY FLORENTINE NOVEL Aisling Lantorp Quinty Uitman 20 ‘CASH FOR CLASS’: THE AMERICAN HEIRESSES THAT SAVED THE BRITISH 8 LIKE MOTHER, LIKE DAUGHTER: THE LIVES ARISTOCRACY AND WORKS OF MARY WOLLSTONECRAFT AND MARY SHELLEY George Helliwell Rebecca Nimmo 21 “YOU ARE A BAD PERSON. THE CHINESE POLICE ARE GOOD PEOPLE.” FAMILIAL 10 LEVERAGING SEPARATION AND CULTURAL ERASURE IN MOTHERHOOD: BLACK WOMEN’S XINJIANG ACTION IN THE POST- EMANCIPATION CARIBBEAN Luke Anderson Amelia Wood 22 MRS HINCH: LIBERATING OR OPPRESSIVE? 11 THE FATEFUL STORY OF THE DONNER Bethany Keyte PARTY 23 “HE HAS ALSO RUINED MY LIFE, SO I CAN’T Georgie Burgess HELP LOVING HIM”: THE QUEER HISTORY OF LOVE THROUGH WRITTEN WORD 12 ‘THE LONELIEST OF ALL THE TOMMIES?’: THE SOCIAL TREATMENT OF Liv Casapieri DISFIGURED FIRST WORLD WAR VETERANS 24 THERE’S NO PLACE LIKE HOME: QUEER Hannah Taylor COMMUNAL LIVING AND ALTERNATIVE FAMILY 13 MEN NOT NUMBERS Becca Iliffe Ted Parkinson 25 WHAT DOES THE HISTORIC DECLINE OF 14 THE IMPORTANCE OF FAMILY DURING THE THE UK HIGH STREET MEAN FOR SOCIETY? BLITZ: AN INTERVIEW WITH MY GRANDPARENTS Evan Holt Lottie Almey 26 HELLO FROM HISTSOC 15 PART OF THE FAMILY: HOW TV CHANGED Megan Glanville THE IMAGE OF THE FAMILY IDEAL IN POST- WAR AMERICA A THANK YOU TO THE TEAM OF ASSISTANT Henna Ravjibhai EDITORS FOR ISSUE 3 2020/21 2 Hyde Park, Leeds | Bryony Eacott | BryonyEacott | Leeds| Flickr Park, Hyde FAMILY, RELATIONSHIPS, AND CONNECTIONS Hyde Park, Leeds. -
Gay and Transgender Communities - Sexual And
HOMO-SEXILE: GAY AND TRANSGENDER COMMUNITIES - SEXUAL AND NATIONAL IDENTITIES IN LATIN AMERICAN FICTION AND FILM by Miguel Moss Marrero APPROVED BY SUPERVISORY COMMITTEE: __________________________________________ Michael Wilson, Chair __________________________________________ Adrienne L. McLean __________________________________________ Robert Nelsen __________________________________________ Rainer Schulte __________________________________________ Teresa M. Towner Copyright 2018 Miguel Moss Marrero All Rights Reserved -For my father who inspired me to be compassionate, unbiased, and to aspire towards a life full of greatness. HOMO-SEXILE: GAY AND TRANSGENDER COMMUNITIES - SEXUAL AND NATIONAL IDENTITIES IN LATIN AMERICAN FICTION AND FILM by MIGUEL MOSS MARRERO BA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES THE UNIVERSITY OF TEXAS AT DALLAS August 2018 ACKNOWLEDGMENTS Latin American transgender women and gay men are part of my family. This dissertation is dedicated to them. It would have not been possible without their stories. I want to give my gratitude to my mother, who set an example by completing her doctoral degree with three exuberant boys and a full-time job in mental health. I also want to dedicate this to my father, who encouraged me to accomplish my goals and taught me that nothing is too great to achieve. I want to thank my siblings who have shown support throughout my doctoral degree. I also want to thank my husband, Michael Saginaw, for his patience while I spent many hours in solitude while writing my dissertation. Without all of their support, this chapter of my life would have been meaningless. -
Isola Art Center Deve Vivere!
Appello internazionale al Comune di Milano www.isolartcenter.org Isola Art Center deve vivere! Chiediamo al Comune di Milano di non cancellare un progetto d'arte contemporanea inedito in Italia, e di non cancellare i due piccoli giardini attaccati all’edificio, nel quale è stato costruito il Centro. Appoggiamo le richieste delle associazioni del quartiere che chiedono di riqualificare questi spazi pubblici invece di privatizzarli per edificare 90.000 metri cubi di costruzioni come prevede un contratto tra il comune di Milano e la multinazionale texana Hines. Oggi, nel 2007, Isola Art Center rischia di perdere gli spazi dove lavora dal 2003 senza avere a disposizione uno spazio alternativo dove continuare la sua attività in modo adeguato. Il Centro dispone di una superficie espositiva di 1.500 metri quadri al secondo piano dell'edificio industriale chiamato "Stecca degli Artigiani" di proprietà comunale, che secondo i piani del comune di Milano dovrebbe essere raso al suolo in tempi brevi. Lo spazio ospita una collezione permanente di opere d'arte inseriti nell'architettura dell’edificio di artisti internazionali come Marjetica Potrc, Tania Brughiera, Maria Papadimitriou, Seamus Farrell e di artisti italiani come Michelangelo Pistoletto, Stefano Arienti, Luca Pancrazzi, Massimo Bartolini, Gabriele Di Matteo, Vedovamazzei, Loris Cecchini e Bernardo Giorgi che ora rischiano di essere distrutte. Isola Art Center è stato costruito nel quartiere Isola in sei anni da artisti, critici, curatori, filosofi e abitanti. Il Centro è un laboratorio che offre all'arte contemporanea una piattaforma di sperimentazione, che lavora in una logica interdisciplinare e internazionale, che si sta radicando sempre di più nel territorio locale e sociale, e che mira a cambiare delle decisioni politiche e urbanistiche negative per il quartiere. -
Field+Perspectives+2017.Pdf
Field Perspectives is an arts writing project organized by Common Field in collaboration with nine arts publishing organizations around the US. Field Perspectives publishes writing that considers the state of the artist organization field and the key ideas explored in the Common Field 2017 Los Angeles Convening. The nine 2017 Field Perspectives partners are Los Angeles publications Contemporary Art Review Los Angeles (CARLA), contemptorary, X-TRA; and national publications ARTS. BLACK (Detroit/New York), Art Practical (Bay Area), The Chart (Portland, ME), DIRT (DC, Maryland, Virginia (DMV) Area), Pelican Bomb (New Orleans), and Temporary Art Review (St. Loius). Commissioned writers include Chloë Bass, Dan Bustillo, Travis Diehl, Lucy Lopez, Lindsay Preston Zappas, Ellen Tani, Anuradha Vikram; Andrea Andersson, Imani Jacqueline Brown, L. Kasimu Harris, and Charlie Tatum; and a collaborative essay by Ani Bradberry, Martina Dodd, Andy Johnson, Jordan Martin & Ikram Lakhdhar, Georgie Payne, and Valerie Wiseman. Thanks to the organizing and editing efforts of the people behind our nine partner organizations — Taylor Renee Aldridge, Anahita Bradberry, Michele Carlson, Poppy Coles, Jenna Crowder, Martina Dodd, Andy Johnson, Gelare Khoshgozaran, Eunsong Kim, Ikram Lakhdhar, Jessica Lynne, Shana Lutker, Jordan Martin, James McAnally, Georgie Payne, Lindsay Preston Zappas, Cameron Shaw, Vivian Sming, Charlie Tatum, and Valerie Wiseman. Each publication commissioned writing published weekly throughout October 2017, with goals of catalyzing discussion, dialog, and debate before, during and after the Los Angeles Convening. To see the 2016 Field Perspectives project, you can download a PDF of the essays from Common Field or read on websites of 2016 partners Miami Rail and Temporary Art Review. -
A Case Study Exploring the Agency of Black Lgbtq+ Youth In
A CASE STUDY EXPLORING THE AGENCY OF BLACK LGBTQ+ YOUTH IN NYC’S BALLROOM CULTURE By Shamari K. Reid Dissertation Committee: Professor Michelle Knight-Manuel, Sponsor Professor Yolanda Sealey-Ruiz Approved by the Committee on the Degree of Doctor of Education Date 19 May 2021 . Submitted in partial fulfillment of the requirements for the degree of Doctor of Education in Teachers College, Columbia University 2021 ABSTRACT A CASE STUDY EXPLORING BLACK LGBTQ+ YOUTH IN NYC’s BALLROOM CULTURE Shamari K. Reid Recognizing the importance of context with regard to youth agency, this study explores how 8 Black LGBTQ+ youth understand their practices of agency in ballroom culture, an underground Black LGBTQ+ culture. Ballroom was chosen as the backdrop for this scholarly endeavor because it allowed for the study of the phenomenon — Black LGBTQ+ youth agency — in a space where the youth might feel more able to be themselves, especially given that the 2019 Black LGBTQ+ youth report published by the Human Rights Campaign revealed that only 35% of Black LGBTQ+ youth reported being able to “be themselves at school” (Kahn et al., 2019). Thus, instead of asking what is wrong with schools, this study inverted the question to explore what is “right” about ballroom culture in which Black LGBTQ+ youth might practice different kinds of agency due to their intersectional racial and LGBTQ+ identities being recognized and celebrated. Framed by the youth’s understanding of their own agency across different contexts, my research illuminates the complex interrelationships between youth agency, social identity, and context. Extending the literature on youth agency and Black LGBTQ+ youth, the findings of this study suggest that in many ways these youth are always already practicing agency to work toward different ends, and that these different end goals are greatly mediated by the contexts in which they find themselves. -
Sharing Economies and Affective Labour in Montréal's Kiki Scene
SERVING EACH OTHER: SHARING ECONOMIES AND AFFECTIVE LABOUR IN MONTRÉAL’S KIKI SCENE by Jess D. Lundy A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Women’s and Gender Studies Carleton University Ottawa, Ontario © 2019, Jess D. Lundy Abstract Against a tense socio-political backdrop of white supremacy, intensifying pressures of neoliberal fiscal austerity, and queer necropolitics, this thesis addresses performance-based activist forms of place-making for urban-based queer, trans, and gender nonconforming communities of colour. Using participant observation and qualitative interviews with pioneering members of Montréal’s Kiki scene and Ottawa’s emerging Waacking community and interpreting my findings through the theoretical lens of queer of colour theory, critical whiteness studies, queer Latinx performance studies and Chicana feminism, I argue that Kiki subculture, which is maintained by pedagogical processes of ‘each one, teach one’, is instrumental in facilitating i) life-affirming queer kinship bonds, (ii) alternative ways to simultaneously embody and celebrate non- normative gender expression with Black, Asian, and Latinx identity, iii) non-capitalist economies of sharing, and iv) hopeful strategies of everyday community activism and resilience to appropriative processes during economic insecurity and necropolitical turmoil. ii Acknowledgements First and foremost, I would like to acknowledge the members of Montréal’s Kiki scene and Ottawa’s Waacking founder for their willingness to participate in this study despite the understandable reflex to safe-guard their own. Secondly, I extend my sincerest gratitude to my thesis supervisor Dr. Dan Irving. Apart from disproving that you should never meet your heroes, Dr. -
Geografie TORINO
www.mitosettembremusica.it Partner Partner Rivedi gli scatti e le immagini del Festival Con il sostegno di 4/19 Con il sostegno di #MITO2019 settembre #SOLOAMITO 2019 Sponsor Sponsor MITO SettembreMusica TORINO SettembreMusica MITO Con il contributo di Con il contributo di Main Media Partner Main Media Partner Media Partner Media Partner geografie TORINO Sponsor Tecnici Torino Milano Sponsor Tecnici Festival Internazionale della Musica un progetto di con il contributo di realizzato da Official Carrier Official Carrier CARTA E mood-design.it CARTONE Festival richiama etimologicamente la periodicità festosa e popolare di una manifestazione che abbraccia idealmente una comunità con proposte che sappiano parlare a tutti. Non è un caso che la proposta sia la musica, che sa parlare direttamente a tutti, oltre le frontiere linguistiche, culturali e geografiche, ed è bello che dopo l’estate a ritornare, puntuale, sia MITO SettembreMusica, che nella risposta del pubblico di Torino e Milano si conferma ogni anno curioso e accattivante nelle novità e nel riproporre i classici. Conferme di grandi orchestre e grandi interpreti, dall’inaugurazione con la Israel Philharmonic Orchestra, Zubin Mehta e Martha Argerich, al ritorno di Yuri Temirkanov con la sua Filarmonica di San Pietroburgo, con la Filarmonica della Scala e l’Orchestra Sinfonica Nazionale della Rai che ben contribuiscono a incarnare nel prestigio e nelle proposte artistiche l’internazionalità del tema di questa edizione di MITO: Geografie. Novità ricorrenti nella scelta della direzione artistica di promuovere in gran parte dei programmi prime esecuzioni, più di 20, e a contare comunque un centinaio di autori viventi tra compositori e arrangiatori nei 128 concerti e spettacoli offerti alle città e ai territori di Milano e Torino. -
Exibart.Point
Exibart .biennale inside Sped. in A.P. 45% art. 2. c. 20 A.P. in Sped. let. B - l. 662/96 Firenze Copia euro 1,50 onpaper arte.architetturaExibart.design.musica.moda.filosofia.hitech.teatro.videoclip.editoria.cinema.gallerie.danza.trend.mercato.politica.vip.musei.gossip 1,50 euro | anno sesto | numero quaranta | giugno - luglio duemilasette | www.exibart.com Ce l'abbiamo messa proprio tutta. Ci siamo davvero sforzati. Con la massima concentrazione. Con la massima convinzione che no, non dovevamo farci distrarre dalla Biennale di Venezia. E che sì, anche in pre- senza di uno speciale sulla Biennale denso di contenuti, dovevamo garantire anche per questo giugno un numero 'normale', ricco come al solito, anzi di più, proprio a causa della super-tiratura che la manifesta- zione veneziana ci ha piacevolemente imposto. Beh ce l'abbiamo fatta. Festeggiamo con tutti i crismi la cifra tonda del quarantesimo onpaper. Con un numero di spessore. In tutti i sensi. Lo speciale sulla Biennale, dicevamo, con approfondimenti sulla storia della kermesse lagunare, con una speculazione intellettuale sul direttore dell'edizione di quest'anno, con interviste agli artisti italiani che vi partecipano e con otto-pagi- ne-otto di impressioni da parte di tutti i protagonisti. E ancora una riflessione - polemica! - sui nuovi padiglioni, una disamina statistica della mostra più importante del mondo, le 'ancore di salvezza' per non mori- re di sola Biennale e per non perdersi la Venezia emblema della storia dell'arte. E con un calendario che può farvi usare questo fascicolo anche come guida, se visiterete la megarassegna durante i mesi estivi. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Vi Ville Krossa Fördomar – Det Var Där Allt Började
Vi ville krossa fördomar – det var där allt började Poddar som medel för att utveckla normkritisk kunskap om dans av Teresia Vigil Lundahl Institutionen för Danspedagogik Masterexamen 30 hp Program: Samtida dansdidaktik VT 2021 Handledare: Ylva Hofvander Trulsson Examinator: Anna Grip och Lena Hammergren Abstract Title: We wanted to break with prejudices- that´s where it all started. Podcast as a tool to develop a norm-critical pedagogy in dance education. Author: Lundahl, Teresia Vigil University: Stockholm University of the Arts Language: Swedish Key words: norm-critical pedagogy, dance, dance education, gymnasium, Podcast, contemporary arts didactic, africanistic aesthetics This master thesis explores issues about academic dance education in the dynamic of a traditional and contemporary expectations in the discipline. In dialogue with dance students at an aesthetic program in the context of the upper secondary school/ the gymnasium in Sweden, dance theory is analysed from a norm-critical view. The students have created podcasts about dance styles such as dancehall, twerking, azonto and voguing. The analysis of the data has used action research as a method. The purpose has been to develop the didactics in the course Dance theory in order to reach an increased goal fulfillment, new knowledge and meaning in relation to curriculum and syllabi expectations. The study includes a research overview of dances from the African diaspora, African aesthetics and vernacular dance as well as the whiteness norm and intersectionality. The podcasts have been analyzed in relation to governing documents, traditions of teaching dance and theories of resistance and participation. The joint result from the podcasts about dancehall, twerking and azonto emphasizes the importance of respectfully putting dance styles in a context of origins and history. -
La Mostra Antologica Per Ugo Nespolo I Paesi Della Zona Al Voto
SETTIMANALE DI INFORMAZIONE - DOMENICA 1º GIUGNO 2014 - ANNO 112 - N. 21 - € 1,30 giornale locale Poste Italiane S.p.A. Spedizione in abb. postale DCOIO0047 Sito internet: D.L. 353/2003 (conv. in L. 27/02/2004 nº 46) www.lancora.eu art. 1, comma 1, MP-NO/AL n. 0556/2011 Quasi doppiato il M5S e fortemente penalizzato Forza Italia • Elezioni europee: Tiziana Beghin con Importante consenso per il Partito Democratico il Movimento 5 Stelle da Castelnuovo Bormida a Bruxelles a pag. 2 nel voto per Europa e Regione Piemonte • Ottria per il PD e Mighetti per il M5S sono stati eletti in Consiglio regionale Acqui Terme. Anche nella Galeazzo, Bertero, Cannito, Ratto a pag. 2 città termale si respira l’aria di cambiamento ormai diventata praticamente un vento in tutta • Tutti i dati delle elezioni europee a pa- Italia. Il commento dei politici acquesi al risultato elettorale gina 8, di quelle regionali a pagina 10, Anche qui il Partito Demo- cratico ha raccolto importan- Acqui Terme. «Sono pro- costruttiva. Un’opposizione Pd e del Movimento Cinque di quelle comunali alle pagine 11-14. ti consensi che portano ad fondamente contento perché che più che criticare tende a Stelle. una riflessione politica sem- gli elettori hanno dimostrato di suggerire e consigliare». «Al di là di quelli che sono i pre più necessaria e indiffe- essere maturi - ha detto Aure- Per il sindaco Enrico Berte- commenti politici infatti credo ribile. liano Galeazzo, capogruppo ro, il voto degli italiani, così co- che avere due rappresentanti A parlare sono i dati: nelle del centrosinistra in consiglio me degli acquesi, non apre un del nostro territorio in Regione • Convegno nazionale su satanismo e europee il Pd ha ottenuto 4008 comunale - anche gli acquesi nuovo capitolo della politica, sia particolarmente importan- magia a pag. -
Clarissa Ricci Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition
Journal On Biennials Why Venice? Vol. I, No. 1 (2020) and Other Exhibitions Clarissa Ricci Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition Abstract This paper argues that Cardinal Points of Art, directed by Achille Bonito Oliva has been decisive in the formation of the contemporary Venice Biennale. The 45th Venice Biennale, (1993) was memorable for many reasons: the first exhibi- tion of Chinese painters in Venice, its transnational approach, and because it was the last time the Aperto exhibition was shown. Nevertheless, this was a complex and much criticised Biennale whose specific characteristics are also connected to the process of reform that the institution had been undergoing since the 1970s. The analysis of the exhibition starts with the examination of this legacy and continues by questioning Bonito Oliva’s curatorial contribution in order to define the specific features which helped to shape the contemporary Venice Biennale. Keywords Venice Biennale, Aperto, 1993, Achille Bonito Oliva, Nomadism, Coexistence, Contemporaneity OBOE Published online: September 16, 2020 Journal On Biennials and Other Exhibitions To cite this article: Clarissa Ricci, “Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition”, OBOE Journal I, no. 1 (2020): ISSN 2724-086X 78-98. oboejournal.com To link to this article: https://doi.org/10.25432/2724-086X/1.1.0007 Journal On Biennials Why Venice? Vol. I, No. 1 (2020) and Other Exhibitions Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition¹ Clarissa Ricci Introduction The format of today’s Venice Biennale is the result of a long intellectual and polit- ical negotiation.